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Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya

ornamen
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Published by Institut Seni Indonesia Surakarta

ISSN : 16937724 EISSN : 2685614X DOI : 10.33153

Core Subject : Humanities, Art,

Arts Humanities

Art craft journal contains scientific articles on the results of research on the art of craft and the creation of craft art within the scope of Indonesian culture. The substance presented is in the form of a mission to preserve the cultural values of the archipelago as well as the development of concepts and aesthetics, along with the development of the complexity and dynamics of people's lives. The critical approach method in an interdisciplinary scientific perspective can open the widest possible opportunity for scholars, researchers, and stakeholders to work together in advancing a dignified national culture in the midst of global competition. ORNAMENTS art craft journals are published twice a year.

Arjuna Subject : -

Articles 235 Documents

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Visual Tradisi Dalam Karya Seni Lukis Kontemporer Sebagai Wujud Artistik Pengaruh Sosial Budaya Willy Himawan
Ornamen Vol 10, No 1 (2013)
Publisher : Institut Seni Indonesia Surakarta

Visualization of tradition often appears in contemporaryworks in the form of signs or markers that link it to the visualizationof patterns in the tradition of works such as batik , wayangpainting , dance and so on. Due to the diversity of media andtype of artwork on the development of contemporary art , the dataprocessing of the contemporary works then leads to the readingof signs (visual) cultural given by the artwork , which is accompaniedby the development of accompanying cultural, the term ofcultural studies moved into visual culture (visual culture).The works are classified in several classes of work thattakes a visual tradition as a theme (context) , as follows ; 1. Thegroup 's work that simply displaying artifacts , visualization of traditionwithout making changes to the shape of the initial representation. 2. The Group's work that deforming the shape of the initialrepresentation visualization tradition.Research Focus On Artists Haryadi Suadi and I Wayan SudiartaIn Indonesia , the value of the tradition is not completelyexceeded (turned off) by modern values, but rather becomes acoexistent values. Research sharpened on the selection of twoartists whose each represent 2 classes of work in order to providea comprehensive assumptions initial review of the case ofthe emergence visualization of tradition in the works of contemporaryart as a socio-cultural artistic discourse. In the group withno change, selected artist I Wayan Sudiarta, Sudiarta did makechanges in his works that are visually different from the worksof Balinese traditional painting and derivatives. But however, it'sproviding a strong trace of visual on the composition of traditionpaintings like dancers and wayang tradition painting.In the change of tradition's group, selected artists HaryadiSuadi, because his works show changes almost in opposite directionswith Sudiarta, so that such elements are produced to bevery free, but still reminiscent of the elements of such a tradition .(Keywords : visual studies, visual deformation traditio , artcontext)Â

TIPOLOGI DAN PELESTARIAN BANGUNAN BERSEJARAH; Sebuah Pemahaman melalui Proses Komunikasi Tri Prasetyo Utomo
Ornamen Vol 2, No 1 (2005)
Publisher : Institut Seni Indonesia Surakarta

The historic building forms are a facility for communication media in architecture. In architecture, the building forms have mean a sentence for a message and an expression. The building form are form elements, there are door, window, wall, roof, and floor, then to unite with form that a total architecture design. The building form element canâ€™t explain a message if itâ€™s a single building. Whatever, if it are unite, then the elements can become a communication media for to explain a message to observer.Keyword: architecture, building, elemen, communication

Model Iklan Layanan Masyarakat Berbasis Animasi Anung Rachman
Ornamen Vol 5, No 2 (2008)
Publisher : Institut Seni Indonesia Surakarta

Advertising is a media that usually used for direct persuasif communication by company to consumer. Advertisement device be created to make human become easy for understand to the advertisement message. Information technology as the helper device in understanding process. Multimedia animation as an information technology part able to support in understanding. In this paper, I will show that multimedia animation can give any pleasure and helping understand process in intend.Key word: Understanding, advertisement, Multimedia animation

Tinjauan Iklan Running Text Dan Banner Di Media Televisi Handriyotopo Handriyotopo
Ornamen Vol 2, No 1 (2004)
Publisher : Institut Seni Indonesia Surakarta

When television world in IndonesiaÂ sprout, whatÂ isÂ beingÂ happened by staÂtion of television have competition display the its pre-eminent event each. AuÂdience TV now only by using remote control can enjoy the event more than 12 channels of television stations. And only with the second calculation canÂ go toÂ the channel as desiring of where he likes. Becoming problem when event break for the advertisement of to most audience TV will remove the its channel to other station. This matter will apprehend the advertiser company causing is not effective is hour display the the advertisement and will cause downhill it their omset. All marketing of consumer product will be made confused as respects to that. Conscious of the situation hence emerge. The advertisement of banner and running texts to support the campaign advertisement the core important and boost up the number sale in consequence audience forced to see to display the though message submitted by very limited.Keyword:Â running text, banner, hard selling, channel, remote control

Pendekatan Fenomenologi Dalam Penciptaan Kriya Guntur Guntur
Ornamen Vol 5, No 1 (2008)
Publisher : Institut Seni Indonesia Surakarta

There are two things need to be considered when wewill discuss about the problem of work creation methodology.Firstly, the one relates to the paradigmatic aspect ofwork. Secondly, the implication of work paradigm will influencevarious probabilities of approach adoption and methodology.The two fundamental things need to be proposed asthe topic of discussion in order to obtain the clarity of positionin determining or adopting the methodology referred inartistic creation process, including in the work area. Thepaper is concluded with a proposal of phenomenological approachas the alternative in the work creation.Keywords: Work, Phenomenology

Keris Palembang (Sebuah Kajian Fisual Terhadap Keris Palembang) Basuki Teguh Yuwono
Ornamen Vol 9, No 2 (2012)
Publisher : Institut Seni Indonesia Surakarta

Keris culture along Sumatera island known as the Malay keris, and the one that stands out is the dagger in Palembang culture. Although culture is not a culture dagger indigenous people of Palembang, but its existence is important and penetrated almost every joint of their lives. Palembang keris culture in the beginning of a culture that comes from the Javanese keris and keris culture influenced Bugis (South Sulawesi) and also under the influence of a keris culture of Minangkabau (West Sumatra). Span of the history and culture of the keris in Palembang supported community's ability to adjust and process keris culture coming from the outside gradually gave birth to the distinctive culture of dagger and reflect the characteristics of their culture and identity. The most striking feature can be seen from such a visualization of shape or keris. Palembang keris visualization can be identified through the shape of each piece keris, namely: 1) Blade / dagger eyes covering prestige, size, type, and others. 2) sampir / dagger sheath that covers various forms sampir and pendok. 3) Ulu / upstream dagger which includes various forms pangulu and pedongkok or mendak. Each part of the keris is visually has a unique appearance and characteristics. Keywords: Cultural Palembang keris, Javanese and Bugis influence,Â visual characteristics, eye dagger, slung, ulu.

KAJIAN DESAIN JILBAB LUKIS PRODUK NASRAFA Anif Sintiya; Adji Isworo Josef; Sujadi Rahmat Hidayat
Ornamen Vol 12, No 1 (2015)
Publisher : Institut Seni Indonesia Surakarta

Artikel ini membahas tentang desain produk jilbab lukis Nasrafa. Pembahasan menggunakan pendekatandesain yang dikemukakan oleh Nanang Rizali. Ada beberapa faktor latar belakang yang mempengaruhiNasrafa memproduksi jilbab lukis, antara lain yaitu : faktor ekonomi, sosial-budaya dan teknologi.Konsep desain jilbab lukis yang diproduksi oleh Nasrafa dengan mempertimbangkan berbagai aspek secaraterpadu seperti: Aspek fungsional produk jilbab lukis, sebagai penutup aurat dan pelengkap busana(accsesoris). Teknik yang digunakan dalam proses produksi adalah teknik lukis diatas kain (direct painting)penggambaran langsung pada kain menggunakan bahan pasta lukis. Aspek estetik pertimbangan gagasanatau sumber ide dan tema termasuk olahan ragam hias dan warna yang diaplikasikan pada produk jilbablukis, dan produk tersebut harus mencakup beberapa hal dalam desain, diantaranya: bentuk, warna, dankomposisi.Kata Kunci : Desain, Jilbab Lukis, Nasrafa

Strategi Kreatif Sebagai Urat Nadi Periklanan Basnendar Herry Prilosadoso
Ornamen Vol 4, No 1 (2007)
Publisher : Institut Seni Indonesia Surakarta

Advertising couldnâ€™t separate from human life for almost people believe that advertising become to their life style. Advertising likes social texts that use to understanding the dinamiced of sociaty from one part to another part when the advertise opened. Creativity aspect from advertising is the most important thing to create a new advertise that depand on the visual communication design principles. So, how to appear creativity of advertising with visual communication design media until done to the audience.Key words : Advertising, Design, Creativy.

Klasikisme Wayang Kulit Purwa Gaya Keraton Yogyakarta Sutriyanto Sutriyanto
Ornamen Vol 7, No 2 (2010)
Publisher : Institut Seni Indonesia Surakarta

Wayang Kulit purwa is an original product of Indonesia culturewhich develops in accordance with the rise and fall of the kingdoms inJava Island. It has tremendous influence towards the development ofart and culture in our homeland. It was initiated by the Giyanti treatyin 1755 which split Mataram kingdom into two and it also affect thedevelopment of the wayang which goes hand-in hand with style improvementon art works. History exP.Iains that the wayang located inkeraton Yogyakarta is the legacy of several provious kings in Mataramkingdom. Sultan Hamengku Buwana I using his authority and attentiontowards arts and culture, with no exception to wayang kulit pUiwa. Succeededin bringing it to his new palace, which is in keraton KasultananYogyakarta. The development of the Yogyakarta-styled wayang inkeraton Yogyakarta always refers to the previous collection of wayangwhich is usually called kanjeng kyai, so does the wayang developed inthe keraton Surakarta. Eventually, the Yogyakarta styled wayang purwapreserves the previous style more. Which is popularly known as classicstyle, while the Surakarta styled wayang kulit purwa has shown somechanges and development from the exsiting one and it is called romanticclassic style. it is reflected from the visualization of the wayang byanalyzing the implication of the crafts shape and the use of the colorsare more striking and varying.Keyword: wayang kulit, purwa, style

MENYINGKAP LATENSI EKSOTIK CANDI SUKUH MELALUI MEDIA FOTOGRAFI Muji Soewasta
Ornamen Vol 11, No 2 (2014)
Publisher : Institut Seni Indonesia Surakarta

The presence of photographic technology is, of course, born to hunt objectivity because its capability topicture a visual reality with high precision level. In addition, photography as a very useful image emission inrepresenting a visual reality. Further, photography is not only a representation of a visual object it reproduces,but it also contains a message. It is said that photography is also message shaped by emission resourceand transmission channel. Accordingly, it occupies a position in which a photography technology is expectedto be able to reveal shadow of mystery shrouded the presence of Sukuh Temple.Keywords: high precision, visual reality, covered mysteryÂ

Page 2 of 24 | Total Record : 235

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