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Capture : Jurnal Seni Media Rekam
Published by Institut Seni Indonesia Surakarta
ISSN : 2086308X     EISSN : 2338428X     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of the journal will be to promote a global discussion forum and an interdisciplinary exchange among scholars exploring the topic of TV program, film or cinematography, animation, and photography from different perspectives.
Arjuna Subject : -
Articles 406 Documents
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CONTENT STILISTICS ON INDONESIAN YOUTUBER VLOG Aji, Fajar
Capture : Jurnal Seni Media Rekam Vol. 13 No. 2 (2022)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v13i2.4088

Abstract

As a video-sharing site, YouTube has evolved into a new platform for audio-visual content creation. This condition enables not only celebrities and corporations (television media) to create content and become YouTubers but also the general public to do so. This article seeks to describe how YouTubers' vlog contents are stylized in Indonesia. As the defining elements, form, and style are transformed into data to identify the resulting stylistics. This descriptive qualitative research uses a subjective approach. The interpretation analysis was conducted based on the results to verbally illustrate the form and style elements of the vlog contents of the ten most subscribed Indonesian Youtuber channels in 2020. The findings indicate that the forms and styles of Indonesian YouTubers' vlog contents result in authentic, dynamic, spontaneous, and distinctive stylistics. These stylistics can finally create a sense of intimacy and engage the audience in the delivered content.
LOCAL FILM FESTIVAL CHARACTERISTICS: A CASE STUDY OF THE MERDEKA FILM FESTIVAL Wangsa, Edelin; Depita, Natalia
Capture : Jurnal Seni Media Rekam Vol. 14 No. 2 (2023)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i2.4124

Abstract

Local cinema festival is an alternative form of entertainment for locals. Merdeka Film Festival in Solo, Central Java, is an annual event involving the youth community and local government institutions. This film festival offers entertainment in the form of film screenings on plugged screen (layar tancap). This research mainly seeks to investigate the production pattern of a local film festival. This research employs a descriptive qualitative approach that includes interviews with festival’s organizers and film festival experts. The results indicate that Merdeka Film Festival exhibits the characteristics of local film festival. Besides, the organizers must have a close relationship with the locals through the youth community and local government institutions in order for the film festival to operate smoothly. 
VISUALIZATION AND REALITY IN PACKAGED BEVARAGE ADVERTISING Setyawan, Denny Hendrifika
Capture : Jurnal Seni Media Rekam Vol. 14 No. 2 (2023)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i2.4127

Abstract

Visual and audio advertising media as information broadcast to audiences must consider advertising ethics because bombastic and manipulative visualizations and narrative sentences deceive the public by providing untruthful information. According to advertising ethics, ontology, and epistemology studies, revising the media’s presentation of product advertisements is imperative. Accordingly, this study utilizes a descriptive-quantitative method based on previous studies and direct observation of the "Adem Sari Chingku Sparkling" advertisement in 2017. Conclusions are drawn using the constructivism method. The results suggest that the presentation of "Adem Sari Chingku" advertisements in the modern era tends to be manipulative. The advertisements are presented with bombastic visuals and biased narratives to manipulate suggestions and lead the audience to develop certain assumptions about the advertisement. The suggestions made by the advertising media do not refer to the composition of the product's raw materials. The audience is led to believe that the product can relieve and cure heartburn.
ANTHROPOCENTRIC THEOLOGY IN A BIOPIC FILM : A STUDY OF THE ISLAMIC CONCEPTION OF K.H. HASYIM ASY'ARI IN THE FILM SANG KIAI Kartika, Bambang Aris
Capture : Jurnal Seni Media Rekam Vol. 14 No. 1 (2022)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i1.4132

Abstract

The film Sang Kiai was created based on the biographical history of a person who played a significant role in the Battle of Surabaya on November 10, 1945, a pivotal event in Indonesian history. This film chronicles the story of K.H. Hasyim Asy'ari, a great scholar from Tebuireng Islamic Boarding School in Jombang, the founder and leader of Nahdlatul Ulama (NU), the largest Islamic religious mass organization in Indonesia, as well as a national hero. Accordingly, this study proposes a research problem of the extent to which anthropocentrism theology serves as the foundation for the Islamic conception of K.H. Hasyim Asyari in the movie Sang Kiai. The study of the film Sang Kiai applied an anthropocentric theological reading approach and a qualitative descriptive methodology. The study’s findings reveal that K.H. Hasyim Asy'ari utilized anthropocentric theology to raise Muslims’ awareness to fight the practices of colonialism and break free from its shackles while also fighting the ignorance of aqidah. In sum, anthropocentric theology is the basis for the legitimacy and principles of the Islamic conception of K.H. Hasyim Asy'ari’s attitudes, behavior, thought patterns, and actions to overcome Muslims’ problems.
THE AESTHETICS OF AGUS LEONARDUS’ POSTCARD PHOTOGRAPHY ON YOGYAKARTA SOCIO-CULTURAL ACTIVITIES Yuniar, Anang Ma'ruf Bagus; Prasetyo, Andry
Capture : Jurnal Seni Media Rekam Vol. 14 No. 2 (2023)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i2.4386

Abstract

This text aims to assess the aesthetic value of Agus Leonardus' Yogyakarta social and cultural activities-themed postcard photography works from both ideational and technical perspectives. This research adopts a qualitative interpretative approach, describing the postcard photo works as data. The analysis utilizes Soedjono's aesthetic theory, which encompasses both technical and ideational aspects. The results of this study indicate that Agus Leonardus' photos ideationally highlight ideas and themes related to social and cultural activities in Yogyakarta. On a technical level, they demonstrate a skillful combination of various visual elements, such as lines, shapes, and lighting. The arrangement of these visual elements in Leonardus' works is carefully considered, ensuring that each photo complements and supports one another, thereby enhancing the aesthetic value of the overall collection.
THE CONSTRUCTION OF INDIE MUSIC FANDOM IDENTITY ON INSTAGRAM Narendra Wigati, Oki Turatula; Mulyadi, Raden Muhammad; Nugrahanto, Widyo
Capture : Jurnal Seni Media Rekam Vol. 14 No. 1 (2022)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i1.4465

Abstract

This article discusses the significance of indie music fandom, particularly their involvement in collecting physical music releases, namely vinyl records, cassettes, and CDs uploaded to Instagram social media. This study aims to examine how the identity of indie music fandom is formed on social media and the motivations for uploading a collection of physical music releases. This research is a qualitative netnographic study supported by observing the content of fandom accounts, conducting interviews, and employing Content Analysis techniques. The results of this study indicate that past experiences, personality, and pride motivate indie music fandom to construct an identity through the collection and uploading of physical music releases on Instagram. 
THE EFFECTIVENESS OF TOURISM VLOG COMPETITION ON VISITS TO COCOA ECOTOURISM DESTINATIONS Suharijadi, Didik; Fausiyah, Diana; Astuti, Soekma Yeni
Capture : Jurnal Seni Media Rekam Vol. 14 No. 2 (2023)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i2.4488

Abstract

The Banyuwangi Regional Government hosted a tourism vlog competition from 2017 to 2021. Because no analysis of the effectiveness of the competition has been conducted, additional research is required. The selection of cocoa tourist research objects in Sempu District is expected to become one of the community-based advertising references. This qualitative study collects data through interviews, focused group discussions, and documentation. The qualitative data analysis was carried out by combining data on the implementation of the Vlog Competition from the Tourism, Creative Economy and Culture Office of Banyuwangi Regency with data from FGD results with a sample of Banyuwangi film creators and data on cocoa tourism visits in Sempu District. The analysis results indicate that the Tourism Vlog Competition is ineffective in increasing the number of cocoa tourism visits in Sempu District.
VISUAL ANALYSIS OF LEE JEFFRIES’ INSTAGRAM PHOTOGRAPHS Prasetyo, Martinus Eko; Everlin, Shierly; Winnie, Winnie
Capture : Jurnal Seni Media Rekam Vol. 14 No. 1 (2022)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i1.4491

Abstract

Instagram is a social media platform for publishing photographic works. Lee Jeffries, one of the most renowned portrait photographers, consistently exposes his works to the general public, including through the social media platform Instagram. His photographic works are considered highly interesting and unique due to their capacity to transmit social messages. Lee Jeffries consistently captures photographs of homeless people worldwide to convey social messages to his audience. This motivates the authors to discuss the meaning of visual messages in Lee Jeffries' works. The study employed a qualitative descriptive approach to analyze the photographs’ composition, color, and symbolic meaning. The results show that the application of symmetrical and asymmetrical compositions and colors for portraits of human faces, especially those of the homeless on urban street corners, produced symbolic meanings, including sadness, emotion, and happiness.Instagram is a social media platform for publishing photographic works. Lee Jeffries, one of the most renowned portrait photographers, consistently exposes his works to the general public, including through the social media platform Instagram. His photographic works are considered highly interesting and unique due to their capacity to transmit social messages. Lee Jeffries consistently captures photographs of homeless people worldwide to convey social messages to his audience. This motivates the authors to discuss the meaning of visual messages in Lee Jeffries' works. The study employed a qualitative descriptive approach to analyze the photographs’ composition, color, and symbolic meaning. The results show that the application of symmetrical and asymmetrical compositions and colors for portraits of human faces, especially those of the homeless on urban street corners, produced symbolic meanings, including sadness, emotion, and happiness.
THE ANTHROPOMORPHIC-BASED CHARACTER IN THE ANIMATION FILM “AYO MAKAN SAYUR DAN BUAH” Pebriyanto, Pebriyanto; Ahmad, Hafiz Aziz; Irfansyah, Irfansyah
Capture : Jurnal Seni Media Rekam Vol. 14 No. 1 (2022)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i1.4560

Abstract

Children are arguably less motivated to consume vegetables. At the same time, animated films as learning media are considered effective in evoking emotion and influencing the audience. Consequently, the Ministry of Health of the Republic of Indonesia created the animated film "Ayo Makan Sayur dan Buah" as a campaign to encourage children to consume vegetables. This study seeks to determine the visuals of animated vegetable characters used to motivate children to consume vegetables. This qualitative research employed a case study method referring to the manga matrix theory and the anthropomorphic approach in design review as a data analysis technique. This study's anthropomorphic approach indicates that the design of vegetable characters in the animated film "Ayo Makan Sayur dan Buah" has not been fully optimized to evoke children's emotions because it is still influenced by other verbal messages in the film.
MARKETING CONFLICT AND SHARPENING ANTAGONISM: DOCUMENTING AND PRESERVING SOCIAL DIVISION IN THE FILM 3 HATI DUA DUNIA SATU CINTA Hartanto, Denny Antyo; Murti, Ghanesya Hari; Sukmawati, Ni Luh Ayu; Astutiningsih, Irana
Capture : Jurnal Seni Media Rekam Vol. 14 No. 2 (2023)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i2.4982

Abstract

This research analyzes the 2010 film 3 Hati Dua Dunia Satu Cinta (3 Hearts Two Worlds One Love) amidst the social phenomenon indicating increased religious intolerance. Additionally, this study seeks to analyze social urban society's phenomenon and disparity through the film's narrative and characters. This research also seeks to understand the film's impact on urban society's heterogeneity from the spatial politics perspective. The study employed the qualitative method with narrative and discourse analysis approaches using Laclau-Mouffe's antagonistic framework. Data was collected by watching and directly analyzing the film and through relevant literature studies. The research results indicate that the film 3 Hati Dua Dunia Satu Cinta successfully utilized the social phenomenon as a marketing strategy, maintained disparity through its narrative and characters, resulted in subject dislocation towards a certain hegemonic identity, and influenced the heterogeneity of urban society from the perspective of spatial politics. 

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