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Contact Name
Febri Adi Prasetya
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garuda@apji.org
Phone
+6281269402117
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info@asdkvi.or.id
Editorial Address
Perum. Cluster G11 Nomor 17, Jl. Plamongan Indah, Pedurungan, Semarang, Provinsi Jawa Tengah, 50195
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Jawa tengah
INDONESIA
Imajinasi: Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
ISSN : 30322219     EISSN : 30321794     DOI : 10.62383
Core Subject : Art,
Journal of Science, Arts, and Technology is an open, peer-reviewed journal. The fields of study in this journal include the Science, Art and Technology sub-group. Imagination : Journal of Science, Art and Technology
Articles 92 Documents
Pengembangan Tari Sumbun di Kabupaten Tanjung Jabung Timur Provinsi Jambi Mahfud Tohari; Darmawati Darmawati
Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Vol. 1 No. 2 (2024): Juni : Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/imajinasi.v1i2.156

Abstract

This study aims to reveal, describe, and analyze the development of Sumbun Dance in East Tanjung Jabung Regency, Jambi Province. This type of research is qualitative research using a descriptive method. The research instrument is the researcher himself assisted by supporting instruments in the form of stationery and cameras. Data were collected through literature studies, observations, interviews and documentation. The steps of analyzing data are data collection, data reduction, data modeling, and drawing conclusions. The results of this study show that the development of Sumbun Dance can be seen in terms of quality and quantity. In terms of the quality of the development of Sumbun dance, it is seen from the movement, floor patterns, dancers, music, makeup and clothing, time and place of performance. Meanwhile, in terms of quantity, it can be seen from the addition of actors, increasing performances, expanding the performance area. The development in terms of movement of the Sumbun dance which before it was developed there were 8 types of movements and in the creation of Sumbun dance there were 11 types of movements. The musical instruments used in the Sumbun dance that were previously developed were kulintang, gong, drum, and accordion and in the Sumbun dance that had been developed kulintang, gong, drum, accordion, violin, gambus, drums, keyboard, bass, and guitar. The floor pattern is carried out by variating what was initially 8 types of floor patterns now to 10 types of floor patterns and in the form of variations. The costumes that used to be danced using Malay traditional clothes from Tanjung Jabung Timur were equipped with batik-patterned cloth songkets as well as golden iron head accessories and necklaces and men's accessories only used headbands. Now the costumes used in the creation mung dance have been packaged and created in a new form like costumes for performance events. Meanwhile, in terms of quantity, the number of Sumbun dancers who have been dancing for a long time amounted to 6.
Struktur Gerak Tari Sayak di Desa Air Batu Kecamatan Ranah Pemberap Kabupaten Merangin Provinsi Jambi Putri S Mulyadi; Herlinda Mansyur
Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Vol. 1 No. 2 (2024): Juni : Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/imajinasi.v1i2.157

Abstract

The purpose of this study is to explain and describe the movement structure of Sayak Dance in Air Batu Village, Ranah Pemberap District, Merangin Regency, Jambi Province. This type of research is qualitative research with descriptive methods. Research instruments are researchers themselves and assisted by supporting instruments such as stationery and cameras. Data was collected through observation, interviews, and documentation. The steps of analyzing data are data collection, data reduction, data presentation and conclusions. The results showed that the relationship of basic elements, Sayak Dance has basic elements related to the attitude of the movement of body parts, starting from the head, body, hands, feet. The attitudes and movements contained in the Sayak Dance consist of: 1) attitudes and movements seen in a) the attitude of the head is upright, upright motion on the head does not exist. 2) Posture and gestures are seen in: a) upright, upright and leaning forward posture b) Motion on the body is absent 3) Posture and hand gestures are seen in: a) attitude on the hand lift sambah b) motion on the hand open straight sambah, open right sambah, pat me up, pat the right side of the leaf, pat the bottom slap, pat the back 4) attitude and motion on the feet seen in: a) attitude of the right foot, squat, middle stance, right lift, lift left, and bend. The grammatical hierarchical relationship system contained in Sayak Dance consists of 15 motifs, 8 phrases, 4 sentences and 1 cluster. Sayak dance includes syntagmatic relationships, relationships that are like links that cannot be separated or exchanged between the sati and others.
Penerapan Motif Ukiran Minangkabau Sebagai Jam Hias Febri Darul Islam; Asra IIal Khairi
Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Vol. 1 No. 2 (2024): Juni : Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/imajinasi.v1i2.162

Abstract

The aim of making this work is to visualize the meaning contained in Minangkabau motifs in carvings using surian wood as a three-dimensional work with the theme being the lessons we take from everyday life. The method used in making this work goes through several stages, namely: (1). Preparation Stages, (2). Elaboration Stages, (3). Synthesis Stages, (4). Concept Realization Stages, (5). Finishing stages The results of the works that have been visualized in two-dimensional media have been developed resulting in the titles kaluak Paki, "bungo panca matoari", "Carano Kanso", "pucuak rabuang", "kambang manih", "Bungo Teratai", "siriah gadang."
Pengaruh Metode Tutor Sebaya Pada Pembelajarn Tari Begambo di SMA Negeri 2 Babat Toman Zaina Fitriyani; Efita Elvandari; Hasan Hasan
Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Vol. 1 No. 2 (2024): Juni : Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/imajinasi.v1i2.166

Abstract

This research aims to find out whether the peer tutoring learning method influences the learning outcomes of begambo dance. This method is used in experimental research methods (one group pretest and posttest design). The subjects of this research were students in class X E 5 of SMA Negeri 2 Babat Toman. The samples were taken based on the criteria used by the researcher, so the samples were taken using a purposive sampling technique and obtained class X E 5 experimental classes. The data analysis used is the t-test, data collection using observation techniques, the work test is the implementation of the pretest and posttest and the supporting data collection is documentation. Based on data analysis, the research results show that the students' scores on the posttest are greater than the students' scores on the pretest. H_(0) is accepted if t_(count)≤t_tabel while t_(count) is 3.19 and t_tabel 1.98. So it can be said that there is an influence of the use of the peer tutoring method on Begambo dance learning at SMA Negeri 2 Babat Toman with the hypothesis testing criteria Hadi Accepted and H0 is rejected. This shows that there is an influence of the peer tutoring method on the value of learning outcomes of begambo dance in class X E 5 SMA Negeri 2 Babat Toman.
Penerapan Metode Kooperatif Tipe Learning Together Untuk Meningkatkan Hasil Belajar Seni Budaya di SMAN 8 Denpasar Gusti Ayu Made Puspawati; Gusti Ayu Agung Trisna Prameswari; Mirah Rahmawati
Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Vol. 1 No. 2 (2024): Juni : Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/imajinasi.v1i2.167

Abstract

After conducting initial observations at SMK Negeri 8 Denpasar, it was discovered that the students' learning outcomes in cultural arts subjects were relatively low. Therefore, the researcher decided to conduct further study using the PTK (Classroom Action Research) approach method. The aim of implementing the PTK method was to enhance students' understanding of the cultural arts subject through a cooperative learning model known as "learning together," with the goal of improving student learning outcomes. The PTK method involved 2 cycles, with each cycle consisting of 4 stages. The research subjects were the 35 students of class XII Mipa-4 at SMA Negeri 8 Denpasar. Data was collected using performance assessment and observation methods. The collected data was analyzed using a qualitative descriptive method, which aimed to examine the entire cultural arts learning process. Additionally, a qualitative method was applied to analyze the results of the assessment of student performance by comparing the average value of the completeness of learning outcomes. Following the analysis, it was observed that in cycle I, the highest and lowest scores for students of SMA Negeri 8 Denpasar class XII Mipa-4 were 85 and 60, respectively, with a class average score of 71. However, in cycle II, the highest and lowest scores increased to 95 and 80, and the class average score rose to 88. Furthermore, in cycle II, all students achieved scores above the minimum completeness level. This indicated a significant improvement in student scores from cycle I to cycle II.
Analisis Kesenian Rudat “Gaya Cigadogan” di Kampung Cigadog Desa Cigadog Kecamatan Leuwisari Yeni Handayani; Asep Wasta; Wan Ridwan Husen
Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Vol. 1 No. 2 (2024): Juni : Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/imajinasi.v1i2.188

Abstract

This research aims to analyze one of the traditional arts, Rudat. The traditional art that still exists in West Java is Rudat art in Kampung Cigadog, Cigadog Village, Leuwisari District. Rudat art is vocal art accompanied by tarebang and kendang bajidor percussion, as well as silat movements and chanting of sholawat. The presentation and performance structure of Rudat art in Cigadog involve several elements, including movements, dancers, accompanying music, and costumes. The Rudat performance "Gaya Cigadogan" consists of preparation, middle stage, and final stage. The issue addressed in this research is the presentation form and performance structure of Rudat art. The objective of this research is to describe the presentation form and performance structure of Rudat art. This study employs a qualitative method with a descriptive analysis approach, where the researcher aims to present all research findings from the field. Data collection techniques used include observation, interviews, and documentation.
Kajian Konsep Desain Interior Perpustakaan Di SMA Negeri 5 Bukittingi Husnul Fadela; Heldi Heldi
Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Vol. 1 No. 2 (2024): Juni : Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/imajinasi.v1i2.191

Abstract

The development of libraries has become part of the physical infrastructure of educational institutions. SMA Negeri 5 Bukittinggi needs infrastructure, library facilities as the heart of education. However, based on the initial survey and analysis, the shape of the elements is not yet optimal in maintaining the spatial concept of library interior design at SMA Negeri 5 Bukittinggi. Some indicators of spatial planning problems include interior design elements; floor, ceiling, lighting, coloring, furniture, air circulation, room circulation and acoustics. The aim of the research is to find out and identify the forms of replacement elements and identify the interior concept of the SMA Negeri 5 Bukittinggi library. The research method uses descriptive qualitative, observation analysis, survey and documentation approaches. Data was collected through interviews with 12 stakeholder sources. The findings show. The shape of the library interior design elements changes: floor; (30 x 30) cm, wall ; cream color, ceiling; white color, lighting; glass windows, air circulation; natural, room circulation; not optimal. The interior design concept applied originates from the needs of library staff and users and already meets the space requirements (including function, users, and expectations to be achieved from a spatial arrangement) but in general it needs to be developed according to the concept expected in the spatial layout. In arranging the library layout, it is necessary to pay attention to the elements, elements of spatial planning and the concept of applying interior design.
Tradisi Berandam pada Pengantin Melayu di Desa Sanglar, Kecamatan Reteh, Kabupaten Indragiri Hilir Athaya Khairunnisa; Syefriani Syefriani
Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Vol. 1 No. 3 (2024): September : Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/imajinasi.v1i3.207

Abstract

The purpose of this research is to find out about the process of implementing traditions soak in Sanglar Village, this research uses descriptive analysis methods, with a qualitative approach. Meanwhile, the data collection techniques used are observation, documentation and interview techniques. The research subject consisted of 1 person as the resource person, namely Nisah as mak Andam, the result of this research was the implementation of tradition soak to the bride in Sanglar Village, soak has several requirements that must be completed, the process soak there are several stages. Tradition soak has the aim of beautifying the prospective bride and a sign of the bride's readiness to become a wife. Implementation of traditions soak Malay weddings in Sanglar Village are very important so this tradition has been carried out for a long time and is still maintained today by the Malay community in Sanglar Village.
Bentuk Penyajian Tari Manggang Kemplang Oleh Sanggar Kipas Emas Di Kelurahan Timbangan Ogan Ilir Erinna Rahmalia; A. Heryanto; Nofroza Yelli
Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Vol. 1 No. 3 (2024): September : Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/imajinasi.v1i3.208

Abstract

Manggang Kemplang Dance is a dance that tells about the manggang kemplang tradition which reflects the local wisdom of the Ogan Ilir people in utilizing natural resources and local wisdom in processing food which is danced by 5 dancers. The problem in the research is the form of presentation of the Manggang Kemplang dance in Timbangan Village, Ogan Ilir Regency. The aim of this research is to find out and describe the form of presentation of the Manggang Kemplang dance by the Golden Fan Studio in Timbangan Village, Ogan Ilir Regency. This research uses qualitative methods with data collection techniques in the form of observation, interviews, documentation and literature study. The form of presentation of the Manggang Kemplang dance consists of aspects of choreographic elements which include dance movements, dance space, accompaniment/accompaniment music, dance title, dance theme, dance type, mode of presentation, dancers, fashion, make-up, lighting and props. .
Analisis Perilaku Karakter Marisol Dalam Film A Man Called Otto Sebagai Representasi Kepedulian Sosial Ridi Nismoro; Henny Sri Mulyani; Lilis Puspitasari
Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Vol. 1 No. 3 (2024): September : Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/imajinasi.v1i3.215

Abstract

This study aims to analyze the character of Marisol in the film "A Man Called Otto" as a representation of the attitude of social care. Marisol is portrayed as a social activist who cares about the welfare of the surrounding community. The method used in this research is Roland Barthes semiotic analysis with a qualitative descriptive approach. The data collection techniques used are observation techniques, documentation techniques, and literature study techniques. The data is analyzed to identify how Marisol's social care attitude is reflected in her social interactions, real actions, as well as her thoughts and motivations. The results show that in the 8 scenes analyzed on Marisol's character, it shows that Marisol's character plays an important role in exploring the complexity of social care attitudes. Through her actions and sincere attitude towards social issues, Marisol represents the struggle for social justice and concern for human rights. The analysis also highlights how the character stimulates reflection in the audience on the importance of social care in shaping a more just and inclusive society.

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