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INDONESIA
Humaniora
Published by Universitas Bina Nusantara
ISSN : 20871236     EISSN : 24769061     DOI : -
Core Subject : Humanities,
Humanities
The journal invites professionals in the world of education, research, and entrepreneurship to participate in disseminating ideas, concepts, new theories, or science development in the field of Language, Culture, Visual Communication Design, Interior and Furniture Design, Character Building, Law, International Relations, Psychology, and Communications through this scientific journal.
Arjuna Subject : -
Articles 1,770 Documents
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The Dependence of Javanese Culture in Chinese Temple Ceremony Celerina Dewi Hartati
Humaniora Vol. 14 No. 2 (2023): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v14i2.8861

Abstract

The research discussed the dependence on local culture, in this case, on Javanese culture, in the Chinese temple ceremony. A close relationship between Chinese and Javanese culture could be seen in the cultural interactions between the Chinese and Javanese. This cultural interaction was related to the relationship of the Chinese people with the Javanese cultural values and cultural elements, such as in the ceremony. In cultural interaction, Chinese people were immersed in the values and elements of Javanese culture. Cultural reality had shown, in historical reality, that the Chinese in the past had met, fused, and merged into Java. The research method applied the research was a qualitative descriptive method and case study with an ethnographic approach. This research shows cultural borrowing and dependence on Javanese culture. One of the dependencies of Javanese culture in Chinese culture is ceremony or ritual. Taking the case of the god's birthday ceremony, which is held in temples in Central Java, namely Tek Hay Bio (Semarang) and Welahan, it will be shown that Javanese culture influences Chinese culture. Consequently, the borrowing and dependence on Javanese culture in Chinese culture cause the dominance of Javanese culture in Chinese temple ceremonies and make the loss of some elements of Chinese culture itself (displacement).
Implementing Personalized Learning in Universities Classrooms: Lecturers’ Challenges and Perceptions Agnes Herawati
Humaniora Vol. 14 No. 2 (2023): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v14i2.8890

Abstract

The research aimed to investigate the challenges faced by university lecturers and how they overcome them, as well as the perceptions towards the implementation of a personalized learning approach. Personalized learning was considered a teaching approach that emphasized how to achieve the learning objectives, students’ active learning, and self-regulated learning that could not be fully served in traditional classes. This approach focused on each student’s learning pace and their active participation in the learning process. In the long run, implementing personalized learning was hoped to develop students into responsible and lifelong learners. Although lecturers showed an excellent perception of the implementation of personalized learning, however, it was no doubt that conducting this approach brought some new experiences and challenges for the lecturers as well. Mixed method was applied in the research. The result shows the difference between personalized learning and traditional one in terms of time management, students’ responsibilities and motivations, and class interaction, and those become the most challenging matters faced by the lecturers. How lecturers make use of technology to realize better-personalized learning classes and other crucial things that are needed by the lecturers in implementing personalized learning are also presented.
Keeping Tradition, Culture, and Community through Social Entrepreneurship: A Case of Lamerenan Agnes Harnadi; Rosdiana Sijabat; Pristiana Widyastuti; Yerik Afrianto Singgalen
Humaniora Vol. 14 No. 2 (2023): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v14i2.8941

Abstract

The research discussed social entrepreneurship that aimed to create social impacts. These impacts could be not only economic, yet cultural. Lamerenan was a social enterprise focused on Tanimbar’s tenun cloth (handwoven fabric) through community empowerment. This foundation was chosen because it encouraged the local community to preserve tradition and culture by persuading them to use traditional methods to produce the cloth. Although this foundation was categorized as a micro-small-medium enterprise (MSME) with age less than ten years old, Lamerenan had a mission to restore the quality of Tanimbar’s tenun cloth, by keeping the tradition using traditional weaving loom, which was called “Tenun Gedog Loom” or “Gedogan” and natural dyes. The research utilized the qualitative method. An in-depth interview was conducted with the founder of Lamerenan, Hiyashinta Klise, on December 2021 via Zoom meeting. Secondary data about Lamerenan and Tanimbar’s tenun cloth was collected from online news and Lamerenan’s social media (Instagram). The research finds how Lamerenan keeps the Tanimbar’s weaving tradition, culture, and women weaver community through social entrepreneurship. Furthermore, how the community returns to the traditional way, using natural dyes in producing the cloth. The result of the research is expected to bring insight into local traditions and culture that can be useful in developing empowerment in the local community.
The Power of Narration in Online Media to Support the Sustainability of Maos Batik Hartanti, Monica; Claudia Lukman, Christine
Humaniora Vol. 14 No. 3 (2023): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v14i3.7775

Abstract

The research showed that historical events could create a narrative on batik motifs. The chronicle of the Javanese War had always been a part of the origins of Banyumasan Batik, including Maos Batik. The narrative about the Diponegoro War code on Maos Batik was a success factor in increasing the uniqueness of the Maos Batik. Although the truth was uncertain, this narrative was published and popularized through trusted online news media. The research used narrative analysis with a qualitative descriptive approach. Narrative data were collected through reliable sources, narrative analysis from Propp, and the semiotics of the Barthes signification system to reveal the myths and ideologies contained in the Maos Batik motif. Online questionnaire data was from 108 respondents to determine the respondent interest level after knowing the Batik motif's narrative as the code for the Diponegoro War. The research reveals that the narrative of the Maos Batik motif as a code for the Diponegoro War cannot be clarified the truth of its history. However, the socialization carried out by the company owners through the popularity of the leading online news media has made this narrative considered historical truth. Strengthened by the myths contained in the Maos Batik motif, it can function to naturalize history. If this is not considered a historical fact, then the narrative can be accepted as a marketing strategy. The dissemination of the narrative in Maos Batik through trusted online news media can enhance the uniqueness of Maos Batik, which becomes a differentiation from other regions. This attracts consumers to buy and supports sustainability of Maos Batik. 
Understanding the Dynamics of Female Bullying Rilveria, Loida
Humaniora Vol. 14 No. 3 (2023): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v14i3.8907

Abstract

The research aimed to explain the dynamics of female bullying and its causes and characteristics. Bullying’s influence on schools and society was becoming a growing problem; it affected the person being bullied and the bully, which might lead to anxiety, depression, sleep issues, decreased academic success, and school dropout and more likely to attempt suicide. With this, many types of research were conducted to identify factors surrounding bullying; however, it lacked research converging on female bullying. Female bullying might not exist for many, but it was considered more dangerous than male bullying because it attacked its victims in social and psychological aspects, causing them to seek vengeance or, worse, attempt suicide. The research applied a qualitative research method corresponding to a case study design. Qualitative data consisted of open-ended information gathered through interviews and observation. It is found that the causes of female bullying are identity crisis, family and social alienation, bullying experiences, overwhelming emotions, and a low tolerance for other people’s physical appearance or characteristics. It further discloses that female bullying usually uses subtle attacks in verbal bullying, physical bullying, and social bullying, which characterizes it from any other form of bullying. 
Traditional Wayang Research Productivity: A Bibliometric Analysis Purbasari, Mita; Carollina, Donna
Humaniora Vol. 14 No. 3 (2023): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v14i3.9211

Abstract

The aim of the research was to review the productivity of Wayang’s research by using the bibliometric method from the Scopus database. Wayang is a form of traditional art recognized by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity since 2003. It was not obtained easily, especially in terms of the world community’s introduction of shadow puppets. Puppet research has exploded since it was recognized by UNESCO. However, global indexed publications still needed to be enhanced. Analysis of Wayang research from internationally indexed journals, such as Scopus, was required to recognize this opportunity; the object could be seen from a different perspective. The dataset used was ‘Traditional Wayang’, based on documents during 2015-2021 from the Arts and Humanities areas. The search has found 36 papers related to ‘Traditional Wayang’ research. The number of Wayang studies in Scopus-indexed papers remains limited, retaining the Wayang perspective as a traditional object. This is shown by the 36 documents examined, among which only two clusters are produced: performance and change. In order for Wayang research to have great potential and be considered from a wide range of perspectives, including technological, social, economic, commercial, and other, there are still other types of Wayang as an object material.
Adaptive Reuse of Pos Bloc and M Bloc: The Intersection of Third Place, Nostalgia, and Circular Economy Fajarwati, Ade Ariyani Sari
Humaniora Vol. 14 No. 3 (2023): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v14i3.9688

Abstract

The research examined the adaptive reuse strategy of heritage buildings that hold nostalgic value as commercial spaces with the third-place concept approach. The need for space facilities for urban communities continued to change based on the activities of its users. People of productive age living in big cities and the suburbs needed space for gathering and relaxation between work and homes. On the other hand, in the downtown area, several heritage buildings were still sturdy and owned by the state but were no longer used optimally or maintained. Adaptive reuse of heritage buildings was a strategy that emerged as a solution to address this need. Nostalgia contained in the preservation of cultural heritage buildings was a significant value to attract visitors and impact economic benefits. Studies were needed regarding aligning economic values with social and environmental needs in adaptive reuse. Qualitative methods with in-depth observations were carried out at two sites, namely the adaptive reuse of Pos Bloc and M Bloc Jakarta, heritage buildings gathering spaces for workers and young people of productive age. This method was applied to analyze the history of the building, the current condition of the interior, and the impact on the economy and community. The research finds that the adaptive reuse of Pos Bloc and M Bloc as third spaces by utilizing nostalgic values is a strategy to maintain cultural heritage as well as an effort to drive a circular economy.
“Gundala” an Indonesian Superhero Film and Its Influence on Audiences’ National Identity Sutanto, Marisa Rianti; Kosasih, Marcella Melly
Humaniora Vol. 14 No. 3 (2023): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v14i3.9808

Abstract

The research aimed to find out and prove the impact of the film Gundala on its audience’s sense of national identity. The research was conducted by using the method of audience reception. The target audience of the survey was people who belong to the young adult category called Generation Z. The survey was conducted through the distribution of a seven-question questionnaire, and data were obtained from 53 respondents. The questions were designed according to the expression of four aspects reflected in the film plot: character, accessories, ethnoscape, and community. The results of the questionnaire data are presented through frequency distribution tables, measured according to Likert scale positive statements. Based on the survey results, the Generation Z audience has an awareness of national identity reflected in the film “Gundala”. The results of the qualitative analysis of the questionnaire data show that the film “Gundala” has a minor but discernible impact on the audience’s sense of national identity.
Cultural Character Analysis on Architectural Elements of the Chinese Temples’ Buildings before the 19th Century in Central Java Mildawani , Irina; Darmawan, Djoko
Humaniora Vol. 14 No. 3 (2023): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v14i3.8061

Abstract

The research provided an in-depth exploration of the architectural nuances of pre-19th century Chinese temples in Central Java, Indonesia, emphasizing their cultural significance and relevance. A detailed examination of a range of temples identified unique architectural features that reflected a sophisticated synthesis of Chinese cultural elements and local Javanese traditions. Applying a qualitative method, the research integrated historical scrutiny with architectural analysis, meticulously examining stylistic attributes, construction methodologies, and decorative patterns typical of these temples. The key discoveries highlight an intricate amalgamation of traditional Chinese architectural principles with native materials and craftsmanship, culminating in a distinctive, hybrid architectural form. This fusion not only symbolizes the cultural convergence and assimilation between Chinese immigrants and the indigenous Javanese during the pre-colonial era but also underscores the role of these temples as pivotal preservers of Chinese cultural heritage in Java. Furthermore, the research contributes to a deeper understanding of the diversity within architectural practices and offers insightful perspectives on the historical and socio-cultural dynamics in Central Java. The novelty of the research is anchored in its focused examination of a historically and geographically specific context, its interdisciplinary and thorough approach, the revelation of a unique hybrid architectural style, and its significant insights into the cultural and sociological dimensions of Central Java’s architectural legacy.
“From the Series, I See that LGBTQ+ Characters are Ordinary People”: An Audience Study on Netflix Series with LGBTQ+ Themes in 2020–2022 Trisnawati, Ririn Kurnia; Sari, Tribuana; Hadiningrum, Indriyati
Humaniora Vol. 14 No. 3 (2023): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v14i3.10601

Abstract

The research focused on how the audience of gender-diverse series in Indonesia reacted to the LGBTQ+ themes broadcasted in some Netflix series aired from 2020 to 2022. It was interesting to discuss, considering that LGBTQ+ issues were still taboo, and that Indonesian society was known to be conventional and religious. By examining the audience’s reactions to the narration of LGBTQ+ themes, the research delved deeper into how Indonesian audience members problematize the LGBTQ+ issues in the Netflix series. The research was conducted with the qualitative research method by asking 70 participants, from whom validated informed consent was retrieved in advance, to answer the questions posed in the online questionnaire employed herein and by inviting them to join Zoom-mediated interviews. Three problematizations are found: Netflix’s ideology related to its LGBTQ+ content, audience perception about the LGBTQ+ community, and audience religiosity before and after watching such a series. There are also varying views on these problematizations according to the various manners in which audience members are reasoning, which are subsequently assigned to several clusters. Ultimately, such problematizations help shed light on how Netflix and its LGBTQ+ content is dynamically perceived by the audience. 

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