cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Warto
Contact Email
warto@uinsaizu.ac.id
Phone
+6281327567868
Journal Mail Official
komunika@uinsaizu.ac.id
Editorial Address
Fakultas Dakwah UIN Saizu Jl. Jend. A. Yani No. 20A Purwokerto 53126 Jawa Tengah - Indonesia
Location
Kab. banyumas,
Jawa tengah
INDONESIA
Komunika: Jurnal Dakwah dan Komunikasi
Published by Universitas Islam Negeri Profesor Kiai Haji Saifuddin Zuhri Purwokerto
ISSN : 19781261     EISSN : 25489496     DOI : https://doi.org/10.24090/komunika
Core Subject : Religion, Humanities, Education, Social,
Religion Humanities Languange, Linguistic, Communication & Media Social Sciences
Journal Komunika is a journal published by the Dakwah Faculty of IAIN Purwokerto, which has a concentration related to the field of Dakwah, Islamic Communication, communication theory, mass communication, dakwah management, dakwah messages, dakwah media, dakwah methods, dakwah organizations, Islamic broadcasting, Islamic journalism, public relations, dakwah, dakwah in the digital era. Journal Komunika really expects the participation of submission of manuscripts or articles that are expected to be published in every print or electronic edition. Through the journal, Komunika will improve the quality of the content of the manuscript or articles in accordance with the rules of the journal Komunika and the results can be useful for the progress of science and society.
Arjuna Subject : Ilmu Sosial - Komunikasi
Articles 387 Documents
 32   33   34   35   36 
Me and My Secrets: A Phenomenological Study of Communication Privacy Management of Atheists in the Indonesian Context Regarding Their Identity Azzumar Adhitia Santika; Rudi Sukandar
KOMUNIKA: Jurnal Dakwah dan Komunikasi Vol. 17 No. 1 (2023)
Publisher : Fakultas Dakwah UIN Saizu Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/komunika.v17i1.7787

Abstract

Being an Atheist is always an unpopular choice in the middle of high religious context society. The stigma and pressure from religious groups forced Atheists in Indonesia to hide their identity in public generally and when taking care of the affairs of state administration. This research utilized Communication Privacy Management and Dramaturgy Theory alongside the phenomenology perspective to reveal how Atheists in Indonesia live their "beliefs" in their not-so-friendly environment. The results showed that they generally presented themselves as religious in front of their family by pretending to practice religious rituals, contributing to their special personal branding for the families. Meanwhile, in other social environments, such as friendship, they could be freer to present themselves as they were, although they still had to manage private information about their Atheist identity.
Semiotics of Da’wah in the Sang Pencerah Film Rizki Azis Abdullah; Umi Halwati; Nawawi
KOMUNIKA: Jurnal Dakwah dan Komunikasi Vol. 16 No. 2 (2022)
Publisher : Fakultas Dakwah UIN Saizu Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/komunika.v16i2.5118

Abstract

The film always tells hidden realities with certain characters and symbols. The characters and symbols represent the story or the meaning that the audience will achieve. As an industry, film in Indonesia was dominated by the horror genre. However, in 2010, Ayat-Ayat Cinta film marked the success of the religious genre, especially those that tell historical figures in the Islamic world. The Sang Pencerah film, released in 2010, is a religious film directed by Hanung Bramantyo. It is based on the true story of the founder of Muhammadiyah, KH Ahmad Dahlan. Therefore, this film is a worthy research object to examine the representation of the da’wah methods in it. This study uses a qualitative research method by applying Charles Sanders Pierce's semiotic analysis, which focuses on signs, sign references and sign users. Data collection techniques in this study were carried out through documentation techniques by analyzing scenes and dialogues in scene footage in the film. The results of this study indicate that the method of da’wah in the Sang Pencerah refers to the Qur'an, especially Surah an-Nahl verse 125, which includes the bil hikmah, bil mau'idhah hasanah, and bil mujadalah methods. The dominant da’wah method in this film is the bil hikmah method.
Ganjar Pranowo’s Storytelling and Political Image on Social Media Muksin, Nani Nurani; Sinaga, Astriana Baiti; Hidayat, Hendra; Handoko, Daniel; Shabana, Amin
KOMUNIKA: Jurnal Dakwah dan Komunikasi Vol. 17 No. 2 (2023)
Publisher : Fakultas Dakwah UIN Saizu Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/komunika.v17i2.7206

Abstract

Politics is not socially empty. Therefore, politicians must also find the right strategy to increase popularity and electability. One way that can be used is the use of social media. Social media is now widely used by political actors as a means to absorb aspirations in the political field. One of the social media that is currently widely used as a political tool is TikTok. As of April 2022, there are 99,072,000 TikTok users in Indonesia or 51.1% of the Indonesian population aged 18 years and over. This article aimed to explore how Ganjar Pranowo built his self-image through his TikTok account @ganjarpranowofc and what storytelling strategies were used in that image. A qualitative approach with a content analysis method is used in writing this article. There are 252 videos from the TikTok account @ganjarpranowo were analyzed from January to May 2022. This article uses the political image category approach described in Liebhart and Bernhardt's research (2017) as a basis for analysis. From this research, Ganjar Pranowo simplifies political issues in his imagery efforts. In addition, there are indications of three storytelling strategies used in political imagery on the TikTok account: the biographical strategy, the incumbent strategy, and the Kagama chairman strategy.
Content Analysis in “Podcast” Rintik Sedu to Captivating Listeners Diniar, Syafiya Puspa; Febriana, Poppy
KOMUNIKA: Jurnal Dakwah dan Komunikasi Vol. 17 No. 2 (2023)
Publisher : Fakultas Dakwah UIN Saizu Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/komunika.v17i2.7209

Abstract

Rintik Sedu is a popular podcaster on Spotify whose channel consistently ranks first with the most listeners. Starting in May 2019, the channel has gained a high rating of 4.9/5 and topped the charts in October and subsequent months. This article aims to discuss the development of podcasts in Indonesia. We studying the content and communication methods of the Rintik Sedu podcast to attract millions of listeners on Spotify, and the opportunities for Indonesian podcasters and listeners in utilizing digital podcast media, including providing information, offering personal experiences, alternative media creation, monetization possibilities, complementing traditional radio and video platforms, and providing safe and comfortable long-term access. research methodology employed, which is content analysis using a descriptive approach to study the Rintik Sedu podcast's content in the Spotify streaming application. The researcher method follows the steps outlined by Philip Mayring for analyzing the podcast's content, categorizing the audio content based on episode titles, examining the aspects of the communicator, and interpreting the meaning of the categories. The analysis revealed three main themes: lonely love, love that is too late, and past love, indicating that listeners preferred content focused on romance, particularly stories about unrequited love, missed opportunities, and past relationships. The researcher suggests that these categories can be further explored and tested in future studies related to content analysis in specific topics.
Be Real, Do Not Be Fake: A Pilot Study on Universiti Sains Islam Malaysia Students' Fake News Literacy Kamarulbaid, Afiqah Mior; Mohd Sofian, Muhammad Raqib; Abu Hasan, Nurul Nadirah; Mohd Noor Shah, Nurul Fathihin; Mustaffa, Norsimaa; Mohamed Najid, Hafizuddin; Mhd Omar, Mohd Faridh Hafez
KOMUNIKA: Jurnal Dakwah dan Komunikasi Vol. 17 No. 2 (2023)
Publisher : Fakultas Dakwah UIN Saizu Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/komunika.v17i2.7540

Abstract

If nothing is accomplished to stop it, the virality of fake news on social media will continue to grow and become more damaging, particularly among young people. Recognizing false information and verifying sources has become increasingly important as people rely on the Internet and social media for their news. The primary objective of this study is to assess the level of understanding of fake news media literacy among university students. Forty-three Universiti Sains Islam Malaysia students enrolled in the New Media Communication program were polled for this research. This study uses descriptive statistics to analyze the data collected via Google Forms—the results of examining the data generated immediately through a Google form. Young people read the news online but still have limited media literacy when assessing the truth of information. Research suggests that false statement is commonly discovered because young people do not carefully examine online news. Researchers conduct in-depth interviews and studies with this demographic to better understand how young people process information and evaluate its veracity. This research adds to the expanding body of knowledge on student use of social media in Malaysia, especially on how students get their news in light of the results of this pilot study, the main research project will consist of in-depth interviews with students to understand more about their perspectives on how to identify and differentiate between real and fake news.
Representation of Women in the Layangan Putus Film Series: Semiotic Analysis of Roland Barthes Hanifah, Ummy; Ningsih, Titiek Surya
KOMUNIKA: Jurnal Dakwah dan Komunikasi Vol. 17 No. 2 (2023)
Publisher : Fakultas Dakwah UIN Saizu Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/komunika.v17i2.7659

Abstract

The film has the power to influence gender ideology. The preservation of gender ideology can be noticed in the portrayal of women as weak people who are always intimidated both physically, sexually, and economically. The image of women as weak creatures is depicted in the Layangan Putus film series. These film series reach the highest rank in several Southeast Asian countries. The film describes a wife's pressure from her husband's affair and her struggle to overcome it. This study aims to analyze the representations of women in the context of images and scenarios in a film shown in the film series Layangan Putus using Roland Barthes' semiotic approach. Barthes introduces the concept of denotation, connotations, and myths. The results revealed that the denotation analysis and connotation level in the Layangan Putus film series confirm women's opposition to gender roles. Furthermore, this opposition aligns with Liberal Feminism seeking to liberate women from male domination. Liberal feminists aim to liberate women from gender-based constraints, challenging the lower status assigned to them solely due to their sex. On the other hand, true equality can be achieved by embracing androgynous perspectives, recognizing that both men and women possess characteristics of femininity and masculinity.
Islamic-Politics Da'wah in Abdurrahman Wahid's Pluralism Concept According to Non-Muslim Minorities Perspective in Meranti Islands Regency, Riau Province, Indonesia Ghozali, Imam; Kamiluddin; Efendi, Nursal
KOMUNIKA: Jurnal Dakwah dan Komunikasi Vol. 17 No. 2 (2023)
Publisher : Fakultas Dakwah UIN Saizu Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/komunika.v17i2.7719

Abstract

In the ethnically diverse nation of Indonesia, conflicts rooted in issues of Ethnicity, Religion, Race, and Inter-Group (SARA) have long been a persistent problem, particularly affecting ethnic Chinese who have faced marginalization and sociocultural challenges, including name changes and stereotypes. The Meranti Islands have been in the spotlight of the national media several times because of the various conflicts that occurred, both political conflicts and conflicts between ethnicities, tribes and even religions such as the burning of Chinese Ethnic Shophouses. These conflicts, driven by differences in interests and interference among groups, have sometimes led to tensions, discrimination, and even riots. The research aims to analyze Abdurrahman Wahid's political da'wah from the perspective of non-Muslim minority groups in the Meranti Islands Regency. This research is field research type. The research method uses qualitative methods. Data was collected through questionnaires and interviews and strengthened by a literature review. The research results show two thoughts regarding Islamic politics; first, 85% of the non-Muslim community in Meranty Island strongly supports Abdurrahman Wahid's Islamic political da'wah to be realized in public policies. The non-Muslim minority groups support Abdurrahman Wahid's political da'wah to maintain the Islamic taught about the rights and obligations of citizens and protect minority groups. With a percentage of 93%, they considered Abdurrahman Wahid to have carried out the function of Islamic teachings to do good deeds in a moderate and tolerant humanitarian and political life.
Mobilization of Da'wah Resources for Chinese Muslims in Indonesia Pangestu, Perdana Putra
KOMUNIKA: Jurnal Dakwah dan Komunikasi Vol. 17 No. 2 (2023)
Publisher : Fakultas Dakwah UIN Saizu Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/komunika.v17i2.7740

Abstract

The Indonesia Chinese Muslim Association (Persatuan Islam Tionghoa Indonesia /PITI) is an organization that has a unique role and phenomenon in Indonesia. The PITI phenomenon is related to the integration and role of the Chinese ethnic group in the realm of Islam in Indonesia. As a religious organization, PITI aims to integrate Chinese groups in Indonesia on an internal religious and ethnic basis. It is due to the long and complex history of the role of ethnic Chinese in Indonesian society, which includes various religious beliefs and beliefs. This article discusses the revitalization of the Da'wah of Chinese Muslims by PITI. PITI is considered an embryo that reinforces the existence of ethnic Chinese in the social arena, especially in establishing relations with natives. PITI should be able to maximize this role to convey opinions and ideas through cadres and utilize existing resources. The author uses a qualitative model by prioritizing the paradigm of social preaching. The analysis in this article will be presented through the results of elaboration with Oberschall's resource mobilization theory, aiming to determine the aspect of resources in the succession of social movements (da’wah). This article has the results of a study that PITI must be a pioneer in alleviating the social disparities that reverberate around natives, Muslims, and Chinese. The effort can be made to optimize their resources to share fresh narratives through their various da'wah channels.
Effective Communication in Deradicalization of Ex-Terrorism Convict Mukorobin, Ustad; Sulaiman, Adhi Iman; Sutikna, Nana
KOMUNIKA: Jurnal Dakwah dan Komunikasi Vol. 17 No. 2 (2023)
Publisher : Fakultas Dakwah UIN Saizu Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/komunika.v17i2.8062

Abstract

Terrorism always creates social, economic, and political chaos. Acts of terrorism in Indonesia are generally caused by religious beliefs and radical understandings held by the perpetrators. Terrorist convicts still maintain this belief, so a special approach is needed to run the deradicalization process effectively. Therefore, this research discusses issues regarding applying effective communication in the deradicalization process for terrorism convicts. An effective communication approach is positioned to support apparatus programs in the deradicalization process. This study uses a phenomenological approach to understand better the views and experiences of terrorism convicts undergoing the deradicalization process. The aim is to find and analyze effective forms of communication in the deradicalization process for terrorism convicts. The results of this study indicate that effective communication in the deradicalization process for terrorism convicts can be achieved through an approach that involves real and continuous attention, dialogue that is very careful about religious understanding, avoiding the act of extracting information about terrorist networks from the Police and BNPT; as well as people involved in handling terrorism; and applying an empathetic communication approach in embracing terrorism convicts, so that they do not return to the same environment and get a decent life. This approach also aims to ensure that former terrorism convicts feel cared for and valued by society.
Patriarchal Culture in Film: Between Myth and Meaning (Audience Reception Analysis of The Film“Yuni”) Budipratiwi, Rizki Ayu; Widuri, Rachma Tri; Citrayomie, Ayoedia Gita
KOMUNIKA: Jurnal Dakwah dan Komunikasi Vol. 17 No. 2 (2023)
Publisher : Fakultas Dakwah UIN Saizu Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/komunika.v17i2.7564

Abstract

Film as an art form is a representation of reality. However, film can also mean reality itself, which is visualized. Film or cinema is embedded in culture and has an exciting relationship with ideology and audience. Thus, films can intervene in human thoughts and feelings. The storyline and film content convey the culture and myths that develop in society. Among the cultural forms that are also part of a film’s narrative is patriarchal culture. Patriarchy is a social system that places men as the main authority figure in social organization. The position of men is higher than that of women in all aspects of social, cultural and economic life. This study aimed to find out the meaning of the audience regarding the patriarchal culture depicted in the film “Yuni”. This research approach is qualitative with the reception analysis method of Stuart Hall’s ‘encoding-decoding’ model. Data collection techniques used focus group discussions (FGD) with five informants. Based on the research results, it can be concluded that the informants are in the opposite position in depicting patriarchal structures in aspects of the patriarchal state, male violence, patriarchal relations and patriarchal culture. They interpret it as a picture of the patriarchal structure still shackles women’s lives.

Page 34 of 39 | Total Record : 387

 32   33   34   35   36 

Filter by Year

2007 2026


Reset
Filter By Issues
All Issue Vol. 20 No. 1 (2026) Vol. 19 No. 2 (2025) Vol. 19 No. 1 (2025) Vol. 18 No. 2 (2024) Vol. 18 No. 1 (2024) Vol. 17 No. 2 (2023) Vol. 17 No. 1 (2023) Vol. 16 No. 2 (2022) Vol. 16 No. 1 (2022) Vol. 15 No. 2 (2021) Vol 15 No 2 (2021) Vol 15 No 1 (2021) Vol 14 No 2 (2020) Vol 14 No 1 (2020) Vol 13 No 2 (2019) Vol 13 No 1 (2019) Vol 12 No 2 (2018) Vol 12 No 1 (2018) Vol 11 No 2 (2017) Vol 11 No 1 (2017) Vol 10 No 2 (2016) Vol 10 No 1 (2016) Vol 9 No 2 (2015) Vol 9 No 1 (2015) Vol 8 No 2 (2014) Vol 8 No 1 (2014) Vol 7 No 2 (2013) Vol 7 No 1 (2013) Vol 6 No 2 (2012) Vol 6 No 1 (2012) Vol 5 No 2 (2011) Vol 5 No 1 (2011) Vol 4 No 2 (2010) Vol 4 No 1 (2010) Vol 3 No 2 (2009) Vol 3 No 1 (2009) Vol 2 No 2 (2008) Vol 2 No 1 (2008) Vol 1 No 2 (2007) Vol 1 No 1 (2007) More Issue