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International Journal of Visual and Performing Arts
Published by Association for Scientific Computing Electronics and Engineering
ISSN : -     EISSN : 26849259     DOI : https://dx.doi.org/10.31763/viperarts
Core Subject : Humanities, Education, Art,
Arts Humanities Education
nternational Journal of Visual and Performing Arts draws its contributions from academics and practitioner-researchers at the interface of new visual and performing arts. It acts as a forum for critical study, innovative practice, and creative pedagogy, addressing themes that may be domain-specific (e.g., theatre, dance, music, live art, visual arts) or situated at the convergence of two or more disciplines. The journal invites original, significant, and rigorous inquiry into all subjects within or across disciplines related to visual and performing arts.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 7 Documents
 1 
Search results for , issue "Vol 6, No 1 (2024)" : 7 Documents clear
Hadroh music as a means of religious communication Anang Masduki; Prayudha Prayudha; Panqiang Niu; Wajiran Wajiran
International Journal of Visual and Performing Arts Vol 6, No 1 (2024)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v6i1.1337

Abstract

This study investigates the role of Islamic art, specifically Hadroh, in conveying religious messages within communities with limited exposure to spiritual practices and religious studies. Given the prevalence of such circumstances, particularly among individuals from lower socioeconomic backgrounds, alternative approaches to religious communication are essential. In response, the Santri Besek of Surokarsan village, Yogyakarta, have adopted Hadroh art as a means of religious preaching. Through a comprehensive examination conducted in Surokarsan village, utilizing methodologies including in-depth interviews, observations, and documentation, this research explores the effectiveness of using art as a medium for religious communication. The findings reveal significant enhancements in da'wah efficacy, particularly among mothers, teenagers, and children. Participants demonstrated heightened enthusiasm towards fostering mosque prosperity, indicative of the impact of art-based religious communication. Notably, the study identifies a notable shift in the religious practices of mothers, with increased engagement in rhythmic recitations of Sholawat accompanied by Hadroh, even among those previously less active in spiritual activities. Furthermore, children exhibit greater receptivity to religious education when delivered through rhythmic or melodic formats, suggesting the potential for innovative approaches to religious instruction. In conclusion, this research underscores the value of incorporating art, particularly Hadroh, in religious communication strategies, particularly within communities facing limited exposure to traditional spiritual practices. By leveraging artistic mediums, such as music and rhythm, this study contributes to a deeper understanding of how to effectively convey religious messages and promote religious engagement among diverse populations.
Strategies and techniques for crafting a scientific manuscript for artistic publication: a guide for academic artists in Indonesia Sularso Sularso; Agus Cahyono; Qinyu Yu; Joko Suranto; Zulkarnain Mistortoify; Lardianto Budhi
International Journal of Visual and Performing Arts Vol 6, No 1 (2024)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v6i1.1314

Abstract

Scientific publications in the field of art creation have sparked considerable debate within the academic community in Indonesia. Issues such as the validity of artworks, assessment criteria, publication formats, and the alignment of academic standards with artistic practice have generated discussions regarding the format of publication writing. This article aims to offer alternative guidance on techniques for writing scientific publication articles in the field of art creation, particularly tailored for academic artists in Indonesia. The guidance encompasses a literature review, the selection of an appropriate methodology, the provision of relevant examples and illustrations, the application of a reflective analytical approach, the clear presentation of data and results from art creation research, as well as the development of an appropriate writing structure and language. Through this study, academic artists in Indonesia stand to benefit significantly. First, they can enhance the quality of their publications by adhering to the provided writing technique guidelines. These guidelines will aid in fortifying the substance of their articles, organizing data in a structured manner, and conveying thoughts and ideas more clearly and effectively. Second, by employing this guide, academic artists can improve their ability to disseminate their thoughts, ideas, and artistic knowledge more widely. This will enable them to contribute to the global arts community through high-quality scientific publications. By enhancing the quality of publications and fostering more effective dissemination of ideas, this research will contribute to the development and recognition of Indonesian academic artists on the global stage. Through the enhancement of publication quality and the improved dissemination of artworks, Indonesian academic artists will be better positioned to make significant contributions.
Intergenerational communication in song “Saat Kau Telah Mengerti” with Hjelmslev’s semiotic perspective Jennifer Susanto; Flavianus Nanda Harsono; Rustono Farady Marta; Hana Rochani Gustasari Panggabean; Beby Chandra Wijaya
International Journal of Visual and Performing Arts Vol 6, No 1 (2024)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v6i1.1257

Abstract

The song “Saat Kau Telah Mengerti” (lit. “When You Have Understood”), recorded by Virgoun, was streamed over a million times on YouTube when it was released in January last year and has been circulated in various edited versions on various online platforms. The lyrics present messages of hopes and wishes from parents to their children, thus touching the hearts of its listeners. Through the song's music, lyrics, and video clips, the objective of this research is to interpret and explore the meaning of parents' communication with their children. This study focuses its research question on elements utilized in the lyrics, music, and video clips of the song. This research analysis uses a qualitative approach with an interpretative paradigm based on Louis Hjelmslev's semiotic method and the validity test, which will be achieved through triangulation. Through Hjelmslev's semiotic research on forms and substance of expression and content, this research found that a communication gap exists between parents and their children. The gap stems from the generational differences between fathers and daughters, which this song seeks to bridge by encouraging the child to empathize with the parents. The actions of parents who strive for their children's benefit can occasionally be misinterpreted by their children as something negative. Based on the results, the study recommends music as an effective tool for conveying messages to mitigate parent-child communication gap
The representation of qurban in muslim designer community da’wah posters eid-al-adha theme Ahmad Faiz Muntazori; Bambang Sunarto; Tommy Christomy
International Journal of Visual and Performing Arts Vol 6, No 1 (2024)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v6i1.1267

Abstract

Muslim Designer Community (MDC) is a forum for Muslim designers to actively conduct da’wah activities through visual media, especially in the form of posters. In this article, however, the theme that was chosen to be discussed is da’wah posters on Eid al-Adha. Eid al-Adha has an important value in Muslims because it concerns many things in Muslim life, both the vertical relationship between servants and their God, and the horizontal relationship between humans and humans and the social environment. This research focuses on the initial step in understanding MDC's da'wah posters, especially the posters related to Eid-Al-Adha as a multifaceted ritual in Islamic celebratory holy day, by dissecting the structure of da'wah posters posted by MDC through their social media account. This research uses a qualitative method. Data analysis was carried out using Roland Barthes' semiotics, namely by revealing visual markers as signifiers in da'wah posters. The result shows that the Eid al-Adha theme posters discussed above represent Qurban as the main message conveyed in the da'wah media using design elements in the form of artwork, visualizing the commands in the Qur'an and Hadith. Title and Image have a dominant role in conveying the message in the da'wah poster. The implication of this study shows that Da'wah posters are the implementation of religious values into the field of visual communication design, resulting in a new strategy of preaching using visual media. The combination of visual communication design and religious ideology has an important role in providing stimulus about religious messages to the audience.
Collective memory in traditional bèsèk packaging: impact on buyer perception at Omah Jenang Blitar Andika Agung Sutrisno; Bambang Sunarto; Pujiyanto Pujiyanto
International Journal of Visual and Performing Arts Vol 6, No 1 (2024)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v6i1.922

Abstract

This research examines the design of basic packaging for traditional culinary products at Omah Jênang Kêtan Kelapa Sari Blitar, using it as a case study. It critically evaluates the relationship between traditional culinary products, effective packaging, and labels. Bèsèk packaging not only protects culinary products from damage but also enhances their appeal with a natural and traditional look. The packaging label provides essential information about the product, including composition, expiration date, and storage instructions. The aim is to evaluate how traditional packaging influences consumer perceptions and to understand the relationship between traditional culinary products and their packaging and labels. This study offers insights into the significance of preserving traditional elements in packaging design and how these elements can inform more effective marketing strategies. A qualitative data analysis method is employed to assess the packaging design used by Omah Jênang Kêtan Kelapa Sari Blitar, focusing on visual stimuli and their impact on consumer memory. The research found that good packaging design fosters emotional bonds between traders and buyers, rooted in traditional collective memories, which enhances the durability and sustainability of the packaging. Additionally, Bèsèk's packaging design connects with collective memory, associated with romance and stories of past events, increasing consumer interest in recalling these experiences. The findings provide insights into how various packaging designs influence consumer perceptions and feelings toward traditional culinary products. This research underscores the importance of visual attributes in packaging design, highlighting their ability to stimulate consumer perceptions of collective memory and create meaningful, memorable packaging experiences.
Utilization of empon-empon stem waste in the creation of eco-friendly homeware products Sumarno Sumarno; Raden Ersnathan Budi Prasetyo; Agung Cahyana; Catur Sugiarto
International Journal of Visual and Performing Arts Vol 6, No 1 (2024)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v6i1.1338

Abstract

Empon-empon stems, considered agricultural waste, present an untapped resource for crafting natural fiber products. While materials like banana stems, water hyacinth, and jute are commonly used for this purpose, empon-empon stems offer a novel alternative. This study explores the potential of empon-empon stems in creating ropes and other homeware products, aiming to not only reduce agricultural waste but also to provide additional income streams for farmers. The research methodology involves a comprehensive process of harvesting, separating, drying, and twisting empon-empon stems into rope. Additionally, a design-driven material (DDM) approach is employed to convert the rope into various products such as baskets, planter stands, and trays. The DDM approach includes analyzing material characteristics, visual exploration, creating shop drawings, and producing prototypes. The results demonstrate that empon-empon rope products are not only functional and aesthetically pleasing but also carry a unique aroma, adding to their appeal. These products have the potential to address the shortage of natural fibers in the craft industry and can serve as an alternative material for interior design applications. In conclusion, this research highlights the feasibility of utilizing empon-empon stems as a sustainable material for crafting innovative homeware products. By transforming agricultural waste into valuable goods, this approach contributes to both environmental sustainability and economic development in rural areas.
Impact of radicalism and terrorism through social media among youth in the Film The Lone Wolf Next Door Muchammad Zaenal Al Ansory; Anggar Erdhina Adi
International Journal of Visual and Performing Arts Vol 6, No 1 (2024)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v6i1.1296

Abstract

This research delves into the detrimental impacts of social media utilization among young individuals as a conduit for radicalism and terrorism propagation. Focusing on "The Lone Wolf Next Door," the study illustrates the journey of Alif Himawan, a high school student entrapped in jihad ideology disseminated through social platforms. Alif's trajectory escalates as he acquires bomb-making skills, culminating in church suicide bombings. The research aims to portray societal realities through cinematic portrayal, drawing from the 2016 Medan tragedy involving Ivan Armadi Hasugian as inspiration. By analyzing the filmmaking process of "The Lone Wolf Next Door," the study endeavors to shed light on pertinent issues. Employing a realism approach, the film is not only scrutinized as a cinematic entity but also serves as a discourse platform regarding realism's intersection with radicalism and terrorism. Methodologically, descriptive qualitative analysis facilitates reality reconstruction, utilizing primary and secondary data from literature reviews, observations, and interviews. The findings highlight the pivotal role of film in broadening deradicalization efforts targeting the youth demographic. In conclusion, "The Lone Wolf Next Door" not only serves as a cinematic narrative but also contributes to the discourse on countering radicalism, emphasizing the significance of media in societal intervention strategies.

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