cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
I Putu Udiyana Wasista
Contact Email
udiyanawasista@isi-dps.ac.id
Phone
+6281805597040
Journal Mail Official
citakara@isi-dps.ac.id
Editorial Address
Program Studi Seni Rupa Murni, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Denpasar Jl. Nusa Indah Denpasar, Bali
Location
Kota denpasar,
Bali
INDONESIA
Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 28290879     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The focus of the Cita Kara Journal is to publish articles from students and lecturers dedicated to all aspects of the paradigm of creation and study including the exploration of knowledge and skills of fine arts. Articles in the form of results of creation, research, conceptual ideas, studies, theories, etc. which prioritize materials, concepts, methodologies, and approaches that are extracted from cultural roots in accordance with the vision and mission of the Fine Arts Study Program, Faculty of Fine Arts and Design, the Indonesian Institute of the Arts Denpasar. The scope of the journal consists of various pure arts topics, both concerning the results of thoughts / reviews, research results (paper or full paper, shot communication, rapid /preliminary), reviews and obituaries. The journal publishes creation and research papers in fine arts such as: Paint, Statue, Graphic, Mosaic, Carving, Relief, Calligraphy, Photography, Comic, Cartoon, Other visual arts.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 230 Documents
 10   11   12   13   14 
Ornamen Nusantara Sebagai Sumber Inspirasi Penciptaan Lukisan Pada Kain Sutra Utomo, M. Indra Bayu; Setem, I Wayan; Yudha, I Made Bendi
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1839

Abstract

In writing this final report, the author raised the theme of ornament as a source of inspiration for creating paintings on silk. Silk painting is a type of craft product originating from China and India since the 2nd century AD. Silk painting entered Indonesia about 200 years later because of the trade relations between Indonesia and China and India. Although the art of silk painting has long been known in Indonesia, the art of silk painting is still not developed like other types of craft products that have been widely developed in Indonesia. Because when the influence of silk painting entered Indonesia, Indonesia had already developed the batik industry. The art of silk painting itself is more or less influenced by batik techniques. The author develops archipelago ornaments in the creation of paintings on fabrics, especially silk, the techniques studied are very interesting for the development of painting techniques. Therefore, the author makes 6 beautiful works that have their own ornamental style, besides that the author also develops the creation of archipelago ornaments by creating new ornaments on both denim and silk fabrics with different methods and techniques
Tari Baris Cina Sebagai Referensi Penciptaan Karya Seni Lukis Divayana, I Putu; Yugus, A. A.; Kondra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1841

Abstract

This Independent Project Report presents Chinese Baris Dance as a Reference for Painting Creation, departing from an interest in the visuals of Chinese Baris dance which is very unique and different from Baris dance in general. This sparked the impetus to present Chinese Baris dance visuals by combining certain references and techniques to achieve the desired meaning and purpose. The problem faced is how to visually process Baris Cina to represent the ideas and meanings that you want to realize to make it look attractive. The benefits and objectives of this report are to promote the existence of the Chinese Baris dance, and to increase the writer's understanding of the Chinese Baris dance. To answer the objectives of this work, the methods used are reflection or basic research, execution or forming, improvisation, and completion. With elements of art, and through the stages of reflection or basic research, execution or forming, improvisation, and completion, and combined with ideas and ideas to create 6 works entitled: 1) "Synergy", 2) "Bound" , 3) "authority", 4) "dexterity", 5) "taste", 6) "difference, blending, and balance". In the creation of the work, the author uses several techniques and references from several artists. By combining the object of smoke and the technique of using bamboo brushes and the tendency of romanticism, it is hoped that new works can be produced and can become the identity of the author. In the end, it can be concluded that the art of dance, especially the Chinese Baris dance, is very interesting to be promoted and gives a lot of inspiration that can be developed and will become a meaningful work. With the creation of this work, it is hoped that it can convey meaning or messages based on the aesthetic experience experienced by the author.
Gerak Tubuh Wanita Sebagai Sumber Inspirasi Penciptaan Seni Lukis Jati Putra, Komang Guntur; Karja, I Wayan; Utami, Ni Made Purnami
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1842

Abstract

This independent study TA thesis raised the theme of women's body movements as a source of inspiration for the creation of painting, starting from an idea about the illustration of women's body movements which always have its own meaning in each of its beautiful forms. From this, it gives rise to the urge to present a visualization of female body movements by combining certain techniques and references to achieve the desired goals and meanings. The problem faced is how to visually process women's body movements to represent ideas so that the embodiment of the work looks attractive. The purpose and benefits are to provide a new reflection and elevate the existence of women's body movements which are full of use in various lessons for everyone. To answer what is the purpose of this work, the method of creation uses exploration, improvisation, and formation. By arranging elements of art, and going through the exploration, improvisation, and formation stages, as well as combining them with ideas and ideas, 6 works were created entitled: 1) "lonely", 2) "Doesn't care", 3) "Ballet dancers", 4) Fire dance”, 5) “tired”, 6) “Lie down” In the embodiment of the work, the author will use some technical references from other artists. By combining impressionist techniques and expressionist techniques using tile paint, acrylic in the visualization of beautiful works of art, and combined with the response of a brush that resembles cloth as in the catalog of painter Ida Bagus Indra to represent a movement, it is expected to produce quality works and become author's identity.
Bangunan Pelinggih Merajan Alit Sebagai Inspirasi Penciptaan Karya Seni Lukis Neode, Haris Candra; Budiaprilliana, Luh; Mustika, I Ketut
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1843

Abstract

Merajan Alit is a place of worship in every Balinese Hindu family house. Visual beauty and its close relationship with self-identity and family make the creator interested in visualizing it into painting works. The foundation used was the Alma M. Hawkins method, Exploration, Improvisation, and Forming. Each of these methods contains methods and stages of creation that are applied by MBKM partners. From these methods and successes, six works were produced, entitled; 1) “Kemulan”, 2) “Taksu”, 3) “Aku Ingin Pulang”, 4) “Punggel”, 5) “Mencari Kedalam Diri”, 6) “Happy Family”. In these six works, the creators combine the transfer of technology, skills and knowledge obtained from campuses and partners, so as to create works that are expected to become the characteristics of the creators. With this work, it can be said, Merajan Alit can be a personal trigger because it is very closely related to personal and family identity. The feelings that arise can be very unique and varied so it is very suitable to be visualized as a work of painting. In addition, the use of traditional painting tools is also important because of the ancestral heritage so that it does not become extinct.
Interpresentasi Estetika Fetishisme Terhadap Hewan Yang Sudah Mati Dalam Seni Patung Iqbal, Mochammad; Ruta, I Made; Mudana, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1844

Abstract

Commodity dimensions in art include exchange value, commercial value, valorization, commodity fetishism, market logic. Reading art through the commodity dimension is an attempt to reveal the economic value contained in the work of art. This value is not only contained in works of art, but also has a deterministic power to build and organize art. art that is part of a commodity—resulting in an aesthetic category, called “commodity aesthetics”. This is the kind of aesthetic, which builds attraction through the workings of the "immediate effect" and provokes an immediate reaction, such as cuteness, fascination or eroticism. Art and science actually have the same things are mutually sustainable, cannot be separated. From the selection of materials, to manufacturing techniques, to the curation stage, it's all a collaboration of art and science. Leonardo da Vinci's realist works are also a merger of fine art and human anatomy—biology. It is from da Vinci's works that the author is compelled to create creation that are related to the biological sciences. It is also an innovation, although not the first in the world, in the arts in Indonesia, with the hope of breaking the arts that always maintain the quo status
Susu Ibu Sebagai Inspirasi Dalam Penciptaan Karya Seni Patung Kresna Yoga, I Gede Deva; Jodog, I Made; Setem , I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1845

Abstract

Breastfeeding is the process of giving milk to a baby or child with breast milk form the mother’s breast. Through the breastfeeding process, there is a personal relationship between mother and child in loving energy. Various perspective on breastfeeding occur in the community, including knowledge about the importance of breastfeeding. The concept of breastfeeding, breastfeeding attitudes, visuals of the breastfeeding process are interesting thing to research and the serve as the basis for creating ideas. This creation aims to remind the importance of breastfeeding and increase knowledge and the creation of sculptures. The analysis is carried out based on aesthetic, semiotic and deformation theories. The research was conducted by means of observation, interviews, documentation and stages of creation with exploration, experimentation and formation. Utilization of the element and principles of sculpture is the basis of creation. The main media used are cornice and banana trees. As a form of creation are sculpture entitled “Mother’s Milk” and “ Mother’s Happiness”.
Karya I Ketut Budiana Menjadi Sumber Inspirasi Karya Seni Lukis Ega Arsana, I Wayan; Supriyatini, Sri; Karja, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1848

Abstract

Departing from an idea about the author's past which always has its own meaning in every strange form, which raises the theme of I Ketut Budiana's Painting As a Source of Painting Inspiration. departing from an idea about the author's past which always has its meaning in every strange form. From this the urge to present visualizations of human figures and creatures in nature by combining certain techniques and references to achieve the desired goals and meanings. The problem presented is how to process the form and represent ideas so that in realizing the work looks interesting. The goals and benefits are to reflect the new and elevate the existing existence. To answer what is the purpose of this work, the method of creation uses exploration, improvisation, and formation. With elements of art, and through the stages of exploration, improvisation, and the formation stage, and combined with ideas and ideas to create 6 works entitled: 1) “Becoming a Slave”, 2) “Forgot Time”, 3) “Bird”, 4) “Where to?”, 5) “Ghost!!!”, 6) “Training”. In the end, it can be said that traditional art, which inspires a lot of work and is very interesting to be raised and developed with imaginative ideas, will become worthy and meaningful works. With the creation of this work, it is hoped that it can convey a message or meaning to a personal phenomenon that the author has experienced.
Tari Sanghyang Dedari Sebagai Ide Penciptaan Seni Lukis Kariasa Putra, I Komang; Pemayun, Tjokorda Udiana Nindhia; Tjokropramono, Gede Yosef
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1849

Abstract

Balinese dance is a variety of dances originating from the island of Bali. Balinese dance does not always depend on the storyline. The main goal of Balinese dancers is to dance each stage of movement and sequence with full expression. Sang Hyang Dedari dance is a Balinese dance that is used as a religious tool. Balinese people still believe that when girls aged 9-12 years dance this dance, they will be possessed by the holy spirit of an angel. Usually, the Sang Hyang Dedari Dance is played or danced before the rice harvest around April to resist disease outbreaks, and this dance has been designated as an endangered cultural heritage. By taking the theme of Sanghyang Dedari Dance, it is hoped that it can represent ideas in the creation of painting. The writer's interest in this dance is because this dance is very sacred and unique because starting from the headdress and the clothes used are very simple, and the flowers used are also colorful and easy to get and so that the younger generation in particular to know and preserve Balinese culture, that in some areas still do this tradition. At the visualization stage, the author emphasizes the decorative flow. In addition, it also uses the method of creation, namely Exploration, Improvisation, Formation, and Final Completion. And through these stages, 6 works were created entitled: 1) "Sanghyang Dedari Dance", 2) "Ngukup", 3) "Dancer Possessed by Sanghyang Dedari", 4) "Sanghyang Dedari Dancer", 5) "Aci Bethara Sri", 6 )"Rolling". In the end, a work was created which was appointed to the title "Sanghyang Dedari Dance as an Idea for Painting Creation". The author hopes that the Balinese people are more familiar with the Sanghyang Dedari Dance.
Usaha Pemanfaatan Kain Kanvas dan Perca Endek sebagai Tas yang Bernilai Seni Komalayakti, Diah; Gunawan, I Wayan; Jodog, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1850

Abstract

Endek is a traditional Balinese cloth that has a variety of motifs such as stylization of flora and fauna. Now many endek fabrics are also designed into clothing such as official clothes and so on. So, in the process of making these clothes, of course, there will be a lot of leftover patchwork for making clothes. Therefore, innovation in the form of using patchwork with canvas is an effort to preserve the existence of endek with bag products as a fashion complement. Bags are a fashion item that cannot be separated from the daily style of teenagers. The creation of bag products is done by self-manufacturing. So, of course, has a high artistic value. The selected bag design is a consideration of the uniqueness and tastes of the community, especially teenagers. The process of creating something so that it can add value in the economy is the meaning of entrepreneurship. In that case, the creation of a product with innovation and creativity is very important. The use of endek textiles and patchwork into a product in the form of a bag is an innovation in the creative industry and develops creativity. In addition, efforts to preserve the existence of endek in the midst of modern times that orient modern culture as a fashion trend can be done by collaborating with emerging trends.
Perca Endek Sebagai Inspirasi Kolaborasi Pouch Lukis Yang Bernilai Seni Tinggi Apriliani, Sari; Gulendra, I Wayan; Budiaprilliana, Luh
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1851

Abstract

Adding surface designs or paintings to traded products is one way to increase the value of the goods, the value in question is aesthetics and selling price. Agung Bali Collection as a writing partner in MBKM Entrepreneurial activities, provides knowledge about the canting massage technique which can be used as an additional technique in making surface designs. HOLD ME is a form of Start-Up business that the author created personally, this business is engaged in the fashion sector, with canvas bags and endek patchwork as the main raw materials for making strong and environmentally friendly products, as well as the use of endek patchwork in the Agung Bali Collection as a form of cultural preservation and processing of patchwork waste will make goods have high selling power. Until now, HOLD ME has produced six pouch product models and is planning to expand its business. The product that has been produced is a canvas cloth bag in collaboration with endek patchwork and there is a surface design with brush and massage techniques with use of glitter which can create unique, beautiful, and special bag products, consumers not only enjoy the product through visual beauty but also can be enjoyed from the functional or usability aspect of the product.

Page 12 of 23 | Total Record : 230

 10   11   12   13   14 

Filter by Year

2021 2025


Reset
Filter By Issues
All Issue Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni Vol 5 No 1 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni Vol 2 No 1 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni Vol 1 No 2 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni Vol 1 No 1 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni