cover
Contact Name
I Made Pasek Subawa
Contact Email
mps.sjf@gmail.com
Phone
+6281212135499
Journal Mail Official
jurnalsanjiwani@uhnsugriwa.ac.id
Editorial Address
Gedung Nakula Sthana Fakultas Brahma Widya, Jl. Kenyeri Gg. Sekar Kemuda No. 2 Denpasar
Location
Kota denpasar,
Bali
INDONESIA
Sanjiwani: Jurnal Filsafat
ISSN : 19787006     EISSN : 27229459     DOI : https://doi.org/10.25078/sanjiwani
Sanjiwani: Jurnal Filsafat merupakan jurnal ilmiah yang dikelola oleh Jurusan Filsafat Timur Fakultas Brahma Widya Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar, yang hadir untuk memberi ruang dan gerak bagi para penulis yang memiliki visi untuk mengembangkan dan menyebarluaskan nilai-nilai filsafat. Implementasi ajaran filsafat tercermin dalam setiap aspek kehidupan umat manusia. Sanjiwani sebagai Jurnal Filsafat berusaha melakukan pencerahan melalui kontemplasi hakikat berbagai macam realitas. Fokus dan ruang lingkup Sanjiwani: Jurnal Filsafat, yaitu: (1) Filsafat Timur; (2) Filsafat Agama; (3) Filsafat Hindu Klasik - Kontemporer; dan (4) Isu Pemikiran Hindu di Tingkat Global (Perennialisme, Humanisme, Feminimisme, Pluralisme, serta Ekologi).
Articles 146 Documents
APRESIASI WARGA DUSUN KARANGTENGAH KIDUL MELALUI MUSIK ANSAMBEL DALAM PERSPEKTIF NILAI MAX SCHELER Sa’adah, Annas Fitria
Sanjiwani: Jurnal Filsafat Vol 16 No 1 (2025)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sjf.v16i1.3938

Abstract

An ensemble is a group playing musical instruments. Playing music as an ensemble is useful for practicing teamwork to put on a good performance. One of the musical ensemble activities was carried out by residents of Karangtengah Kidul in Yogyakarta. This ensemble activity was held specifically in celebration of Indonesia's independence day, where this routine activity is carried out by the residents of Karangtengah Kidul as a cultural Carnival Village every year in August. The aim of this research is to analyze the musical ensemble activities carried out by the residents of Karangtengah Kidul with the perspective of Max Scheler's values. The researcher made observations and observations regarding the readiness of residents or ensemble players, trainers, and the musical equipment used, arranging songs and performing them. This research is qualitative research which begins with observations, then interviews and documentation. The results of this research are based on Max Scheler's value perspective that the innovation and creation of musical ensemble performances by the residents of Karangtengah Kidul in the Cultural Carnival event contain enjoyment and vitalist values, so it can be concluded that by participating in this ensemble music game it is able to bring happiness and satisfaction to the players. who come from various age groups.
PERSPEKTIF CALON PENDIDIK TERHADAP FILOSOFIS EKSISTENSIALISME Tupamahu, Pieter Zakarias; Turmudi; Lethulur, Nelma Dortje
Sanjiwani: Jurnal Filsafat Vol 16 No 1 (2025)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sjf.v16i1.4367

Abstract

This study aims to analyze prospective educators' views on philosophical existentialism in the context of education. Existentialism as a school of philosophy that emphasizes individual existence and freedom of choice is important to be understood by pre-service teachers’ in shaping a more humanist approach to learning. This research uses a descriptive qualitative approach with a literature study method supported by data collection through questionnaires to 50 pre-service teachers’. The results obtained reveal significant potential in the development of existentialism-based education through the perspective of prospective educators. A good understanding of the basic concepts, high readiness for implementation, and appreciation of existential values provide a strong foundation for a more humanist and meaningful educational transformation.
ANALISIS “THE ART OF WAR” BUAH KARYA SUN TZU DALAM PERSPEKTIF KEPEMIMPINAN HINDU Permana, I Dewa Gede Darma
Sanjiwani: Jurnal Filsafat Vol 16 No 1 (2025)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sjf.v16i1.4418

Abstract

In this time of global competition, it is important for everyone to have leadership skills. Leadership principles are needed to be able to be a guideline for managing oneself and others, without leaving the noble elements of morality. One of the leadership guidelines that can be used as a reference is Sun Tzu's “The Art of War”. In line with the teachings in Hindu Leadership, both are based on the noble values of religion and culture. Considering these similarities, researchers in this case tried to examine The Art of War in the perspective of Hindu Leadership, with the main objective of presenting correlations and noble leadership guidelines that can be empowered in life. Through methods based on philosophical hermeneutics, and balanced with interactive analysis from Miles and Huberman, this research obtained several findings, including: 1). The essence of Sun Tzu's The Art of War is a guideline and philosophy of leadership that unites Taoism with strategies or tactics of warfare. 2). The urgency of Hindu leadership in the era of disruption as a noble guideline to maintain religious and cultural values. 3). In terms of analysis, there is a correlation between The Art of War which is studied in terms of Hindu Leadership concepts, both regarding the importance of planning, mind control, and negotiation skills.
DEMOKRASI INDONESIA: MENGUJI VALIDITAS DALAM TAKARAN FALSIFIKASI POPPER Galus, Yohanes Baptista Angelino
Sanjiwani: Jurnal Filsafat Vol 16 No 1 (2025)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sjf.v16i1.4476

Abstract

Democracy in Indonesia, particularly in the context of a pluralistic society, faces significant challenges related to the weakening of its core values, such as popular sovereignty, political participation and transparency. Indonesia's declining democracy index, as reported by Democracy Index 2023, reflects problems such as corruption, weak government accountability, and lack of space for criticism. In an effort to strengthen democracy, Karl Popper's falsification theory is relevant as an epistemic paradigm to encourage transparency and critical examination of public policies. The principle of falsification, which prioritizes criticism and testing of truth claims, is in line with Pancasila democracy which emphasizes deliberation for consensus. The purpose of writing this article is to examine the validity of democratic practices in Indonesia in terms of Karl Popper's falsification theory. The method used in writing this article is a qualitative library method by searching for books as primary sources and articles as secondary sources. The results found in writing this article are that falsification emphasizes the importance of error as a means of correction, so that public policy must always be open to rational criticism for continuous improvement. However, the practice of democracy in Indonesia is often hampered by ideological absolutism, the dominance of certain doctrines, and the resistance of public officials to criticism, all of which weaken the mechanisms of deliberation and inclusiveness. Therefore, the principle of falsification can serve as an epistemological correction tool to deepen the democratic values of Pancasila, by directing policies towards rationality, active participation of society, and respect for plurality, so that democracy can evolve towards a more inclusive and ethical maturity.
PENERAPAN FILSAFAT TRI HITA KARANA DALAM PEMANFAATAN LIMBAH ORGANIK UNTUK AKUAKULTUR BERKELANJUTAN DI DESA TUWED Mancapara, I Gede Pasek; Ishana, Ida Ayu Ngurah Deepika
Sanjiwani: Jurnal Filsafat Vol 16 No 1 (2025)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sjf.v16i1.5565

Abstract

The community of Tuwed Village in Jembrana Regency is predominantly engaged in freshwater fish farming. High feed costs remain a major challenge for fish farmers. To address this, the community, in collaboration with the village government, developed charoen, an alternative feed made from organic waste of infertile eggs. This initiative reflects the Tri Hita Karana philosophy, which emphasizes harmony among humans, the environment, and the divine through religious practices, local fermentation technology, and traditional social structures. This study adopts a qualitative case study approach, grounded in community participation theory and cultural ecology, to examine the integration of local wisdom into sustainable aquaculture. The findings reveal a systemic synergy between the government, community, and the Tri Hita Karana philosophy, resulting in an efficient and culturally rooted aquaculture model. This model not only improves economic welfare but also supports environmental preservation and the continuity of cultural values, with potential for application in other regions.
REFLEKSI FILOSOFIS TERHADAP BUNYI KOSMIK DAN MUSIK DALAM MEWUJUDKAN HARMONI KEHIDUPAN Maheswari, Prasanthy Devi; Krishnanandayani, Jyothi Devi
Sanjiwani: Jurnal Filsafat Vol 16 No 1 (2025)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sjf.v16i1.5567

Abstract

This study is a philosophical reflection on the meaning of cosmic sound (nāda brahman) and music in the Hindu philosophical tradition as a contemplative and transformative medium for realizing harmony in life. This research aims to re-explore the metaphysical, aesthetic, and practical dimensions of musical experience as understood in classical Hindu texts. This research aims to show that sound and music, when understood philosophically, can be a medium for the formation of harmony in life and the transformation of consciousness towards a whole and integral cosmic consciousness. In the Nāṭyaśāstra, as a fundamental text of classical Indian art, Bharata Muni positions music (gāndharva) as a direct manifestation of the cosmic principle, namely rotating universal rhythms through the medium of aesthetics. Art, in this framework, is understood as an expression of cosmic movement that functions to awaken consciousness through the experience of feeling. Through a hermeneutic and phenomenological approach, this study reveals the integration of metaphysical, aesthetic, and practical dimensions in human musical experience. The results of the reflection show that aesthetic experience, as formulated in the Nāṭyaśāstra, has a transformative power: it arouses emotions, harmonizes psychic structures, and opens the way to higher consciousness. Thus, cosmic sound and music not only represent harmony, but become a medium for self-realization—as a process of unification of the microcosm (human) with the macrocosm (universe), which states that all reality essentially vibrates in one universal cosmic rhythm.