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Arty: Jurnal Seni Rupa
Published by Universitas Negeri Semarang
ISSN : 25527516     EISSN : 27218961     DOI : -
Core Subject : Art,
Arts
Arty: Jurnal Seni Rupa focuses on the research of visual art studies through the experiences exchange among educators, artists, and researchers. Its primary goals is to promote quality research on conceptual ideas, studies, application of theories, and visual art reviews. Topics of special interest to Arty include scholarly reports that enhance knowledge regarding art in general, Fine Art, Art History, Visual Culture, Design Methodology, Design Process, Design Discourse, Design and Culture, Art Critism, Anthropology of Art, Artifact Design, Visual Communication Design, Creative Industry, and other historical, critical, cultural, psychological, educational and conceptual research in visual art and design.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 40 Documents
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VISUAL RRESENTATION OF RIVER POLLUTION AND GLOBAL WARMING IN ENVIRONMENTAL ADVERTISMENT: BASED ON ROLAND BARTHES' THEORY PURANTRA, FAQRIE ARHAM RAFSANJANI; Dwi Budi, Budiharto
Arty: Jurnal Seni Rupa Vol. 14 No. 2 (2025): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v14i2.30773

Abstract

This study explores the visual representation of river pollution and global warming in advertisements related to natural ecosystems, using Roland Barthes’ semiotic framework. It focuses on how visual signs, such as polluted water, industrial smoke, melting ice, and vulnerable human figures, construct layered meanings that extend beyond their literal appearances. Through denotation, connotation, and myth, these elements convey urgent environmental messages while embedding cultural narratives and emotional appeals. The environmental issues raised in these advertisements not only depict the impact of ecological destruction but also reflect the tension between destructive human activities and the need for ecological balance. Such visualizations demonstrate how visual media play a significant role in shaping public awareness of environmental issues and encouraging changes in attitudes toward the natural world. Using a qualitative descriptive method, this research analyzes selected digital campaigns to understand how advertisements build ecological awareness and construct the myth of restoring harmony between humans and nature, ultimately aiming to strengthen collective responsibility for environmental sustainability.
ANALYSIS OF THE SYMBOLIC ATTRIBUTES AND TIFO OF LA GRANDE INDONESIA IN THE INDONESIA NATIONAL TEAM VS BAHRAIN MATCH AT GELORA BUNG KARNO STADIUM IN 2025 Rafrizar Abdul Ghani; Dwi Budi, Budiharto
Arty: Jurnal Seni Rupa Vol. 14 No. 2 (2025): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v14i2.30778

Abstract

This study examines the role of qualitative methods and semiotic analysis in investigating the symbolic attributes and tifos created by La Grande Indonesia (LGI) during the Indonesia vs. Bahrain football match on March 25, 2025, at Stadion Gelora Bung Karno, with a focus on conveying messages of national identity, supporter solidarity, and patriotism. Employing Roland Barthes’ semiotic framework, the research analyzes primary data from direct observations, photographic documentation, and Instagram content from official LGI and illustrator accounts, supplemented by secondary data from academic literature and media archives. Key visual elements, including the Garuda symbol, the colors red and white, and banners such as “Garuda Fly Alone, Bulbuls Flock Together” and “Jaya Raya Indonesia,” were decoded across denotative, connotative, and mythic levels. The findings reveal that the Garuda symbolizes national strength and independence, while collective displays of flags and tifos foster a sense of solidarity among supporters. The “Jaya Raya Indonesia” banner, tied to a 1-0 victory, reinforces a mythic narrative of national pride and love for the homeland. Triangulation of data sources ensured validity, confirming that these symbols and attributes serve as powerful communicative tools that extend beyond aesthetics to embed cultural values within the sporting context. The study concludes that semiotic analysis effectively uncovers the deep meanings embedded in tifos and banners, highlighting their role in mobilizing nationalistic sentiments and collective identity among Indonesian supporters. This approach highlights the importance of qualitative methods in examining the sociocultural aspects of sports, providing insights into how visual symbols shape and reflect national consciousness in competitive contexts.
NUSANTARA ARTWORK AND ITS APPLICATIONS: A REVIEW OF TRADITIONAL ART PRACTICES AND CONTEMPORARY INNOVATIONS Ramadhani, Dhika; Handriyotopo
Arty: Jurnal Seni Rupa Vol. 14 No. 1 (2025): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v14i1.16175

Abstract

Indonesian art has a rich and varied heritage, but in the current modern era, traditional art faces challenges to maintain its relevance. In the midst of the dynamics of social, economic and cultural change, artists and practitioners or art enthusiasts are starting to look for new ways to update things so that they become better or function optimally again and apply traditional arts in today's context. This study explores how traditional arts such as shadow puppetry, batik, masks, and other traditional performing arts are adapted, updated, and applied in various contemporary contexts. Through observations with artists, field research, and literature analysis, researchers identified various strategies and approaches used by artists in facing these challenges. This research aims to conduct a review of traditional Indonesian art practices and contemporary innovations that have emerged in their application today. The method used is descriptive qualitative and the study results show that there are various ways in which traditional art in the archipelago is revived, one of which is through interdisciplinary collaboration, integration of modern technology, educational and participatory approaches, as well as an emphasis on local values ​​and sustainability. The conclusion of this study is that Indonesian art remains a rich and relevant source of inspiration in facing challenges and opportunities in the world of contemporary art. This study makes an important contribution to understanding the application of traditional art in the archipelago to contemporary innovation.
REPRESENTATION OF MINANGKABAU CULTURAL VALUES IN THE DESIGN AND MOTIFS OF TAROMPA DATUAK Irsyad; Bayu Anggara
Arty: Jurnal Seni Rupa Vol. 14 No. 1 (2025): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v14i1.16693

Abstract

This study examines how Minangkabau cultural values ​​are represented in the design and motifs of tarompa datuak, which are traditional footwear worn by traditional figures in traditional events. The problem discussed is how the visual symbols of tarompa datuak reflect the traditional wisdom and social values ​​of the Minangkabau people amidst the threat of modernization to their culture. This study uses qualitative methods and an ethnographic approach. This includes interviews with craftsmen and direct observation. The results of the study show that the traditional designs and motifs of tarompa datuak, such as variations of the tarompa datuak design and one of the motifs that is often used, namely the Itiak Pulang Patang motif, which philosophically symbolizes order, togetherness, and local wisdom, illustrate the importance of maintaining harmony and returning to the origin in community life. Not only to beautify, but also to symbolize courage, wisdom, and spirituality that reflect cultural identity. Tarompa datuak is a symbol of culture and a cultural education tool that shows the importance of tradition in the life of the Minangkabau people.
ANALYSIS OF NATURALISM PAINTING IN BASUKI ABDULLAH’S WORKS USING FERDINAND DE SAUSSURE’S SEMIOTIC THEORY Nurlaila, Nikmah
Arty: Jurnal Seni Rupa Vol. 14 No. 1 (2025): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v14i1.17539

Abstract

Basuki Abdullah is a maestro painter from Indonesia who is a naturalist and realist. His work represents elements of natural and cultural beauty that are presented beautifully. This research aims to analyze the concepts or ideas and meanings contained in the work, including the color elements chosen so that they can form a portrait of the beauty of natural paintings. This research uses a qualitative method with Ferdinand de Saussure's semiotic theory approach which focuses on a sign and the related relationship between the signifier and the signified to reveal the hidden messages in the work. The results of the analysis show that Basuki Abdullah's works are able to bring out aesthetic values ​​in the landscape of natural beauty in Indonesia. This research provides further insight into the presentation of naturalist works of art by incorporating local elements into fine art elements while still highlighting their aesthetic value.  
REPRESENTATION OF VINCENT VAN GOGH'S ARTWORK IN THE CREATION OF YARN MEDIA PAINTINGS Susanti, Oky; Nursalim, Agus
Arty: Jurnal Seni Rupa Vol. 14 No. 1 (2025): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v14i1.17794

Abstract

Vincent van Gogh, a Dutch post-impressionist painter, is famous for his emotionally expressive style, striking use of bright colors, and thick brushstroke technique that gives his works dimension. Van Gogh's works such as Starry Night became icons of world art and inspired many contemporary artists. This research aims to explore the representation of Van Gogh's artwork through the medium of thread in painting. By using an experimental approach and qualitative method. The experimental approach is done by creating thread-based artworks that represent Van Gogh's visual elements, such as expressive strokes and bold contrasting colors. The expected result of this research is the creation of thread media paintings that can re-illustrate the power of expression and visual dynamics found in Van Gogh's works.
ART AS A MEDIUM OF DELIBERATION: A CASE STUDY OF PUBLIC SPACE UTILIZATION BY THE TARING PADI COMMUNITY Isvara, Aruna Langit; Ismoyo, Sindu Lintang
Arty: Jurnal Seni Rupa Vol. 14 No. 1 (2025): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v14i1.19284

Abstract

This study examines the role of art as a medium of deliberation in public spaces through a case study of the Taring Padi art community in Yogyakarta. Using a qualitative approach and a case study method, the research involved observations, in-depth interviews, and document analysis. Findings reveal that the Taring Padi community utilizes visual arts such as murals, posters, and billboards to voice social, political, and environmental issues, as well as to advocate for public rights. Through collective work, thematic discussions, and collaboration with local communities, the group creates inclusive and democratic public spaces aligned with the principles of deliberative democracy. Art serves not only as an aesthetic expression but also as a catalyst for social change, strengthening solidarity among marginalized communities. This research contributes to the literature on art, public spaces, and democracy by proposing an art-based advocacy model relevant to equitable development.
INTRODUCING ANCIENT EGYPTIAN HISTORY THROUGH EDUCATIONAL GAMES : A CASE STUDY OF ARCHEOLOGIST ANCIENT EGYPT Gunawan, Vany Mulyati Ornella; Resmisari, Ganis
Arty: Jurnal Seni Rupa Vol. 14 No. 1 (2025): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v14i1.19441

Abstract

Indonesian art has a rich and varied heritage, but in the current modern era, traditional art faces challenges to maintain its relevance. In the midst of the dynamics of social, economic and cultural change, artists and practitioners or art enthusiasts are starting to look for new ways to update things so that they become better or function optimally again and apply traditional arts in today's context. This study explores how traditional arts such as shadow puppetry, batik, masks, and other traditional performing arts are adapted, updated, and applied in various contemporary contexts. Through observations with artists, field research, and literature analysis, researchers identified various strategies and approaches used by artists in facing these challenges. This research aims to conduct a review of traditional Indonesian art practices and contemporary innovations that have emerged in their application today. The method used is descriptive qualitative and the study results show that there are various ways in which traditional art in the archipelago is revived, one of which is through interdisciplinary collaboration, integration of modern technology, educational and participatory approaches, as well as an emphasis on local values ​​and sustainability. The conclusion of this study is that Indonesian art remains a rich and relevant source of inspiration in facing challenges and opportunities in the world of contemporary art. This study makes an important contribution to understanding the application of traditional art in the archipelago to contemporary innovation.
COMIC STRIP AS FINANCIAL LITERACY MEDIA: AUDIENCE PERSPECTIVES IN UNDERSTANDING INFLATION ISSUES  pamungkas, agus; hidayat, arif
Arty: Jurnal Seni Rupa Vol. 14 No. 1 (2025): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v14i1.22140

Abstract

Financial literacy is a crucial aspect of modern life. However, the younger generation often faces difficulties in understanding economic concepts. Comic strips come as an alternative media that is easier to access and understand, utilizing a combination of visuals and narration to convey information more effectively (Paivio, 1986). This study aims to assess the effectiveness of comic strips as well as the level of audience understanding of financial literacy. Using a qualitative approach with a case study method, this research analyzes audience acceptance of inflation-themed comic strips published through various digital platforms. Data was collected through observation, content analysis, and in-depth interviews with audiences who have read the comic strip. The results show that comic strips are effective in improving basic understanding of inflation, as they are able to simplify complex economic concepts. This is in line with McCloud's (1993) research, which states that comics can increase emotional engagement and appeal. However, the study also found that comic strips have limitations in conveying more in-depth information related to the technical aspects of inflation. This opinion is supported by Huston (2010), who asserts that optimal financial literacy requires a combination of various sources of information to achieve a more comprehensive understanding. Thus, this study contributes to the development of visual media-based financial literacy strategies.
FORM AND SYMBOLIC MEANING OF THE “SUBAMA BATIK” BATIK MOTIF BAJING KULON VILLAGE KROYA DISTRICT CILACAP REGENCY Wahyu Haryana, Rizma
Arty: Jurnal Seni Rupa Vol. 14 No. 1 (2025): Regular Issue
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v14i1.23483

Abstract

Batik is a cultural heritage that has deep aesthetic and symbolic value. This research aims to analyze the form and symbolic meaning of batik motifs produced by "Subama Batik", which is located in Bajing KulonVillage, Kroya District, Cilacap Regency. Subama Batik has various unique motifs and is rich in local wisdom values. This research uses a descriptive qualitative approach with data collection techniques through observation, interviews and document study. Data analysis uses data reduction, data presentation, drawing conclusions, and verification. Based on the research results, it was found that (1) The motifs produced by "Subama Batik" were inspired by flora, fauna, natural objects and life around the environment of Bajing Kulon Village, Kroya District, Cilacap Regency. The motifs created include Jambu, Ngasem, Laptu, Cassava, Nusakambangan, Srrandil, Turtle, Bamboo, Wijayakusuma, Lotus Flower, Mangrove, Hibiscus, Jellyfish, Nusakambangan Pola, Garuda Wijayakusuma, and Marine Biota motifs. (2) Every batik motif produced by "Subama Batik" has a distinctive shape and has a deep symbolic meaning, related to the culture, history and life of the surrounding community. (3) "Subama Batik" motifs, such as the Jambumotif, Ngasem motif, Laptu motif, and others, contain messages about togetherness, tolerance, historical values, and local wisdom passed down from generation to generation. This symbolic meaning is reflected in the shapes and other elements in batik, which reflect the harmonious relationship between humans, nature and local culture.  

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