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Sugih Nugroho
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paradigmafib@gmail.com
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+62217863528 ext. 107
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paradigma@ui.ac.id
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Faculty of Humanities, Universitas Indonesia Gd 2, Lt 2, Depok 16424, Indonesia
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INDONESIA
Paradigma: Jurnal Kajian Budaya
Published by Universitas Indonesia
ISSN : 20876017     EISSN : 25030868     DOI : https://doi.org/10.17510/paradigma
Core Subject : Humanities, Science, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences
Paradigma: Jurnal Kajian Budaya is a peer-reviewed and open-access journal published by the Faculty of Humanities, University of Indonesia. This journal accepts original articles about various issues in cultural science, which include but is not limited to philosophy, literature, archeology, anthropology, linguistics, history, cultural studies, philology, arts, library, and information science focused on studies and research.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 13 Documents
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Search results for , issue "Vol. 15, No. 2" : 13 Documents clear
DARI EDITOR VOL. 15 NO. 2 (AGUSTUS) 2025 Hidayat, Rahayu Surtiati
Paradigma: Jurnal Kajian Budaya Vol. 15, No. 2
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Abstract

Dengan gembira kami menerbitkan sepuluh artikel dan dua timbangan buku dalam edisi ini; terbitan rekor untuk jurnal ini. Kami berharap dapat menerbitkan banyak artikel dalam setiap edisi. Isi tulisan yang kami terbitkan juga meningkat mutunya baik dari segi penelitian maupun penyajian. Tiga artikel menarik perhatian dengan menunjukkan berbagai karya yang menjadi lambang kejayaan suatu negara dan keguyuban suatu komunitas (Titik Pudjiastuti, Muhamad Alnoza, Nur Aini Setiawati). Tiga artikel lain membahas kehadiran pendatang yang mengubah sistem dalam negara (Dien Rovita Rovita, Mela Maulina Putri, Rudi Ekasiswanto). Tidak kalah menarik empat artikel bertemakan karya sastra (Asri Pratiwi Wulandari, Raka Darmawan, Haikal Haikal) Artikel keempat ditulis oleh Joesana Tjahjani diterbitkan oleh jurnal ini secara post-mortem. Selamat membaca.
MERAWAT TULISAN DAN PERLAWANAN PEREMPUAN: TERBITAN BERKALA SEBAGAI RUANG DAN PRAKTIK FEMINIS Wulandari, Asri Pratiwi; Siscawati, MIa
Paradigma: Jurnal Kajian Budaya Vol. 15, No. 2
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Women writers have always contributed to literary development, but their works and thoughts have been structurally forgotten and erased. We conducted this research to unearth women writers' lives, works, and thoughts, which continue to be ignored in literary studies. We use feminist qualitative method and literature review technique to study literary initiatives from women writers in the past such as women-only periodicals. This research uses Virginia Woolf's thoughts as an analytical tool, and our findings show that the women-only space initiative was a response to the mainstream literary ecosystem's lack of support for women writers in various eras and countries. Through feminist initiatives, women writers have responded to the issues of their time and criticized the lack of representation of women and gender lenses in the literary space.
KEIDIOMATISAN KOMPOSITUM BERLEKSIKON HATI DALAM BAHASA INDONESIA Rovita, Dien; Suganda, Sonya Puspasari; Yuwono, Untung
Paradigma: Jurnal Kajian Budaya Vol. 15, No. 2
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A compound (kompositum) is a construction formed through word formation by combining two or more elements to create a new meaning. In Indonesian, compounds can be formed by combining several elements, one of which may be a nominal lexeme referring to a body part. Compound words can be distinguished from other word combinations—particularly syntactic phrases—based on grammatical and semantic criteria. Semantically, compounds can be analyzed according to the degree of idiomaticity in their meanings. Based on this premise, the present study aims to explain the idiomaticity of compounds in Indonesian that are formed by combining multiple elements, one of which is a body part lexeme, specifically compounds containing the lexeme hati(heart). This study on Indonesian compounds is a qualitative research project conducted through corpus analysis, utilizing the Indonesian Web as Corpus (IndonesianWac) available on the Sketch Engine corpus tool (http://www.sketchengine.co.uk/indonesian-wac/). The analysis of compound idiomaticity can be carried out using criteria such as lexical and grammatical variability, literality, compositionality versus non-compositionality, and predictability. Based on these criteria, a number of compounds containing the lexeme hati were identified and categorized as idiomatic compounds, semi-idiomatic compounds, and non-idiomatic compounds.
REPRESENTATION OF TERRORISM AFTER 9/11 IN KATHRYN BIGELOW AND MARK BOAL'S <i>ZERO DARK THIRTY</i> MOVIE Maulina Putri, Mela; Faisal Syarifudin, Bunyamin; Suswanto, Deni
Paradigma: Jurnal Kajian Budaya Vol. 15, No. 2
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Terrorism, as a global phenomenon, has been widely represented in various media, particularly in films. One of the films that represent terrorism is Zero Dark Thirty by Kathryn Bigelow and Mark Boal. This research aims to discuss the representation of terrorism in Kathryn Bigelow and Mark Boal's Zero Dark Thirty, employing a qualitative approach and an analytical descriptive method. To achieve the research objectives, the author employs John Fiske's Semiotics theory, which is divided into three levels: the reality level, the representation level, and the ideological level. The results and discussions in this study are presented through visual and narrative aspects, which encompass elements such as appearance, costume, environment, behavior, voice, camera techniques, music, and casting. Zero Dark Thirty represents an act of terrorism that is following real conditions in the world. The film portrays acts of terrorism such as shootings and bombings—including suicide attacks—which result in fatalities, material losses, and widespread trauma. These elements contribute to reinforcing stereotypes of terrorism associated with Middle Eastern countries and the conflicts surrounding them. Critical awareness is necessary when watching because, as a media product, television or film serves to convey information, ideology, ideas, or propaganda that supports the dominant interests in society. In the film Zero Dark Thirty, the dominant interest refers to American interests, which provide a single perspective on the topic of terrorism. This study highlights the importance of critical awareness in consuming media, as films play a significant role in shaping public perceptions of terrorism and global conflicts.
WATER POLLUTION IN YOGYAKARTA 1926–1942 Setiawati, Nur Aini; Supratno, Edy; Utami, Santi Muji; Primaditya, Krisnanda Theo
Paradigma: Jurnal Kajian Budaya Vol. 15, No. 2
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Water pollution in Yogyakarta has a long history dating back to the colonial era in 1926. Therefore, the main issue addressed in this writing is why water pollution occurred in Yogyakarta from 1926 to 1942. Basically, there are two factors influencing water pollution, namely natural factors and human factors. Using a historical research method, this study aims to examine water pollution in the Yogyakarta region, so that the government and the community can seek solutions. The sources used include collections from Algemeen Handelsblad voor Nederlandsch-Indie, De Locomotief, De Nieuwe Vorstenlanden, De Preanger Bode, and contemporary newspapers. The research findings on water pollution in Yogyakarta from 1926 to 1942 reveal that water pollution in the Yogyakarta region began when the population density increased. The arrival of the Dutch and Eastern foreigners increased the population, and their basic needs led to the pollution of clean water. Human needs caused the exploitation of natural resources, particularly water and human resources in Yogyakarta.
PENERIMAAN SUAKA DAN PROSES MASUK PRANCIS PADA PEMERINTAHAN FRANCOIS HOLLANDE DAN EMMANUEL MACRON Darmawan, Raka; Wardani, Abellia Anggi
Paradigma: Jurnal Kajian Budaya Vol. 15, No. 2
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France embraces diversity in terms of religion, race, and ethnicity in its society. The arrival of migrants and foreigners, especially in the post-Second World War period contributed to France’s current demographic landscape. In dealing with the influx of population, France has adopted various immigration policies, as stated on the website of the Ministry of the Interior and Overseas, but has not significantly improved the current situation. As the immigration issue has continuously become prominent in French society, this research takes on comparing the policies carried by the governments of François Hollande and Emmanuel Macron on the issue while also taking into account their different political axes. Thus, the purpose of this study is to analyze the political discourses embedded in the immigration policies between the Hollande and Macron administrations. This research makes use of available sources from the immigration policies of both governments during their five years in office. The data was collected by employing qualitative research methods by Iosifides combined with critical discourse analysis theory by Norman Fairclough and the concept of political ideology by D. Parenteau and I. Parenteau. The findings of this research suggest that Hollande's leftist orientation contributed to his pro-people (immigrants) immigration policy, while Macron's center orientation attempted to tighten the immigration policy towards foreigners.
<i>PIYAGĔM CIKĔRUH</i> (1631 M): SIMBOL RELASI KUASA KERAJAAN MATARAM ISLAM DI PRIANGAN Alnoza, Muhamad
Paradigma: Jurnal Kajian Budaya Vol. 15, No. 2
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After the collapse of the Sunda Kingdom in the 16th century, most of its territory was controlled by the Islamic Mataram Kingdom. The occupation of Islamic Mataram in the ethnic Sundanese area in fact left behind several metal inscriptions known as piyagĕm. This study specifically examines the oldest piyagĕm found in the Priangan area, namely Piyagĕm Cikĕruh from Garut Regency. Based on the assumption that every inscription that is king is a symbol of power, this study focuses on science which is a symbol of power relations in Piyagĕm Cikĕruh. This study was conducted with the aim of finding the meaning of the symbols of the power relations. The results of this study are then downloaded that Piyagĕm Cikĕruh uses Islamic religious elements and Javanese-Sundanese cultural identity as symbols of power relations. These symbols are related to the meaning of the cultural hegemony of the Islamic Mataram Kingdom towards its rule in Priangan
KEKERASAN TERHADAP PEREMPUAN DALAM CERPEN “PENGUBURAN KEMBALI SITARESMI”, “JEMARI KIRI”, DAN “LETEH”: KAJIAN INTERSEKSIONALITAS Ekasiswanto, Rudi
Paradigma: Jurnal Kajian Budaya Vol. 15, No. 2
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This research discusses the typology of violence in the short stories “Penguburan Kembali Sitaresmi”, “Jemari Nayla”, and “Leteh” by using Johan Galtung’s concept. The analysis also employs an intersectional approach to reveal the social categories that enable violence and to compare the violence across the three short stories. This research shows several findings. Firstly, in the first short story, direct violence (murder) and structural violence (marginalization) occur. In the second story, there is direct violence (sexual harassment) and structural violence (marginalization). In the third story, structural violence (stigmatization) is prevalent. Secondly, all three stories depict violence against women, but they also exhibit distinct patterns. Similarities and differences are based on criteria such as the victims, perpetrators, forms, and causes of violence, as seen in Table 2. Thirdly, the research finds that these short stories emerged during a time when past violations of women's rights remained unresolved and the state failed to take responsibility, while simultaneously, violence against women continued to escalate.
TRANSFORMASI <i>SYAIR DODAIDI</i>: DARI TRADISI LISAN KE KOMERSIALISASI DIGITAL DALAM SEJARAH MASYARAKAT ACEH Haikal, Haikal; Nurhayati, Anifa
Paradigma: Jurnal Kajian Budaya Vol. 15, No. 2
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Syair Dodaidi, as a form of Acehnese oral tradition, has played a significant role in the social and cultural life of the Acehnese people for centuries. It originally developed as a lullaby sung by mothers to their children, with lyrics containing prayers and praise to Allah SWT. This study aims to examine the transformation of Syair Dodaidi in the context of contemporary Acehnese society. The research methodology uses a historical approach with the stages of heuristics, source criticism, interpretation, and historiography. The results show that although Syair Dodaidi is still practiced as part of cultural heritage, there have been a number of transformations in the way the poem is maintained and presented en masse. The study observed changes in medium and presentation, but the values contained in Syair Dodaidi - such as character education, spirituality and cultural identity - remain relevant and valued by the people of Aceh. The study reveals that Syair Dodaidi is able to adapt to the contemporary era while maintaining its traditional essence, making it an interesting example of how oral traditions can survive and thrive in the face of changing times
ANTHROPOLOGY OF CULTURAL TRANSFORMATION I: TOGETHERNESS AND SEPARATION (XUDONG ZHAO 2024) Ariyanto, Komang
Paradigma: Jurnal Kajian Budaya Vol. 15, No. 2
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The book Anthropology of Cultural Transformation I: Togetherness and Separation by Zhao analyzes cultural change amid globalization and technological advancement. Zhao explores the duality between togetherness and separation in modern social dynamics, demonstrating how cultural identities adapt. Through ethnographic case studies and comparisons with thinkers like Clifford Geertz and Arjun Appadurai, the book invites readers to reflect on the impact of these changes on cultural practices and social cohesion. While Zhao highlights technology's role in fostering connectivity, he also emphasizes the effects of cultural homogenization. This book is relevant for both academics and policymakers who need to support cultural diversity amid global transformation.

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