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Capture : Jurnal Seni Media Rekam
Published by Institut Seni Indonesia Surakarta
ISSN : 2086308X     EISSN : 2338428X     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of the journal will be to promote a global discussion forum and an interdisciplinary exchange among scholars exploring the topic of TV program, film or cinematography, animation, and photography from different perspectives.
Arjuna Subject : -
Articles 406 Documents
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METAPHOR IN THE FILM SETAN JAWA Fenda, Intan Yulia Febbyu; Handriyotopo, Handriyotopo
Capture : Jurnal Seni Media Rekam Vol. 12 No. 2 (2021)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v12i2.3441

Abstract

The Setan Jawa film depicts the two main characters' fascinating and expressive body language and motions (Setio and Asih). Accordingly, we formulate the research problem of the Setan Jawa film’s metaphor values. This study uses the metaphorical approach to search for the meanings of the film by analyzing the source and target domains. Our findings indicate that Setan Jawa encompasses both the romance source domain and the tragedy target domain. In sum, Setan Jawa is a film about perseverance, courage, intention, self-sacrifice, and ambition. 
'MONUMEN KREWENG' 3D ANIMATION VIDEO AS A VISUAL BRANDING STRATEGY FOR JURON TOURIST VILLAGE Marwanto, Aries Budi; Afrianto, Damar Tri; Dwi Atmaja, Nur Rahmat Ardi Chandra
Capture : Jurnal Seni Media Rekam Vol. 12 No. 2 (2021)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v12i2.3572

Abstract

The development of tourist destinations in this digital era focuses on using technology to develop successful tourism recovery during the pandemic era. We use this principle to develop a tourism strategy using 3D animated videos to introduce Juron Village as a tourist village. Specifically, this study analyzes the visual strategy of a 3D animation video entitled "Monumen Kreweng" using Marty Neumeier's visual branding analysis. The findings provide insight into the animated video's visual branding strategies, including differentiation, collaboration, innovation, validation, and cultivation. The differentiation is found in the work of the Kreweng monument as the focal point of attention and local wisdom, followed by validation through the use of social media platforms to solicit consumer feedback on visual branding. Finally, the cultivation concept encourages various stakeholders to participate in realizing Juron Village's tourism branding.
THE POWER OF BU TEJO AND DIAN? THE ANALYSIS OF FEMINIST POWER RELATION IN THE FILM TILIK Angjaya, Sonny
Capture : Jurnal Seni Media Rekam Vol. 12 No. 2 (2021)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v12i2.3613

Abstract

Tilik is a short film directed by Wahyu Agung Prasetyo. Given that the film's plot is primarily focused on the relationships of its female characters, the problem of female representation cannot be ignored. This article focuses on the power dynamic between the film's two central female characters, Bu Tejo and Dian, through the lens of Amy Allen's feminist perspective on power. The analysis identifies four dimensions of representation that contribute significantly to the development of their power relationship: physical appearance, marital status, gender role depiction, and socioeconomic status. The underlying significance of the power relationship between Bu Tejo and Dian in the film is analyzed through qualitative Content Analysis and Contextual Analysis approaches. This study reveals that the film portrays both women ambiguously, how patriarchal society creates an ecosystem that pits women against one another for power, and how the minor male characters in the film continue to exert signifficant influence over Bu Tejo and Dian in acquiring, maintaining, and exercising their power in a patriarchal society.
AN AUTEUR OF DECADENCE: SOFIA COPPOLA AND THE UNBEARABLE HEAVINESS OF COMING OF AGE Majestya, Nayla
Capture : Jurnal Seni Media Rekam Vol. 12 No. 2 (2021)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v12i2.3621

Abstract

As a filmmaker, Sofia Coppola is often under critiques considering her visual excess frivolous. This article is an auteur study towards the thematic and stylistic tendencies of Sofia Coppola’s films. Through analysis of her mise-en-scene, I contend that Coppola, as a film auteur,  tends to glorify the image of the lost generation. This glorification is bolstered by her signature style that echoes the spirit of the Decadent movement in the late-nineteenth-century European art scenes, which was preoccupied with the idea of fin de siècle or society in transition at the end of time. This idea is exemplified most vividly by motifs such as hedonistic behavior, visual excess, and cultural decline.
SOLO-YOGYA INTO 360-DEGREE PHOTOGRAPHY Jauhari, Jauhari
Capture : Jurnal Seni Media Rekam Vol. 13 No. 1 (2021)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v13i1.3627

Abstract

Currently, technological developments have made it possible for photographic works not only to be present in the form of a flat 180 degree two-dimensional panorama, but even being able to present reality with a 360 degree perspective. This research on the creation of photographic works aims to optimize photographic equipment for photographing with a 360 degree perspective. Eventhough there are many 360 degree application in smartphones, but using a DSLR camera to create works with a 360 degree perspective has the advantage that it can be printed in large sizes with high resolution without breaking the pixels. The method of creating this work is based on the experimental process of developing DSLR camera equipment. This 360 degree photography creation technique uses the 'panning-sequence' technique with 'continuous exposure' which allows the images captured by the camera can be combined or mixed into one panoramic image. In addition to getting an important and interesting visual appearance, the presence of a 360 degree perspective in this work can also give a new nuances in the world of the art of photography.
PETITION AS INDONESIAN FILM’S ROBBER: Theodor Adorno’s Perspective on Majority-Leaning Group’s Criticisms Nugroho, Sri Nugroho
Capture : Jurnal Seni Media Rekam Vol. 13 No. 1 (2021)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v13i1.3631

Abstract

Filmmakers have felt the impact of numerous films that have been petitioned or rejected by groups acting in the majority’s interests. The groups carry religious issues and view films as a new force capable of undermining the values (dogma) they believe. The views were infiltrated by efforts to homogenize discourses for a particular purpose rather than pure objectivity, resulting in petitions opposing certain films. In this regard, Adorno’s perspective on the revolutionary objective basis leads to the eradication of critical thinking against individuals associated with capitalism. The term “capitalists” refer to persons who control the Indonesian film industry. The underlying phenomena of this research are alienation and oppression, and the research sources are film industry actors who are directly affected by the phenomena above. Using Bogdan’s and Taylor’s qualitative approach in Moleong (2018), this study reveals that capitalists attempt to paralyze the joints of critical thinking to steer Indonesian films toward uniform themes, namely religious ones, that are “safe” from mass organizations’ petitions and rejections. These efforts mark the end of critical thinking and ideas in the creative filmmaking process.
DIGITAL PLATFORM AS ALTERNATIVE MEDIA FOR WATCHING FILM AT JOGJA-NETPAC ASIAN FILM FESTIVAL (JAFF) 2020 Perdana, Ganesha
Capture : Jurnal Seni Media Rekam Vol. 13 No. 1 (2021)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v13i1.3635

Abstract

Implementing a film festival on a digital platform could be a game-changer for the film industry in the Covid-19 era. It is then crucial to understand the role of digital platforms as a substitute for attending film festivals at JAFF 2020 because, in essence, films require spaces to interact with the audience regardless of the circumstances. This research is a qualitative study employing a case study methodology. The findings suggest that the role of digital platforms in implementing JAFF 2020 can be viewed as a means for a film festival to connect with its audience via new media. Additionally, the use of digital platforms is intended to act as a catalyst and carrier of energy for film crews to rise to the occasion in the face of a pandemic's uncertain conditions.
COMPOSITION IN LA LA LAND Agnia, Felia Arlitha; Sari, Maya Purnama
Capture : Jurnal Seni Media Rekam Vol. 13 No. 1 (2021)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v13i1.3650

Abstract

The film La La Land is a musical drama that is exceptionally well-made and features some of the best cinematography. As a result, this picture garnered numerous awards and earned a substantial income. This study seeks to analyze the visual composition in the film La La Land. This research uses qualitative descriptive approach with the film La La Land as the object. The data analysis process incorporated interpretative visual techniques, most notably interpretive video analysis. The results demonstrate that  La La Land employs both symmetrical and asymmetrical (Rules of Thirds) compositions to create an aesthetic image. This composition adds excitement and vitality to the film La La Land.
THE EFFECT OF WILDLIFE ORANGUTAN PHOTOS IN THE WORLD WILDLIFE FUND FOR NATURE ADVERTISEMENT ON STUDENT AWARENESS ON ENDANGERED ANIMAL CONSERVATION Novianti, Erlina; Amanda, Silviana; Sanggrawati, Malcheni
Capture : Jurnal Seni Media Rekam Vol. 13 No. 2 (2022)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v13i2.3688

Abstract

Orangutans are native to Indonesia that must be preserved because they are on the verge of extinction. One of the non-profit organizations, World Wildlife Fund for Nature (WWF) which involves outside parties with orangutans through campaign using photo media. This study aims to determine the effect of photos of wild orangutans in the WWF advertisement on students' awareness of conserving endangered species. This research uses an approach to study orangutan wildlife photos which are used as WWF advertisement media and use questionnaires for data collection. The results of this study indicate that the quality of orangutan wildlife photos that meet the rules of wildlife photography can convey information and messages effectively according to the WWF advertisement. WWF's advertisement photos can have a positive influence on respondents, which in the end can make them aware to participate in conserving the endangered orangutan.
COSTUME AND FEMINISM: CHARACTER IN FILM KARTINI Sintowoko, Dyah Ayu Wiwid; Sari, Siwi Anjar
Capture : Jurnal Seni Media Rekam Vol. 13 No. 2 (2022)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v13i2.3796

Abstract

Film Kartini, particularly the mise-en-scene aspect, appears to represent an era in the nineteenth century. The study focuses on Kartini's costumes. The research problem is how characters are constructed in the Film Kartini through costumes. The qualitative research method was employed for this study, and data collection was conducted using purposive sampling, with five scenes from Film Kartini serving as the primary data. The findings indicate that the costume’s four components, namely the top cloth, the body cloth, the leg cloth, and the accessories, are closely related to the character’s physiological, sociological, and psychological dimensions. The physical appearance of Kartini's costumes in its four components accurately reflects the physiological dimension. Meanwhile, Kartini appears to come from a noble family on the social dimension. Finally, on the psychological dimension, Kartini expresses her optimism for feminism through her costumes and movements but is confronted by the clash of Javanese traditions.

Page 38 of 41 | Total Record : 406

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