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International Journal of Visual and Performing Arts
Published by Association for Scientific Computing Electronics and Engineering
ISSN : -     EISSN : 26849259     DOI : https://dx.doi.org/10.31763/viperarts
Core Subject : Humanities, Education, Art,
Arts Humanities Education
nternational Journal of Visual and Performing Arts draws its contributions from academics and practitioner-researchers at the interface of new visual and performing arts. It acts as a forum for critical study, innovative practice, and creative pedagogy, addressing themes that may be domain-specific (e.g., theatre, dance, music, live art, visual arts) or situated at the convergence of two or more disciplines. The journal invites original, significant, and rigorous inquiry into all subjects within or across disciplines related to visual and performing arts.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 112 Documents
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Mascot: An alternate method to prevent the misuse of visual assets in Indonesia's Covid 19 prevention campaign Paku Kusuma; Dharsono Dharsono; Martinus Dwi Marianto; Guntur Guntur
International Journal of Visual and Performing Arts Vol 4, No 1 (2022)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v4i1.656

Abstract

This article discusses the use of visual assets during the covid-19 pandemic in Indonesia. There are regulations related to restrictions on movement for everyone during the pandemic, and there is much confusion in information, resulting in information chaos, and one of the reasons is the inappropriate use of visual assets as a medium for the Covid-19 prevention campaign in Indonesia. This study aims to identify the misuse of these visual assets. This study uses visual data spread on social media and observation to examine billboards, banners, and the like scattered in the community. In addition to visual data, interviews were also conducted with graphic designers. The questions asked were about the reasons for determining the design and their motivation in utilizing visual assets. The analysis is carried out by building relationships between the designs created, the use of visual assets, and contextual relationships with other interests outside the substance of the Covid 19 prevention campaign program in Indonesia. The results of the study show that visual assets are not used proportionally in conveying the Covid-19 prevention campaign in Indonesia. The conclusion is that there is no policy that provides direction regarding the provisions for the use of visual assets in preventing the Covid-19 health disaster in Indonesia. This research contributes to the government because this research finds a rule model for the use of visual assets in Indonesia
Development of a drama gong performance model: an effort to preserve the traditional Balinese drama in the digital era I Wayan Sugita; I Gede Tilem Pastika; I Made Gde Puasa
International Journal of Visual and Performing Arts Vol 5, No 1 (2023)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v5i1.910

Abstract

Drama Gong is a traditional Balinese performance art that enjoyed popularity. However, since the 1990s, the advent of television and the internet has led to a decline in the prominence of Drama Gong. Therefore, there is a pressing need to revitalize and innovate this traditional art form. One such effort by Balinese artists involves the creation of a digital adaptation known as 'Drama Keraton Cilinaya.' This qualitative descriptive research aims to explore the development model of Drama Gong in the digital era. The research data were collected through a comprehensive document analysis, which included the examination of seven episodes of 'Drama Keraton Cilinaya,' as well as direct observations and interviews with the creators. The findings revealed that 'Drama Keraton Cilinaya' has undergone significant internal and external innovations. Internally, the artists emphasized the importance of having an open mindset to embrace global changes, packaged stories for enhanced appeal and comprehension, incorporated contemporary dialogue, employed multiple languages, engaged younger talents, enhanced makeup and costume artistry, introduced digital music, and improved stage layouts. External innovations involve collaborations with artists beyond the Drama Gong tradition, utilizing digital technology in production, and distributing the performances through TV media and YouTube channels to broaden their audience reach. It is anticipated that the findings of this research will serve as a valuable digital packaging model, not only for Drama Gong but also for the development of other traditional Balinese performing arts, ensuring their sustainability in the digital era.
The process of making batik wayang beber using digital canting with sungging painting coloring technique Aan Sudarwanto; Danang Priyanto
International Journal of Visual and Performing Arts Vol 4, No 2 (2022)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v4i2.718

Abstract

This article carries the application of creating wayang beber patterns with sinjang batik techniques. This research aims to answer the endless question regarding the variation of batik patterns. Batik patterns are not only used in clothing but also as decoration. In this case, batik is used as decoration with wayang beber patterns using batik painting techniques.  The research was carried out by making an example of a model, starting with looking for possible utilization by using a design from a computer graphics program. The research scope is limited by the creation of the wayang beber patterns and their application. The steps of designing are to create a prototype model, starting with conducting emic and ethical research. The next step is contemplating the whole pattern development design using digital technology. This is done by looking for suitability based on aesthetic principles and followed by pencantingan using the SGL-4332 series digital batik canting machine.  For the final step, colouring is carried out using the batik painting technique, which is done manually using the rules of sungging gradation.  This research produced a prototype model of wayang beber creation with batik techniques, which can be used by batik craftsmen to bring out new innovations in their work
Transformation and diversification of Banten TV business as local television industry in the digital era Amin Aminudin; Ana Nadhya Abrar; Novi Kurnia
International Journal of Visual and Performing Arts Vol 5, No 1 (2023)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v5i1.906

Abstract

The digital era has changed all aspects of life, including the aspects of the broadcasting industry. The presence of Internet technology also presents a new system in the broadcasting industry. changes in the broadcasting system have also resulted in business diversification in the broadcasting industry. in this digital era, it has also tightened the business competition in the broadcasting industry, such as Banten TV. The formulation of the problem in this study is how to transform and diversify Banten TV's business in maintaining the broadcasting industry business. The method used in this study is a qualitative method with a case study approach by exploring the transformation and Diversification of the Banten TV Business; the paradigm used is constructivism with the theory of media ecology from Marshall McLuhan. Hasi research shows that Banten TV, as the largest local television in Banten province, transforms broadcast content by broadcasting entertainment and local wisdom, such as the local culture and religion in Banten province. With broadcast coverage using a 5000-watt transmitter, it certainly has a potential role in raising local wisdom with a very wide radiance; the transformation of Banten TV broadcast content is carried out by raising a religious superior program with the name of the Sholawat program (Solusi Tepat Per erat Umat) as a superior program in raising local wisdom in Banten which is religious and also the exploration of tourist destinations in the Banten region. In addition to transforming content, Banten TV also diversified its business by creating television program programs in collaboration with the Banten provincial government as a strategy for increasing the company's economic value
Ruwat Murwakala ritual: transmission of educational value through the traditional performing arts and its relevance with the implementation of the concept of merdeka belajar Lardianto Budhi; Slamet Subiyantoro; Adam Wahida
International Journal of Visual and Performing Arts Vol 4, No 2 (2022)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v4i2.808

Abstract

Besides being an expression of culture, traditional artworks carry various kinds of knowledge and values that are useful for the survival of the community. This is one of the reasons why a product of traditional artworks survives in the midst of the progress of the times. This research on the ruwatan murwakala ritual aims to; (1) find out how the transmission of educational values occurs in wayang performances; (2) Analyse the scenes in Ruwat Murwakala's story that show the process of transmitting educational values and supporting the implementation of the Merdeka Belajar idea. The method used in this research is descriptive qualitative interpretive. Data was collected through participant observation (observation), literature review and in-depth interviews. Observations were made by observing the performance directly or by looking at the recording of the performance of Ruwatan's play Murwakala. The study of library sources consisting of articles and writings related to the research subject aims to complete the research data. Triangulation of data sources and sources is used to validate the data obtained so that the validity of the data can be accounted for. The results of the research on the Ruwatan ritual of the Murwakala play show that there are findings in the form of a process of delivering character education values to the community, including curiosity; honesty and knight; respect; religion; obeying the rules; respect; fair; smart; creative; critical knights; honest; respectful; and intelligent. These values are contained in each chapter in the story of Ruwatan Murwakala, namely: the pathet nem scene (beginning), the pathet sanga scene (middle) and the pathet manyura scene (end)
Kelong in the context of the gandrang bulo dance in Makassar Ade Kurniawan Suhardi; Bambang Sunarto
International Journal of Visual and Performing Arts Vol 5, No 1 (2023)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v5i1.960

Abstract

Kelong is a Makassar term meaning 'song,' which is one of the main elements in the Gandrang Bulo dance. Kelong, in this case, is presented simultaneously with elements of Pakakkala' (funny) dance and satirical drama or acting. Kelong is meant to educate, while pakakkala' and satire are humorous to entertain. So far, most appreciators are more interested in entertaining humor than curiosity about the meaning of kelong. This paper aims to reveal the description of the portion of the presentation of kelong in the phenomenon of the Gandrang Bulo dance. This article also tries to articulate the meaning of education and motivation to raise awareness that teaches that life is not in vain. Using a descriptive qualitative methodology, this study. Textual and musical data were specially extracted from poetry using the kelong method, including audio and visual perception. One of the achievements of this research is to provide information that there is an educational meaning tucked into the kelong. The research implementation used a descriptive qualitative method by prioritizing the collection of music data and verbal data as the unit of analysis. The finding of this research is to get the educational value tucked inside the kelong behind disproportionately contrasting elements. The significance of this research is that it really contributes as a driving force for the enthusiasm of artists in educating through the arts, especially kelong.
Spirituality of lengger dance in papringan hamlet Banyumasan Heni Siswantari; Lovandri Dwanda Putra; Ganing Rimas Hayu Kerti
International Journal of Visual and Performing Arts Vol 4, No 2 (2022)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v4i2.646

Abstract

Lengger dance, as one of the local wisdom of the Banyumas community, is considered by the wider community to have no Islamic values. However, the fact is that every art that grew from the people of the archipelago emerged for reasons of spirituality, getting closer to God and nature so that when Islam was present in the archipelago, Islamic values were very easily integrated into these arts. This research aims to examine more deeply and describe the value of spirituality in the Banyumas Lengger dance. The research method used in this study is qualitative with an ethnographic approach. The subject of this research is the Lengger Banyumasan art, and the paradigm used is spirituality and Islamic values in the process, movement, and accompaniment of the Banyumasan Lengger dance. Data regarding dance movements were obtained through the process of observing and interviewing the dancers. Furthermore, the research explored whether religious values were taken into consideration in creating the musical accompaniment for the Lengger dance performances. The results showed that the Banyumasan lengger dance contained spiritual values related to God, fellow human beings, and the environment. The spiritual values found in the lengger dance in Papringan Hamlet, Banyumas is the local community's belief in the existence of indhang, offerings offered to the indhang, movements that are considered erotic have spiritual value and gratitude to the power, and there are several taboos for lengger dancers
A generative deep learning for exploring layout variation on visual poster design Peter Ardhianto; Yonathan Purbo Santosa; Yori Pusparani
International Journal of Visual and Performing Arts Vol 5, No 1 (2023)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v5i1.920

Abstract

Layout variation is an essential concept in design and allows designers to create a sense of depth and complexity in their work. However, manually creating layout variations can be time-consuming and limit a designer's creativity. The use of generative art as a tool for creating visual poster designs that emphasize layout variety is explored in this study. Deep learning through generative art offers a solution by using an algorithm to generate layout variations automatically. This paper uses the VQGAN and CLIP approach to describe a generative art system, which renders images via a text prompt and produces a series of variations based on the zoom parameter 0.95 and shifts the y-axis 5 pixels. Our experiment shows that one frame can be generated roughly in 10.108±0.226 seconds, significantly faster than the conventional method for creating layouts on poster design. The model achieved a good quality image, scoring 4.248 using an inception score evaluation. The layout variations can be used as a basis for poster design visuals, allowing designers to explore different visual representations of layouts. This paper demonstrates the potential of generative art to explore layout variation in visual design, offering designers a new approach to creating dynamic and engaging visual designs.
A Scientific view and analysis of theatre art Yakshagana Gopalkrishna Hegde; Gautam Hegde
International Journal of Visual and Performing Arts Vol 4, No 2 (2022)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v4i2.742

Abstract

Many of the Indian performing arts have deep scientific/engineering aspects involved in them without being recognised or studied. Yakshagana is one of such arts being performed in coastal districts of Karnataka and has a history of more than 500 years. Yakshagana is a team, multidisciplinary art involving classical music, percussions, dance, dialogue, comedy, costumes, and scholarly discussions. This article discusses the components/parameters of the Yakshagana art form from a scientific and engineering perspective, and we have attempted to formulate mathematical equations for a better understanding of the art execution, artist’s capacity and overall performance. Empirical mathematical relations are formulated to estimate the performance index to grade the quality of the overall performance of the day. As art is an “all-in-one” form of art performance, it is represented using a Venn diagram. Four main components of Yakshagana and the importance of the coordination between them for successful, cohesive and high-quality performance are analysed by incorporating scientific and engineering approaches. We hope that the present study will open up further scientific research on long-duration performing Indian traditional art forms
A semiotic intertextual analysis of beauty influencers' communication strategies on youtube: uncovering meaning and influence by using Pierce's framework Ariani Wardhani; Hanisa Hasan
International Journal of Visual and Performing Arts Vol 5, No 1 (2023)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v5i1.1066

Abstract

This research aims to conduct a semiotic intertextual analysis of beauty influencers on YouTube. Specifically, the study centers on two prominent beauty influencers, Andra Alodita, and Kornelia Meilinda, and their strategies for effectively promoting recommended lipstick products. The research was conducted employing a qualitative approach, utilizing Peirce's semiotic theory. The findings reveal that beauty influencers strategically employ visual elements to convey meaning and captivate viewers' attention. Both Andra Alodita and Kornelia Meilinda meticulously craft their content, considering factors such as color schemes, backgrounds, and object placement. They adopt distinct approaches to reviewing lipstick products tailored to diverse audiences and preferences. This multiplicity of perspectives enhances the complexity of semiotic elements within beauty influencer content and broadens the spectrum of meanings conveyed to viewers. Furthermore, the findings underscore the significance of semiotic intertextuality as a potent tool for beauty influencers to shape meaning, influence perceptions, and resonate with their extensive audience. These findings offer valuable insights for marketers, brands, and content creators seeking to leverage semiotics' potential in shaping beauty trends and consumer behavior.

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