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INDONESIA
Jurnal Rupa
Published by Universitas Telkom
ISSN : 25031627     EISSN : 25031066     DOI : -
Core Subject : Art,
Arts
JURNAL RUPA is a peer-reviewed academic journal to provide a platform for an interdisciplinary forum in the area of visual arts. This journal welcomes submissions from artists, makers, designers, researchers, historians, and other writers in the field of visual arts. This journal is published two times a year by Telkom University.
Arjuna Subject : -
Articles 131 Documents
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Belalang Kembar Siam Berkepala Dua sebagai Inspirasi Desain Busana Kostum untuk Perempuan Purnama, Cecilia Agata; Aryani, Dewi Isma; Tan, Indra Janty
JURNAL RUPA Vol 8 No 1 (2023): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v8i1.5851

Abstract

The extremely rare occurrence of conjoined twins in grasshoppers served as the inspiraton for the POLYCHYPERA collecton. Photographer Juan Camarillo from South America saw this two-headed grasshopper and utlized it as a photo subject for the image ttled “Two Headed Grasshopper.” By exhibitng one head’s conditon on the front-back and top-down sides of each outit, the grasshopper’s singularity serves as a source of inspiraton for the design of costume apparel. The POLYCHYPERA costume collecton is created with the contrast impact in mind. Finding a distnctve costume design development concept using an anthropomorphic approach is how the study challenge is stated. This study aims to develop a concept and product design for dramatc-styled costume garments. By experimentaton and reading, the research method employs the project-based learning approach. The fndings of this study are antcipated to serve as a guide for comparable fashion designs that can develop the innovatve creatvity of fashion industry players.
Adaptasi Visual Momiji dengan Teknik Crochet pada Produk Fashion Puspitasari, Feny; Amalia, Annisa; Rahmah, Yumeida
JURNAL RUPA Vol 8 No 1 (2023): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v8i1.5865

Abstract

The adaptaton of traditonal culture and art to inspiraton in the fashion industry has become an increasing trend. In meetng these needs, it is not uncommon for designers to be inspired by nature’s charm creatvely and aesthetcally. Related to this, researchers will try to make a fashion product design in the form of combining traditonal elements with a modern touch, namely making a party dress by adaptng the visuals of Momiji with the crochet technique. The visual adaptaton of Momiji, which refers to the characteristcs of autumn in Japanese culture, is integrated with the crochet knitng technique to create a party wear product with a modern look. This study aims to combine Momiji’s unique aesthetc, such as colorful autumn leaves and motfs, with crochet techniques that give a dimension of texture and sofness to products and give a warm impression in accordance with the nuances of autumn in a modern look. This research method is a qualitatve research with a visual adaptaton technique approach, with the stages of analyzing Momiji’s motfs and colors which are then followed by a creatve process startng from making product concepts, moodboards, to real products. in this research is also equipped with the distributon of questonnaires to select products that will be made as a real product and measure the suitability of the resultng product with the established concept. The results of the study show that Momiji’s visual adaptaton with the crochet technique on party wear products with the theme ‘Warm Night in Tokyo’ can be realized in the form of colors, motfs, and textures with a modern look in the form of a midi dress complemented by a bolero. The product that was created has a suitability level with the theme as a structural design of 94%, a suitability of the product theme in color of 91%, a suitability of the product theme in the look of 90%, and a suitability of the product theme in texture of 86%.
Angki Purbandono dalam Karya Material Ethics: Narasi Kecil dan Estetika Seni Penjara Aghara, Qanissa
JURNAL RUPA Vol 8 No 1 (2023): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v8i1.5940

Abstract

This research artcle illustrates the artwork creaton of Angki Purbandono’s “Material Ethics” a series that was made during his tme in jail on 2012. Angki Purbandono is a renowned Indonesian artst that actvely partcipated in the Indonesian contemporary art scene since 1999. He is famous for implementng scanography technique for photography artworks, including “Material Ethics” series. This research is an interdisciplinary descriptve qualitatve research, in the realm of art and social studies. Literature reviews and interviews were included as methods in data gathering. This research will be based on the theories of postmodernism, especially Lyotard’s noton of narratve, and Carceral Aesthetcs theory. In conclusion, this research shows that “Material Ethics” series shows postmodernism tendencies through the implementaton of bricolage technique. It also enhances the noton of small narratves that was iterated by Lyotard. From the perspectve of Carceral Aesthetcs, this artwork shows the tendency of carceral memories.
Menalar Khayal: Reasoning the Imagination Herawan, Michael Binuko Sri
JURNAL RUPA Vol 8 No 1 (2023): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v8i1.5970

Abstract

“Menalar Khayal” (Reasoning the Imaginaton) is an art project that tried to elaborate between fcton (imagining) and scientfc (reasoning) processes to create a series of artworks that illustrates a fcttous study about a creature named Megaptera novalevitae, a fctonal fying whale. The process of reasoning the imaginaton was a back-and-forth process and afected the creaton of the artworks. The artwork confguraton in this project tried to illustrate an idea about this fctonal creature. Then, it combined it with visuals that remind us of the illustratons from science or school textbooks. This approach was made to absorb audiences into the fctonal whale and develop their imaginaton and story about the creature. Using this approach, I also aim to create diferent kinds of storytelling using artworks. The visual presentaton in this project tried to bring audiences’ imaginaton to the illustratons or study propertes when technology was not so advanced and relied on people’s adept skills to illustrate and record their fndings. Therefore, this project used conventonal mediums: drawings, prints, and sculpture. This project departs from my imaginaton, partcularly having an interest in studies and observatons of the feld of science, especially biology and paleontology. In this project, the imaginaton is the main engine of the creaton process, as it needs to be equipped to read the works.
Feminisme dalam Budaya Minangkabau pada Serial Musikal Nurbaya Lestari, Anggi Ayu; Belasunda, Riksa; Anwar, Ardy Aprilian
JURNAL RUPA Vol 8 No 2 (2023): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v8i2.5844

Abstract

Film Serial Musikal Nurbaya merupakan film yang menjelaskan mengenai diskriminasi yang terjadi pada kaum perempuan Minangkabau, tentu hal ini sangat bertentangan di dalam kebudayaan Minangkabau yang menganut sistem matrilineal, di mana perempuan adalah figur sentral dalam keluarga maupun masyarakat. Kondisi seperti ini mendorong munculnya kelompok feminisme dalam film tersebut untuk mengembalikan kedudukan perempuan Minangkabau. Tujuan dilakukannya penelitian ini adalah untuk mengidentifikasi feminisme yang terdapat pada Serial Musikal Nurbaya. Penelitian jenis kualitatif digunakan dengan pendekatan interpretasi budaya. Sumber data dalam penelitian ini adalah unsur sinematik berupa mise en scene dan narasi dalam dialog pada film Serial Musikal Nurbaya. Reduksi data yang dimulai dari Episode 1 sampai 6 dengan yang hanya menggambarkan tindakan feminisme melalui teknik purposive sampling. Data terpilih kemudian dibedah dengan sistem tanda pada level denotasi dan konotasi dalam cakupan semiotika Roland Barthes. Mengacu pada data literasi tentang budaya Minangkabau, kami menginterpretasi temuan konotasi tersebut ke dalam level mitos. Terakhir, kami mengidentifikasi aspek-aspek feminisme pada temuan
Studi Literatur Berbagai Zat Warna Alam dan Ketahanannya pada Kain Batik Christian, Jane Eunike; Susanti, Elizabeth
JURNAL RUPA Vol 9 No 1 (2024): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v9i1.6912

Abstract

Indonesia has a cultural heritage in the form of batik cloth that is specially made by human hands to produce a beautiful work or motif. Batik cloth coloring uses 2 types, namely natural dyes and synthetic dyes. Natural dyes do not have as good resistance as synthetic dyes, but synthetic dyes produce waste that damages nature. The use of natural dyes is in line with current movements such as Go Green, Sustainable Development Goals (SDGs), and Back to Nature. With more than 150 types of natural dyes in Indonesia, it will certainly be difficult for beginners to choose the natural dyes to use. The purpose of the study was to determine several natural dyes for batik cloth that have good resistance and how to apply them. This research is important to do because it is hoped that natural dyes will be an alternative chosen to replace synthetic substances in producing traditional Indonesian cloth while protecting the environment from waste. This research method was carried out in a descriptive-qualitative manner, namely with a literature review approach methodology for experimental journal data about dyeing batik fabric. The results of the study showed several comparisons of coloring materials in batik using natural substances that have good colorfastness; in addition, the use of natural dyes has the advantage that the longer the color, the older/more mature and beautiful it will be.
Sebuah Perbandingan Visual Preliminer antara Ceki dan Ujang Omi: Dua Kartu Permainan Tradisional Indonesia dan Leluhur Masing-masing Perdana, Aditya Bayu; Pollard, George
JURNAL RUPA Vol 9 No 1 (2024): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v9i1.7301

Abstract

Historically, three kinds of game cards are known to be played in Indonesia: remi (the standard French deck), ceki, and ujang omi. Existing literature has established that the now niche ceki and ujang omi are descendants of Chinese and Portuguese cards, based on evidence such as game mechanics and terms. Discussion of their visual characteristics, however, is still limited. Through archival comparative analysis, this paper compiles relevant samples from existing publications and digital repositories, then qualitatively describes visual similarities and dissimilarities (particularly in the suit system and court figures) in exemplary decks. The overall suit systems of ceki and ujang omi still preserve many aspects of their ancestors, but their design underwent considerable stylizations and abstractions. The visuals of ceki, which have been homogenized, are characterized by strong geometric stylization of the Chinese prototype. The underlying suit and rank are obscured, due to the stylization and Sino-centric references which are not widely understood by Indonesian players. The visuals of ujang omi are based on looser standards. Naturalistic depictions in the prototype Portuguese deck are generally simplified. Suit symbols tend to become abstract, conflating shapes. Comparison to more variations of ujang omi is needed to make a more definitive evaluation. Thus, despite their now limited usage, the design of ceki and ujang omi still shows historic cosmopolitan influence woven into the everyday life of Indonesians.
Analisis Penerapan Teknik Lipat Origami Folded Plate dan Yoshimura pada Purwarupa Kap Lampu Berbahan Kulit Fahmi, Amelia Isti
JURNAL RUPA Vol 9 No 1 (2024): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v9i1.7341

Abstract

Origami is a form of paper craft with techniques that can applied to other materials, one of which is leather. This study attempts to identify a number of physical characteristics of leather materials in the author's previous work, namely decorative lamp shades in three lamp prototypes. Specifically, the author examines the physical characteristics that arise when leather materials are formed using the folded plate and Yoshimura origami techniques. The application of origami technique to leather has limitations due to conventional leather’s inherent elasticity and material thickness which are unable to produce sharp crease angles. During the making of the prototype, it was found that the fold crease can be made more prominent by cutting lines to the leather surface and applying pressure parallel to the direction of the lines. Cut line on the outside surface of 1,5 mm thick vegetable tanned leather pattern produce the sharpest crease fold that is visually closest to the paper folds. However, scratches on the outside produce visible cuts that are less aesthetic, therefore scratches on the inside surface of the leather are used as an alternative that produces the closest shard fold crease. In addition to emphasizing the fold line, the process of soaking in water can make the folds on the leather last longer and allow for more extreme shapes.
Atraksi Wisata Kete’ Kesu sebagai Representasi Identitas Kelokalan Tana Toraja Rustiyanti, Sri; Listiani, Wanda; Dwiatmini, Sriati; Ningdyah, Anrilia E. M.; Suryanti
JURNAL RUPA Vol 9 No 1 (2024): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v9i1.7942

Abstract

Tana Toraja is a captivating destination for tourists situated in South Sulawesi. The Tana Toraja’s traditional iconic that famous for their rich local heritage are Tongkonan and Kete’ Kesu. These architectural treasures serve as tangible expressions of Tana Toraja’s distinct cultural identity. Tongkonan and Kete’ Kesu represent non-verbal forms of folklore, categorized among the ancient legacies that include grave sites resembling boats affixed to and suspended along cave cliffs. Within these stone graves lie numerous remains of skulls and human bones, some dating back decades or even centuries, moreover, alongside these hanging stone graves. There exist grandiose tombs reserved for nobility, adorned with unique features and displaying identity photographs of the deceased. This research used a qualitative approach and ethnographic methods. The ethnographic method is one of the methods of cultural anthropology studies. This research delved into the essence of Tana Toraja’s tourist allure. Researchers directly experience the daily lives of local people, collecting data through observation and interviews. The research results mapped the elements of Tana Toraja tourist attractions in various types of folklore consisting of oral folklore, partially oral folklore, and non-oral folklore.
Cenotaphe Bleu: A Fictional Monument Akbar, Muhammad
JURNAL RUPA Vol 9 No 1 (2024): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v9i1.8044

Abstract

Cenotaphe Bleu is a research-based artwork that integrates motion-image creation with socio-political analysis through the depiction of a fictional monument, using the obelisk form as a symbol of Western colonial authority imposed upon colonized lands. The obelisk’s visual and cultural distance from local everyday life is intentionally constructed to emphasize the disconnection between the lived realities of the public and the utopian promises projected by the state promises that ultimately manifest as fictional narratives imposed upon society. The work critiques the state’s perspective, which mirrors the colonial gaze: projecting ideals onto its citizens without engaging their actual experiences. The visual presentation is developed through cinematographic techniques that use continuous camera movement to construct a spatial illusion, reflecting urban decay and social deterioration in relation to neglected monumental architecture. The chosen medium is 3D digital animation perceived as fabricated realism, and intaglio printmaking evoking the texture of archival documentation are deliberately juxtaposed to convey conflicting perceptions of truth, mirroring the contradictions in Bandung’s urban infrastructure and the unfulfilled narratives of state-led development.

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