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INDONESIA
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Published by Institut Seni Indonesia Surakarta
ISSN : 20870795     EISSN : 26220652     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
Arjuna Subject : -
Articles 452 Documents
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Makna Rumah Bagi Masyarakat Jawa -, Indarto
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 1 No. 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v1i2.247

Abstract

Communities on the island of Java considers the house like a man worthy to be appreciated and respected. Respect means honoring the house occupants inside the man. Houses must be respected because it is sacred. This statement was seen when the ceremonies at the time of making the residence. Before the house started its construction, the thing to do is to give offerings as gratitude to God. Typically these offerings in the form of crops if the various types of food and pray together like a newborn baby. This traditional ceremony is performed from the ancestors of the Javanese community. Construction of the house is sacred and holy. Implementation of deve-lopment chosen by the good days are tailored to the occupants and a good day for the people in Java. Because the house as a sacred container, then the Javanese people always treat her well and always clean so that their lives are always peaceful and prosperous future free from the calamity that has adversely affected the family. Keywords: Houses, Sacred and Holy, Offerings, Peace and Prosperity
Multimedia Pembelajaran Mixed Media dan Kolaborasi Rachman, Anung
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 1 No. 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v1i2.251

Abstract

The role of education world always must be dynamic and listens carefully in facing and anticipates all changes in happened. Some problems experienced by teacher in process of pure art study at university with material scope Mixed Media and collaboration is the subject difficult to be comprehended without in backing with media because teacher in giving lesson still conventionally, and instructor which has not so mastering is information technology, and curriculum now is delivered university autonomy causing teacher is claimed to makes method and strategy in teaching Study model applied in research to distinguish computer by using Adobe Flash is being based on Multimedia with approach of the constructivism theory in overcoming study problems of pure art.This paper describes the process of making multimedia learning, concept, design, until programming. In the end section also described the results of produce including an analysis of the multimedia learning Keyword : mixed media and collaboration, Multimedia, learning
Fenomena Alam Sebagai Sumber Inspirasi Penciptaan Karya Seni Lukis -, Sukirno
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 1 No. 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v1i2.255

Abstract

This paper is a report from the study of the creation of works of art with a source of ideas of natural phenomena. In the context of the creation of art, nature with all its elements are sometimes seen as a theme, sometimes seen as a motive, sometimes also as an object of study, or a source of inspiration of artists (Soedarso SP,: 2006:30). This paper is at once answered the purpose of creation studies conducted by the author, which explains: how the phenomenon of destruction of nature as a source of ideas placed the creation of works of art? And how the process of making paintings with natural phenomena as a source of ideas?Keywords: natural phenomenon, the source of the idea of creation, painting.
Kajian Batik Motif Kawung Dan Parang Dengan Pendekatan Estetika Seni Nusantara Rosanto, Anton
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 1 No. 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v1i2.261

Abstract

Art is not only related to aesthetics, but also associated with non-symbolic or symbolic meanings, the symbolic meaning of the classical era is often used to signify rank or degree, for example in Batik, Batik patterned particularly Kawung. When viewed from the evidence of its history it can be seen the development of batik was there when the temples are made, even though no physical evidence of the existence of a piece of batik cloth but can be seen from the depiction of figures in the form of statues are in the use of batik cloth. In the group of geometric decoration, the familiar motif Batik old (ancient) Kawung criteria that goes into the motives Ceplok2, and more specifically into the Outback or Kraton Batik motifs (Based on Hinduism traditions), and the motive is one of the members of prohibition in the 7 (seven) other restrictions such as motive Parang, Parang Rusak, Cemukiran, Sawat, Udan lyrical, Cement, and Alas-alasan. Above fact is the reason for the authors to examine batik Kawung and parang with nusantara aesthetic approach. Batik kawung because one of the old motifs and motifs machete is one of the motives ban. Keywords: batik, kawung motive, parang motive, nusantara aesthetics.
Pergeseran Peran OHD Dalam Dunia Seni Rupa Indonesia (Kajian Sosio Budaya) Djaka S, Teguh
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 1 No. 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v1i2.263

Abstract

For perpetrators of art in Indonesia, the name of Oei Hong Jien (OHD) is not a foreign name. Born of a family who loves painting, OHD become the world's top collector of Indonesian art. He is now not only become another collector's reference (and abroad) who want to buy works of painter Indonesia, but also a member of the Board of Directors and the Singapore Art Museum Singapore Art Retreat. Especially after OHD build an art museum containing paintings collection, adding to the prestige OHD as a collector and curator of the higher. From several sources obtained by the author, now at least OHD has collected 1500 painting, from a variety of visual styles and generations. From the works of old masters such as Affandi, Sudjoyono, Hendra Gunawan, Entang Wiharso, Adi Yuswantoro novice painter to emerge to the surface. Given all these facts, make a referral OHD museum and research data sources Indonesian art development for researchers from Indonesia and Overseas. This phenomenon is written in this article, which is related to (1) Background OHD so loved the painting until he wants to collect more than 1000 paintings. (2) There is a shift in the role of OHD in the Indonesian art world, from the limited apresian / consumers (collectors) to be a gallery curator and advisor and board member and Director of the Singapore Art Museum Singapore Art Retreat with authority or power to determine the value of a work or artist. (3) The background of thought or interest of OHD and when he prefers not to establish a museum gallery/ showroom collection. Key words: OHD, collectors, curators
Kajian Bentuk, Fungsi Dan Makna Patung Loro Blonyo Dengan Pendekatan Estetika Seni Nusantara Prasetyo, Raden Ersnathan Budi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 1 No. 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v1i2.269

Abstract

According to historical records, the statue of Loro Blonyo has existed since the time of the leadership of Sultan Agung of Mataram Kingdom in 1476. Manifestation of Hinduism was later modified to be more universal, to the statue of the Dewi Sri to bridal pair. At first, Loro Blonyo ownership is closely related to art and culture. Only the gentry who have it. In joglo house, the statue Loro Blonyo is placed at sentong or middle part of the house. The part that is considered as a private area husband and wife. In addition, Loro Blonyo also to be Krobongan complementary. This relates to several miitos that accompanies the presence of the Statue of Loro Blonyo. Loro Blonyo Statue of traditional forms of symbolic display smoothly because it is associated with ritual functions. Once pulled, the statue of Loro Blonyo is still favored by the people, although it functions and how to interpret this statue has been changed. Symbolic display of this statue are parsed in this paper. With the nusantara aesthetic approach of this paper is expected able to dissect the meanings embodied in symbolic statue Loro Blonyo Keywords: Loro Blonyo, symbolic meaning, nusantara aesthetics.
Seni Lukis Kaca Cirebon Refleksi Akulturasi Budaya Cholis, Henri
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 1 No. 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v1i2.273

Abstract

This research was an attempt to find out the existence of the painting style in Cirebon. The decision to choose the topic was based on the aims at having a good knowledge of glass painting for improving the subject of glass painting. Cirebon was chosen as the location for the research because glass painting had been the inseparable  part of the cultural history of the city. In the course of time, the glass painting of Cirebon had come up with its unique style or characteristics which deve-loped until the present day. The problem studied in this research was the existence of the painting and glass painting style of Cirebon. The style of  this research is description of a qualitative nature, and the study takes the form of a field study using an aesthetic approach.The results of the research show that the glass painting developing in Cirebon is the result of the cultural acculturation of Arab, China, Java and that the unique style elements  of fine arts come into existence. The painting objects such as padasan ( a kind of water jar with a spout for ritual cleansing), rain cloud, three fish with one head, macan ali, figures of wayang, calligraphic wayang, sunya ragi, Singo Barong are the themes as the reference for the artists of glass painting in Cirebon. However, the younger artists of glass painting develop painting style outside the traditional themes. The glass painting of Cirebon can survive because of the support of the government, the court, the artists, curators, gallery, and market. Key words: style, glass painting, Cirebon.
Representasi Tubuh Perempuan Dalam Performance Art Karya Melati Suryadarmo Isnanta, Satriana Didiek
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v2i1.275

Abstract

This article addresses the question of focus related to the struggle for identity (body) of women in the new field called contemporary art, espe-cially in the work of performance art mance. With the consideration that performance art is one of the genre in contemporary art instruction to made deconstruction modern art (fine art) by the road doing demate-rialitation art.By using the body as a medium, the presence of the body in performance art became highly political. Espe-cially the work of performance artist (performer) named Melati Suryadar-mo. Electoral Budget Suryadarmo, because she's a performance artist- international standard and works much voiced about gender, espe-cially on issues of women's bodies in social reality.Works analyzed using Suryadarmo Budget semio when, in particular the "rhetoric of the image of" Roland Barthes. This analysis aimed to reveal mo-ivation, there are political motivations behind the creation pro-cess works and Suryadarmo’s pro-cces representation activity. What myth and ideology to build what was taken by Melati Suryadarmo.Keywords: Performance Art,Gender equality, representation of women's body, and Melati Suryadarmo
Studi Model Tungku Pembakaran Untuk Pembuatan Patung Keramik Monumental Marwanto, Aries Budi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v2i1.277

Abstract

In the process of creating works of ceramic art, the amount of size is a problem. When making large ceramic works, meaning the risk of failure too great. This relates very well with the chemical composition of clay and mixtures that fit. After that also the longer the drying process, whereas the longer period of drying, the longer the duration also susceptible crack or rupture. Last is the burning issue that must use a large fireplace as well. Larger furnace means also more expensive. Some of these constraints which ultimately makes ceramic artists in Indonesia do not dare to make the work of a great experiment.Complex process coupled with the limited equipment furnace (oven) because high-priced, making leaps of idea creation Indonesian ceramic artist does not as dynamic as the other branches of art. Especially in terms of its magnitude. Noted, functional ceramic wares produced at large is only 2 meters, which is in Plered West Java, while the ceramic art ever created by Dadang Christanto very monumental in his work "1000 man land".The fact is captured by the researcher. In "Burning Furnace Model Development Study for the Preparation of Ceramic Sculpture Monumental", has researched and explored various aspects of the composition of the possibility of major raw materials (clay structure and all material pencampurnya), initial combustion process, and most important is the development model of the furnace combustion . Keywords: ceramics, furnace, monumental ceramic sculpture.
Dinamika Kehidupan Sosial, Politik Dan Budaya Sebagai Salah Satu Sebab Munculnya Fungsi Seni Sebagai Media Penyadaran Zarkasi, Much. Sofwan
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v2i1.279

Abstract

A paper titled dynamicization Social Life, Politics and Culture Play a Role as One For The emergence of Function of Art For the Media Awareness, describes the role of social life which affect the life and artistic development, especially the emergence of bentukl art that serves as a social awareness. Cultural and social development in a community group from the backwards will bring changes to all fields of politics, economics, art and culture itself. Community needs to grow and expand along with the awareness of individuals or the community in understanding life. Art is the one that felt the changes. The products or works of art created as a counterweight and a response will be the condition of the existing reality. The function of art became more varied, according to the understanding and awareness of its presence.This paper concludes; con-clude that a development of cultural, social, political, economic, will affect the dynamic role of art or artistic function. The effect was so strong because of environmental conditions will affect the human mind or society in it. Art as a product of society must be related to the functions of his presence in the environment and the arts have the power or the power transformation can be flexible and meaningful presence in social life. One of them is an art as a medium of awareness, where the presence of works of art based on awareness of partiality on a commitment to humanitarian and mission aware-ness through art rather than as a mouthpiece of propaganda that is not berestetika, but shared learning space for social transformation that contain aesthetic values.This artwork is also a form of expression or the response of the community in this manner can the artist or the general public towards social environmental conditions that may occur injustice, and this fact must be disclosed.  With the presence of works of art that has a function as a medium of awareness is expected to occur active communication related to the social reality which is disclosed in the message works. Creators and connoisseurs of art could be more touched and try to understand social reality or the reality that exists, which eventually is expected to show a change for the better. Keywords: art, Function of Art, Media Awareness

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