cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Ella Evrita
Contact Email
e.evrita@sae.edu
Phone
+628158712890
Journal Mail Official
g.putra@sae.edu
Editorial Address
YAYASAN NEXT AKADEMI Jl. Pejaten Raya No.31, Ps. Minggu, Kota Jakarta Selatan, Daerah Khusus Ibukota Jakarta 12540 Telephone: (021) 7890145
Location
Kota adm. jakarta selatan,
Dki jakarta
INDONESIA
Profilm: Jurnal Ilmiah Ilmu Perfilman & Televisi
Published by Akademi Komunikasi SAE Indonesia
ISSN : 28300521     EISSN : 28300521     DOI : https://doi.org/10.56849
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences Other
Pro Film Journal is a scientific journal that focuses on film and television science. Along with the development of creative media in Indonesia, this journal is presented by SAE Indonesia and covers various topics related to creative media. Creative media is an individuals mental process in producing new ideas, processes, methods, or products that are effective and imaginative, with succession, discontinuity, and differentiation that are useful in various fields to create something new.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 98 Documents
 3   4   5   6   7 
Analisis Sentimen dan Respon Publik terhadap Creative Entertainment Tumiar Berthalina Simatupang, S.I.Kom, M.I.Kom, Tumiar Berthalina Simatupang, S.I.Kom, M.I.Kom
Profilm Jurnal Ilmiah Ilmu Perfilman dan Pertelevisian Vol. 3 No. 1 (2024): Volume 3, Nomor 1 - Maret 2024
Publisher : Akademi Komunikasi SAE Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56849/jpf.v3i1.45

Abstract

This research highlights the importance of sentiment analysis and public response in the entertainment industry. Through social media data, patterns of response to creative content such as movies, TV shows, and games can be identified. Factors such as production quality, narrative,and cultural context influence public sentiment. The integration of this analysis in marketing strategies allows for the creation of more relevant and responsive content. Case studies, such as Electronic Arts' use of sentiment analysis, emphasize the importance of this approach in strategic  decision-making in the entertainment industry. This research method involves analyzing social media data to understand public response to creative entertainment content, the results of this study reveal patterns of public response to creative entertainment content such as movies, television shows, and video games through social media data analysis. Factors influencing positive and negative sentiment have been identified, including production quality, narrative, characters, themes, and social and cultural context. The integration of sentiment analysis resultsinto marketing strategies and content development in the entertainment industry can improve content quality and responsiveness to audience needs. By better understanding public response, entertainment industry practitioners can create content that is more relevant and engaging to their audiences. 
Eksplorasi Sejarah Film Melalui Media Kreatif RR Ella Evrita H, S. E, M.M, RR Ella Evrita H, S. E, M.M
Profilm Jurnal Ilmiah Ilmu Perfilman dan Pertelevisian Vol. 3 No. 1 (2024): Volume 3, Nomor 1 - Maret 2024
Publisher : Akademi Komunikasi SAE Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56849/jpf.v3i1.46

Abstract

The purpose of this study is to examine the role of creative media, especially films, in perpetuating and creating history. Creative media can not only reflect social, political, and cultural conditions at the same time, but can also influence existing perceptions of history itself. This study explores qualitative methods of content analysis based on historical representations in films. The main focus of this research is film as a creative medium that simultaneously shapes historical narratives. Through innovative film techniques, emotional impact, and the empowerment of historical figures, films can influence the film industry and people's perception of history. An in-depth analysis of films such as Citizen Kane, Schindler's List, and Apocalypse Now shows how films can act as recorders and creators of history, shaping national and cultural identities and offering unique film techniques and styles. historical events. The study highlights the importance of criticism and a deep understanding of history in evaluating film performance and how creative media can stimulate critical thinking and social dialogue about history.
Eksplorasi Visual Efek Khusus Asti Haningtyas, S.I.Kom, M.I.Kom, Asti Haningtyas, S.I.Kom, M.I.Kom
Profilm Jurnal Ilmiah Ilmu Perfilman dan Pertelevisian Vol. 3 No. 1 (2024): Volume 3, Nomor 1 - Maret 2024
Publisher : Akademi Komunikasi SAE Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56849/jpf.v3i1.47

Abstract

This study reviews the extent to which special visual effects (VFX) will influence the film industry, with an emphasis on visual communication design, action scenes, and fantasy. Analysis of the latest Visual Effects (VFX) technologies, including hardware, software, and processing techniques, helps us understand advances in special effects production. This research explains how technology makes different film experiences with a focus on film case studies that focus on the influence of visual effects on character design and the construction of the film world. The research method is a literature review by understanding the history, technological developments, and impact of VFX in the film industry. The results of this study show that technology has an impact on film narrative and audience perception, ethical issues such as visual manipulation and unrealistic representation. Also, that of the use of visual effects in film production andthe possible misuse of technology, there are more ethical issues to be aware of in this industry. This research also details the anticipated technological developments such as augmented reality, virtual reality, andartificial intelligence, as well as their implications for visual communication design in films. The bottom line is that it is important to follow and use innovation with balanced training, skills, and ethical considerations in guiding the evolution of VFX in the film industry.
Inovasi dalam Desain Grafis dan Visualisasi Paramita Hapsari, S.Ds, M.Ds, Paramita Hapsari, S.Ds, M.Ds
Profilm Jurnal Ilmiah Ilmu Perfilman dan Pertelevisian Vol. 3 No. 1 (2024): Volume 3, Nomor 1 - Maret 2024
Publisher : Akademi Komunikasi SAE Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56849/jpf.v3i1.48

Abstract

This research investigates the latest trends in graphic design and visualization and their impact in visual communication. Through literature analysis and case studies, the study identifies key innovations in graphicdesign and visualization that influence the way messages are delivered and received by audiences. Freshness in visual communication can increase the appeal of products and brands. This research investigates the latest trends in graphic design and visualization and their impact in visual communication. Through literature analysis and case studies, the study identifies key innovations in graphic design and visualization that influence the way messages are delivered and received by audiences. Qualitative research methods are used to analyse how technology, culture, and market needs have shaped the latest developments in graphic design and visualization. In the generative design approach, graphic design not only creates an attractive visual aesthetic, but also reflects the company's values and vision. This leads to the question of how this approach affects consumer perception, advantages and challenges in its implementation, as well as comparisons with conventional designs. The results showed that generative design can: 1). Enhances the innovative, modern, and creative impression of the brand, attracting consumers who are looking for something different. 2). Involve consumers in the design process, strengthen brand-consumer relationships and create more personalized experiences. 3). Communicate the company's values in a unique and attractive way, differentiating the brand from competitors. However, challenges such as the development of proper algorithms and the maintenance of brand consistency remain in focus. Consumer perceptions of generative design are usually perceived as more innovative and creative, while conventional designs tend to feel more tied to existing norms.
Konservasi dan Rekam Jejak Musik Tradisional Fransiskus Rendy, B. Com, M.A.B, Fransiskus Rendy, B.Com, M.A.B
Profilm Jurnal Ilmiah Ilmu Perfilman dan Pertelevisian Vol. 3 No. 1 (2024): Volume 3, Nomor 1 - Maret 2024
Publisher : Akademi Komunikasi SAE Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56849/jpf.v3i1.49

Abstract

Audio and visual recording through technology plays a central role in the conservation of traditional music. Various strategies, such as reproducing the sound of traditional musical instruments, documenting playing techniques, and involving education and training, are important elements of conservation efforts. Dissemination through digital archives, promotion of cultural identity, and ethnomusicological research are also integral partsof the program. However, a few challenges such as lack of facilities and infrastructure, the threat of loss of cultural heritage, and intellectual property rights issues need to be addressed. How can audio productiontechnology be used to record, preserve, and document traditional music that may be endangered? How can audio production contribute to the preservation of traditional musical heritage? The research method used toinvestigate both problems is qualitative research method. The result of this research is that it can be through a collaborative approach with governments, non-profit institutions, and the private sector, including increasing access, education, and training, developing sustainable sources of funds, and managing intellectual property rights. The involvement of the younger generation is an important focus in ensuring the continuity of traditional music preservation. Involving them in the production process, supporting creative experimentation, and incorporating traditional music material in the formal education curriculum are key steps. All of them aim to maintain the relevance of traditional music during globalization and modernization. With technological, cultural, and legal literacy, as well as through strong collaboration from various stakeholders, it is hoped thattraditional music conservation efforts can be technically successful and sustainable, preserving Indonesia's cultural wealth for future generations.
Melodi dalam Gambar Fornia, S.I.Kom, M.I.Kom, Fornia, S.I.Kom, M.I.Kom
Profilm Jurnal Ilmiah Ilmu Perfilman dan Pertelevisian Vol. 3 No. 1 (2024): Volume 3, Nomor 1 - Maret 2024
Publisher : Akademi Komunikasi SAE Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56849/jpf.v3i1.50

Abstract

This research addresses several important aspects of the use of music in film, including how music can convey emotions, increase tension and anticipation, aid memory and film recognition, and reinforce emotional points. In addition, this study also discusses how music can strengthen emotional points. The study used data analysis from both film content analysis to determine the use of music in various narrative contexts and analyzed the relationship between the type of music used in the film, the atmosphere created, and the emotional response of the audience. The results discuss the important role of music in films in influencing the emotions of the audience and deepening their experience in understanding visual stories. The study also reviewed various aspects, including the emotional influence of music, increased tension and anticipation, assistance in memory and film recognition, reinforcement of emotional points, requirements for music to be effective, influence on character identification and narrative consistency, as well as music composition techniques and sound effects that affect the atmosphere of the film.
Menjelajahi Storyboarding Dalam Kegiatar Pra-Singkat Chitra Lestari, S.I.Kom, M.I.Kom, Chitra Lestari, S.I.Kom, M.I.Kom
Profilm Jurnal Ilmiah Ilmu Perfilman dan Pertelevisian Vol. 3 No. 1 (2024): Volume 3, Nomor 1 - Maret 2024
Publisher : Akademi Komunikasi SAE Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56849/jpf.v3i1.51

Abstract

Menciptakan ide tidak lagi dipandang sebagai tantangan dalam perusahaan, sesi kreatif dan brainstormingtersebar luas di sebagian besar perusahaan. Namun, saat membuat ringkasan desain, alat dan alatnya kurangmetode menemukan masalah dan membingkai situasi yang menarik. Makalah ini mengkaji ciri-ciristoryboard, pembuatan storyboard, dalam kegiatan prasingkat. Dalam studi eksploratif 54 timberpartisipasi dalam lokakarya pengembangan ide dianalisis. Lokakarya ini dikembangkan menggunakanteori dari desain, pemikiran visual dan narasi, menggunakan alat visual dalam setiap langkah dengan fokusmembingkai situasi yang menarik. Penelitian ini memberikan pemahaman awal mengenai storyboarding secara baruarea tersebut dan secara tentatif menyarankan bahwa storyboard merangsang kreativitas dan refleksi emosi dalam situasi yang menarik. Tampaknya storyboard juga merangsang tim dalam mengatur dan berdiskusi secara mentahdata secara luas. Storyboarding tampaknya menjanjikan sebagai sebuah metode tetapi perlu dibandingkan dengan metode tradisionalcara menggambarkan secara singkat, dokumen tertulis. Eksperimen disarankan untuk mengevaluasi perbedaannyaantara kegiatan pra-singkat yang dibuat dengan storyboard dibandingkan dengan kegiatan tertulis.
Pengaruh dan Perkembangan Terbaru dalam Teknologi Kecerdasan Buatan Mohammad Fadly, S.E, M.M, Mohammad Fadly, S.E, M.M
Profilm Jurnal Ilmiah Ilmu Perfilman dan Pertelevisian Vol. 3 No. 1 (2024): Volume 3, Nomor 1 - Maret 2024
Publisher : Akademi Komunikasi SAE Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56849/jpf.v3i1.52

Abstract

Technological advancements, changes in consumer behavior, technological accessibility, social media, streaming services, and advancements in production technology have all led to exponential growth in digital audio and video production. With media convergence, the distinction between audio and video media becomes unclear. This makes multimedia content more flexible. However, changing business models,copyright issues, and content quality are also affected by this phenomenon. The development of digital audio and video production has experienced significant exponential growth, influenced by technologicaladvancements, changes in consumer behavior, technological accessibility, social media, streaming services, and advances in production technology. Media convergence has blurred the boundaries between audio and video media, creating flexibility in multimedia content. However, this phenomenon also has an impact on changing business models, content quality, and copyright issues. Copyright issues are taking center stage in the industry, especially with the rise of video sharing and streaming platforms. Copyright protection is a major challenge, and the law must constantly adapt to technological advances. The methodological approach carried out in this study is called literature research. The result of the discussion was that alternative business models such as subscribe, crowdfunding, and partnerships became strategies to address copyright issues. By studying media convergence, recommendation algorithms, copyright issues, business models, and user roles can help us to understand and control complex developments in digital audio and video production. To maintain the integrity of this industry, ethical guidelines and responses to technological trends must be created.
Simbolisme Agama sebagai Protagonis dalam Film Horor Melati Kusuma Wardhani, S.I.Kom, M.I.Kom, Melati Kusuma Wardhani, S.I.Kom, M.I.Kom
Profilm Jurnal Ilmiah Ilmu Perfilman dan Pertelevisian Vol. 3 No. 1 (2024): Volume 3, Nomor 1 - Maret 2024
Publisher : Akademi Komunikasi SAE Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56849/jpf.v3i1.53

Abstract

Several aspects show the changes taking place in the Indonesian horror film industry, and the correlation between changes at the international level and local phenomena is very clear. First, using local myths and legends as the basis of the story shows that the audience is drawn to content rooted in local traditions and culture. Secondly, technological advances around the world have led to improved visual quality and special effects in horror films. Third, production and distribution standards have been improved due to greater collaboration with the global film industry. As a result, Indonesian horror films have had a wider impact around the world. The methodological approach carried out in this study is called literature research. The results showed that in addition, the genre of horror films is changing by trying to include variations such as psychological, comedy, and supernatural horror to cater to different tastes of audiences. The narrative and message of the film also changed, with some Indonesian horror films incorporating social messages or social criticism, giving deep meaning to the horror story. In promoting Indonesian horror films, pop culture and social media play an important role as they allow producers to use viral trends, memes, and direct interaction with the audience. Overall, these transformations demonstrate the film producers' ability to adapt and be creative to technological and cultural transformations while maintaining a strong local cultural identity. As a result, Indonesia's horror film industry has become relevant and attractive to audiences at home and
Tantangan Hukum dalam Pemajakan Penghasilan Digital di Industri Kreatif Dr. RR. Ella Evrita Hestiandari, S.E, M.M, Dr. RR. Ella Evrita Hestiandari, S.E, M.M
Profilm Jurnal Ilmiah Ilmu Perfilman dan Pertelevisian Vol. 3 No. 1 (2024): Volume 3, Nomor 1 - Maret 2024
Publisher : Akademi Komunikasi SAE Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56849/jpf.v3i1.54

Abstract

The taxation of digital income in the creative industry is becoming an increasingly complex issue in today's digital economy era. This study aims to analyse the legal challenges faced in taxing income earned throughdigital media by creative industry players, focusing on cross-jurisdictional issues and the digital economy. The research methodology uses a qualitative approach with primary data collection through interviews with creative industry players and tax law experts, as well as secondary data from relevant literature. The results identified various challenges, including the complexity of digital income classification, crossjurisdictional issues, the influence of different tax policies between countries, and challenges inimplementing the Permanent Establishment (PE) concept in the digital economy. Case studies from different countries provide a concrete picture of the problems faced and the efforts made by countries to address those challenges. Policy recommendations are also prepared to improve tax compliance and support the development of creative industries in the digital era. It is hoped that this research can make a significant contribution in the understanding and resolution of this complex problem in the future.

Page 5 of 10 | Total Record : 98

 3   4   5   6   7 

Filter by Year

2022 2025


Reset
Filter By Issues
All Issue Vol. 4 No. 2 (2025): Volume 4 Nomor 2 - Juni 2025 Vol. 4 No. 2 (2025): Volume 4 Nomor 2 - September 2025 Vol. 4 No. 1 (2025): Volume 4 Nomor 1 - Maret 2025 Vol. 3 No. 2 (2024): Volume 3 Nomor 2 - September 2024 Vol. 3 No. 1 (2024): Volume 3, Nomor 1 - Maret 2024 Vol. 2 No. 2 (2023): Volume 2, Nomer 2 - September 2023 Vol. 2 No. 1 (2023): Volume 2, Nomer 1 - Maret 2023 Vol. 1 No. 2 (2022): Volume 1, Nomer 2 - September 2022 Vol. 1 No. 1 (2022): Volume 1, Nomor 1 - Maret 2022