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Contact Name
Ella Evrita
Contact Email
e.evrita@sae.edu
Phone
+628158712890
Journal Mail Official
g.putra@sae.edu
Editorial Address
YAYASAN NEXT AKADEMI Jl. Pejaten Raya No.31, Ps. Minggu, Kota Jakarta Selatan, Daerah Khusus Ibukota Jakarta 12540 Telephone: (021) 7890145
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Kota adm. jakarta selatan,
Dki jakarta
INDONESIA
Profilm: Jurnal Ilmiah Ilmu Perfilman & Televisi
ISSN : 28300521     EISSN : 28300521     DOI : https://doi.org/10.56849
Pro Film Journal is a scientific journal that focuses on film and television science. Along with the development of creative media in Indonesia, this journal is presented by SAE Indonesia and covers various topics related to creative media. Creative media is an individuals mental process in producing new ideas, processes, methods, or products that are effective and imaginative, with succession, discontinuity, and differentiation that are useful in various fields to create something new.
Articles 128 Documents
STUDI LITERATUR: STRATEGI PROMOSI FILM BIOSKOP TERLARISDI INDONESIA SEPANJANG SEJARAH Melati Kusuma Wardhani
Pro Film Vol. 2 No. 1 (2022): Volume 2 Nomor 1 - Maret 2022
Publisher : Pro Film

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Abstract

Film is a medium of communication that has entertainment and artistic value for the audience. The development of films in Indonesia is growing rapidly, as can be seen from the growth of cinemasin various regions in Indonesia, where cinema is the main viewing medium for film connoisseurs. Therefore, the success of a film can be seen from the number of audiences who buy tickets for the film at the cinema. This study will describe what promotional strategies are used by film production houses for the highest-grossing films in Indonesia's history. The research methodology used in this study is in the form of a literature study by reviewing the journals of the research first. The results of this study indicate that the promotional strategies carried out by the house include placing advertisements on all media, approaching potential viewers, and evaluating the promotional activities that have been carried out.
ROYALTI SEBAGAI DASAR UNTUK REVOLUSI MUSIK Indonesia RR. Ella Evrita H.
Pro Film Vol. 2 No. 1 (2022): Volume 2 Nomor 1 - Maret 2022
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Abstract

Along with the growing era, the industrial world is also experiencing revolutionary changes that bring its own advantages and challenges. In line with this, several aspects related to intellectual property are also slowly starting to develop. To overcome the occurrence ofcopyright infringement, the government has issued regulations regarding the management of copyright royalties for songs and music in PP No. 56 of 2021 concerning Royalty Management. The method used in this research is a literature review which consists of asequence of actions related to library data collection, reading and taking notes, and organizing research materials. All forms of copyright get a legal protection that has been stated in the applicable Copyright Law. Along with the development of the era, music industry players must be good at using new media in publishing their work to the audience. So that through the uploaded works, monetizing can be done.
STUDI LITERATUR: STRATEGI PROMOSI FILM BIOSKOP TERLARIS DI INDONESIA SEPANJANG SEJARAH Melati Kusuma Wardhani, S.I.Kom, M.I.Kom, Melati Kusuma Wardhani, S.I.Kom, M.I.Kom
Profilm Jurnal Ilmiah Ilmu Perfilman dan Pertelevisian Vol. 1 No. 2 (2022): Volume 1, Nomer 2 - September 2022
Publisher : Akademi Komunikasi SAE Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56849/jpf.v1i2.15

Abstract

Film is a medium of communication that has entertainment and artistic value for the audience. The development of films in Indonesia is growing rapidly, as can be seen from the growth of cinemas in various regions in Indonesia, where cinema is the main viewing medium for film connoisseurs. Therefore, the success of a film can be seen from the number of audiences who buy tickets for the film at the cinema. This study will describe what promotional strategies are used by film production houses for the highest-grossing films in Indonesia's history. The research methodology used in this study is in the form of a literature study by reviewing the journals of the research first. The results of this study indicate that the promotional strategies carried out by the house include placing advertisements on all media, approaching potential viewers, and evaluating the promotional activities that have been carried out.
TENDENSI PENGGUNAAN KAMERA POLAROID DI KALANGANREMAJA Fornia Fornia
Pro Film Vol. 2 No. 1 (2022): Volume 2 Nomor 1 - Maret 2022
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Abstract

The far and wide utilization of moment simple cameras as of late is a fascinating peculiarity. Photography is utilized as a position of articulation by its clients to show their reality in internet based media. Subtitles are one of the significant things here, for example, inscriptions as the hashtags "#35mm" and "#indo35mm" on Instagram which are an indication that the photograph posts were taken utilizing a simple camera. The rise of virtual photographynetworks, like KLASTIC, denoted the start of the development of the simple photography local area in Indonesia. The return of simple photography brands, particularly moment cameras, is an exceptional peculiarity. The focal point of this examination is to dissect the main pieces of the manageable development of the simple photography industry which has started to be moved by digitalization. As a general rule, there is a developing worldwide pattern towards the presence of simple cameras and moment cameras. There are a few factors that can be explored in more profundity: innovation, correspondence channels, client fulfillment (passionate fulfillment and homophily leisure activity), time and social framework (social change specialists and assessment pioneers) as portrayed by Rogers. This exploration is a subjective spellbinding investigation concentrate on utilizing the technique for perception and writing study. The consequences of the review show that there is a connection between the hypothesis of dissemination of advancement and the improvement of patterns in the utilization of moment simple cameras. Item advancement as oddity as moment cameras is sought after among youngsters. There is a problematic peculiarity, with the rise of the Instagram web-based entertainment application, photographs from moment cameras are re-captured and transferred to Instagram. The rising pattern of utilizing moment simple cameras is likewise the effect of the advancement of the simple camera specialist local area
Dampak Teknologi Digital dan Kolaborasi Internasional Terhadap Eksistensi Perfilman Indonesia: Peluang dan Tantanganpada Tahun 2025 Audi Satryo Hutomo Satryo Hutomo
Pro Film Vol. 5 No. 2 (2025): Volume 5 Nomor 2 - September 2025
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Abstract

The Indonesian film industry is evolving due to digital technologies and international collaboration. This study aims to examine the impact of digital technology and global partnerships on Indonesian cinema by 2025, while also highlighting potential opportunities and challenges. The research uses a qualitative approach, including literature reviews and observations of current industry practices and innovations. The findings suggest that digital distribution and partnerships with international allies can be beneficial; however, issues such as global competition, piracy, and inadequate infrastructure need to be addressed. The younger generation plays a vital role in generating new film ideas and promoting them, which can help the Indonesian film industry expand globally. 
Developing a Visual Storytelling Framework for Grief Recovery Through Practice-Based Short Film Production: AStudy of Bintang Fajar Mohamad Syarief Fathan; Audra Anandira Lasso; Javier Fadiga Attala Rayhan
Pro Film Vol. 5 No. 2 (2025): Volume 5 Nomor 2 - September 2025
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Abstract

The representation of grief in audiovisual media has traditionally been examined through narrative, semiotic, and psychological perspectives. However, limited attention has been given to how visualmetaphors of grief are systematically designed and developed throughout the filmmaking process. This study addresses this gap through a practice-based investigation of Bintang Fajar, a short filmthat explores the emotional journey of a young girl coping with the death of her fisherman father. The research aims to develop a conceptual framework explaining how visual storytelling canfacilitate the representation of grief recovery through cinematic production. This study employed a Practice-Based Research approach in which creative production functioned as both the researchmethod and research outcome. Data were generated through field observations in the coastal fishing community of Cisolok, iterative script development, creative experimentation, film production, and reflective evaluation. The findings reveal that visual symbols, dream sequences, and character transformation operate as interconnected narrative mechanisms that guide audiences through the protagonist’s emotional progression from loss to acceptance. The study proposes the Visual Storytelling of Grief Recovery Framework consisting of grief experience, visual metaphor construction, emotional confrontation, character transformation, and acceptance. The framework contributes to creative media scholarship by demonstrating how film production can generate theoretical knowledge through artistic practice.
Interaksi Dinamis dalam Ansambel Musik: Pendekatan Multi Modal untuk Memahami Koordinasi, Komunikasi, dan Pertunjukan dalam Pembuatan Musik Kolaboratif Kezhia Bianta Sirait
Pro Film Vol. 5 No. 2 (2025): Volume 5 Nomor 2 - September 2025
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Abstract

Musik sebagai seni yang universal mempunyai satu peran penting dalam membangun interaksi sosial di antara individu, terutama dalam konteks ansambel. Penelitian ini mempunyai tujuan untuk mengeksplorasi dinamika interaksi dalam ansambel musik melalui pendekatan multi-modal, yang mencakup komunikasi verbal, non-verbal, dan bahasa musik. Metode penelitian yang digunakan dalam penelitian ini meliputi studi pustaka dan observasi langsung pada pertunjukan dan latihan ansambel. Hasil penelitian adalah bahwa komunikasi verbal, non-verbal, dan bahasa musik saling melengkapi dalam meningkatkan koordinasi dan pengalaman kolaboratif di antara musisi. Selain itu, penggunaan teknologi modern berkontribusi pada efisiensi komunikasi dan kreativitas dalam pembuatan musik. Hasil Temuan ini memberikan wawasan berharga untuk pengembangan praktik musik dan pendidikan musik di era digital.
Konstruksi Audiovisual Memori dan Queer Temporality dalam Film Pendek Where AllThe Waves Go: Pendekatan Practice-Based Research pada Emotional StorytellingPascapandemi Maheswara Priyananda; Andries Bagas Raja Pangestu; Joshia Semnos Pongsitanan Joshia Semnos Pongsitanan; Diko Pramudya Gahana Pramudya Gahana
Pro Film Vol. 5 No. 2 (2025): Volume 5 Nomor 2 - September 2025
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Era pascapandemi mengubah relasi interpersonal ke ruang digital dan memunculkan kedekatan emosional baru, khususnya pada individu queer yang membangun relasi virtual. Kajian film Indonesia masih didominasi representasi identitas seksual dan diskriminasi sosial, sementara konstruksi memori emosional, mediated intimacy, dan queer temporality melalui audiovisual masih jarang. Penelitian ini menganalisis konstruksi audiovisual memori dan queer temporality dalam film pendek Where All The Waves Go dengan pendekatan practice-based research kualitatif reflektif. Data berasal dari dokumentasi pengembangan ide, naskah, reading, simbol visual, mise-en-scène, ruang urban, dan evaluasi artistik produksi-pascaproduksi. Hasil menunjukkan symbolic objects seperti Polaroid, wardrobe, bucket list, dan stiker “Please Don’t Leave Your Belongings Behind” merepresentasikan keterikatan emosional, memory hoarding, dan temporalitas queer pascapandemi. Ruang urban Jakarta dan temporal editing membangun emotional immersion yangmenguatkan pengalaman kehilangan dan closure. Penelitian berkontribusi pada Creative Media Indonesia, khususnya cinematic emotional memory, queer temporality, dan penelitian berbasis karya audiovisual.
MAGIC ROOM MANIFESTASI: PEMANFAATAN STREAMDIFFUSIONSEBAGAI SISTEM GENERATIVE AI REAL-TIME DALAM PRAKTIKSENI BERBASIS TEKNOLOGI Fariz Ganesha Fariz Ganesha; Martin Suryajaya; Nan Triveni Achnas
Pro Film Vol. 5 No. 2 (2025): Volume 5 Nomor 2 - September 2025
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Abstract

Perkembangan pesat kecerdasan buatan generatif (AI) mendorong transformasi mendasar dalam praktik seni berbasis teknologi, yaitu pergeseran dari pembuatan visual statis menuju eksplorasisistem dinamis yang interaktif dan responsif. Penelitian ini berfokus pada analisis pemanfaatan diffusion model yang dioptimalkan untuk interaksi langsung, khususnya StreamDiffusion, sebagai inti dari sistem generatif AI waktu-nyata dalam konteks praktik seni media. Dengan menggunakan metodologi practice-based research, studi ini menjadikan karya   seni instalasi Magic Room Manifestasi sebagai artefak kunci. Karya tersebut mengintegrasikan StreamDiffusion dengan platform TouchDesigner untuk secara real-time menerjemahkan input naratif personal dan data gestur tubuh peserta menjadi representasi visual generatif. Data dikumpulkan melalui observasi terhadap interaksi pengguna dan wawancara reflektif singkat pasca-pengalaman. Hasil analisis mengungkapkan bahwa StreamDiffusion memungkinkan AI berfungsi sebagai sistem responsif yang aktif memediasi hubungan triadik antara intensi subjektif pencipta/peserta, tindakan tubuh fisik, dan manifestasi visual digitalnya. Temuan ini menegaskan peran generatif AI waktu-nyata yang melampaui fungsi instrumental sebagai sekadar alatproduksi gambar. Dalam praktik seni media kontemporer, teknologi   ini   beroperasi sebagai medium reflektif berbasis sistem, yang membuka ruang untuk dialog dinamis, negosiasi makna, dan pengalaman estetis yang muncul (emergent) dari proses interaksi itu sendiri. 
Analisis Elemen Desain dalam Karya Motion Graphic Pixel Art Berjudul “Timeless Culinary Places” Matheus Prayogo
Pro Film Vol. 5 No. 1 (2025): Volume 5 Nomor 1 - Maret 2025
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Abstract

Motion graphic adalah seni menghasilkan animasi atau gambar bergerak menggunakan teknologi digital untuk tujuan komersial, seperti iklan, film, video musik, dan produksi televisi. Motion graphic menggabungkan desain grafis, animasi, dan teknologi digital untuk menciptakan visual yang mempunyai daya tarik tersendiri. Dalam Jurnal ini, peneliti akan menganalisis karya motion graphic dengan judul “Timeless Culinary Places” karya Matheus Prayogo. Parameter yang digunakan adalah dari segi basic shape, gaya visual dan teori warna. Hasil dari jurnal ini menjelaskan bahwa karya ini mempunyai kombinasi dari berbagai bentuk dasar sederhana geometri dengan warna dengan wavelength yang bervariasi, namun tidak ada penggunaan wavelength tertinggi seperti merah.

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