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Paradigma: Jurnal Kajian Budaya
Published by Universitas Indonesia
ISSN : 20876017     EISSN : 25030868     DOI : https://doi.org/10.17510/paradigma
Core Subject : Humanities, Science, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences
Paradigma: Jurnal Kajian Budaya is a peer-reviewed and open-access journal published by the Faculty of Humanities, University of Indonesia. This journal accepts original articles about various issues in cultural science, which include but is not limited to philosophy, literature, archeology, anthropology, linguistics, history, cultural studies, philology, arts, library, and information science focused on studies and research.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 8 Documents
 1 
Search results for , issue "Vol. 12, No. 2" : 8 Documents clear
Chef Minoritas di Tempat Kerja: Perempuan di Dapur Profesional Septiani, Intan Yusan; Siscawati, Mia
Paradigma: Jurnal Kajian Budaya Vol. 12, No. 2
Publisher : UI Scholars Hub

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Abstract

Cooking activities in the traditional kitchen or in the domestic area—which are supposed to be the domain of women—are interpreted as an obligation as well as a form of a woman’s service to her family, spouse, children, and even other people who are close to her life. In other words, cooking in the domestic area is an undefined job. Regardless of the fact, when cooking shifted to the public space, it turned into a professional job, a work area which was later known as the professional kitchen. People who work in a professional kitchen are given the title professional chef. Ironically, such a professional kitchen, often thought to be easily controlled by women—who for centuries have always been related to cooking activities—is actually controlled and dominated by men, starting from culinary studies (tata boga) to the industry. As a skill, cooking is actually an activity that can be performed by anyone, regardless of gender. In reality, cooking activities, in both traditional and professional kitchens, place women in a marginal and subordinate position. To learn why women, who are often considered as “the queen of the traditional kitchen”, find it difficult to control and dominate professional kitchens, we examine a number of studies that have analyzed the professional life of female chefs as well as various forms of gender inequality in the chefs’ workplace or the professional kitchen.
Membaca Persoalan Hijab dan Otonomi Perempuan Melalui Epistemology Ignorance Pertiwi, Saniyah; Asnawi, Naupal
Paradigma: Jurnal Kajian Budaya Vol. 12, No. 2
Publisher : UI Scholars Hub

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Apart from its religious values, the hijab has currently developed into a lifestyle. The issue concerning the hijab in Indonesia has evolved over time with a fascinating complexity that is worth to be examined. The Indonesian people who have the habit of questioning the decision to wear or not to wear the hijab illustrates that the choice of Indonesian women is not considered as a personal matter. This research will discuss how the phenomenon of “questioning the decision to wear or not wear the hijab” is based on the epistemology of ignorance, which investigates and explains how ignorance is formed and preserved in this phenomenon. The revelation of the women’s complex experiences concerning their hijab is part of the epistemology of ignorance. This research uses a literature study method to obtain sources and present data, followed by a critical reflection method to explore and reflect on ignorance in the phenomenon under study. This article concludes that interfering in women’s decisions to wear or not to wear the hijab is a form of ignoring women’s subjective experiences and women’s autonomy because it creates misunderstandings and violates human rights.
Ancaman Kepunahan dan Strategi Pemertahanan Tradisi Sinrili di Masyarakat Makassar Fitriani, Fitriani; Fitriana, Fitriana; Nasir, Nur Hafsa
Paradigma: Jurnal Kajian Budaya Vol. 12, No. 2
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Abstract

This study aims to determine the factors causing the threat of extinction and the strategy of maintaining the sinrili tradition in the Makassar community. This study is based on library research with a descriptive approach. The results of this research reveal that the factors that cause the threat of extinction of the sinrili tradition in the Makassar community are:(1) Work as a singer is not considered as a main profession in Makassar, and is only seen as a side job. (2) The development of modern music which is more attractive to the younger generation poses a challenge to this tradition. (3) The quantity of sinrili in Makassar has deteriorated because the three sinrili maestros have died. There are five strategies for maintaining the sinrili tradition in the Makassar community, namely (1) the provision of a forum by the Government, in this case, the Office of Culture to form a sinrili community (2) developing the interest of the younger generations by holding cultural festivals and having sinrili competitions (3) teaching the sinrili tradition through art circles or clubs (4) documenting the sinrili oral literature, and (5) including the sinrili tradition in the teaching materials of local content subjects of Makassar regional culture. From the results of this research, it can be concluded that currently the process of regenerating singers is still going on through the process of legacy and learning, but at present, there is only one person who is good at singing and performing sinrili, namely Arif Rahman Daeng Rate. Thus, the condition of the sinrili tradition requires serious attention from all parties so that this tradition will remain sustainable and not go into extinction.
Ontologi Huruf Nun Menuju Titik Semiotik Chaer, Hasanuddin; Rasyad, Abdul; Sirulhaq, Ahmad
Paradigma: Jurnal Kajian Budaya Vol. 12, No. 2
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Semiotics is the study of signs, symbols, and communication in people’s lives. This study which analyzes the letter nun in the Arabic Alphabet using Ferdinand de Saussure’s theory of semiotics, “dyadic semiotics” aims to reveal the breadth and depth of the meaning of the letter nun at the beginning of Surah al-Qalam. This study uses a descriptive method with a content analysis study approach, comprising data collection, data processing, and interpretation. The source of data are the Arabic script. The results of the study show that the ontological symbol for the letter nun is a means of teaching the sign through an established paradigm of semiotics to investigate the meaning element of the letter nun, which is the symbol of the Golden Embryo as a form of symbolic interaction throughout the cosmic order to reproduce and fertilize the world’s egg cell which is symbolized by the cup-like element of the letter nun as the “ovary” and the dot of the letter as a symbol of the fusion between the ‘egg cell and sperm cell’ to become the seed of the eternal universe towards the point of perfection of cosmic semiotic regeneration. All cosmic semiotic processes always occur in all life processes such as the semiotic processes that occur through human reproductive organs such as the testes in males and the ovaries in females in every fertilization process of the zygote. Every order of the cosmos, including human beings, originates from the process of two forms of signs, namely, that which can be seen and observed (signifier) and that which is only to be thought about through ideas (signified).
Ryan A. Bush. Designing the Mind: The Principles of Psychitecture Supriyono, Nanda Meg Ryan Puspitasari; Pandin, Moses Glorino Rumambo
Paradigma: Jurnal Kajian Budaya Vol. 12, No. 2
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The Quality of Rhyme and Rhythm in Song Lyric Translation Fitri, Aulia; Dewi, Haru Deliana; Hidayat, Rahayu Surtiati
Paradigma: Jurnal Kajian Budaya Vol. 12, No. 2
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This research is a development of Low’s theory (2008) on assessing the quality of song lyric translation based on its translation method. The objective of the study is to discover the quality of rhyme and rhythm of song lyrics in the album We Love Disney which have been translated from English to Indonesian. Therefore, this study focuses on the quality of rhyme and rhythm of the translation because these elements are significant parts of the songs. Low’s theory has been applied in the present study to measure the song lyric translation quality using three translation methods: communicative, free, and semantic methods. The study employs a qualitative approach through comparative analysis. Data in the analysis are the song lyrics and their translation, and their rhymes and rhythms. The values of the rhyme and rhythm in the translations were obtained from the comparative analysis. The findings reveal that song lyrics translated using the communicative translation method have a higher rhyme value than the original song lyrics; in contrast, the lyrics translated using a free method yield a rhyme value with a considerable difference. The assessment of rhythm reveals that a song translated using the free method shows a substantial difference in value compared to translations using the other methods. KEYWORDS
Negosiasi Wacana Femininitas Melalui Film-Film Animasi Putri Disney Arby, Sella Putri; Rahayu, Lina Meilinawati; Mulyadi, R M
Paradigma: Jurnal Kajian Budaya Vol. 12, No. 2
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Abstract

Negotiation Discourse of Femininity Through Disney Princesses’ Movies. Femininity tends to be explained as a condition ‘to be a woman’, making it an ideology that gives limitations to women. Mills uses discourse theory to explain femininity, stating femininity is a process that is constructed and negotiated in every interaction. Disney Princesses show changes through times and each animation film, showing a negotiation of what defines femininity. The data collection was carried out by qualitative method narrative study, with Performativity of Gender by Judith Butler and Negotiation Discourse of Femininity theory by Sara Mills. Thirteen Disney Princesses were used as researched objects to show the slow changing of femininity. The results of this study show a change in Disney Princesses, through long negotiations based on the wave of feminism that occurred with the Disney Princess characters featured. Indications have shown through the Disney Princess characters who initially showed only stereotypes of feminine elements—such as being passive, gentle, not leaving their safe zone, becoming a Disney Princess who also showed stereotypical masculinity elements— such as being physically active, not easily afraid to discover new things, and showing bravery. This slow shift does not change the identity of Disney Princesses as a princess and as a woman.
Sawer: Melampaui Ruang dan Meluaskan Jangkauan Interaksi pada Pertunjukan Dangdut Raditya, Michael H.B
Paradigma: Jurnal Kajian Budaya Vol. 12, No. 2
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Abstract

This article deals with the issues of sawer that have appeared over time, both in live and online performances. This topic is interesting because sawer is intertwined in the interaction and participation of two active subjects, namely the singer and her audience. In live performances, the exchange between singers and their audiences happens in the same space and time. On the other hand, accommodating sawer in online dangdut performances is a challenge. However, in 2020 there was a lot of interaction and participation—and even sawer—in online shows. I believe this is not the first glimpse of this phenomenon because online sawer places dangdut beyond its physical space and expands the range of interaction between the performer and the audience. In the wider context, this phenomenon is proof of cosmopolitanism and globalization in the online world. According to that hypothesis, this article attempts to articulate the many varieties and complexities of the sawer phenomenon. Although there is an issue about globalization and its impact (read: reduction of diversity), through dangdut—and sawer— the issue can be negotiated freely and easily. In this research, literature studies and digital ethnography will be used to investigate the phenomenon. There are two findings in this research, first, the patterns and process of digital sawer; and second, how society responds to the global world using local ways and logic. It can be concluded that through Dangdut, the global platform is used locally and will remain local, especially looking at the quantity and activeness of Indonesian netizens.

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