cover
Contact Name
Dr. Mochamad Aviandy, S.Hum., M.Hum
Contact Email
m.aviandy@gmail.com
Phone
+6281314831499
Journal Mail Official
irhs@ui.ac.id
Editorial Address
Gedung VIII, Lantai 2, Fakultas Ilmu Pengetahuan Budaya, Universitas Indonesia, Depok, Jawa Barat, 16424
Location
Kota depok,
Jawa barat
INDONESIA
International Review of Humanities Studies
Published by Universitas Indonesia
ISSN : 25279416     EISSN : 24776866     DOI : https://doi.org/10.7454/irhs
International Review of Humanities Studies is a peer-reviewed and open-access journal published by the Faculty of Humanities, University of Indonesia. This journal accepts original articles about various issues in humanities, which include but is not limited to philosophy, literature, archeology, anthropology, linguistics, history, cultural studies, philology, arts, library, and information science focused on studies and research.
Articles 324 Documents
STRATEGIC INTELLIGENCE ANALYSIS OF RELIGION-BASED HATE SPEECH IN SOCIAL MEDIA: A CASE STUDY OF THE DIRECTORATE INTELLIGENCE AND SECURITY AT POLDA METRO JAYA Prakoso, Gilang Reno; Runturambi, Arthur Josias Simon
International Review of Humanities Studies Vol. 6, No. 1
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Abstract

The development of communication technology continues to advance rapidly. Social media is able to present individual voices that have never been heard through mainstream media coverage before. In Indonesia, the changes in the world have become increasingly clear when the era of communication has flooded the lives of religious communities. Religious discourse in Indonesia in recent years has been colored by accusations of religious intolerance in the form of hate speech through social media. The prohibition on the construction of houses of worship, prohibition of book discussions, attacks on certain groups, heresy from certain religious groups, threatening expressions of hatred, and so on are a series of acts of religious intolerance so that the potential for social conflict appears clearly. The Police Intelligence and Security as an institution that has the obligation to carry out early detection of threats must play an active role in making prevention and anticipation efforts. This research examines the Strategic Intelligence Analysis of Religious-Based Hate Speech on Social Media by the Directorate of Intelligence and Security at Polda Metro Jaya.
GENDERED SPACE IN THE JAVANESE NOBLE HOUSE OF PANGERAN MERTADIREJA III Amalia, Yesi Syafira; Marwoto, Irmawati
International Review of Humanities Studies Vol. 6, No. 1
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Abstract

Javanese traditional house are built to reflect the microcosm and microcosm of the Javanese philosophy of living. For the Javanese, duality and balance are two important concepts, which is reflected spatially through the how their houses are organized: inside and outside, left and right, rest area and activity area, as well as masculine and feminine spaces. This research discusses the meaning of gendered space in the house nDalem Pangeranam Mertadireja III. Gendered space is the main focus of discussion because gendered activities both shape and are shaped by gendered spaces. Ndalem Pangeranan Mertadireja III is a traditional Javanese house built in 1901 by the 17th Banyumas Regent, Pangeran Adipati Aria Mertadireja III. The house is located in Banyumas, Central Java. The purpose of this study is to analyze how gender is reflected in space, and how gendered resistance can then be observed spatially. This research concludes that within the Mertadireja house, masculine spaces are open, clean, and located in the front and right side of the house. In contrary, feminine spaces are closed, dirty, and located in the back and left side of the house. However, resistance is reflected spatially when women make use of masculine spaces.
BRIDGING SUSTAINABILITY AND POLICING TO BALINESE ORMAS CONFLICT: AN INTEGRATIVE CONCEPTUAL FRAMEWORK Sudama, I Nyoman; Meliala, Adrianus; Laksana, Chrysnanda Dwi; Hamid, Supardi
International Review of Humanities Studies Vol. 6, No. 1
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Abstract

The link between sustainability and policing has not been widely discussed and systematically analyzed in conflict resolution to gain long term goals of post-conflict recovery and reconciliation. A fairly large cross-disciplinary literature has developed and proposed a multi-dimensional notion of sustainability in organizational performance including public services and law-enforcement activities. Thus, the purpose of this paper is to present a conceptual framework to bridge sustainability practices and policing activities in the background of Balinese mass organization conflict. A conceptual literature review is adopted to customize diverse connections of sustainability, policing, and hence conflict. The results of the research show that the policing activities may place a stronger focus on conflict resolution by developing sustainable conflict transformation when there are regular conflict potential and a dynamic changing environment. The primary conclusion of this paper is that the relationships between sustainability practices and policing activities rely on divergent factors, including social dynamics, culture, organizational structure, and institutional landscapes.
SKCK AS AN EARLY WARNING EFFORTS OF YOUTH VIOLENCE ON FEELING Andriansyah,, Azis
International Review of Humanities Studies Vol. 6, No. 1
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INDONESIA’S OWN ‘PYRAMID’: THE IMAGINED PAST AND NATIONALISM OF GUNUNG PADANG Sulistyowati, Dian; Foe, Aldo W.
International Review of Humanities Studies Vol. 6, No. 1
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Abstract

A narrative commonly found within the discourse of nationalist archaeology is the polemic of ideology at the expense of empiricism. There are many examples of the manipulation of archaeological data in the service of the state’s nationalist or imperialist ideology, and such efforts produce narratives in which archaeology is treated as inherently apolitical. This paper explores the interactions between and within multiple stakeholders –the state, archaeologists, and the media – and their roles in the construction of national myths, and their consequences for local populations. It highlights recent controversies surrounding the re-interpretation of the megalithic site of Gunung Padang in Western Java, Indonesia. The case of Gunung Padang offers an opportunity to observe how national myths are both constructed and contested in recent times. This paper argues that the intersections between archaeology and popular media contributed to a skewed understanding of the past and generated specific categories of acceptable national myths which, in turn, directed nationalistic research.
HERITAGE POLITICS AND MUSEUMS DURING JAPANESE OCCUPATION PERIOD, 1942-1945 Arainikasih, Ajeng Ayu
International Review of Humanities Studies Vol. 6, No. 1
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Abstract

Before the World War II, approximately 25 museums were already established in colonial Indonesia. At that time, most of the museums were built by the Europeans to serve their interests. However, when the Dutch capitulated to the Japanese military government, what had happened to the existing museums in Indonesia were slightly known. Therefore, this research examines the history of the museum development during the Japanese occupation period in Indonesia in 1942-1945. The data gathered for this archival study are through magazine and newspaper articles published during the Japanese occupation period as well as through the archives of Arsip Nasional Indonesia, Jakarta. This research discovered that, during the Japanese occupation period, museums were used by the Japanese military government as their tool for political propaganda. This research also found out that during the Japanese occupation, politics and museums were closely entangled. Therefore, this preliminary research is important because it illustrates the history of museum development in Indonesia during the unknown period. It was also revealed that existing museums during that time had a significant impact for the museum development after Indonesian independence.
ADJECTIVES PERTAINING TO GOOD AND EVIL IN THE TALES OF THE BROTHERS GRIMM AND THEIR UNIVERSAL VALUES Wulandari, Julia; Darmojuwono, Setiawati
International Review of Humanities Studies Vol. 6, No. 1
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The values of good and evil in the tales recounted by the Brothers Grimm are so universal that they have become an integral part of world literature. The research data for this paper was compiled from three tales, Aschenputtel (Cinderella), Rapunzel, and Schneewittchen (Snow White). This research project analyzed the language used in the stories to assess the values of virtue and evil that prevailed in reality in German society at the time the stories were compiled, and that are still valid today. This paper intends to describe the 19th century German concepts of good and bad, the pan-German values embedded in the folktales, and their universal moral appeal to diverse cultures of global human civilization. Qualitative literature study and descriptive data analysis are the methods employed in this investigation. The results indicate that the concept of virtue refers to beauty and generosity, but being good causes the protagonists to suffer. On the other hand, the concept of evil, as described in the three Grimm brothers stories that have been analyzed, refers to heartlessness and wickedness. The antagonists keep endangering the protagonists but eventually, the good characters live happily ever after. The conflict between good and evil is presented through the daily activities of human life that apply to people of varied cultural backgrounds.
REDUCING CRIME THROUGH THE THEATRE: AN ANALYSIS OF FOLUKE OGUNLEYE’S JABULILE Akaenyi, Nkiruka Jacinta
International Review of Humanities Studies Vol. 6, No. 1
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This study examines the connection between family conditions and the criminal behaviours of children. Over the years, drama has been used to address the socio-political, economic and security challenges in different societies. The goal of these dramatists is to chart the way forward for a harmonious political, economic and social system. It is in this wise that, Foluke Ogunleye used her knowledge of drama to address serious issues affecting the progress and stability of the nation. This study finds that the explosion of crime in the nation is linked to the fragile family system surrounding the children’s upbringing by their respective families. This paper analyzes one of Foluke Ogunleye’s plays, Jabulile in an attempt to educate Nigerian families on what is expected of them as far as the issue of national security is concerned. This is done with the recognition that the family is the first unit of socialization. This study recommends that proper socialization of children by their parents is therefore a stepping stone for a harmonious socio-political system.
RETHINKING THE HUMANITIES IN THE CONTEXT OF INTERTEXUALITY AND ADAPTATIONS WITHIN THE DIASPORIC CONSTRUCT Gbilekaa, Saint E. T.; Ejue, Olympus G., Ph.D
International Review of Humanities Studies Vol. 6, No. 1
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Drastic socio/political and economic changes in the world have perhaps led to global mass migration, transcontinental transport or scattering of people away from their established or ancestral homeland. This obviously explains the vitality that has characterized the creative impetus of intertextuality and adaptation mechanics used by certain Nigerian diaspora dramatists over the years as group identity formation and social pattern of identity politics and cultural belonging in expressing universal human concerns. The question however is; has the adaptation of classical or historical plays to the dawn of modern play texts by Nigerian diaspora dramatists reinforced the Nigerian culture? The condition is foregrounded on the mind-set of most literary critics, who now seek to know where ‘home’ actually is, or what ‘rights’ and/or ‘entitlements’ an indigene-settler within the diasporic framework can celebrate in terms of human diversity or uniformity as they provide an insight into a world that is different from their own. It is this conceptual and cross platform reflections on themes and context within the diasporic construct of trans-textual adaptation, cultural citizenship vis-à-vis national or global idea of developing culture across borders that the paper attempted to interrogate. Using adaptation theory as its framework, the paper adopts a qualitative method of investigation. It is assumed that, the likes of Wole Soyinka, Ola Rotimi, J.P. Clark, Femi Osofisan, Ngugi Wa Thiong’o, Athol Fugard, Efua Sutherland and a host of others had adapted foreign play texts in order to engender socio/political interrelatedness based on their diasporic experiences and worldviews. The paper, therefore, concludes that; Diaspora formations have actually influenced theatre practice in Nigeria nay Africa through play-texts adaptation paradigms as vehicles that can be supportive of constructing peaceful societies.
REPRESENTATIONS OF FOREIGNERS AND JAPANESE NATIONAL IDENTITY AT THE 1964 OLYMPICS IN IDATEN Pratama, Himawan
International Review of Humanities Studies Vol. 6, No. 1
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The 2020 Olympics are not Tokyo's first experience of hosting the Games. Previously, the city hosted the 1964 Olympics. This historical background generated nostalgia for the 1964 Olympics ahead of the 2020 Olympics. The 1964 Olympics are remembered for exposing Japanese society to various interactions with foreigners, which eventually provided the setting for expressions of Japanese national identity through comparisons between "us" (Japanese) and "them" (foreigners). In this sense, representations of foreigners, and their roles as essential elements of Japanese national identity discourse, have been the integral parts of 1964 Olympics nostalgia. Ahead of the 2020 Olympics, numerous popular culture forms depicting the 1964 Olympics were produced in Japan. One notable work was the television drama IDATEN Orimupikku Banashi (hereafter: IDATEN), broadcast by the Japan Broadcasting Corporation (NHK) from January-December 2019. The drama depicted Japan's Olympic movement from the 1912 to 1964 Olympics and featured a wide variety of foreign characters. IDATEN's portrayal of the 1964 Olympics features not only foreign countries widely represented in Japanese popular culture, such as the US, but also less featured countries such as Indonesia and the Republic of the Congo. This article analyzes depictions of these three nations to examine critically the role of representations of foreigners in Japanese national identity discourse within the drama. It argues that as a drama produced ahead of the 2020 Olympics IDATEN signifies the aspirations of 21st century Japan rather than reflecting the actual situation during the 1964 Olympics, especially in how it portrays Japan through the country’s relations with other countries.