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I Putu Udiyana Wasista
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Program Studi Seni Rupa Murni, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Denpasar Jl. Nusa Indah Denpasar, Bali
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INDONESIA
Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 28290879     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The focus of the Cita Kara Journal is to publish articles from students and lecturers dedicated to all aspects of the paradigm of creation and study including the exploration of knowledge and skills of fine arts. Articles in the form of results of creation, research, conceptual ideas, studies, theories, etc. which prioritize materials, concepts, methodologies, and approaches that are extracted from cultural roots in accordance with the vision and mission of the Fine Arts Study Program, Faculty of Fine Arts and Design, the Indonesian Institute of the Arts Denpasar. The scope of the journal consists of various pure arts topics, both concerning the results of thoughts / reviews, research results (paper or full paper, shot communication, rapid /preliminary), reviews and obituaries. The journal publishes creation and research papers in fine arts such as: Paint, Statue, Graphic, Mosaic, Carving, Relief, Calligraphy, Photography, Comic, Cartoon, Other visual arts.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 230 Documents
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Karakteristik Potret dalam Seni Tato Realis Prayoga, I Kadek Dena Ari; Tjokropramono, I Gede Yosef; Putra, I Gede Jaya
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 1 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i1.4488

Abstract

This study aims to analyses the characteristics of portraiture in realistic tattoo art, one of the most popular tattoo styles today. The main focus of this research is to identify the key elements that make portrait tattoos look realistic and lifelike, as well as the techniques used by tattoo artists to achieve these results. This research is part of the MBKM internship report and employs a descriptive qualitative research method. Data were collected through interviews with tattoo artists experienced in the realistic style, direct observation during the tattoo-making process, and photographic documentation of their works. Content analysis was used to identify common features that define realistic portrait tattoos, such as accuracy in capturing facial proportions, placement of light and shadow, and the use of smooth shading gradients to create depth effects, along with attention to small details that enhance the realistic impression.The main findings of this study show that accuracy in depicting facial expressions and skin texture significantly impacts the quality of realistic portrait tattoos. Additionally, a deep understanding of facial anatomy and proficiency in ink application and colour gradients are crucial factors. The implications of this research suggest that mastering these techniques not only improves the quality of tattoos but also promotes the development of the realism style within the tattoo art industry.
BALI PUPPET IN CONTEMPORARY PAINTING ART Yoga, I Wayan Swantara; Mudana, I Wayan; Kondra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 1 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i1.4492

Abstract

The independent campus learning program is a policy of the Minister of Education and Culture, which aims to encourage students to master various knowledge that is useful for entering the world of work. This independent project study report highlights the concept of Balinese Shadow Puppetry in Contemporary Painting. Departing from the rare Shadow Puppetry which has become one of the inspirational ideas for creating art. The selection related to Shadow Puppet visuals in the creation of this work of painting presents the story of wayang as expressed through 6 (six) works of Painting. The problem faced is the concept, method and embodiment of Balinese Shadow Puppetry in Contemporary Painting. The aims and benefits are to provide a reflection on the creation of Balinese Shadow Puppets in Contemporary Painting. To answer the problems above, the creation method is a solution by applying exploration, improvisation, forming. Soedarsono (2001: 207), in realizing his work, the author used his own techniques or (experiments) combined with Shadow Puppet visuals and combined them with the characteristic ornaments of Sanggar Wasundari. Wet technique and application of color from Shadow Puppet and Kamasan Puppet. It is hoped that it can produce quality work and become the identity of the creator. In the end, it can be concluded that Balinese Shadow Puppets can inspire writers in creating valuable and meaningful works. With the creation of this work, it is hoped that it will be able to convey the message in this work of painting.
TOPENG BALI SEBAGAI SUMBER INSPIRASI IDE DALAM PENCIPTAAN KARYA SENI LUKIS Putra, I Gusti Made Dwi Suantara; Gulendra, I Wayan; Utami, Ni Made Purnami
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 1 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i1.4493

Abstract

Mask art is one of the cultural arts products of the Indonesian people that we still encounter a lot. In various regions, masks have different roles and functions because each region has different customs and beliefs. Apart from being associated with dance, Balinese masks are also often used in theatrical performances or a combination of dance and theater, because Balinese masks themselves have many different characters. Balinese masks themselves have many meanings of life in them which the author then packages into a work of painting which contains messages and knowledge that can broaden insight for a wide audience. The creation method used is a method of creation by creating works of painting in a systematic way. The stages of creating a work of painting which outlines the design of the process of creating a work of art according to the stages of creation from getting the inspiration (idea), designing, to realizing the work of art is a creation method developed by Hawkins. The author chose Balinese masks as an idea for creating this painting because Balinese masks themselves have many different characters, Balinese masks themselves have many meanings of life in them. Which is then packaged by the author into a work of fine art containing messages and knowledge that can broaden insight for a wide audience. This makes the author create paintings using masks as objects combined with the shape of the human body to support the creation of inspirational ideas.
PENERAPAN SENI LUKIS DEKORATIF PADA KERAMIK TABLEWARE Halim, Ivana Gabriella; Mustika, I Ketut; Yudha, I Made Bendi
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 1 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i1.4507

Abstract

This internship/work practice report explores the theme of nature and its surroundings as the inspiration for creating artwork. In this project, the author is inspired by the natural environment, including the sea, leaves, and stones. From these ideas, textures, shapes, and colors are developed in the artworks. The work created will be tableware. Tableware refers to the dishes and utensils used by people for eating and drinking. Besides its primary functions of eating, serving food, and setting the table, tableware can also serve as decorative art that can be displayed. The goal of this project is to make functional tableware more attractive by applying painting art, making it not only functional but also decorative. The artworks feature various techniques in terms of shape, texture, coloring, decoration, and more. The creation process begins with observation, studying, and managing ideas, followed by contemplation, and ultimately the creative process is realized through painting on ceramics. This report aims to understand the utility of the tools and materials, as well as the stages of the creation process. In conclusion, the author has gained valuable learning and knowledge during the internship/work practice. The author hopes that this creation will serve as an inspirational piece for readers.
VISUAL EXPRESSION OF THE LOTUS FLOWER PHILOSOPHY IN PAINTING ARTWORKS Prayoga, I Made; Budiaprilliana, Luh; Budiarta, I Dewa Putu Gede
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 1 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i1.4508

Abstract

This report explains the creation of a painting with the theme "Visual Expression of Lotus Flower Philosophy in Painting". The abstract of the lotus flower philosophy describes the beauty that emerges from less than ideal conditions, where the lotus grows from mud but remains clean and beautiful on the surface of the water. In its life, the lotus flower is a plant with beautiful flowers, but behind the beauty of its flowers, the plant grows in a muddy and dirty environment to achieve the beauty of the lotus flower. This abstract reviews the application of the lotus flower philosophy in human life, describing how values such as resilience, beauty, and growth can be applied in the context of personal and professional development. The statement about the life of the lotus flower contains important values that can be applied in human life, how values such as resilience, beauty, and growth can be applied in the context of personal and professional development. This philosophy also describes the importance of living in the midst of difficulties, seeking light in the darkness, remaining calm in chaos, and how we process ourselves in finding our identity. By exploring the balance between hardness and softness, and the ability to thrive in difficult environments, this philosophy inspires humans to reach their highest potential in everyday life.This report explains the concept of painting inspired by the philosophy of the lotus flower that can be applied in human life by exploring the aesthetic elements and symbolism in the lotus flower. This painting tries to capture the beauty and meaning of the philosophy of the lotus flower with a creative context. by combining various techniques in one painting that can symbolize the meaning and philosophy of the lotus flower.
CILI as a source of inspiration for ideas for crating work of fine art Utama, Pande Komang Budhi Sastra; Setem, I Wayan; Kondra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 1 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i1.4512

Abstract

This report describes the creation of works of painting with the theme "Cili as a source of inspiration for ideas for creating works of fine art", which was inspired by the unique shape of a cili, a ceremony in agrarian life that is involved in most people. In this case, Cili is a symbol of the transformation of the Goddess Sri into the Goddess of Fertility, Prosperity of the Mother Goddess or Mother Earth, from the land or Mother Earth all human needs emerge, for example plants and others. Cili is a symbol that is closely related to life and fertility. sometimes cili is associated with the goddess Sri, the goddess of rice, who symbolizes fertility. The meaning of chili in Balinese culture is closely related to the ceremonies in agricultural life that most people participate in. In this case, chili becomes a symbol of the reproduction of Dewi Sri as the goddess of fertility, prosperity of the Mother Goddess or Mother Earth, from whom the land or Mother Earth produces all human needs, for example plants and others. In the creation process using steps: basic research, exploration, improvisation. In the process of creating the work, the author took references from the Wasundari Kamasan studio as a source for creating the work. The author combines the given ornaments. In the creation process the author took the shape of water, the shape of rocks, and the shape of a tree.
English English Makhrozi Y, Arief; Karja, I Wayan; Suryadinata T.Y., Anak Agung Gde Trisna
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 1 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i1.4537

Abstract

Art is basically created through experience, whether personal experience, other people's, socio-cultural environment, politics or religion. Art becomes a medium for artists to express ideas, concepts, from experiences felt, which are manifested in a beautiful and meaningful work of art. Along with the development of the times, art also develops. This means that the development of art is something that cannot be avoided. Likewise in the Jagratara installation artwork, with the use of technology, this Jagratara installation artwork is present as a new color in the world of art. This installation artwork is inseparable from the results of several methods carried out by the creator, including the recycle method and the exploration method. The Recycle method is a process of turning used materials into new materials with the aim of preventing waste that can actually be something of artistic value, while the media exploration method is a method as a medium to express the potential and creativity of the compiler. Basically, this method is used as an ability to find, create, redesign, and combine new or old things or ideas into new combinations of various mediums, techniques, ideas and personal interpretations in depicting the reality chosen to be visualized. Jagratara comes from Sanskrit which means always alert. The word always be alert is often heard when signs of danger begin to appear. Always be alert is a reminder sentence that is often said when danger is coming. This installation artwork is present with the aim of being a reminder and reflection on the negative impacts of plastic use, especially for marine ecosystems.
THE ROLE OF AI IN CONTEMPORARY ART: CAN AI WORK BE CONSIDERED "ORIGINAL" ART? Putra, Edy Semara
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 1 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i1.5422

Abstract

The development of artificial intelligence (AI) in contemporary visual arts has presented both challenges and opportunities. This study examines the role of AI in art creation and its legal and ethical implications, particularly regarding copyright and originality. Using a qualitative descriptive method through literature review, this research analyzes how AI influences the definition of art and the role of artists in the digital era. The findings indicate that AI can serve as a creative tool that expands artistic exploration but raises debates over the authenticity and copyright of AI-generated works. Furthermore, this study recommends clearer regulations regarding the ownership of AI-based artworks to provide legal certainty for artists and technology users.
Representasi Keresahan Yang Dirasakan Oleh Perempuan Dalam bentuk Karya Seni Lukis Eveanna, Caitlin; Pemayun, Tjokorda Udiana Nindhia; Gulendra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4445

Abstract

Women have a big role in everyday life, making them face various obstacle and responsibilities. However, women are often underestimated as objects that must look perfect in society. Behind that, women actually feel various anxieties that they feel almost every day. Starting from the pain of menstruation, the pressure of beauty standards that disturbs the mind at all times to the objectification of women. These three things have a significant impact on women. Many women feel insecure, anxious and even depressed because of things like this. Women also often feel uncomfortable when they want to do activities outside the home because of the many incidents of objectification of women out there. Women continue to be required to be the figure that society expects without caring about what women actually feel about these actions and demands. In creating this work, the author raised this issue to make it into a work of painting by exploring symbols to represent and visualize the anxiety experienced by women. By using various symbols of simple things encountered in daily life, the author represents this anxiety experienced in a painting. The author also uses the plaque technique as a technique in making paintings.
IMPLEMENTATION OF FINE ARTS VALUES IN THE WEAVING INDUSTRY AT AGUNG BALI COLLECTION Sukendy, Thania Aprila; Karja, I Wayan; Tjokropramono, I Gede Yosef
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4450

Abstract

This article analyzes the integration of fine art values into the weaving industry at PT. Agung Bali Collection, focuses on the production of creative woven fabric products, such as patchwork paintings. The research identifies technical challenges, such as color consistency and motif complexity, and explores innovative solutions, including modern technology and artisan training. The application of fine art principles like creativity, precision, and cultural significance enhances the aesthetic and cultural value of the products. This study highlights the role of art in preserving cultural heritage while meeting contemporary standards, contributing to the development of the weaving industry.

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