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Moh Atikurrahman
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Program Studi Sastra Indonesia Fakultas Adab dad Humaniora UIN Sunan Ampel Surabaya Jl. Ahmad Yani 117 Surabaya 60237
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SULUK: Jurnal Bahasa, Sastra, dan Budaya
Published by Universitas Islam Negeri Sunan Ampel
ISSN : 26862689     EISSN : 27147932     DOI : https://doi.org/10.15642/suluk
Core Subject : Humanities, Education, Art,
Arts Humanities Languange, Linguistic, Communication & Media
SULUK: Jurnal Bahasa, Sastra, dan Budaya is a half-yearly journal published by the literary studies program of Universitas Islam Negeri Sunan Ampel Surabaya. Suluk provides a forum for the scholar of literary studies, with special reference to linguistics, literature, and culture. The journal publishes articles on literature, language, philology, and culture of Indonesia with a special interest in the study of literature/language from different geographical areas such as Arabic, Indonesian, Javanese, etc. Suluk is accredited by Crossref, Google Scholar, Garuda, Indonesia Onesearch, Dimensions, Microsoft Academic, Index Copernicus International, Research Bible, and ROAD. Suluk uses the Open Journal System and email. It is a double-blind peer-reviewed by the international and national reviewers. This journal is an open-access journal which means that all content is freely available without charge to the user or his/her institution. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles, or use them for any other lawful purpose, without asking prior permission from the publisher or the author. This is in accordance with the BOAI definition of open access.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 5 Documents
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Search results for , issue "Vol. 7 No. 1 (2025): Maret" : 5 Documents clear
Suara yang Dibungkam, Alam yang Dijinakkan dalam Bekisar Merah: Membaca Metafora Ayam Bekisar, Gender, dan Ekologi melalui Naratologi Genette Ferdiansyah, Rafi; Pratiwi, Altisha Nabila; Pratiwi, Shelly Aulia
SULUK : Jurnal Bahasa, Sastra, dan Budaya Vol. 7 No. 1 (2025): Maret
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/suluk.2025.7.1.90-115

Abstract

  Artikel ini mengkaji struktur naratif Bekisar Merah karya Ahmad Tohari melalui naratologi Genette yang dipadukan dengan perspektif ekofeminisme. Analisis difokuskan pada kategori naratif seperti order, mood/focalization, voice, frequency, dan duration. Hasilnya menunjukkan bahwa metafora ayam bekisar bukan sekadar simbol, melainkan hadir dalam tataran diegetis untuk mencerminkan nasib Lasi yang terombang-ambing antara desa dan kota, domestikasi dan kebebasan, subordinasi dan dominasi. Struktur temporal novel memperlihatkan bias antroposentris: order menekankan trauma manusia tetapi mengabaikan memori ekologis; frequency dan duration memberi ruang pada intrik politik serta psikologi Lasi, sementara proses ekologis direduksi menjadi citraan singkat. Focalization menyingkap keterasingan tokoh perempuan, sedangkan voice narator heterodiegetik yang mahatahu justru membungkam suara fauna dan alam, memosisikan mereka hanya sebagai latar simbolik. Polanya mengungkap interseksi dominasi patriarki dan penyingkiran ekologis, di mana keheningan bekisar dan feminisasi Karangsoga menjadi metafora ganda atas subordinasi gender sekaligus lingkungan. Dengan demikian, novel ini menghadirkan arsitektur naratif yang indah tetapi problematis, sehingga penting dibaca ulang secara etis-ekologis demi wacana sastra Indonesia yang lebih inklusif.
Naming, Blaming, Erasing: Van Leeuwen’s Recontextualization–Legitimation Matrix in Bratang Surabaya Coverage, 20 August 2025 Shofah, Novia Adibatus; Indriyani, Jiphie Gilia; Atikurrahman, Moh; Abdullah, Asep Abbas
SULUK : Jurnal Bahasa, Sastra, dan Budaya Vol. 7 No. 1 (2025): Maret
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/suluk.2025.7.1.63-89

Abstract

This study examines how nine Indonesian online outlets transformed the 20 August 2025 Taman Flora–Bratang traffic accident in Surabaya into stabilised news narratives. Using Theo van Leeuwen’s socio-semiotic framework and a mixed-methods Critical Discourse Analysis, we ask: (1) how actors, actions, time–space, purposes, and legitimations are added or removed; (2) how victims, the car/driver, police, and “road/space” are portrayed (naming, genericisation, activation/passivation, inclusion/exclusion); and (3) which authorisation, moral evaluation, rationalisation, and mythopoesis assign responsibility under breaking-news uncertainty. A parallel, convergent analysis treated sentences (including headlines) as units across nine same-day reports. Quantitatively, we tracked inclusion/exclusion, activation/passivation, gender marking, and legitimation types per sentence; qualitatively, we traced outlet-level patterns via a CDA Matrix, joint displays (actor × legitimation), and a recontextualisation flow. Double-coding (Cohen’s κ template) audited heuristic labels, with discrepancies resolved interpretively. Three recurring narrative packages emerged: (i) a police-led “two-motor” template that simplifies causality and backgrounds the car/driver; (ii) a BPBD-led procedural timeline that individualises the driver yet defers legal judgment; and (iii) a defensive naming-then-denial pattern specifying the car (even plate/model) while disassociating it via surface forensic cues. Early texts privilege authorisation (police/BPBD voice) and rationalisation (procedural/technical accounts); moral cues and mythopoetic framings surface subtly in headlines. Social-actor design personalises/feminises the deceased and functionalises authorities, pre-structuring responsibility maps.
Struktur Ritual dan Makna Semantis pada Tradisi Pernikahan Masyarakat Suku Samin Bojonegoro, Jawa Timur: Studi Etnolinguistik Kharirin, Nur; Hamida, Layli
SULUK : Jurnal Bahasa, Sastra, dan Budaya Vol. 7 No. 1 (2025): Maret
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/suluk.2025.7.1.1-20

Abstract

This study examines the ritual structure including ethnographic components of communication and semantic meaning contained in the communication of the marriage tradition of the Samin community in Bojonegoro, East Jawa through an ethnographic approach to communication. The research method used is ethnography with a qualitative approach. Data were collected through participant observation, field notes, and semi-structured interviews. The findings of this study indicate that the Bojonegoro Samin wedding tradition has a unique ritual structure and has a symbolic meaning in it. Each stage of the ritual, from the answering procession to the giving of advice by the elders, then Dell Hymes' SPEAKING communication ethnography component as the reference theory, reflects the cultural values of the Samin people who uphold simplicity, honesty, and togetherness. In addition, this study also found that the language used in the marriage tradition of the Samin community has many lexicons that have deep semantic meaning. These lexicons not only function as a means of communication, but also as a representation of the cultural values and local wisdom of the Samin people of Bojonegoro, East Java.
Stratifikasi Konflik Sosial dalam Film Inch’ Allah Karya Anaïs Barbeau-Lavallete Salma, Inas; Nurlinah, Nurlinah; Rohanda, Rohanda
SULUK : Jurnal Bahasa, Sastra, dan Budaya Vol. 7 No. 1 (2025): Maret
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/suluk.2025.7.1.22-42

Abstract

  This research analyzes the Stratification of Social Conflict in the Film Inch’ Allah by Anais Barbeau Lavallete. This research uses a qualitative paradigm with Max Weber's Sociology of Social Conflict Literature approach. The formal object in this research is Max Weber's Sociology of Literature, and the material object is Inch’ Allah Movie. The purpose of this research is to identify the form of social conflict and analyze the Stratification of Social Conflict that can provide a comprehensive framework. The results and discussion show an in-depth analysis of the form of social conflict, the structure of social conflict, and the factors that trigger social conflict. Which can be categorized in the form of differences in social interests and stratification due to the existence of power, privileges as well as social status. Inch'Allah film represents the reality of the Palestinian-Israeli conflict. the form of conflict reality that occurs in Inch'Allah film includes: tight security and inspection, searches, shooting, interrogating and threats made by the Israeli Army against the Palestinian population.
Real Issue or Propaganda? Students’ Perspectives on Post Truth Phenomenon in Films Adzhani, Shabrina An; Ntamwana, Simon
SULUK : Jurnal Bahasa, Sastra, dan Budaya Vol. 7 No. 1 (2025): Maret
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/suluk.2025.7.1.43-62

Abstract

The development of information technology has led an era called post truth, when a particular viewpoint is published, accepted as true, and causes other alternative truths to be rejected. It is important for digital citizen to be aware of the existence of such phenomena. This research aims at revealing the perspective of university students semester 6 at English Letters program, UIN Raden Mas Said Surakarta on post truth phenomenon emerging though social media as reflected in two films, Missing and Don’t Look Up. Using reader response approach and McIntire’s theory about post truth, the finding shows that students can generally notice post truth phenomenon in the society and are able to analyse how post truth are circulated. From the last steps of the research, it can be seen that more than half of the students demonstrated a critical and neutral stance, while the rest showed indifference, arguing that they did not know the person involved in the news. Meanwhile, most students showed greater concern and critical thinking when responding to the global issue presented in Don’t Look Up. This indicates that, in general, students demonstrated the necessary attitude—being critical and evaluative of the narratives circulating in the digital platforms.

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