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Jurnal Sendratasik

sendratasik
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Published by Universitas Negeri Padang

ISSN : - EISSN : 23023201 DOI : 10.24036

Core Subject : Science, Education, Art, Social,

Arts Education Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Social Sciences

Jurnal Sendratasik diterbitkan 4 (empat) kali pada bulan S Maret, Juni, September, dan December denganmemuat artikel / artikel penelitian di bidang musik, tari, dan drama serta pembelajarannya. Memuat teks yang dihasilkan oleh kelompok penyunting, naskah yang digunakan adalah naskah yang lolos dan tidak pernah / tidak akan pindah ke jurnal lain. Jurnal Sendratasik menerima naskah yang memberikan wawasan tentang isu-isu terkini, dan terutama berhubungan dengan studi Seni Pertunjukan dan Pembelajarannya(Seni Drama, Tari dan Musik) dengan menyebar luaskan pengetahuan di bidang-bidang yang muncul dan berkembang. Hasil riset, terdiri dari laporan ilmiah yang meningkatkan pengetahuan tentang seni secara umum, seni pertunjukan, dan pendidikan seni. Baik dalam bentuk artikel yang melaporkan hasil studi penelitian kuantitatif atau kualitatif. Artikel secara konseptual harus relevan untuk memajukan Seni Pertunjukan dan Pembelajarannya, menyajikan teori tentang seni, model, posisi filosofis, dll. Artikel juga dapat mengacu pada teori-teori ataupun materi- materi yang dikembangkan dalam praktik dan pendidikan seni pertunjukan. Bahasa naskah yang dikirimkan dalam bahasa Indonesia. Harus membahas tentang masalah serta kontribusi baru yang signifikan untuk bidang praktik dan pendidikan seni pertunjukan. Artikel dapat berasal dari salah satu bidang berikut: - Drama - Tari - Musik dan / atau Musik Tradisional - dan Pembelajarannya

Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan

Articles 820 Documents

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RAINBOW Erfan Erfan; Irdhan Epria Darma Darma
SENDRATASIK UNP Vol 7, No 4 (2018)
Publisher : FBS Universitas Negeri Padang

Abstract The purpose of this paper is about the author's experience while enjoying the beauty of the Rainbow and in the case of plus a show in the Park of culture with the classical concept that features the works of Paganini, when it is the author's very inspired, obsessed, and greatly admired the work of it and want to make it taste the same nuanced works with wore the form composition of rondo. Impressive composition circle circular form of repetition of the song. The first theme is played, then a second theme is introduced and developed. Before the third entrance theme, the composition of the return to the first theme and finally ended back in the first theme after theme through an unexpected third. The work is played by 2player music (in the style of classical music. Consisting of Piano and violin.Keywords: Rainbow

GALODO Hengky Septiawan; Wimbrayardi Wimbrayardi; Marzam Marzam
SENDRATASIK UNP Vol 1, No 1 (2012): Seri C
Publisher : FBS Universitas Negeri Padang

This swan song of inspiration pursuant to ( 1) at galodo disaster that happened in West Sumatera. Target of this masterpiece is (2) for the depicting of musical instrument and atmosphere that happened at the time of galodo disaster come knock overing a area, later;then how situation of society which born down upon the the disaster before and after that disaster knock over. Form which [in] presenting in this swan song in the form of (3) and vocal game of modern and traditional castanets which in presenting in such a manner so that can depict atmosphere which wish in reaching.

Bentuk Musik Saluang Sirompak Versi Abah Emi Pada Acara Alek Pemuda Di Parik Dalam Nagari Taeh Baruah Kabupaten 50 Kota Payakumbuh Rama Kurniawan; Syeilendra Syeilendra
SENDRATASIK UNP Vol 10, No 1 (2021)
Publisher : FBS Universitas Negeri Padang

This study aims to describe Saluang Sirompak music of Abah Helmi version at Alek Pemuda event in Parik Dalam, Taeh Baruah village, Lima Puluh Kota regency, Payakumbuh City. This research belongs to a qualitative research using a descriptive approach. The main instrument in this study was the researcher itself and was assisted by supporting instruments such as writing tools and cameras. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted by collecting the data, clarifying the data, and summarizing the data. The results show that Saluang Sirompak of Abah Emi version is a folk performance art which is previously used as a ritual mean. Its song is in the form of a rhyme accompanied by Saluang and Gasiang Tangkurak musical instruments. There is no difference between the previous and current Saluang Sirompak song text anad between the old and present Saluang melodies. The use of the term Saluang Sirompak comes from the word Rompak /Rampok, so the lyrics are related to someone's desire to own someone by force. The musical form of Saluang Sirompak is a combination of Dendang accompanied by two musical instruments: Saluang Sirompak and Gasiang Tangkurak which form a complete unit. The music consists of three parts: part one (opening) of Saluang Sirompak and Gasiang Tangkurak instruments, part two (content) of Dendang accompanied by Saluang and Gasiang Tangkurak instruments, part three (closing) of saluang sirompak and gasiang tangkurak instruments. The music in Saluang Sirompak show has a minimum duration of 20 minutes. It starts with the Gasiang player who screams as a symbol of the beginning of part one. Dendang on Saluang Sirompak music is in the form of rhyme repeated alternately between one singer and another by singing one song, and this is the part two (content) of Saluang Sirompak music.

MANGGUA Aziz Azhari; Wimbrayardi Wimbrayardi; Esy Maestro
SENDRATASIK UNP Vol 3, No 1 (2014): Seri A
Publisher : FBS Universitas Negeri Padang

Abstract The cultural phenomenon of extracting the essence of sugar palms at Simalanggang Limapuluh Kota could not be separated from daily life of socienty at Simalanggang. The phenomenon referred to astructural sistem wich reflected the people’s way of thinking since it was created and developed by people themselves. This cultural was actually created in order to fulfill their needs. The cultural phenomenon was then tranferred into an idea of makin komposition about how people conducted the cultural of extracting the essence of sugar palm. However, it was not the process extracting that was tranferred. It was values of togetherness, considerateness, cooperation, and appreciation that were described into sounds. Fundamentally, it was assumed that traditional and western music colud ideally elaborate the values within the cultural phenomeonon. Kata Kunci : Air niro, Kebudayaan, Toleransi, Gotong Royong

KORELASI ANTARA PENGALAMAN BERNYANYI PADA KEGIATAN IBADAH ROHANI TERHADAP HASIL BELAJAR BERNYANYI DI SMP KRISTEN KALAM KUDUS PADANG Novi Satria Pahlawanti Zalukhu; Jagar Lumbantoruan; Yensharti Yensharti
SENDRATASIK UNP Vol 7, No 1 (2018)
Publisher : FBS Universitas Negeri Padang

Abstract This study aimed to determine whether there was a correlation of singing spiritual worship at school services to the results of singing learning in SMP Kristen Kalam Kudus Padang and found out how much the correlation of singing spiritual worship to the results of singing learning. This research used a quantitative research method with a correlation research type. The populations in this research were 22 students of class VII of Christian SMP Kalam Kudus Padang. Determination of the number of sample members in this study was done by taking 100% due to the number of small relatively population, less than 30 people using saturated sampling technique. The validity instruments were done by content validity test and correlation test. Data analysis technique used was product moment correlation statistic. The results of this study indicated that there was a positive correlation that was moderate and significant between singing spiritual worship at school devotion to the results of studying class VII students of SMP Kristen Kalam Kudus Padang academic year 2017-2018, it was proved from the value of the correlation coefficient greater than r table ( 0.563> 0.432) and a significance value of 0.006, which meant less than 0.05 (0.006 <0.05). The result of data analysis also showed the value of r2 equal to 0,317; the value meant that 32% changed in the variable of singing of spiritual worship at school services could be explained by the result of singing learning of the seventh grade of junior high school Christian Kalam Kudus Padang, while the rest 60,8% influenced by other variable were not examined in this research. Keyword: Singing, Spiritual Worship, Learning Outcomes, Correlation.

Pelaksanaan Pembelajaran Teknik Vokal Di Kelas VII-3 SMP Negeri 12 Sijunjung Shilvi Yunita; Syeilendra Syeilendra
SENDRATASIK UNP Vol 9, No 1 (2020)
Publisher : FBS Universitas Negeri Padang

The purpose of this study is to describe and find out the implementation of vocal Technique learning at class VII-3 in SMP Negeri 12 Sijunjung. This type of study was a qualitative research with using descriptive methods. The object of this study was the students at class VII-3 in SMP N 12 Sijunjung who participated in vocal technique learning. The main instrument in this study was the researcher. The additional instruments were stationery and camera. Techniques of Data collection were carried out by taking literature study, observation, interviews, documentation study. The type of data used primary and secondary data. The steps in analyzing data were done by collecting, reducting, presentating and drawing data conclusions. The result shows that the vocal technique learning thatis carried out by the teacher atclass VII-3 does not run well and meet the target of the learning objectives. The teacher does not understand the material of vocal technique well so that the students do not understand the vocal technique. Therefore, there are still some students who have not been able to sing properly due to lack of practice, lack of understanding of the material and practice of vocal technique learning so that they get a low scores. The results of the practice of various vocal techniques namely the highest value only reaches 87 and the lowest value is 58 with an average value is 74.4%.

Perkembangan Tari Tanduak Tradisi Ke Tari Tanduak Kreasi Pada Sanggar Puti Junjung Kenagarian Sijunjung Kecamatan Sijunjung Kabupaten Sijunjung Feby Try Rahmanda; Darmawati Darmawati; Indrayuda Indrayuda
SENDRATASIK UNP Vol 8, No 3 (2019)
Publisher : FBS Universitas Negeri Padang

The research aimed to express, describe and analyze the development of The Development of Tanduak Traditional Dance to Tanduak Creation Dance at Puti Junjung Studio, Sijunjung District, Sijunjung Regency. The type of this research was qualitative research with descriptive analysis method. The object of this research was Tanduak Dance from Latang Village, Lubuak Tarok District, Sijunjung Regency. The types of data in this study were primary and secondary data. The main instrument was the researcher herself. Data collection techniques were carried out by means of literature review, observation, interviews, and documentation. The data collected were analyzed by interpretation techniques so that the truth could be obtained. The results showed that tanduak traditional dance had developed into tanduak dance that had been created. This could be seen through the processing of motion, clothing, music, configuration, time and place of performances and aspects of dancers packed in a new form in Sijunjung. Then, a guidance and training were delivered by Puti Junjung Studio. In addition, it could be a place for young people in order to maintain the cultual heritage and the identity of the village.

DAMPAK METODE EKSPLORATIF TERHADAP PEMBELAJARAN TARI DI SMP NEGERI 1 BANUHAMPU Radisma Suziyanti; Indrayuda Indrayuda; Zora Iriani
SENDRATASIK UNP Vol 2, No 3 (2013): Seri A
Publisher : FBS Universitas Negeri Padang

Abstract This article aims to reveal and explain the impact of exploration methods for learning local dance elapsed areas in SMP Negeri 1 Banuhampu. This research is a qualitative descriptive method. Data obtained by direct observation and interviews. Data were analyzed based on the phenomena that occur in learning, to interpret the relationship between the phenomena occurring in the learning. The results showed, exploratory methods in teaching dance at SMP Negeri 1 Banuhampu resulted in increased imagination and creative power and ability of the students in the birth of new motifs from local dance movement. Another impact is that students feel they have freedom of expression, and is able to explore the body with improvisation, so that ideas can create new movement patterns are used for local dance lessons.

Character Building Of Students' Interests And Talents Through Learning Pop Music In The Field Of Cultural Arts Ahmad Fauzan Yusman; Neviyarni Suhaili
SENDRATASIK UNP Vol 10, No 1 (2021)
Publisher : FBS Universitas Negeri Padang

This article discusses the character arrangement of students, in this case students, from learning pop music to students. Compiled with quantitative methods with literature review. The main problem here is that there are too many types of music available at this time, one of which is pop music. In this day and age, pop music has been worldwide from an early age until adults love pop music, thus allowing pop music to be well received. Learning the art of music in services is to provide direct experience in the learning process for students, including other learning such as literature and language learning, skills and others. The formation of student character by learning pop music will determine the character of students from each song in pop music. In the 2013 curriculum, several materials were stipulated that support teachers to provide opportunities for students to develop character through learning pop music, including in the subject of Cultural Arts for junior high school level.

SENTING METER Willy Atthoriq; Wimbrayardi Wimbrayardi; Irdhan Epria Darma Putra
SENDRATASIK UNP Vol 4, No 1 (2015)
Publisher : FBS Universitas Negeri Padang

Abstract Implementation of the work Senting Meter to serve as expression of the composer’s musical experience, music composition has inspired and encourage a composer to learn music. In the implementation of the work, the composer present a collabortive instrument rebana with modern instrument with new packaging, so the composer can show that the game is the rebana can be merged with other instruments and not just use a rebana it just as well as eliminate the thought of teens today that says the game is boring rebana. Here composer present a development techniques Senting (a stong blow) is also one of the techniques of the game rebana. the development of rhythm, sound and colour on the paper Senting Meter is rendered into other instruments, both in terms of musical studies as well as the selection of the instrument. So the works presented more attractive and can be accepted at this time. Keywords: Senting, Meter

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Sumatera barat

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Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Hengki Armez Hidayat

Contact Email hengkiarmez@fbs.unp.ac.id

Phone +6281363124849

Journal Mail Official sendratasikfbsunp21@gmail.com

Editorial Address Jurusan Sendratasik FBS Universitas Negeri Padang Jl. Belibis Air Tawar Padang 25171

Location Kota padang, Sumatera barat INDONESIA

Abstract

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Contact Name
Hengki Armez Hidayat

Contact Email
hengkiarmez@fbs.unp.ac.id

Phone
+6281363124849

Journal Mail Official
sendratasikfbsunp21@gmail.com

Editorial Address
Jurusan Sendratasik FBS Universitas Negeri Padang Jl. Belibis Air Tawar Padang 25171

Location
Kota padang,

Sumatera barat

INDONESIA