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Terob : Jurnal Pengkajian dan Penciptaan Seni
Published by sekolah tinggi kesenian wilwatikta surabaya
ISSN : 2087314X     EISSN : 27214869     DOI : https://doi.org/10.20111/terob.v12i1
Core Subject : Art,
Arts
jurnal terob merupakan jurnal dari Sekolah Tinggi Kesenian Wilwatikta Surabaya, adapun fokus dari jurnal terob pada pengkajian dan penciptaan seni. kami menerima berbagai macam artikel yang memiliki latar belakang seni tari, seni teater, seni musik dan seni rupa
Arjuna Subject : Seni dan Humaniora - Klasik
Articles 56 Documents
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Gamelan Gambang: Educational Implications within a Community-Based Arts Education Framework Lanus, I Ketut; Hartono; Raharjo, Eko
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 16 No. 2 (2026): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v16i2.106

Abstract

This article examines Gamelan Gambang as a medium for the development of community-based arts education, with a particular focus on the preservation of Bali’s local cultural values. Gamelan Gambang is a sacred gamelan ensemble traditionally performed in Balinese religious ceremonies, especially within the context of mortuary rites. Beyond its musical and ritual functions, the ensemble embodies philosophical, spiritual, and social values that are highly relevant for transformation into contextualized arts education practices. Through a community-based arts education approach, Gamelan Gambang may serve not only as an instrument for aesthetic learning but also as a vehicle for strengthening cultural identity and transmitting local wisdom. This article elaborates the theoretical framework of community-based arts education, outlines strategies for implementing tradition-oriented learning, and discusses both the challenges and opportunities involved in revitalizing Gamelan Gambang as an educational medium. The study recommends an integrative collaboration between formal educational institutions and local communities in developing participatory arts learning models that are rooted in local values while remaining adaptive to contemporary social transformations.
The Creation Process of Dewanggono Dance Works in the Tradition of Arak Tumpeng Ponco Tuk Purwaningsih, Dewi; Kusumo Wibowo , Anggono; Samsuri
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 16 No. 2 (2026): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v16i2.116

Abstract

This study examines the Siraman Kepemimpinan procession and Buddhist teachings, focusing on the concepts of Prajnaparamita and Panca Skandha as the primary inspiration for the Dewanggono dance. The objective is to create a new choreography that embodies the values of wisdom and inner purity, grounded in the understanding that the human self consists of five impermanent aggregates. Five dancers participated in the exploration of the inner journey from emptiness to perfection across four acts, each expressing different mental states through movement and body language. The research method employed was Practice Led Research, which integrates field research with dance creation theory, encompassing the stages of design, development, composition, and performance. Data analysis involved evaluations and guidance from a supervising lecturer, with a focus on enhancing the message and harmony between the movement and the accompanying Javanese gamelan music. The findings indicate that this dance not only emphasizes aesthetic and technical elements but also conveys a profound spiritual message regarding purity and wisdom in life. In conclusion, Dewanggana has successfully emerged as a dance work that balances visual beauty with the philosophical richness of Buddhist teachings and the local traditions of Pakel village.
Development of Songs in the Wayang Kulit Performances of Sanggar Hamiluhung In Kubu Raya Regency Revinta; Ghozali , Imam; Dihita Sagala, Mastri
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 16 No. 2 (2026): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v16i2.121

Abstract

Wayang Kulit is a cultural heritage that has been recognized internationally. This study reveals the development of songs in certain sections of the Wayang Kulit performances of Sanggar Hamiluhung. The method used in this research is qualitative descriptive with an ethnomusicological approach. Data were collected through interviews, observation, and documentation study. The validity of the data was tested using source triangulation and prolonged observation, while data analysis employed the steps proposed by Miles and Huberman. The results show that the songs in the goro-goro section of the Wayang Kulit performance are developed beyond the standard repertoire. The developed songs are created through a musical arrangement process. The instruments used have also been expanded from the traditional set by adding modern instruments. The duration of the goro-goro section has likewise been extended. The development of the songs is influenced by artists' creativity, community interest, and technological support. The findings of this study indicate that the development of songs does not occur suddenly but rather through a long process. This research can be used as one of the efforts to preserve the Wayang Kulit art form. In order for this art form to be widely accepted by society, continuous education, the regeneration of artists through learning in formal and non-formal education, as well as community- or studio-based training, are required.
The Shape Of The Packaging Of The Ciprak Jemparing Dance Performance In The Arak Tumpeng Of Pakel Village, Jombang Regency aulia, Marshelina; Lestianto Utomo Putro, Renaldi; Wisnu Pamenang, Nandhang
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 16 No. 2 (2026): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v16i2.123

Abstract

This study aims to analyze the process of creation and packaging of the Ciprak Jemparing Dance (TCJ) performance) in the annual ritual of Arak Tumpeng Ponco Thuk (ATPT) in Pakel Village, Jombang. This topic is important because TCJ is a contemporary performing arts intervention that is integrated as a structural element in local design. The main research questions are: How did the process of creating TCJ take place, and how is the form of the performance packaging manifested in the series of ATPT rituals? The qualitative approach is used with an analytical descriptive method. The main participants in this study include Dance Creators, dancers, and village officials related to the implementation of ATPT. Data were collected through engaged and uninvolved observations, interviews, and literature studies. Data analysis was carried out by referring to the conceptual framework of Alma M. Hawkins' dance creation concept (Exploration, Improvisation, Formation) and the concept of Kaunang and Sumilat packaging forms. The results of the study show that the process of creating TCJ involves the transformation of the local historical transformation of Jemparing Hamlet, which is believed to be the training location of Majapahit soldiers, into a form of Surakarta style warrior dance that is adapted to the agile and dynamic Jombangan style. In conclusion, the form of TCJ packaging in ATPT is a construction of totality that succeeds in marrying the tradition of Surakarta with the locality of Jombangan, serving as an affirmation of the new cultural identity of Pakel Village.  
The Conservation of The Oklik Performance Within The Bersih Desa Ritual Tradition in Sobontoro Village, Balen District, Bojonegoro Regency Lestari, Lilies
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 16 No. 2 (2026): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v16i2.124

Abstract

This study investigates the conservation of the Oklik performance as an integral component of the Bersih Desa traditional ritual in Sobontoro Village, Balen District, Bojonegoro Regency. The research focuses on the structural characteristics of the performance, its socio-cultural functions, conservation strategies, and the impacts generated by preservation efforts of this agrarian ritual art. The study addresses key questions concerning the role of the Oklik performance within the Bersih Desa ritual and the implications of its conservation for the local community. Research participants included Oklik performers, traditional leaders, village officials, and members of the younger generation in Sobontoro Village. A qualitative methodology employing an ethnographic approach was applied through participant observation, in-depth interviews, and documentation. Data were analyzed descriptively and interpretively, with particular attention to ritual functions, symbolic meanings, sacred values, and conservation outcomes. The findings reveal that the Oklik performance functions as a ritual medium, a form of communal entertainment, and a mechanism for reinforcing social cohesion within the community. Academically, this study contributes a conceptual model for the conservation of ritual-based traditional arts that may be adapted to other cultural contexts. From a socio-cultural perspective, the conservation of Oklik strengthens local cultural identity, facilitates the regeneration of young artists, and revitalizes values of mutual cooperation and harmony among humans, nature, and spirituality. Economically, the conservation efforts stimulate the development of micro, small, and medium enterprises (MSMEs) rooted in traditional rituals and enhance the potential for cultural tourism without compromising the ritual’s sacred character. Additionally, the study demonstrates educational implications through the incorporation of Oklik into local arts and culture curricula and provides a reference for local government policies concerning the safeguarding of intangible cultural heritage. In conclusion, the conservation of the Oklik performance generates measurable and sustainable impacts on cultural preservation, community empowerment, and regional cultural development.
The Development of Ringkel Batik Motifs In Banyuates, Sampang Regency Herlina, Yekti; Arifin, Muhammad
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 16 No. 2 (2026): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v16i2.133

Abstract

The Ringkel batik motif of Banyuates possesses distinctive characteristics in its production process. In addition to being manually drawn using a canting, it is also combined with jumputan (tie-dye) and ringkel techniques. The process involves binding sections of the fabric before dyeing, resulting in specific patterns. Furthermore, the Ringkel technique is executed through stitching (dilujur) according to particular patterns, which are then integrated with hand-drawn batik. This study aims to identify the various developments of Ringkel batik motifs in Banyuates and to examine the process of creating these motifs in Banyuates, Sampang, Madura. The findings of this research are expected to be beneficial for local government authorities in recognizing and documenting the names of the developed batik motifs, as well as for batik artisans themselves. This research employs qualitative methods, including observation, interviews, and documentation. These methods are utilized to explore and identify the range of Ringkel batik motifs that have been developed in Banyuates, Sampang, Madura. The objective of this study is to provide contributions in the form of inspiration and innovation, particularly in fostering creative and critical thinking related to the development of Ringkel batik motifs in Banyuates, Sampang, Madura. Ultimately, these efforts are expected to enhance the aesthetic appeal and economic value of Ringkel batik, making it increasingly attractive and commercially valuable.

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