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INDONESIA
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Published by Institut Seni Indonesia Surakarta
ISSN : 20870795     EISSN : 26220652     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
Arjuna Subject : -
Articles 452 Documents
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BATIK JAWA TIMUR: PERPADUAN TRADISI DAN UNGKAPAN IKONIK SETYAWAN, ONY; Irawan, Andi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 17 No. 1 (2025)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v17i1.7122

Abstract

Perkembangan kreasi motif batik di wilayah Jawa Timur dapat menjadi kajian menarik ketika dihubungkan dengan peta persebaran antara tradisi dan ikonik. Penelitian ini berbasis studi pustaka yang melihat konteks apropriasi sebagai domain gagasan yang dapat digunakan untuk mengungkap gaya kreasi dalam penciptaan berbagai motif batik di Jawa Timur. Temuan dalam praktik penciptaan motif mejadi bahan kajian penting yang melatarbelakangi terjadinya perubahan nilai dari objek yang telah diapropriasi. Apropriasi dapat dipandang sebagai istilah yang digunakan untuk membaca berbagai pengambil-alihan obyek-obyek kebudayaan lain yang dijadikan milik oleh pihak-pihak tertentu. Fenomena ini memiliki efek tersendiri dalam masyarakat dalam memaknai sebuah produk budayanya. Penelitian ini menggunakan paradigma kualitatif, menggunakan berbagai sumber dari dokumen, karya batik, dan foto pendukung. Terdapat beberapa persamaan antara kerajinan batik di suatu daerah dengan daerah yang lainnya. Hal ini dapat digunakan dalam mengelompokkan perkembangan batik berbasis tradisi dan ikonik. Oleh karena itu, penelitian ini menjadi penting dilakukan karena akan menelisik asal-muasal praktik pencipataan karya motif daerah tersebut, sekaligus akibat yang terjadi dari adanya apropriasi yang dilakukan. Hasil dari penelitian ini dapat dimaanfaatkan untuk menambah khazanah kajian tentang perkembangan batik di Jawa Timur ataupun sebagai bahan ajar dalam analisis dasar persebaran gaya khas motif Jawatimuran.
DIALOG ANTARA TRADISI DAN MODERNITAS: PERSPEKTIF TERHADAP TEKNIK PHOTOLITHOGRAPHY Mahendra Putra, Rizky Dewa
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 17 No. 1 (2025)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v17i1.7127

Abstract

Penelitian ini mengeksplorasi interaksi antara nilai tradisional dalam seni cetak grafis dan inovasi teknologi melalui teknik photolithography. Berangkat dari perubahan paradigma seni akibat kemajuan digital, studi ini menyoroti bagaimana teknologi dapat berpadu dengan esensi otentik teknik cetak tradisional. Menggunakan metode kualitatif dengan studi kasus dan analisis wacana visual, data dikumpulkan melalui literatur, observasi proses produksi, dan wawancara. Hasilnya menunjukkan bahwa photolithography bukan sekadar jalan pintas teknis, melainkan medium potensial untuk menyatukan tradisi dan efisiensi teknologi. Penelitian ini menekankan pentingnya dialog konstruktif antara keduanya guna menciptakan karya seni grafis yang autentik, bermakna, dan relevan di era modern.
PARODI GENDER SEBAGAI MEDIA KRITIK SOSIAL: STEREOTIPIKAL SIKAP PEREMPUAN DALAM KONTEN SOSIAL MEDIA Primadewi, Nerfita; Waryanti, Dessy Rachma; Abdullah, Varatisha Anjani
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 17 No. 1 (2025)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v17i1.7171

Abstract

Artikel ini mengeksplorasi fenomena konten kreator media sosial laki-laki yang memerankan karakter perempuan dalam perspektif etika utilitarianisme. Dalam era digital, media sosial telah menjadi platform utama untuk ekspresi dan interaksi sosial, di mana konten kreator memiliki pengaruh signifikan dalam membentuk opini publik dan norma budaya. Tulisan ini berfokus pada tiga konten kreator terkenal di Indonesia: Ibu Hajat, Karmalogy, dan Meifang_sby, yang menggunakan karakter perempuan untuk memparodikan kebiasaan sehari-hari wanita. Melalui analisis kritis terhadap konten mereka, artikel ini menilai dampak positif dan negatif dari tindakan mereka berdasarkan prinsip-prinsip utilitarianisme yang dikembangkan oleh John Stuart Mill. Artikel ini juga membahas bagaimana identitas yang dibentuk di media sosial adalah hasil dari proses kurasi yang kompleks, serta pentingnya tanggung jawab etis bagi konten kreator dalam produksi konten yang menghibur dan mendidik.
Studi Penciptaan Karya Seni Grafis Dengan Teknik Hot Print Di Atas Kaca Zarkasi, Much. Sofwan
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 1 No. 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v1i1.231

Abstract

The development of discourse as well as the work process in the fine art realm relates to the contem-porary art spirit bringing pluralism, generates the tendency of art limit loss and daily needs, the fall of barriers between the high and popular cultures, opens the oppor-tunities of exploring form, technique and medium in creating the art work. The art institution and artist are required to attend and to participate actively in the dynamics of art development. A study on art work creation occurring from the observation, trial and creative experimentation is one proper answer for the demand of art development. This study begins from the observation of technique deve-lopment in the fine art work on the glass medium that still open the opportunity to explore the working technique, and it is inspired by the graphical art development beginning to expand to the computer tech-nology. The author wants to produce a fine art work with glass medium that is different from conventional glass pain-ting art and the technique employed was the printing technique in the graphical technique using thermal energy or called Hot Print. The hot print technique it self is a printing technique that utilize thermal energy in this case using the heat conductor plate connected to the electricity during the transfer of image to the drawing medium consti-tuting cloth, ceramic or glass. Mean-while, the experimentation the author stimulates is the picture visualization processing on the glass that later seems to be three dimensions, with the piled layer or glass system. In addition, the author also tries to present the problem, that is, questioning the communal identity of Javanese society amid the global culture, through Panakawan charac-ter, that is Bagong. Keyword: Wayang, Graphic art, Hot Print technique.
Hubungan Wayang Kulit Dan Kehidupan Sosial Masyarakat Jawa Sukirno, Sukirno
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 1 No. 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v1i1.233

Abstract

Wayang is a Javanese cultural es-sence inherited hereditary, not just a spectacle and a guide how people should behave in life, but also an order that must dititeni kanti tliti (which is an all natural law that needed to be regularly and judi-ciously adder-ssed) kasunyatan towards and achieve real life. Java for men (men who understand the true) is a way of life puppets, how they behave with others and how aware essence as human beings and how they can relate to the creator.  Now a social function for the Javanese wayang has shifted and changed, especially for urban com-munities who consume urban mass culture. Formerly a puppet show and guidance, now they see the puppet confined to enjoy an entertainment. It is very different from an agrarian society tiggal Javanese rural, social function puppets as educational media, ritual, entertainment and information is often held, for example, for this ritual, the village clean, and Ruwatan. Even so if we want to look more deeply, in fact the presence of a puppet in the life of Javanese society is still very strong. In his subconscious, attitude and mindset of Javanese society is still very close to the puppet either visually or philosophy. This can be seen from the emergence of puppet forms that apply to the various fields of life. This paper discusses the above issues, namely the shifting function and the role of puppets in contem-porary Javanese life of the com-munity. Dig up some possible affinity with the Javanese wayang both visually and the philosophy, views of behavior and thought patterns in several aspects of social life, including in the art world recent practice. Keywords: Puppet, Javanese so-ciety, global culture, art.
Bentuk Dan Strategi Perupaan Mural Di Ruang Publik Syamsiar, Syamsiar
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 1 No. 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v1i1.235

Abstract

Mural now familiar to resi-dents of the city, almost in every street corners is murals with a wide range of visualization. The road users would not want to accept the existence of these murals. Two adjacent cultural city as a focus of research has a picture of the existence of the creation of the mural as follows: 1) The form and content according to envi-ronmental conditions, 2) Mural in form and content does not comply with the environmental conditions. 3) murals that have no clear goal and collided with the graffiti. The strategy needs to be done in the creation of murals, for suitable for public spaces are: 1) Workers mural art or artists should have experience in work-ing on the mural, 2) the idea or content of the mural should be considered in depth and tho-rough, to be more appropriate and beneficial to the wider community, 3) Visually (shape or form) should contain murals created aesthetic value as the comparison between the images with road users can be seen clearly. 4) Good collaboration with municipalities, and relevant par-ties would further support the implementation process of mural making 5) With the holding of the race course will also affect the variation of the mural that was created, because each group or individual has a different cha-racter-creation different, 6) Age mural tends to be short compared with other conventional works, because it works more on outdoor murals, so the weather was affecting the continuance. 7) In the mural creation strategies, will vary with the creation of conventional painting, because the mural visualization tend to occupy a vast space and some-times high, so that the necessary technical perspective and a more powerful distortion. Keywords: Mural, teknique and public art
Eksperimentasi Penciptaan Karya Keramik Monumental Dengan Tungku Rekayasa Marwanto, Aries Budi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 1 No. 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v1i1.237

Abstract

In the process of creating ceramic art, the size scale is a problem. When making large ceramic works, meaning the risk of failure too great. This relates well with the chemical composition of clay and the right mixture. After the drying process is also longer, but the longer the drying period is the longer the duration of the crack or rupture prone. Last is a burning issue that must use a big oven. Larger furnace is also more expensive. Some of these cons-traints which ultimately makes ceramic artists in Indonesia did not dare to experiment making great work. Complex process coupled with the limitations of the furnace equipment (oven) for high-priced, making leaps of the idea of creation of ceramic artists and Indonesia not seprogresif dyna-mic branch other art. Es-pecially in terms of its magnitude. Noted, functional ceramics produced most only 2 meters, which is in Plered West Java, while the ceramic art ever created by Dadang Chris-tanto very monu-mental in his "1000 man land". The fact is captured by the author. Article "Creation Experi-mentation Stove Works Engi-neering Ceramics Using" this merrupakan exploration of the possibility of aspects of the main raw material composition (clay structure and all materials mixed), initial combustion process, and the main thing is burning stove model development, which is inspired from the stove burning bricks. Keywords: Experimentation, Cera-mics, Sculptures Monumental, Furnace Combustion Engineering.
Menyoal Seni Lukis Indonesia Kini -, Dharsono
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 1 No. 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v1i1.239

Abstract

Our painting trip since pioneering   R. Saleh until the beginning of this XXI, was still swayed by the impact of conception. Indonesian art esta-blishment that has not reached the level of success, it has been devastating by western modernism that produce alternative art, with the emergence of the concept art (art conseptual): "Installation Art", and "Performance Art", which once flourished in college campuses throughout the art of the late 20th century. Then came the various alternatives such as "collaboration" as the final mode. Along the same conventions of painting adorned with a variety of styles-galleries, which is no longer as a token of appreciation to the community, but an alternative investment business. Now (the early 21st century) painting exposed to two forces; art remains a classic value of conventional forces from the inner consumption that belonged to the community, cha-llenged by the phenomenon of art as a market management forces in berorentasi leading commercial value in popular culture. Art no longer belongs to the people ....... Keyword: arts, painting, popular culture
Perfilman Indonesia Harapan Dan Kenyataan Budiman, Dwi Aji
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 1 No. 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v1i1.241

Abstract

Previously, the New Order era, many filmmakers complain of the absence of freedom. So they do not make a movie that contains criticism and protest, especially to the govern-ment. Now times have changed. Why do not they make movies critical. Film Indonesia currently exploit as taboo in the social and cultural issues, some social and cultural issues like just lying, do not question the filmmakers those problems. Society was considered problematic and the film only touches the edge themes. Film Indonesia is also a little offensive themes that comment on social life (social commentary) and cultural life (cultural commentary). Yet social and cultural life, as portrayed in the film well, will be able to provide an important contribution to our lives as a nation. Whereas many social phenolmena that have lived followed by a good research will be able to produce a representation of the critical themes and interesting. This is an internal failure of the filmmakers themselves. But there was no denying that there are barriers that are external to the emergence of themes that do not represent a critical public life. Bar-riers were named business interests. Keyword: Indonesian film and social representation
Tokoh Punakawan Pada Wayang Orang Sebagai Sumber Ide Penciptaan Animasi 2d Dengan Konsep E-Learning Rachman, Anung
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 1 No. 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v1i1.243

Abstract

The problem in the rising generation society concerning local culture are conflicting between the needs of rising generation society to have a suistainable edutainment as unity of a “living culture”, with many changes affected from the importing culture developed by foreign resources, high technology and the pressure by the world culture growth. Panakawan as one of culture local figure variety have many utilized by art agents as inspiration of art creating and creation media with various artistry shaped. It oftentimes we can see, considering on pana-awan's figure there are many contain positive simbol that is utilized to build nation personality. But unhappily current, the local culture is getting not popular among the rising generation because it’s ingoing the import culture to this nation with in fast. By the encapsulate local tradition and animation (modern technology) method for the research we have destination that the rising generation society can feel comfort and back to local culture as nation wealth. With animations technology, an object at computer can be made more interesting because this technology make the object moving and becomes ‘ life’. The encapsulation is made with e-learning method. The result is edutainment creation. The user which exploit it will be given local culture education and entertainment all at once. e-learning is define as learning method with technology (electronic) supporting. Keywords: local culture, animasi, e-learning

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