cover
Contact Name
Febri Adi Prasetya
Contact Email
garuda@apji.org
Phone
+6281269402117
Journal Mail Official
info@asdkvi.or.id
Editorial Address
Perum. Cluster G11 Nomor 17, Jl. Plamongan Indah, Pedurungan, Semarang, Provinsi Jawa Tengah, 50195
Location
Kota semarang,
Jawa tengah
INDONESIA
Imajinasi: Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
ISSN : 30322219     EISSN : 30321794     DOI : 10.62383
Core Subject : Art,
Journal of Science, Arts, and Technology is an open, peer-reviewed journal. The fields of study in this journal include the Science, Art and Technology sub-group. Imagination : Journal of Science, Art and Technology
Articles 92 Documents
Pelestarian Tari Zapin Istana Siak oleh Sanggar Balairung Sri Kecamatan Siak Kabupaten Siak Provinsi Riau Febriana Fernandes; Idawati Idawati
Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Vol. 1 No. 2 (2024): Juni : Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/imajinasi.v1i2.109

Abstract

This research aims to determine the preservation of the Zapin Istana Dance by the Balairung Sri Studio, Siak District, Siak Regency, Riau Province. Preservation is how to maintain, preserve and develop all existing culture or traditions. The theory that researchers use is the conservation theory by Edy Sedyawati. The method used in this research is descriptive analysis, with a qualitative approach. The findings from this research are that the Zapin Istana Dance is still maintained and preserved today by some people in Siak Regency, especially the Balairung Sri Studio. Conservation is carried out in accordance with Edy Sedyawati's theory which consists of three aspects, namely protection, development and utilization.
Deskriptif Proses Pembuatan Alat Musik Rabab Pasisia di Painan Timur Kabupaten Pesisir Selatan Aulia Pratama Ricardo; Wimbrayardi Wimbrayardi
Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Vol. 1 No. 2 (2024): Juni : Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/imajinasi.v1i2.127

Abstract

The process of making traditional musical instruments Rabab Pasisia in South Pesisir Regency. This study aims to describe the process of making Rabab Pasisia musical instruments. The approach used is a qualitative approach with a descriptive type of research. This research was conducted with data collection techniques used are observation, interview and documentation techniques. Data analysis techniques are carried out by reducing, presenting data and verifying this data aims to find out the structure, process, manufacturing techniques, playing techniques, from Rabab Pasisia. This musical instrument is made of jariang wood and has different tones, and uses several types of wood. The results of this study show that the parts and stages of the process of making traditional Rabab Pasisia musical instruments include: wooden mangkapatiah for Rabab bodies, sketching rabab patterns, making rabab tongues, installing rabab friction nylon, making rabab kudo-kudo, and how to produce sounds, tuning systems on traditional Rabab Pasisia musical instruments. The instruments used in the process of making traditional musical instruments Gandang Tambua include: Lantiak Knife (containing rabab tongue), Kapatiah (forming rabab body), Cutting Saw, Hammer (Stick), Measuring instrument (meter), Pencil, Sandpaper, Scissors. The ingredients are; Jariang Wood (45Cm Long, 30Cm Wide, and 4Cm Thick), Montiah Wood (Meranti), Sicerek Wood, Shell, Rope, Nails and, Wood glue. The process of making Rabab Pasisia musical instruments includes several stages, namely: 1) The process of making the body (jariang wood), until the finishing of fine and rough sanding, 2) The process of installing nylon on the rabab frictioner, 3) The process of installing squirrels, kudo-kudo, talingo and rabab strings for tuning the tone.
Kajian Penyebaran dan Marginalisasi Tari Gandang Lasuang Raudhatul Fadillah; Indrayuda Indrayuda
Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Vol. 1 No. 2 (2024): Juni : Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/imajinasi.v1i2.131

Abstract

Gandang Lasuang Dance is a traditional dance art that developed in batang tajongkek, precisely in Aua Sarumpun studio. In this dance, the properties are Lasuang, pestle, katidiang. This dance tells the story of how a farmer pounded rice using lasuang, where the rice to be pounded would become rice. In addition, this dance is also accompanied by music such as Talempong, Gandang dol, sleigh-giring. The purpose of this study is to analyze and describe the spread of Gandang Lasuang Dance and the factors causing the marginalization of Gandang Lasuang Dance. This research method uses qualitative research. The location of the research was conducted in Sanggar Aua Sarumpun, Batang Tajongkek Village, South Pariaman, Pariaman City. The results showed that the Study of the Spread and Marginalization of Gandang Lasuang Dance in Batang Tajongkek was quite well developed. Judging from its use, this art was previously only used as a medium for self-entertainment when pounding rice, but now it has been used as entertainment for the people of Batang Tajongkek Village, besides that the Gandang Lasung Dance is also performed in various art events such as PKK events, and bundo kanduang events and so on.
Koreografi Tari Sentak Ilau di Sanggar Seni Nan Gombang Painan Kabupaten Pesisir Selatan Dyvia Allisa; Venny Rosalina
Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Vol. 1 No. 2 (2024): Juni : Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/imajinasi.v1i2.133

Abstract

This study aims to reveal, describe and analyze the Choreography of Sentak Ilau Dance at Nan Gombang Painan Art Center, South Pesisir Regency. This type of research is qualitative research using descriptive methods. This research instrument is the researcher himself assisted by supporting instruments in the form of stationery and cameras. Data were collected through literature study, observation, interviews and documentation. The steps of analyzing data are data collection, data reduction, data presentation and conclusions. The results of this study show that the choreography form of Sentak Ilau Dance at Nan Gombang Painan Art Studio in South Pesisir Regency consists of Motion, Top Design, Dynamics, Dramatic Design, Floor Design, Costumes, Properties, Group Composition, and Dance Accompaniment. Sentak Ilau Dance movement comes from Silek Tiger dance, Rantak Kudo and Salido cloth. The top design of Sentak Ilau Dance consists of Angular, Curved, High, Low, Flat, Vertical, Horizontal, Medium and contrasting top designs. The dynamics of Sentak Ilau Dance consists of three aspects, namely aspects of space, time and energy. The dramatic atmosphere in the dance is divided into 2 parts, namely calm and tense. The floor design used varies. Sentak Ilau's dance floor design consists of straight and curved lines. The musical instruments used are such as violin, kompang, bansi, serunai, saluang, talempong and tamburin. The property used in this sentak ilau dance is a jug containing frankincense and used tin bottles containing small stones. The costumes used are modified costumes, namely modified kuruang basiba clothes, Galembong, Saspayang cloth, headdresses used from sisampiang cloth and belts.
Ekstrakurikuler Tari Persembahan di SMK Negeri 1 Kuok T.A 2023/2024 Delfi Rahmi; Yahyar Erawati
Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Vol. 1 No. 2 (2024): Juni : Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/imajinasi.v1i2.147

Abstract

This research aims to find out the extracurricular dance offerings at SMK Negeri 1 Kuok T.A 2023/2024. The research method used in this research is descriptive analysis, with a qualitative approach, the reason the author took this research is because this method involves directly the object being studied. The subjects in this research were 15 people, the location of this research was carried out at SMK Negeri 1 Kuok, which is on Jalan Sei Maki, Kuok sub-district, Kampar district. From the results of the analysis of findings in the field, the conclusion was drawn that the material taught in Persembahan dance. The method used in the dance extracurricular at SMK Negeri 1 Kuok was the lecture and practice method. The data collection techniques used in this research are observation, interview and documentation data collection techniques. Extracurricular dance facilities and infrastructure include an arts room for practice, laptops, speakers and cellphones.
Pembelajaran Seni Tari Dalam Penerapan Kurikulum Merdeka di SMAN 1 Pangkalan Kuras Della Agustia; Yahyar Erawati
Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Vol. 1 No. 2 (2024): Juni : Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/imajinasi.v1i2.148

Abstract

The aim of this research is to find out about cultural arts (dance) learning in the independent learning curriculum in class x 3 of SMAN 1 Pangkalan Kuras for the 2023/2024 academic year. This research uses qualitative descriptive research methods. The subjects in this research were class x3 students and arts and culture teachers at SMAN 1 Base Kuras. The results of this research are that in the independent learning curriculum, teachers are no longer fixated on books, but teachers can be more creative in teaching and students are expected to be able to make new discoveries. Learning in the Independent Curriculum uses teaching modules as a guide for learning in class. In learning, teachers also make what achievements they want in that semester. In class X 3, teachers use Phase E. Based on the results of this research, it was observed that teachers were starting to be able to adapt learning activities using the independent curriculum, even though there were still difficulties in compiling teaching modules, teachers were still able to use teaching module templates that had been provided by the government for students. It was observed that students had also adapted the learning curriculum accordingly. with what is taught.
Budaya Tradisional Tarian Lahbako Jember Sebagai Upaya Pelestarian Sekaligus Pengenalan Kepada Generasi Muda Destri Aulia Wulandari; Nazala Zaikumar Elfa Rizqi; Netti Mahdalena Siregar
Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Vol. 1 No. 2 (2024): Juni : Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/imajinasi.v1i2.149

Abstract

This research will discuss the community's efforts in maintaining the heritage of the ancestors given, namely the Lahbako dance. Lahbako dance is a typical Jember dance, where this dance exists to show a series of tobacco processing from planting to packaging tobacco. This arian can be said to be a tradition that is carried out every time tobacco planting and has become one of the icons of the city of Jember. It is well known that technological development has been increasingly rapid, and young people are starting to be reluctant to learn or just find out what has become the history of their own nation. The existence of the Lahbako dance which used to be a tradition during the harvest season, is now also used as a tourist attraction, so it can be said that there is a shift in cultural functions. Therefore, efforts are needed to introduce all groups, especially young people so that they can continue to preserve or innovate the culture. In this study we use Robert K. Merton's theory of Structural Functionalism, which emphasizes the need to understand the many functions associated with society, in order to maintain the social structure in society. The functions in question are dysfunction, latent function, and manifest function. In this research using qualitative research methods, with an ethnographic approach.
Membaca Bentuk Dan Pola Geometri Dalam Motif Batik Kawung Anastasia Desmeria Br Ginting; Dessy Kartika Sari; Khairunnisa Nasution; Immanuel Hasiholan Siregar; Imel Fitaloca Tambunan
Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Vol. 1 No. 2 (2024): Juni : Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/imajinasi.v1i2.150

Abstract

As one of Indonesia's cultural heritage recognized by UNESCO, the Kawung motif holds a wealth of deep aesthetic, philosophical, and symbolic values. Studies on the geometric forms and patterns in the Kawung motif not only offer a better understanding of cultural heritage, but also open up opportunities to explore the relationship between art, mathematics, and philosophy. This research aims to explore the geometric forms and patterns in the Kawung motif in depth, by integrating perspectives from art, mathematics, and philosophy. By analyzing the geometric structure and mathematical principles underlying this motif, as well as relating them to the symbolic and philosophical meanings contained within, it is expected to gain a more holistic understanding of Indonesia's cultural heritage and the intellectual wealth it possesses.
Pengembangan Alat Peraga Biologi Berbasis Instgarm Terintegrasi Nilai- Nilai Keislaman Pada Materi Sistem Peredaraan Darah Manusia Kelas XI Allia Nur Aliffah; Achmad Ali Fikri; Setiati Hidayah
Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Vol. 1 No. 2 (2024): Juni : Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/imajinasi.v1i2.153

Abstract

This research uses Research and Development (RnD) research, with a 4D development model. This research aims to find out how the product is developed and the level of feasibility through media, material and Islamic validation as well as the practicality of teachers and students. Data collection techniques for product development are through observation, interviews, questionnaires and documentation. Next, the data obtained was analyzed using quantitative descriptive analysis. This research produces a product in the form of an Instagram-based biology teaching aid integrated with Islamic values ​​in the human circulatory system material. This product meets the valid and practical criteria by obtaining a validity assessment of 88.84% in the "very valid" category, validation results by material expert lecturers, obtaining a validity assessment of 88.2% in the "very valid" category and validation results by expert lecturers Islamic, a validity assessment of 88.83% was obtained in the "very valid" category. Meanwhile, practicality was determined by the biology teacher and class XI MA students. Based on the practicality results by biology teachers, a practicality assessment of 88.05% was obtained in the "very practical" category and practicality results by class XI high school students, a practicality assessment of 84.4% was obtained in the "very practical" category. Thus, Instagram-based biology teaching aids integrated with Islamic values ​​are suitable for use as interactive learning media to test effectiveness at the next stage.
Analisis Kawih Gaya Ida Rosida Pada Lagu Reumis Beureum Dina Eurih Tuti Triyani
Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Vol. 1 No. 2 (2024): Juni : Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/imajinasi.v1i2.154

Abstract

New Kawih Wanda is a kawih created by Mang Koko based on Mang Koko's understanding and ability to create a kawih with a new style at that time. In creating it because he wanted to present new works of Sundanese Karawitan, Mang Koko tried to process traditional and non-traditional musical material so that his work had breath. Baru (new color) from previously existing Sundanese karawitan. In this category, Mang Koko makes it happen through vocal and hand skills. A kawih interpreter who is quite famous in the Priangan area is Ida Rosida. One kawih interpreter who is quite popular among the people of West Java is Ida Rosida. She was born on 26 August 1954 and is the daughter of the founder of Sundanese kawih art in West Java, namely Hj Koko Koswara or known as Mang Koko. The aims of this research are: (1) to find out the Sundanese kawih singing technique in the song reumis beureum dina eurih style of Ida Rosida (2) to find out the form, meaning and structure of the presentation of the song reumis beureum dina eurih style of Ida Rosida. The method used in this research is qualitative with a descriptive analysis approach. The techniques used in this research are observation, interviews and documentation techniques. The main instrument in this research is the research itself using tools in the form of field notes and recording tools in the form of cellphones.

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