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Ayumi : Jurnal Budaya, Bahasa, dan Sastra

ayumi
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Published by Universitas Dr. Soetomo Surabaya

ISSN : 24068268 EISSN : 25802984 DOI : -

Core Subject : Humanities, Education, Art,

Arts Humanities Education Languange, Linguistic, Communication & Media

Jurnal AYUMI adalah jurnal budaya, bahasa dan sastra yang diterbitkan oleh Program Studi Sastra Jepang, Fakultas Sastra, Universitas Dr. Soetomo Surabaya. Jurnal ini memuat hasil penelitian, artikel ilmiah, dan studi pustaka tentang budaya, bahasa, dan sastra Jepang. Kami mengundang para dosen prodi bahasa dan sastra Jepang, peneliti dan praktisi untuk mengirimkan karyanya baik dalam bahasa Indonesia maupun bahasa Jepang. Jurnal ini terbit dua kali dalam setahun, yakni setiap bulan Maret dan September. Batas akhir pengiriman naskah untuk edisi Maret adalah bulan Januari dan untuk edisi September pada bulan Juli.

Arjuna Subject : -

Articles 179 Documents

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Budaya Aimai dalam Anime Flying Witch Karya Katsushi Sakurabi Devi Haryanti Oktavia; Mangatur Sinaga; Intan Suri
Ayumi : Jurnal Budaya, Bahasa, dan Sastra Vol 9 No 2 (2022): AYUMI: Jurnal Budaya, Bahasa dan Sastra
Publisher : Faculty of Letters, Dr. Soetomo University

In Japanese society, one of the communication cultures that becomes an important concern is the aimai or ambiguity. The use aimai in community communication aims to maintain harmony. Aimai as a communication culture is not only used in real situations in society, but is also expressed in works such as anime, films, and manga. One of which is an anime entitled Flying Witch. The purpose of this research is to find out how the form and use of aimai in the anime Flying Witch. The findings of this study are useful as a theory development about culture that influences Japanese communication. With knowledge of culture in a language community, communication will work well. This research is a qualitative descriptive study. The theory used in this study is the theory of Davies and Ikeno (2002) and the theory of Tsuji Daisuke (1999). The results of the study stated that aimai in Japanese can be in the form of words, sentences, and interrogative sentences. Aimai in the Flying Witch anime is used to express opinions indirectly, disguise disapproval, and express doubt or uncertainty. Keywords: aimai; communication; culture.

Idiom Berleksikon Tangan (Te) yang Bersinonim dalam Bahasa Jepang dan Bahasa Indonesia Azis Wahyu Laksono; Dinonisius Krisna Saputra; M. Irvan Mulyo Aji; Rayhan Mujahid Amrullah; Yuli Sulistiani
Ayumi : Jurnal Budaya, Bahasa, dan Sastra Vol 9 No 2 (2022): AYUMI: Jurnal Budaya, Bahasa dan Sastra
Publisher : Faculty of Letters, Dr. Soetomo University

Idioms are phrases that cannot be interpreted lexically. This is one of the factors causing difficulties for many Japanese learners in interpreting it. Understanding the meaning of the idiom can be done through an analysis. This research is an idiom analysis that uses the lexicon hand or te (手) in the Japanese and Indonesian. The purpose of this study is to comprehend and understand idioms with hand or te lexicon, which are synonymous between Japanese and Indonesian. The benefit of this research is to provide an overview of the reader about the application of contrastive analysis of an idiom with a hand or te in Japanese and Indonesian. The method used was descriptive qualitative. Researchers used literature studies, and data were taken from the Kamus Besar Bahasa Indonesia (2014) and also the online dictionary of Goo Jiten in the collection of data. The results of this study indicate that of 114 hand or te idioms in the Goo Jiten dictionary, there are 14 hand or te idioms that have the same connotation meaning as Indonesian idioms. Furthermore, of the 14 idioms whose connotative meanings are the same, idioms that also have the same lexical meaning are only found in 3 idioms namely, te ga nagai (手が長い) ‘long hand’, te wo ageru (手を上げる) ‘raise hand’, dan te ni wataru (手に渡る) ‘change hand’. Keywords: connotative; denotative; hand; idiom; meaning.

Dinamika Kepribadian Tokoh Sasaki Miyo dalam Anime Nakitai Watashi wa Neko wo Kaburu : Tia Ristiawati; Viana Meilani Prasetio; Aldy Rizaldi Sumargono
Ayumi : Jurnal Budaya, Bahasa, dan Sastra Vol 9 No 2 (2022): AYUMI: Jurnal Budaya, Bahasa dan Sastra
Publisher : Faculty of Letters, Dr. Soetomo University

Characters in literary works have an important role, because they become the main focus in the storyline. Characters can be observed about their personalities, one of which is about personality dynamics; which includes the processes that occur and result in changes in the character’s personality. The purpose of this study is to determine the personality dynamics from the character Sasaki Miyo in the anime Nakitai Watashi wa Neko wo Kaburu. The benefit of this research is to add references to the dynamics of Miyo’s personality in this anime. The research method used is qualitative with a literary psychology approach. Data collection was carried out by using the note-taking technique. The data found were analyzed using Sigmund Freud’s theory of personality dynamic. Three important elements that influence the dynamics of a person’s personality are instinct, anxiety, and defense mechanisms. After being analyzed, the character Sasaki Miyo is known to experience personality dynamics by experiencing these three elements. At the beginning of the story, Miyo is told to have a closed nature with those closest to her. After being trapped in the form of a cat and successfully carrying out a compensation-type defense mechanism, Miyo’s desire to survive is getting stronger, so she tries to snatch her human form from the figure of the mask seller. After successfully seizing her human form, Miyo experiences moral anxiety that makes her realize what she has done so far that she doesn’t want to open up with her family. Miyo also tries to fix this and wants to be more open with her family and closest people. Miyo realized that turning into a cat and running away from her problems would not solve the problem. Keywords: anxiety; defense mechanism; instinct; literary psychology; personality dynamic.

Pengaruh Perubahan Perilaku Afektif terhadap Perilaku Tokoh Utama dalam Anime Honzuki no Gekokujou Season 1 Karya Miya Kazuki Dini Lutfiana Ambarwati; Hendri Zuliastutik
Ayumi : Jurnal Budaya, Bahasa, dan Sastra Vol 9 No 2 (2022): AYUMI: Jurnal Budaya, Bahasa dan Sastra
Publisher : Faculty of Letters, Dr. Soetomo University

This study discusses changes in affective behavior that occur in the main character in Miya Kazuki's Honzuki no Gekokujou Season 1 anime. Affective behavior is behavior related to attitudes and feelings. This study aims to describe the factors that cause behavioral changes in the monozukuri concept on behavior, and the impact of behavioral changes on the main character in Miya Kazuki's Honzuki no Gekokujou Season 1 anime. The theory used in this study is Skinner's behaviorism which states that human behavior can change due to several factors. This study uses a qualitative descriptive method with data in the form of descriptions and analytical techniques with descriptive analysis. The results of this study found internal and external factors. Internal factors found 4 data and external factors found 3 data. The concept of monozukuri found 2 data. The impact of behavior change is found in 2 data, namely the impact on one self and the impact on others. Changes in behavior in the main character make him more independent, more compassionate, independent, innovative, and creative Keywords: anime; behavior change; Honzuki no Gekokujou Season 1.

Bentuk Tindak Direktif pada Kalimat Deklaratif dalam Serial Drama Jepang Desy Irmayanti; Isnin Ainie
Ayumi : Jurnal Budaya, Bahasa, dan Sastra Vol 9 No 2 (2022): AYUMI: Jurnal Budaya, Bahasa dan Sastra
Publisher : Faculty of Letters, Dr. Soetomo University

This study discusses the form of directive utterence in Japanese declarative sentences of Japanese drama series entitled Sapuri and Osen. Directive utterence has a purpose to produce an effect in the form of actions taken by the speech partner. The form of directive utterence in declarative sentences has been analyzed using Yasushi’s Theory. This research uses qualitative method and directive utterances in declarative sentence as the data. The result of the research is that the form of directive utterence in declarative sentences in Japanese drama series (in order of the most) is dantei, suiryou, utagai, and ketsui. Keywords: declarative sentences; directive utterence; pragmatic.

Makna Warna Tata Rias Wajah Pemain Kabuki pada Video Shibaraku Ni Nyoman Sariyanti; Ni Wayan Meidariani; Wayan Nurita
Ayumi : Jurnal Budaya, Bahasa, dan Sastra Vol 10 No 1 (2023): AYUMI: Jurnal Budaya, Bahasa dan Sastra
Publisher : Faculty of Letters, Dr. Soetomo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25139/ayumi.v10i1.4992

This articel aims to find out the meaning of the colors of kabuki performance art makeup on the antagonist, protagonist and Princess characters in the Shibaraku video. Analysis of meaning using Peirce's semiotic theory through the classification of the types of signs seen from the object, namely icons in the form of pictures of kabuki figures, indexes in the form of colors and types of makeup used by kabuki characters and symbols in the form of color relations with the characters of kabuki characters. This classification of marks has been used to define color in kabuki makeup. The data source used in this paper is the primary data source in the form of a kabuki performance video entitled Shibaraku downloaded from YouTube. The method used in this paper is a qualitative method. Based on the results of data analysis, it is known that the meaning and name of the character's makeup, the makeup of the protagonist's character, namely the kumadori sujiguma makeup with red color which has the meaning of goodness and justice. Meanwhile, the makeup for the antagonist character is the kumadori kugeare makeup in blue which means cold or cruel. Also, Princess character makeup is a standard makeup with a white base color which means purity of character, and light red on the eyes which means femininity and cheerfulness. Keywords: color; kabuki; makeup; meaning.

Konflik Batin Tokoh Utama dalam Cerpen Sumidagawa Karya Nagai Kafu (Kajian Psikologi Sastra Kurt Lewin) Muhammad Miqdad; Antonius R. Pujo Purnomo
Ayumi : Jurnal Budaya, Bahasa, dan Sastra Vol 10 No 1 (2023): AYUMI: Jurnal Budaya, Bahasa dan Sastra
Publisher : Faculty of Letters, Dr. Soetomo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25139/ayumi.v10i1.5499

The focus of this research problem discusses the inner conflict experienced by Chokichi as the main character in the short story Sumidagawa by Nagai Kafu which has a background in the Meiji era. This study uses the conflict theory put forward by Lewin, which divides inner conflict into three, namely approach-approach, approach-avoidance and avoidance-avoidance conflict. The purpose of this study is to identify and interpret the form of inner conflict in the main character in the short story Sumidagawa by Nagai Kafu. The benefit of this research is to contribute to the development of science, especially in Japanese literature in Indonesia. For general readers, it is hoped that this research article can introduce Nagai Kafu’s work as a reading reference, especially for the Sumidagawa short story, as well as a means for readers to appreciate contemporary works of Japanese literature. This research method use a descriptive qualitative analysis method to analyze each form of the main character’s inner conflict in each storyline of Sumidagawa short story. The data source for this research comes from the Sumidagawa short story by Nagai Kafu which is contained in the Aozora Bunko digital library along with an Indonesian translation book entitled Sungai Sumida which is included in the Collection of Japanese Short Stories by Hanafi (2017). The results of research on Chokichi’s inner conflict based on Lewin’s conflict theory show that he experiences a form of approach-avoidance conflict and avoidance-avoidance conflict. This form of inner conflict is represented in Chokichi in the form of desires that are not in line with reality, disputes that are not in line with the will, and confusion in dealing with a problem. Keywords: Chokichi; inner conflict; Meiji; Nagai Kafu; Sumidagawa.

Penyematan Fonem Vokal pada Gairaigo di Album Traveler Karya Official髭男dism (Higedan) Paradida, Yulia Putri; Luhulima, Fiona Djunita Natalia; Tarigan, Marsten Lihardo
AYUMI : Jurnal Budaya, Bahasa dan Sastra Vol 10 No 1 (2023): AYUMI: Jurnal Budaya, Bahasa dan Sastra
Publisher : Japanese Literature Study Program, Faculty of Letters, Dr. Soetomo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25139/ayumi.v10i1.5661

The purpose of this study is to identify the embedding of the vocal phoneme in gairaigo in Higedan’s Japanese song lyrics and to describe the changes in moral and its syllables. The benefit of this research is that Japanese language learners can understand the detailed process of the vocal embedding in gairaigo in Japanese song lyrics. The theories used are Hirayama’s theory about vowel phonemes in Japanese, Kawarazaki and Kubozono’s theory about embedding vowel phonemes in closed syllables, and changing the syllables in gairaigo, Sutedi’s theory about mora and syllables. This research method is a qualitative method with a descriptive approach. The data source is from the album song Traveler by the Japanese band Official Hige Dandism (Higedan) with data in the form of gairaigo which has undergone a process of embedding vocals. Researchers used literature study techniques to collect data, then analyzed with descriptive techniques. The findings found that gairaigo underwent a process of embedding vowels as many as 15 words which were divided into 3. First, embedding vowel phonemes at the beginning of words as many as 5 words, namely furiidamu (フリーダム), adobanteeji (アドバンテージ), sutookaa (ストーカー), kurosuwaado (クロスワード ) and sutoorii (ストーリー ). Second, the embedding of vowel phonemes in the middle of the word consists of 2 words, namely, iesutadai (イエスタデイ) and kontorooru (コントロール). Third, embedding vowel phonemes at the end of words as many as 8 words namely, poketto (ポケット), patto (パット), binteeji (ビンテージ), endo (エンド), fitto (フィット), taaminaru (ターミナル), rokku (ロック), and souru (ソウル). The process of embedding these vocal phonemes also influences the occurrence of changes in mora and syllables. Keywords: gairago; Higedan song lyrics; vocal embedding; vowel phoneme.

Pergeseran Tradisi Nanakusa-Gayu bagi Masyarakat Jepang Dewasa Ini Ainie, Isnin; Irmayanti, Desy; Lesmana, Dika Bhakti
AYUMI : Jurnal Budaya, Bahasa dan Sastra Vol 10 No 1 (2023): AYUMI: Jurnal Budaya, Bahasa dan Sastra
Publisher : Japanese Literature Study Program, Faculty of Letters, Dr. Soetomo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25139/ayumi.v10i1.6565

Shortly after the New Year celebration (oshogatsu) in Japan, there is a hereditary tradition of serving nanakusa-gayu dishes. Nanakusa-gayu is rice porridge especially served by mixing seven kinds of leaves that are considered sacred by the Japanese. The seven types of leaves include seri, nazuna, hakobera, suzuna, suzushiro, hotokenoza, and gogyou leaves. This research discusses the tradition of eating nanakusa-gayu dishes for Japanese society in this modern era. The method used in this study is descriptive qualitative with data in the form of tweets from social media twitter on January 7, 2023. The results of the research show that there are still many Japanese people who carry out the tradition of eating nanakusa porridge. However, there have been several shifts in tradition, such as the ingredients, when to eat, how to get the ingredients, to the members of the family who participate in eating the nanakusa porridge. In addition, it is also known that there is correlation between the implementation of the nanakusa-gayu tradition with the hope of avoiding various kinds of diseases. This correlation cannot be separated from the activity of picking baby vegetables which is the basic core of the nanakusa-gayu tradition. This activity requires a person to keep moving along the streets while looking for baby vegetables. By doing so, the Japanese will have a healthy body, so they are immune from disease. Keywords: nanakusa-gayu; oseichi ryouri; oshougatsu, tweet.

Penerjemahan Ungkapan Kenjougo dan Konsep Uchi-Soto pada Takarir Drama Shimbun Kisha Dhia Ardhina Salsabila; Hariri, Tatang
AYUMI : Jurnal Budaya, Bahasa dan Sastra Vol 10 No 2 (2023): AYUMI: Jurnal Budaya, Bahasa dan Sastra
Publisher : Japanese Literature Study Program, Faculty of Letters, Dr. Soetomo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25139/ayumi.v10i2.6658

This study aims to analyze the relationship between the honorific expressions of kenjougo with the uchi-soto concept and the form of subtitle translation in the Shimbun Kisha drama (The Journalist) in 2022. This study uses a qualitative and descriptive method with the honorific theory of kenjougo proposed by Iori (2001). The data sources used in this study were taken from oral and written data contained of kenjougo expressions in the Shimbun Kisha drama episodes 1-4. The data is obtained from Netflix with a duration of 45 to 60 minutes for each episode. The results of the study show that the form of kenjougo expression that appears most often in the Shimbun Kisha drama is a special verb form. Based on the relationship between participants and the concept of uchi-soto, the study results also show that the use of the expression kenjougo tends to be used in the concept of soto. In translation results in Japanese drama subtitles, the concept of uchi-soto are often not being considered by the translator. It can be seen in the use of several pronouns in Indonesian which are usually used in informal situations such as aku, kau, -mu and -ku. In addition, there are several changes in meaning made by translator. This is caused by the translator's lack of understanding of the uchi-soto concept. There are also cultural differences between the Japanese concept of uchi-soto and polite language in Indonesian. Indonesian does not recognize the honorific expression kenjougo so there are differences in perception in the translation process. The analysis of the form of honorific translation illustrates the complexity of the translation process which affects the equivalence of the translation. Keywords: audiovisual translation; kenjougo; uchi-soto concept.

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Unitomo

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