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Made Ratna Dian Aryani
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Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana Jalan Pulau Nias 13, Sanglah, Denpasar Bali Indonesia 80114
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Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang
Published by Universitas Udayana
ISSN : 26231328     EISSN : 26230151     DOI : https://doi.org/10.24843/JS.2019.v01
Core Subject : Humanities, Education,
Humanities Languange, Linguistic, Communication & Media
Jurnal SAKURA : Sastra, Bahasa, Kebudayaan dan Pranata Jepang, merupakan jurnal yang memuat artikel hasil penelitian serta kajian ilmiah di bidang sastra, linguistik, kebudayaan dan pranata Jepang. Terbit dua kali dalam setahun, pada bulan Februari dan Agustus. Jurnal SAKURA bertujuan menjadi wadah bagi para peneliti, dosen, mahasiswa dan para praktisi di bidang Sastra, Linguistik, Kebudayaan dan Pranata Jepang untuk mempublikasikan karya ilmiahnya secara luas
Arjuna Subject : Seni dan Humaniora - Bahasa dan Linguistik
Articles 111 Documents
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Kesepadanan Penerjemahan Kosakata Bermuatan Budaya pada Anime Sen to Chihiro no Kamikakushi Ni Kadek Purwantini; Ni Nengah Suartini; Kadek Eva Krishna Adnyani
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 1 (2022)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2022.v04.i01.p07

Abstract

This study aims to describe the equivalence of translating Japanese cultural terms into Indonesian in the anime Sen to Chihiro no Kamikakushi and the translation procedures applied in translating SL (source language) into TL (target language). This research is a qualitative descriptive study using data cards. The theory used is the category of cultural terms by Newmark (1988), the theory of equivalence by Nida and Taber (1974), and the theory of translation procedures by Newmark (1988). There are 38 data which are Japanese cultural terms and its translations in Indonesian. The results showed that 30 data reached equivalence and 8 data did not reach equivalence. Then, there are 7 translation procedures applied, including cultural equivalent, synonym, neutralization, additional explanation, modulation, transposition, and reduction and expansion. Cultural equivalence and synonyms are the most frequently applied procedures.
Struktur dan Makna Tarian Yosakoi Yussy Talitha Khairunnisa; Ely Triasih Rahayu; Muammar Kadafi
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 1 (2022)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2022.v04.i01.p10

Abstract

The purpose of this study was to determine the structure and meaning of movements contained in the yosakoi dance. The yosakoi dance is a traditional dance that was first introduced in 1954 in Kochi prefecture. The kochi yosakoi dance was first performed in a summer festival, with the basic dance was called seicho. Seicho yosakoi is danced with the yosakoi naruko odori song and uses a musical instrument called naruko. Besides at Kochi prefecture, yosakoi also has expanded to the Hokkaido area. Yosakoi dance in Hokkaido is known as yosakoi soran. Yosakoi soran was first created by Hasegawa Gaku in 1992. Different from kochi yosakoi, yosakoi soran was first introduced with the traditional song soran bushi. The type of this study was descriptive qualitative. The data source of this study was the movement of yosakoi dancers, namely the Iroha and Yuujou Taiko groups. The method of this study used literature study, observation and interview. The data analysis technique was conducted by analyzing the movement structure and meaning of the seicho and soran bushi dances based on the semiotic concept of Roland Barthes. The results of this study showed that there were 5 movement structures in the seicho yosakoi dance that contained connotative meanings, and there were 14 movement structures in the soran bushi dance. The conclusion from the structure and meaning of these two dances are that they only have connotative meanings. In the seicho dance, it contains the meaning of an invitation for people to come and have fun during the summer at the yosakoi festival. While in soran bushi, this dance has the meaning of describing how fishermen go to sea to catch fish.
Mobilitas Sosial pada Kelompok Zainichi Korean di Jepang Ni Putu Luhur Wedayanti; Ni Made Andry Anita Dewi
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 1 (2022)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2022.v04.i01.p03

Abstract

This study has a purpose to examine wether any social mobility occurred within Zainichi Korean in Japan. Zainichi Korean is a minority group that came to Japan since 1910 when Korean Peninsula was annexed by Japanese. Korean who came to Japan that time worked as daily worker in farming area, ship building, contruction site or other places. After World War II was ended, part of those Korean stayed remain in Japan, until this moment for fourth or fifth generatons. Decades ago, discrimination against Korean immigrants made it difficult for them to earn a decent living, as they struggled to find a decent work. They could only work as day laborers. However, due to various supporting factors such as opportunities and good cooperation, most of these Korean immigrants were able to own a Pachinko business, and even almost controlled the jewelry shop business in Osaka as the center of a settlement of the most Korean immigrants in Japan. This change shows the social mobility of Korean immigrants to a higher socioeconomic class. On the other hand, the factor that hinders the occurrence of mobility is the discriminatory attitude towards Zainichi Korean.
Ideologi Di Balik Mitos Dalam Cerpen Akagaeru Karya Shimaki Kensaku: Kajian Semiologi Roland Barthes Ni Luh Putu Ari Sulatri; Silvia Damayanti
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 1 (2022)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2022.v04.i01.p08

Abstract

This article examines the ideology of Shimaki Kensaku in the short story Akagaeru. This study is qualitative research by applying the hermeneutic method. This study uses the semiology theory of Roland Barthes with a two-level sign interpretation model. The results of the study show that at the language level, the signifier of akagaeru refers to the signified of reddish-brown type of frog endemic to Japan. The signified at the language level become the signifier of connotation at the myth level which refers to the signified of connotation namely 1) return to the original Japanese ideology; 2) the failure of communist ideology to develop in Japan; 3) acceptance of the destruction of communist ideology in Japan; and 4) persistence of admiration for communist ideology. These signified of connotations form a myth that is connected with Shimaki Kensaku's ideology, namely suichoku tenk? 'vertical tenk?'
Negasi Verba Dialek Osaka Dalam Novel Hibana Karya Matayoshi Naoki Putu Yuhi Ikeda; Ni Putu Luhur Wedayanti
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 1 (2022)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2022.v04.i01.p04

Abstract

This research aims to determine the formation of verb negation and illocutionary speech acts using the Osaka dialect verb negation found in the novel Hibana by Matayoshi Naoki. This research uses morphological theory according to Tsujimura (1999) and illocutionary speech act theory according to Searle (2006). The data collection method used in this research is the observation method, namely by listening to the utterances in comics. Then the data obtained was followed by a note-taking technique. The method used in data analysis was the agih method. Furthermore an informal method is used in presenting the results of the data analysis. Based on the analysis results found six data containing the negation element of the -hen verb and four data containing the element of negation of the verb -hin, the negation of the verb followed by the suffix -hen is formed according to the type of vocabulary. in Japanese, namely godandoushi and ichidan doushi. Ichidandoushi is divided into two, namely kami ichidan doushi which is a verb ending in -iru, and shimo ichidan doushi which is a verb ending in the sound -eru In the verb negation pattern -hen verb only be used for shimo ichidan doushi, -hin can only be used for kami ichidan doushi only, then it is found 13 forms of illocutionary speech acts that use the negation of the Osaka dialect verb which is classified into three data containing elements of assertive speech acts, two data containing elements of directive speech acts, and eight data containing elements of expressive speech acts.
Pujian dan Respon Pujian Sebagai Representasi Konsep Sosial dalam Perusahaan Jepang Ni Made Andry Anita Dewi; Ni Putu Luhur Wedayanti
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 2 (2022)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2022.v04.i02.p04

Abstract

This article about compliments and compliment responses is an important part that is often used to facilitate communication, especially in the realm of Japanese companies or offices. This study aims to determine compliments and compliment responses as a representation of social concepts that apply in Japanese companies or offices in the Japanese drama entitled Eigyo Bucho Kira Natsuko. This study uses several theories related to compliments or compliment responses, namely Manes and Wolfson on the topic and function of compliment, and Herbert regarding the classification of compliment responses. In addition, this study also discusses the strategies used by the characters in the drama to respond to the compliment they receive. The social concepts represented in compliments and compliment responses are 1) sempai and kohai; 2) oyabun and kobun. The social concept adopted in the realm of Japanese companies provides an understanding and description of the strong culture in the Japanese corporate structure itself.
Faktor Keterlibatan Jepang dalam Perang Dunia II pada Film Rengou Kantai Shirei Choukan Yamamoto Isoroku I Dewa Gede Radiantha Wedagama; I Made Budiana
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 2 (2022)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2022.v04.i02.p09

Abstract

Japan is one of the countries that was actively involved in World War II. In the war, Japan joined Germany and Italy to fight the US and its allies. However, World War II ended with Japan's defeat in 1945. This study aims to determine the factors of Japan's involvement in World War II in the film Rengou Kantai Shirei Choukan Yamamoto Isoroku by Izuru Narushima. Data was collected using the method of observation and documentation. The collected data was analyzed using descriptive analysis method and the results are presented using informal methods. The theory used in this research is the New Historicism theory by Greenblatt (1980). The results of the analysis show that there are three factors behind Japan's involvement in World War II. The three factors are 1) the belief that war can end the economic crisis; 2) Japan's dream of liberating Asia; and 3) the memory of Japan's victories in wars in the past.
Pandangan Dunia Pengarang Terhadap Gender dalam Anime Kimi No Na Wa Karya Makoto Shinkai Ni Luh Apriliani; Renny Anggraeny
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 2 (2022)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2022.v04.i02.p05

Abstract

The title of this research is “The Author’s World View of Gender in Anime Kimi no Na wa by Makoto Shinkai. The aim of this research is to determine the author’s world view of gender in Anime Kimi no Na wa by Makoto Shinkai. The observation method and note-taking technique used in data collection. The theory used in this research is theory of genetic structuralism and theory of author's world view from Goldmann. The author's world view on gender is illustrated through three social problems, namely 1) gender subordination: women have the right to develop themselves; 2) gender stereotypes: societal stereotypes are subjective; 3) gender violence: the importance of respecting the position of women. The author wants to convey the message that gender is something that can be exchanged, so that it requires equal treatment of everyone regardless of their sex.
Analisis Makna Kanji dengan Bushu Hihen Khusnul Immaji Husein Saputra; Ely Triasih Rahayu; Eko Kurniawan
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 2 (2022)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2022.v04.i02.p10

Abstract

The purpose of this research to describe the meaning of the kanji that has hihen character in the manga Barakamon volume 10th, 11th, and 12th. This research is a qualitative descriptive study with data collection techniques and uses note-taking techniques. The research data was in the form of kanji that has hihen character in the manga Barakamon, volume 10th, 11th, and 12th. The method used to analyze and find out the meaning of the kanji is the rikusho kanji formation theory of naritachi kanji. The results show that there are ten kanji in the manga Barakamon, volume 10th, 11th, and 12th that has hihen character. Then, it was found the kanji that has bushu hihen have a similar characteristic to the sun, both in the form of the nature of the sun, the function of the sun for humans, and the phenomena that occur because of the sun.
Analisis Tindak Tutur Direktif dalam Drama 3 Nen A Gumi Karya Komuro Naoko dan Suzuki Putu Diva Dian Pratama; Gede Satya Hermawan; Yeni Yeni
Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Vol 4 No 2 (2022)
Publisher : Program Studi Sastra Jepang, Fakultas Ilmu Budaya, Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JS.2022.v04.i02.p01

Abstract

The purpose of this research is to analyze the intent and types of directive speech act expressions in the drama 3 Nen A Gumi. The subject used in this research is a Japanese drama entitled 3 Nen A Gumi. This research is a qualitative descriptive research. The method used in this research is the listening method with an advanced technique, namely the note-taking technique. In analyzing, using pragmatic analysis to examine the use of intent and types of directive speech act expressions. The theory used is the theory of speech acts according to Searle (1979) and the theory of types of speech act expressions proposed by Nadar (2008). From the results of the research, it was found that 54 data were directive speech acts. There are 9 intents of directive speech acts found, namely request, entreat, question, invite, command, challenge, forbid, permit, and advise. Furthermore, it is known that directive speech acts are expressed by direct speech and indirect speech according to the context of the speech situation. There are 39 direct speech data and 15 indirect speech data.

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