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I Putu Udiyana Wasista
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udiyanawasista@isi-dps.ac.id
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citakara@isi-dps.ac.id
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Program Studi Seni Rupa Murni, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Denpasar Jl. Nusa Indah Denpasar, Bali
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INDONESIA
Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 28290879     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The focus of the Cita Kara Journal is to publish articles from students and lecturers dedicated to all aspects of the paradigm of creation and study including the exploration of knowledge and skills of fine arts. Articles in the form of results of creation, research, conceptual ideas, studies, theories, etc. which prioritize materials, concepts, methodologies, and approaches that are extracted from cultural roots in accordance with the vision and mission of the Fine Arts Study Program, Faculty of Fine Arts and Design, the Indonesian Institute of the Arts Denpasar. The scope of the journal consists of various pure arts topics, both concerning the results of thoughts / reviews, research results (paper or full paper, shot communication, rapid /preliminary), reviews and obituaries. The journal publishes creation and research papers in fine arts such as: Paint, Statue, Graphic, Mosaic, Carving, Relief, Calligraphy, Photography, Comic, Cartoon, Other visual arts.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 230 Documents
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Penggabungan Digital Printing Hijab Motif Endek Dengan Tie Dye Eksplorasi Gaya Busana Muslimah Shafa, Naura Taqyna; Adnyana, I Wayan; Karja, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4454

Abstract

The use of Muslim clothing, especially in using hijab, has become an art trend carried out by a fashion connoisseur. Uniqueness in terms of motifs contained in the hijab can be used as a fashion item that is often used. In this case, the motif used in the hijab is designed using endek motifs with coloring using tie dye techniques that can add aesthetics to clothing and fashion lovers and the public can get to know more about endek motifs, and can preserve the culture that comes from their respective regions. The process of creating this work uses technology that can facilitate the next process, namely by using digital printing technology on the hijab cloth that has been designed through the process of experimentation, exploration, and observation. The use of endek motifs in hijab design emphasizes several motifs in endek woven fabric. The resulting works are 6 (six) hijab works that have been printed using endek motifs and the results with coloring using tie dye coloring techniques which have their own uniqueness with coloring results that can be intentional or unintentional. The final result of this work is expected to encourage the community in preserving and disseminating their culture, can increase the diversity of motif designs on the hijab, especially in traditional motifs, can help in the needs of dressing, especially in Muslim clothing, and can provide a variety of hijab designs, and can give a new impression to the connoisseurs of Muslim fashion.
English English Winata, I Made Agus Arya; Jodog, I Made; Adi Sucipta, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4462

Abstract

This report discusses the utilization of technological advancements along with the work experience that can be gained while being in the digital industry. Fine art is a human expression that combines emotions, beauty, and visual techniques to create works that inspire and communicate meaning. From traditional art forms such as painting and sculpture to modern evolutions like photography, videography, and digital art, fine art has seen significant developments in the media and technology used. Creating art in the digital era is known for its technicalities or complexities, where one needs to understand and operate the tools or software used before diving into the creative process and freedom in applying artistic elements. This development not only expands artistic boundaries but also embraces changes in social, cultural, and technological progress. Digital art, for example, not only offers new possibilities for creative expression but also provides a broader and more accessible platform for artists to convey their messages to a global audience. Thus, fine art not only becomes a part of everyday life but also serves as a key driver in the development and understanding of contemporary art in today's world. With the utilization of technological advancements and the current digital industry, our ability to adapt and provide alternative paths for artists in pursuing their careers has significantly increased.
GANGGUAN KECEMASAN SEBAGAI SUMBER INSPIRASI IDE DALAM PENCIPTAAN KARYA SENI LUKIS Bayu Arisuta, I Gede; Tjokropramono, I Gede Yosef; Jodog, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4472

Abstract

This final report of this independent study/project raises the theme of anxiety disorders as a source of inspiration for the idea of creating a work of art. Anxiety disorders are a category of psychological disorders associated with feelings of anxiety and fear that occur excessively. Fear usually arises because of emotional or psychological feelings. Fear can also arise because of threats both physically and non-physically. The factors that underlie anxiety disorders are trauma, environment, and genetic factors. The problem faced is how to apply the concept, how to visualize the meaning contained in the work of art, what materials and media will be used in creating the work. The goal to be achieved in creating this work is to find out how anxiety disorders through creativity and imagination into the form of a work of art by combining certain techniques, styles, colors, and references to achieve the desired goal. From the theme above, there are 5 (five) works that can be realized with the titles: Claustrophobic, I Got PTSD, I Got GAD, Keep It Clean, and I Feel To. It can be concluded that anxiety disorders inspire the author in creating works of art and developing imaginative ideas and concepts, which will become valuable and meaningful works. With the creation of this work, it is hoped that it will be able to convey a moral message, as well as being an educational medium about anxiety disorders.
ini, dan, dari CITA KARA: JURNAL PENCIPTAAN DAN STUDI SENI MURNI: WARNA BIPOLAR SEBAGAI IDE UNTUK MEMBUAT KARYA SENI YANG BAIK aristi, dewa ayu sakania pradnya; Sujana, I Wayan; Purnami , Ni Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4486

Abstract

People with bipolar disorder often experience dramatic mood swings, characterized by manic, depressive and mixed symptoms. Drastic emotional changes include feelings of happiness, sadness, fear and other excessive emotions. By using the theory of color psychology, the author wants to visualize facial expressions that come from drastically changing emotional colors. These colors are combined in the opposite way like bipolar traits, resulting in new colors that are visualized in the form of facial expressions "Comfortable, Enthusiastic, Calm, Lack of Confidence, Graceful, Romantic and Patient".The method of creation is carried out through the stages of exploration or search for ideas, improvisation or experimentation, namely conducting various trials of techniques, compositions, sketch forms, blocking, combining materials, and trials of techniques such as paint melting techniques, marker and palette strokes, splashes, twig blows, and stamps; and formation, namely realizing it in the form of aesthetic works and in accordance with aesthetic works and in accordance with aesthetic and artistic experiences.
FLOWER METAPHOR INSPIRATION IN FINE ARTS Putra, Anak Agung Ramanda; Mudana, I Wayan; Bendi Yudha, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4494

Abstract

This report is written to explain the creation of a work of art with the theme "Flower Metaphor Inspiration in Fine Arts". This topic is inspired by the author's experience when he listened to stories from his friends and books that talk about the meaning of flowers. Metaphor is a figure of speech that uses words or groups of words with figurative meanings, not their real meanings, to describe something by comparing it to something else. The flower metaphor is argued here as a small part that is almost the same as a colorful life journey. This work identifies how the flower metaphor is a meaning that produces the expression of a woman's feelings through creativity and imagination in artwork. There is one work that will be produced in the form of a painting. Each work will use various techniques and media, based on the essence and principles of fine art. More specifically, this report covers how artists use artwork to express the flower metaphor that represents a woman's feelings. Thus it can be seen that every visual artwork of the flower metaphor can appear in a smile, disappointed, disappointed, broken, love. Therefore, the other side of this artwork can help to do an in-depth and interpretive analysis on this painting, and strictly speaking, this will allow to gain an understanding of the complexity of the flower metaphor that is the inspiration in this work.
CURATORIAL PAINTINGS BY I WAYAN BENDI AND IDA BAGUS INDRA COLLECTION OF THE RUDANA MUSEUM Ginting, Serevina Rikel Carroland; Kondra, I Wayan; Gulendra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4498

Abstract

The internship at the Rudana Museum provided valuable experiences in the curatorial field, deepening the author's understanding of the curator's role in preserving and showcasing art collections. The author participated in exhibition projects, including background research on artworks and collection preparation. The works of artists like I Wayan Bendi and Ida Bagus Indra were analyzed to understand the philosophical, spiritual, and social meanings they embody. During the internship, the author evaluated the need for in-depth research, team coordination, and communication strategies for different audiences. The author also analyzed the stylistic differences between I Wayan Bendi's more experimental and contemporary works and Ida Bagus Indra's classical and detailed pieces. These differences reflect the variations in their experiences and approaches to Balinese fine art in the modern context. This internship provided insights into the challenges and opportunities in curatorial work, highlighting the importance of teamwork and dedication to cultural heritage preservation. The experience enriched the author's practical knowledge and expanded their understanding of the importance of collection accessibility through educational approaches and public programs.
DEATH AND REINCARNATION AS INSPIRATION OF CREATION FINE ARTWORK Kariana, I Nengah; Wirakesuma, I Nengah; Ruta, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4499

Abstract

This report contains a description of the creation of works of art that take the theme "Death and Reincarnation as Ideas in the Creation of Works of Art" which was inspired when reading a book that made the author interested in raising the theme of death in this semester IV independent project, namely the book "History of Death" from Michael Kerrigan. It reminded the author of the confusion of finding a concept and finally it was recommended to use a concept that was close, so the author raised death because there is nothing closer to death. The goal to be achieved in the creation of this work is to find out how death and reincarnation are packaged in religious sciences, cultures that exist in Indonesia, especially Bali through creativity and imagination into the form of paintings using various techniques, media, considering the elements and principles of fine art. From the written work and paintings produced, the author hopes that this work will be useful as literacy and a source of inspiration for society in the future. From the above theme, there are 5 (five) works that can be realized from death and reincarnation that can provide an overview of culture and religious science about death and reincarnation, especially in Bali.
DESIGNING TATTO ARTWORK WITH THE CONCEPT OF BALI CULTURE USING THE DARK ART STREAM AT KINK TATTO BALI Dharma, I Made Agus Wira; Budiarta, I Dewa Putu Gede; Putra, I Gede Jaya
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4501

Abstract

This study explores Balinese culture through Dark Art to depict the grandeur and complexity of the community's spirituality. Dark Art, with its dark tones and profound symbolism, reflects the mystical power and sacredness of nature represented by mythological figures like Dewi Durga. In Balinese culture, Dewi Durga symbolizes the formidable forces of nature, revered through various rituals and arts. Her portrayal in a horror-themed style emphasizes not only the terrifying aspects but also the majesty and sacred mystery of nature. Dark Art elements such as horror nuances and Rangda masks enhance the symbolism of the niskala (spiritual) world, a vital aspect of Balinese life. The Rangda mask, often associated with negative forces, represents diseases or spiritual disturbances that are addressed through traditional rituals. The use of these elements illustrates how Balinese people maintain balance between physical and spiritual aspects. The study's artistic outcomes combine Dark Art aesthetics with Balinese traditions, creating a profound visual interpretation of the community's views on nature and spirituality. This approach highlights the significance of the niskala realm in Balinese culture, particularly in preserving harmony in life. The research contributes to understanding how Balinese art and culture utilize Dark Art symbolism to express their beliefs and spiritual practices.
Karakter Api Sebagai Simbol Emosi Dalam Penciptaan Karya Seni Lukis Rahditya, Ida Bagus Mas Putra; Mustika, I Ketut; Putra, I Gede Jaya
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4528

Abstract

This report contains a description of the creation of works of painting with the theme "Fire character as a symbol of an emotion in the creation of works of painting." This theme is inspired by the use of fire symbols to represent various emotions in art. In general, this report discusses how the symbol of fire can be used to depict emotions and characters in works of art. The problem faced is how to visualize emotions and characters through the symbol of fire to represent ideas, phenomena, meanings and techniques presented in creating works of painting. The creation method is a process of creating work systematically. In realizing this creation, the methods used include: basic research, exploration stages, experimentation, improvisation, and formation. The aim to be achieved in creatingthis work is to reveal how fire as a symbol of emotion can be a medium for creativity and imagination in the form of paintings, by applying the principles of fine art to create six works during this sixth semester.
CAFE LIFE VISUALIZATION IN DIGITAL ARTWORK Sucita, I Komang; Sucipta, I Wayan Adi; Budiaprilliana, Luh
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4529

Abstract

This independent project report is entitled "Visualization of Cafe Life' in Digital Artwork and aims to reveal the phenomenon of life in a coffee shop through digital artwork. This study explores how the function of a coffee shop has shifted, which now not only provides coffee, but also sells a lifestyle that is popular with many people. This study also illustrates the anxiety that the author faces when carrying out his two daily activities as a barista and a student. The process of creating this digital artwork involves stages of exploration, improvisation, and formation, which are realized using digital media such as iPads and illustration software. The result is a series of digital illustration artworks that identify aspects of life in a coffee shop, and the researcher's personal challenges in carrying out two activities. There are six works produced, all of which are based on digital illustrations and the presentation media themselves vary from drinking cups, coffee grinders, tote bags, and t-shirts. This research contributes to the understanding of cafe life as a socio-cultural phenomenon and technological development, and offers a new perspective in creating digital artwork that is relevant to the development of the times. It is hoped that this work can inspire students, artists, and the younger generation to continue exploring and developing their creative potential through the use of digital technology and direct experience in everyday life.

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