cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Jurnal Artefak
Contact Email
jurnalartefaksejarah@gmail.com
Phone
-
Journal Mail Official
jurnalartefaksejarah@gmail.com
Editorial Address
-
Location
Kab. ciamis,
Jawa barat
INDONESIA
Jurnal Artefak
Published by Universitas Galuh
ISSN : 23555726     EISSN : 25800027     DOI : -
Core Subject : Education,
Education Other
Jurnal ARTEPAK, diterbitkan olah Program Studi Pendidikan Sejarah Fakultas Keguruan dan Ilmu Pendidikan Universitas Galuh. Jurnal ini memuat hasil penelitian atau kajian teoritis yang berkaitan dengan pengembangan dan peningkatan profesi guru IPS, kajian Sejarah Lokal & Nasional, Kebudayaan, dan Pendidikan. Diterbitkan secara berkala Dua kali dalam setahun yaitu pada Bulan April dan September.
Arjuna Subject : -
Articles 233 Documents
 20   21   22   23   24 
Tari Jalungmas Cilacap: Representasi Masyarakat Pesisir, Makna, Simbol, dan Refleksi Karakter dalam Perspektif Ekologi Sudarto, Sudarto; Nurholis, Egi; Brata, Yat Rospia; Ramdani, Dadan
Jurnal Artefak Vol 12, No 2 (2025): September
Publisher : Universitas Galuh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25157/ja.v12i2.22132

Abstract

Jalungmas dance is a new dance created by the people of Cilacap, Indonesia. This dance is adapted from Jaipong and Calung Banyumasan dances, formed from the cultural background of coastal communities, which not only feature beautiful movements and music, but also contain deep meanings that reflect their lives, values, and characters. The research aims to analyze Jalungmas dance as a representation of coastal communities, uncover the meanings and symbols contained within it, and examine the reflection of character from an ecological perspective. Using qualitative methods and an interdisciplinary approach, including observation, interviews, and documentation studies. The results of the study show that this dance represents the close relationship between the community and its natural surroundings, reflected in the movements, props, and musical accompaniment of the dance. Its meaning encompasses harmony, unity, togetherness, independence, and respect for nature. The symbols used reinforce the community's identity as fishermen. This dance also reflects a resilient, adaptive character that upholds local wisdom in living a life close to the sea. In addition, it represents and reflects a hard-working character that is adaptive to the environment. This dance is a medium for preserving local culture and strengthening identity. The research is expected to provide new insights into understanding dance as a representation of society and preserving a cultural heritage that is rich in meaning and noble values.
Analisis Visual dan Makna Filosofis Seni Helaran Buta Kararas Tilas dalam Tradisi Budaya Panjalu, Kabupaten Ciamis Putra, Edi Setiadi
Jurnal Artefak Vol 12, No 2 (2025): September
Publisher : Universitas Galuh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25157/ja.v12i2.21660

Abstract

Seni helaran Buta Kararas Tilas merupakan warisan budaya masyarakat Kecamatan Panjalu, Kabupaten Ciamis, yang memadukan seni pertunjukan, ritual mistis, dan kepercayaan spiritual. Figur sentral dalam seni helaran ini adalah Buta Kararas (Raksasa Daun Pisang), makhluk mitologis yang diwujudkan melalui representasi visual menyeramkan, busana khas daun pisang kering, dan simbolisme mendalam. Penelitian ini bertujuan mengkaji aspek estetika visual dan makna filosofis Buta Kararas. Data diperoleh melalui studi literatur dan publikasi narasi budaya lokal, serta dokumentasi foto dan video dari beberapa media sosial. Hasil analisis menunjukkan bahwa detail rupa Buta Kararas bukan sekedar ornamen artistik, melainkan sarat simbolisme yang terkait kekuatan, kewaspadaan, perlindungan, serta keterhubungan manusia dengan alam dan dunia spiritual. Metode kajian analisis visual dan makna simbolik menggunakan pendekatan Semiotika dari Roland Barthes dan Umberto Eco. Kajian menemukan adanya tiga jenis desain figur Buta Kararas yang menimbulkan perbedaan interpretasi. Hal ini menunjukkan adanya dinamika dalam pewarisan tradisi dan kreativitas komunitas lokal. Penelitian ini menegaskan relevansi seni helaran Buta Kararas Tilas dalam menjaga identitas budaya Panjalu sekaligus memperkuat nilai kearifan lokal Sunda di tengah arus globalisasi.
Model Pendidikan Agraria Berbasis Budaya Lokal dan Kesadaran Historis di SMK Pasawahan Banjarsari Ramdani, Soni; Jaman, Irvan Badrul; Munparidz, Fahlan; Silviani, Pani
Jurnal Artefak Vol 12, No 2 (2025): September
Publisher : Universitas Galuh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25157/ja.v12i2.23304

Abstract

The study aims to analyze the model of agrarian education based on local culture and historical awareness at SMK Pasawahan Banjarsari. The study uses a qualitative approach with a case study design. The informants consist of the principal, teachers, students, and alumni. Data were collected through semi-structured interviews, observations, and documentation studies. Data analysis was conducted using thematic analysis with the stages of coding, categorization, and meaning extraction. The results of the study indicate that the integration of agricultural practice learning with agrarian history and local culture shapes students' technical competencies while strengthening historical awareness, work character, and entrepreneurial orientation. This study contributes to the development of the concept of community-based vocational education for farmers that links learning experiences with agrarian identity and social sustainability.
Wabah Penyakit Ternak di Bekasi Masa Hindia Belanda (1880-1908) Al Haramein, Muhammad Mulky
Jurnal Artefak Vol 13, No 1 (2026): April
Publisher : Universitas Galuh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25157/ja.v13i1.23131

Abstract

Wabah penyakit ternak merupakan salah satu permasalahan serius yang mempengaruhi kehidupan ekonomi dan sosial masyarakat agraris di Jawa pada masa kolonial, termasuk di wilayah Bekasi. Artikel ini bertujuan untuk menganalisis jenis wabah penyakit ternak yang terjadi di Bekasi pada akhir abad ke-19 hingga awal abad ke-20 (1880-1908), pola penyebarannya, serta respons pemerintah kolonial Hindia Belanda terhadap wabah tersebut. Penelitian ini menggunakan metode sejarah dengan tahapan heuristik, kritik sumber, interpretasi, dan historiografi. Sumber utama penelitian berasal dari surat kabar kolonial sezaman yang memuat laporan resmi dan pemberitaan lapangan mengenai wabah penyakit ternak. Hasil penelitian menunjukkan bahwa Bekasi merupakan wilayah yang sangat rentan terhadap wabah penyakit ternak seperti veepest (runderpest), antraks, penyakit mulut dan kuku, penyakit “ngorok”, dan Septichaemia Epizootica. Kerentanan tersebut berkaitan dengan intensitas lalu lintas ternak, keberadaan partikel tanah dan perkebunan, serta ketergantungan pada tenaga masyarakat hewan. Kebijakan kolonial berupa isolasi, penutupan wilayah, dan pemusnahan ternak sering kali menimbulkan dampak sosial-ekonomi, terutama akibat lemahnya mekanisme ganti rugi. Simpulan penelitian ini menegaskan bahwa wabah penyakit ternak tidak hanya mencerminkan masalah kesehatan hewan, tetapi juga menampilkan hubungan kekuasaan kolonial dan kerentanan struktural masyarakat pedesaan di Bekasi. 
Implementasi Gerakan Literasi Sekolah Tahap Pembelajaran dalam Pengembangan Berpikir Historis Siswa dari Perspektif Literasi Kritis di SMA Negeri 2 Kota Mojokerto Setyawan, Achmad Dicky; Khakim, Moch. Nurfahrul Lukmanul
Jurnal Artefak Vol 13, No 1 (2026): April
Publisher : Universitas Galuh

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research is motivated by the demands of the school literacy movement (SLM) to integrate critical literacy in history learning and the low historical thinking skills of students. The main objective of this research is to analyze the implementation of the literacy school movement in the learning stage developing the historical thinking skills of students in grades X IIS (Social Sciences) and XI IIS at State Senior High School 2 Mojokerto City. The method used in compiling this research is a qualitative research method. The results of this study empirically prove that, in the context of SLM, critical literacy is not only a supplement, but also makes teachers no longer the sole source of truth, rather becoming facilitators who shape and develop students' historical thinking through critical questions and answers. The conclusion of this study is that the SLM learning stage in developing historical thinking, the indicators of findings based on Stéphane Lévesque's concept of historical thinking, history teachers in this school are transformed into critical discussion facilitators and learning resources and students are able to construct their own narratives and analyze historical events based on evidence they find outside of textbooks.
Konstruksi Nilai Sejarah Melalui Ritual Adat Tatera Karau: Studi Etnografi Masyarakat Kobalima Timur, Pulau Timor Kollo, Moses; Hadi, Melkianus Pote
Jurnal Artefak Vol 13, No 1 (2026): April
Publisher : Universitas Galuh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25157/ja.v13i1.22373

Abstract

The tatera karau ritual is an important traditional practice among the indigenous community of East Kobalima, Timor Island, East Nusa Tenggara. This ritual is performed in various customary events related to joyful (lia mutin) and mourning (lia metan) ceremonies. This study aims to describe the implementation process of the ritual and analyze the historical values embedded within it. The research employs a qualitative approach using an ethnographic method, with data collected through semi-structured interviews, participatory observation, and document analysis in four traditional villages in East Kobalima. Data were analyzed through stages of data reduction, data display, and verification. The findings reveal that the tatera karau ritual consists of five main stages: tur mutuk (initial deliberation), preparation of ritual equipment, delivery of customary speech, determination of ritual performers, and the core ritual execution. The ritual reflects key historical values, including local wisdom, respect for ancestral spirits, and the reinforcement of communal identity and social cohesion.
Perkembangan Industri Batik Cigeureung Kota Tasikmalaya Tahun 2000–2015: Tinjauan Historis dan Ekonomi Kreatif Wulan Sondarika; Dewi Ratih; Egi Nurholis; Hana Haniyyah; Hilman Januar; Cecep Husnan Abdul; Iis Aisah; Galurawati Candra
Jurnal Artefak Vol 10, No 2 (2023): September
Publisher : Universitas Galuh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25157/ja.v10i2.23942

Abstract

This study examines the historical development and creative economy dynamics of the Cigeureung batik industry in Tasikmalaya City, addressing a critical gap between economic history and local creative industry studies. Existing batik research predominantly focuses on major production centers in Java, while historically grounded analyses of peripheral batik industries remain limited. Employing a historical method with a qualitative approach encompassing heuristics, source criticism, interpretation, and historiography this study reveals that the Cigeureung batik industry has transformed from a traditional household-based activity into an adaptive creative industry integrating design innovation, production strategies, and digital marketing. Despite this progress, sustainability is constrained by structural challenges, including competition from mass-produced textiles and weak artisan regeneration. This study contributes to advancing economic history perspectives within the discourse of culture-based creative industries.
Tradisi Pengelolaan Tata Ruang Kampung Kuta Desa Karangpaninggal Kecamatan Tambaksari Kabupaten Ciamis Ratih, Dewi; Sudarto, Sudarto; Kusmayadi, Yadi; Nia, Ine Sinta; Astridha, Fanny; Alpian, Muhamad; Rahmillah, Salma
Jurnal Artefak Vol 13, No 1 (2026): April
Publisher : Universitas Galuh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25157/ja.v13i1.23902

Abstract

This study examines the spatial management traditions of the Kampung Kuta indigenous community in Ciamis, exploring the underlying cultural values and their implications for environmental sustainability. Using a qualitative descriptive case study approach, data were collected through observations, interviews, and documentation. The results reveal that Kampung Kuta’s spatial system is governed by local wisdom known as pamali, which functions as both a social norm and a spatial regulation. These rules dictate the use of natural materials for stilt houses and uniform settlement patterns that reflect simplicity and social cohesion. Furthermore, the strictly preserved sacred forest plays a vital role in maintaining ecosystem balance and water conservation. The study concludes that these traditions form an integrated socio-cultural and ecological system that serves as a model for sustainable spatial planning. Pamali operates simultaneously across normative, symbolic, and ecological dimensions, offering valuable insights for modern sustainable management.
Pengakuan Hak Ulayat Tanah Baduy dalam Lintasan Sejarah: Kolonialisme (Agrarische Wet) Menuju Kebijakan Perda Hasanah, Aulia Uswatun; Fahmi, Rezza Fauzi Muhammad; Andiatna, Nur Bibat; Rahmawati, Siti; Komala, Dewi Zahra
Jurnal Artefak Vol 13, No 1 (2026): April
Publisher : Universitas Galuh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25157/ja.v13i1.22439

Abstract

This study analyzes the transformation of the recognition of Baduy customary land rights from colonial state domination to constitutional recognition in modern Indonesia (1870–2022). Employing a historical method through a literature review, the study draws on primary and secondary sources, including government documents, books, and scholarly journal articles. The findings indicate that the Agrarische Wet of 1870, through the principle of Domeinverklaring, systematically negated customary land rights and classified ulayat land as state property for agrarian exploitation during the Dutch colonial period. However, due to their small population and distinct socio-spatial patterns, the Baduy community largely escaped strict implementation of this policy, allowing them to retain de facto control over their customary territory. This condition persisted during the New Order era, when the recognition of customary law remained conditional and administratively limited. A significant paradigm shift occurred in the Reform era, particularly following decentralization and Constitutional Court Decision No. 35/PUU-X/2012, which redefined the Baduy as legal subjects entitled to de jure protection. Regional regulations, notably Lebak Regency Regulation No. 17/1990 and its subsequent amendments up to 2022, became key instruments for territorial delineation, customary protection, and human rights. Despite legal advancements, implementation continues to face structural and cultural challenges. This study underscores the urgency of strengthening sustainable protection of Baduy customary land rights.
Ragam Gaya Arsitektur Bangunan Rumah Tinggal di Surakarta Tahun 1745-1930 Pratama, Yuandhi Yuan; Yuniyanto, Tri
Jurnal Artefak Vol 13, No 1 (2026): April
Publisher : Universitas Galuh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25157/ja.v13i1.23909

Abstract

The diversity of historic buildings in Surakarta offers a fresh topic for historical research to illustrate past cultures. This study aims to analyze the variety of architectural styles of residential buildings in Surakarta from 1745 to 1930, covering the transition from the purely traditional era to the influence of colonial modernity. The method employed is the historical method, beginning with heuristics, verification, interpretation, and historiography. This study utilizes interdisciplinary approaches within architecture as a supporting methodology, specifically visual analysis of architectural artifacts in the form of photographic archives. The research findings indicate that during the 1745–1930 period, residential architecture in the city of Surakarta was dominated by traditional Javanese architecture, with each type distributed across areas influenced by the Javanese cosmological concept of kuthanagara, such as Joglo, limasan, kampung, and panggang-pe. European architecture is evident in the use of the Indische Empire style, which has undergone degradation, while Chinese architecture is evident in shop-house buildings as a measure of economic efficiency. This research can serve as a reference for the development of urban history or local history materials using an interdisciplinary learning approach, thereby serving as an effort to increase students’ interest in learning.

Page 23 of 24 | Total Record : 233

 20   21   22   23   24 

Filter by Year

2014 2026


Reset
Filter By Issues
All Issue Vol 13, No 1 (2026): April Vol 12, No 2 (2025): September Vol 12, No 1 (2025): April Vol 11, No 2 (2024): September Vol 11, No 1 (2024): April Vol 10, No 2 (2023): September Vol 10, No 1 (2023): April Vol 9, No 2 (2022): September Vol 9, No 1 (2022): April Vol 8, No 2 (2021): September Vol 8, No 1 (2021): April Vol 7, No 2 (2020): September Vol 7, No 1 (2020): April Vol 6, No 2 (2019): September Vol 6, No 1 (2019): April Vol 5, No 2 (2018): September Vol 5, No 2 (2018): September Vol 5, No 1 (2018): April Vol 4, No 2 (2017): September Vol 4, No 1 (2017): April Vol 3, No 2 (2015): Agustus (Media Cetak) Vol 3, No 1 (2015): Maret (Media Cetak) Vol 2, No 2 (2014): Agustus (Media Cetak) Vol 2, No 1 (2014): Maret (Media Cetak) Vol 2, No 1 (2014): Maret (Media Cetak) More Issue