Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang
Jurnal SAKURA : Sastra, Bahasa, Kebudayaan dan Pranata Jepang, merupakan jurnal yang memuat artikel hasil penelitian serta kajian ilmiah di bidang sastra, linguistik, kebudayaan dan pranata Jepang. Terbit dua kali dalam setahun, pada bulan Februari dan Agustus. Jurnal SAKURA bertujuan menjadi wadah bagi para peneliti, dosen, mahasiswa dan para praktisi di bidang Sastra, Linguistik, Kebudayaan dan Pranata Jepang untuk mempublikasikan karya ilmiahnya secara luas
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<![CDATA[Pujian dan Respon Pujian Sebagai Representasi Konsep Sosial dalam Perusahaan Jepang ]]>
<![CDATA[Ni Made Andry Anita Dewi]]>;
<![CDATA[Ni Putu Luhur Wedayanti]]>
<![CDATA[ Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 2 (2022) ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana ]]>
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DOI: 10.24843/JS.2022.v04.i02.p04
<![CDATA[This article about compliments and compliment responses is an important part that is often used to facilitate communication, especially in the realm of Japanese companies or offices. This study aims to determine compliments and compliment responses as a representation of social concepts that apply in Japanese companies or offices in the Japanese drama entitled Eigyo Bucho Kira Natsuko. This study uses several theories related to compliments or compliment responses, namely Manes and Wolfson on the topic and function of compliment, and Herbert regarding the classification of compliment responses. In addition, this study also discusses the strategies used by the characters in the drama to respond to the compliment they receive. The social concepts represented in compliments and compliment responses are 1) sempai and kohai; 2) oyabun and kobun. The social concept adopted in the realm of Japanese companies provides an understanding and description of the strong culture in the Japanese corporate structure itself.]]>
<![CDATA[Faktor Keterlibatan Jepang dalam Perang Dunia II pada Film Rengou Kantai Shirei Choukan Yamamoto Isoroku ]]>
<![CDATA[I Dewa Gede Radiantha Wedagama]]>;
<![CDATA[I Made Budiana]]>
<![CDATA[ Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 2 (2022) ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana ]]>
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DOI: 10.24843/JS.2022.v04.i02.p09
<![CDATA[Japan is one of the countries that was actively involved in World War II. In the war, Japan joined Germany and Italy to fight the US and its allies. However, World War II ended with Japan's defeat in 1945. This study aims to determine the factors of Japan's involvement in World War II in the film Rengou Kantai Shirei Choukan Yamamoto Isoroku by Izuru Narushima. Data was collected using the method of observation and documentation. The collected data was analyzed using descriptive analysis method and the results are presented using informal methods. The theory used in this research is the New Historicism theory by Greenblatt (1980). The results of the analysis show that there are three factors behind Japan's involvement in World War II. The three factors are 1) the belief that war can end the economic crisis; 2) Japan's dream of liberating Asia; and 3) the memory of Japan's victories in wars in the past.]]>
<![CDATA[Pandangan Dunia Pengarang Terhadap Gender dalam Anime Kimi No Na Wa Karya Makoto Shinkai ]]>
<![CDATA[Ni Luh Apriliani]]>;
<![CDATA[Renny Anggraeny]]>
<![CDATA[ Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 2 (2022) ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana ]]>
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DOI: 10.24843/JS.2022.v04.i02.p05
<![CDATA[The title of this research is “The Author’s World View of Gender in Anime Kimi no Na wa by Makoto Shinkai. The aim of this research is to determine the author’s world view of gender in Anime Kimi no Na wa by Makoto Shinkai. The observation method and note-taking technique used in data collection. The theory used in this research is theory of genetic structuralism and theory of author's world view from Goldmann. The author's world view on gender is illustrated through three social problems, namely 1) gender subordination: women have the right to develop themselves; 2) gender stereotypes: societal stereotypes are subjective; 3) gender violence: the importance of respecting the position of women. The author wants to convey the message that gender is something that can be exchanged, so that it requires equal treatment of everyone regardless of their sex.]]>
<![CDATA[Analisis Makna Kanji dengan Bushu Hihen ]]>
<![CDATA[Khusnul Immaji Husein Saputra]]>;
<![CDATA[Ely Triasih Rahayu]]>;
<![CDATA[Eko Kurniawan]]>
<![CDATA[ Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 2 (2022) ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana ]]>
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DOI: 10.24843/JS.2022.v04.i02.p10
<![CDATA[The purpose of this research to describe the meaning of the kanji that has hihen character in the manga Barakamon volume 10th, 11th, and 12th. This research is a qualitative descriptive study with data collection techniques and uses note-taking techniques. The research data was in the form of kanji that has hihen character in the manga Barakamon, volume 10th, 11th, and 12th. The method used to analyze and find out the meaning of the kanji is the rikusho kanji formation theory of naritachi kanji. The results show that there are ten kanji in the manga Barakamon, volume 10th, 11th, and 12th that has hihen character. Then, it was found the kanji that has bushu hihen have a similar characteristic to the sun, both in the form of the nature of the sun, the function of the sun for humans, and the phenomena that occur because of the sun.]]>
<![CDATA[Analisis Tindak Tutur Direktif dalam Drama 3 Nen A Gumi Karya Komuro Naoko dan Suzuki ]]>
<![CDATA[Putu Diva Dian Pratama]]>;
<![CDATA[Gede Satya Hermawan]]>;
<![CDATA[Yeni Yeni]]>
<![CDATA[ Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 2 (2022) ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana ]]>
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DOI: 10.24843/JS.2022.v04.i02.p01
<![CDATA[The purpose of this research is to analyze the intent and types of directive speech act expressions in the drama 3 Nen A Gumi. The subject used in this research is a Japanese drama entitled 3 Nen A Gumi. This research is a qualitative descriptive research. The method used in this research is the listening method with an advanced technique, namely the note-taking technique. In analyzing, using pragmatic analysis to examine the use of intent and types of directive speech act expressions. The theory used is the theory of speech acts according to Searle (1979) and the theory of types of speech act expressions proposed by Nadar (2008). From the results of the research, it was found that 54 data were directive speech acts. There are 9 intents of directive speech acts found, namely request, entreat, question, invite, command, challenge, forbid, permit, and advise. Furthermore, it is known that directive speech acts are expressed by direct speech and indirect speech according to the context of the speech situation. There are 39 direct speech data and 15 indirect speech data.]]>
<![CDATA[Hegemoni Heteronormativitas Jepang dalam Film Karera Ga Honki De Amu Toki Wa Karya Ogigami Naoko ]]>
<![CDATA[Tia Saraswati]]>
<![CDATA[ Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 2 (2022) ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana ]]>
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DOI: 10.24843/JS.2022.v04.i02.p06
<![CDATA[Artikel ini akan menganalisis bentuk heteronormatif dan hegemoni heteronormatif dalam film transgender berjudul Karera ga Honki de Amu Toki wa karya Ogigami Naoko. Tokoh utama dalam film ini adalah seorang transpuan bernama Rinko. Dengan mengambil adegan-adegan film yang menunjukkan bentuk-bentuk heteronormatif (diskriminasi, homofobia dan kecurigaan dari masyarakat Jepang di sekitar Rinko) dan bagaimana hegemoni heteronormatifitas dialami oleh Rinko, analisis akan dilakukan dengan menggunakan kerangka teori hegemoni heteronormatif dan juga konsep heteronormativitas dengan tetap mengacu pada konteks budaya Jepang dalam film. Meskipun hidup Rinko seakan sempurna karena dikelilingi orang-orang yang mencintainya dan menerima dirinya apa adanya, namun, Rinko hidup di dalam masyarakat yang heteronormatif sehingga tetap mengalami perlakuan homophobia dan diskriminatif dari orang disekitarnya. Selain itu, transpuan Rinko tidak bisa sepenuhnya memiliki kebebasan untuk mewujudkan keinginannya memiliki anak (mengadopsi Tomo) karena ada aturan-aturan yang membuatnya harus tunduk pada masyarakat heteronormatif. Dalam hal ini, representasi transpuan dalam film ini masih pada tataran transpuan yang belum diterima sepenuhnya oleh masyarakat karena masyarakat Jepang sendiri sebagian besar adalah masyarakat yang heteronormatif yang masih belum menerima gender minoritas seperti transgender. Selain itu, adanya hegemoni heteronormatif membuat transpuan Rinko harus tunduk pada aturan-aturan dan kuasa yang berlaku di dalam masyarakat Jepang.]]>
<![CDATA[Analisis Simbolisme Jepang dalam Seragam Sekolah Menengah Pertama ]]>
<![CDATA[Puspa Ratu Suci Arum Sari]]>;
<![CDATA[Idah Hamidah]]>;
<![CDATA[Diana Puspitasari]]>
<![CDATA[ Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 2 (2022) ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana ]]>
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DOI: 10.24843/JS.2022.v04.i02.p02
<![CDATA[The symbols on junior high school uniforms in Japan have different meanings. The purpose of this study is to describe the meaning of semiotics (denotative, connotative, and myth) in junior high school uniforms in Japan using Roland Barthes' semiotic theory. This research is a qualitative descriptive study research with literature study data collection techniques. The results of the analysis show six symbols whose meanings can be known, namely the school uniform was not only clothes worn by certain groups, but there are several semiotic meanings contained in parts of the school uniform. In addition, school coats are required to be in a dark color, which is a tradition in Japan where students are prohibited from wearing brightly colored coats. They wear a suit collar with a standard collar shape which is the best collar to use in any occasion, the symbol in the middle of the coat buttons means an identifier of the origin of the uniform, the coat pocket is decorative and is used to place an item. Then the purpose of using ties is for the student to be more confident and learn to dress neatly, white school shirts like school shirts in general symbolize cleanliness and innocence which makes students look formal when attending school, and school skirts that cover part or all of their legs part to show the feminist side of female students.]]>
<![CDATA[Majas dalam Lirik Lagu Vinushka Oleh Dir En Grey ]]>
<![CDATA[Maulana Hasanudin Raditya]]>;
<![CDATA[Silvia Damayanti]]>
<![CDATA[ Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 2 (2022) ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana ]]>
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DOI: 10.24843/JS.2022.v04.i02.p07
<![CDATA[The research entitled "Majas in Vinushka Song Lyrics by Dir En Grey" aims to determine the form and function of figurative language contained in song lyrics. The data used in this study are the lyrics of the song Dir En Gray entitled Vinushka. The data was analyzed by using qualitative descriptive method. The theory used is the stylistic theory proposed by Keraf (2006), the theory of figurative language proposed by Tarrigan (2009) and the theory of the function of figurative language. The results shows that there are 2 types of figurative expressions in the lyrics of the Vinushka song, namely metaphorical and personification. The function of the figurative expressions in the song was expalaining, strengthening ideas, and bringing life to inanimate objects.]]>
<![CDATA[Positive Politeness Strategy and Social and Culture Value in Convenience Store Woman ]]>
<![CDATA[Tasya Pratama]]>;
<![CDATA[I Nyoman Aryawibawa]]>;
<![CDATA[I Nengah Sudipa]]>
<![CDATA[ Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 2 (2022) ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana ]]>
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DOI: 10.24843/JS.2022.v04.i02.p03
<![CDATA[Language is a representation and an identity for each nation, it is part of the culture. Language is used as a tool to communicate and becomes a path to express other culture and social values. It comes with various forms, one of them is dialogue. Dialogue has an element called positive politeness strategy, a way for people to maintain harmonious relationship with others. Through analyzing dialogues, it also able to uncovers the culture and social value in the environment. Hence this article has the aim to find out what are the positive politeness strategy used by the main character in the novel Convenience Store Woman and what are the culture and social values reflected in it. This article relies on a qualitative method. The source of the data comes from the dialogue of main character (i.e., Keiko Furukura) in the novel Convenience Store Woman and obtained with documentation and observation technique. The data then will be analyzed by applying Content Analysis technique based on Levinson and Brown’s positive politeness strategy (1987). The result shows that there are fifteen positive politeness strategy, Keiko Furukura uses fourteen out of fifteen strategies. She never uses the ‘Joke’ strategy and frequently uses ‘Give gifts to Hearer’ strategy as the answer for the first question. Subsequently, to answer the second question, the culture of zangy? and the society problem about marriage and labor shortage are apparent in the story as shown by the dialogue spoken by Keiko Furukura.]]>
<![CDATA[Alih Kode Dan Campur Kode Dalam Video Blogger Suki Suka Japan ]]>
<![CDATA[Putu Wiwin Cahyanti]]>;
<![CDATA[Ni Made Andry Anita Dewi]]>
<![CDATA[ Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 2 (2022) ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana ]]>
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DOI: 10.24843/JS.2022.v04.i02.p08
<![CDATA[This research is entitled "Code-switching and code-mixing in the video blogger Suki Suka Japan". The purpose of this research is to represent the factors that cause and types of the process of code-switching and code-mixing on the video blogger Suki Suka Japan. This study uses three theories, namely the theory of code-switching (Wardhaugh); code-mixing theory (Hoffmann), and the theory that causes code-mixing (Weinrich). The research method is discriptive analysis with an approach using listening techniques and note-taking techniques. Data were analyzed using agih and tapping methods as well as informal. The results showed that there were 3 types of metaphorical code-switching data and two types of situational code-switching data. In the code-mixing data, there are 2 pieces (code-mixing in sentences), 3 pieces (mixing code in lexical), and 1 pieces (mixing code in phonological).]]>
