cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
I Putu Udiyana Wasista
Contact Email
udiyanawasista@isi-dps.ac.id
Phone
+6281239973496
Journal Mail Official
balibhuwanawaskita@isi-dps.ac.id
Editorial Address
Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar
Location
Kota denpasar,
Bali
INDONESIA
Global Art Creativity Conference
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 3026233X     DOI : https://doi.org/10.31091/bbwp
Core Subject : Humanities, Art,
Arts Humanities
Organized by the Institute of the Arts Denpasar, the Bali-Bhuwana Waskita: Global Art Creativity Conference serves as a premier platform for in-depth discussions on contemporary issues in art, culture, and their numerous sub-disciplines. This international conference brings together renowned scholars, practitioners, and artists from around the world to explore innovative perspectives on art practices, cultural preservation, and the evolving dynamics of global art. The conference offers a comprehensive space for exchanging ideas and experiences, facilitating critical dialogue on the intersection of traditional and modern artistic expressions. It encourages interdisciplinary collaboration and the integration of global viewpoints, fostering a rich environment where diverse artistic voices can converge and shape the future of the art world. By promoting cross-cultural understanding and creative innovation, Bali-Bhuwana Waskita aims to inspire the next generation of artists and cultural thinkers, ensuring the continuous growth of global art creativity.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 110 Documents
 7   8   9   10   11 
CULTURAL IDENTITY AND SUSTAINABILITY IN ASIA PACIFIC’S CREATIVE LANDSCAPE Utami, Ni Putu Indah Putri
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.611

Abstract

This article explores the intersection of cultural identity, sustainability, and design in Asia-Pacific. As globalization influences contemporary design, the challenge for designers lies in preserving local traditions while embracing global trends. The cultural heritage of the Asia-Pacific, deeply rooted in historical, religious, and social contexts, shapes artistic and design practices that reflect the unique values of the region. However, environmental crises such as rising sea levels, deforestation, and pollution necessitate the adoption of eco-friendly solutions in design. This article examines how designers can address these pressing environmental issues through sustainable architecture, green urban planning, and ethical product design while maintaining a strong cultural identity. Furthermore, the article emphasizes the importance of collaboration among universities and institutions across the region to foster sustainable design education and community-driven solutions. By engaging with global and local perspectives, designers can create innovative works contributing to cultural resilience and environmental sustainability. The concept of Kala Manawa Kalpa, which emphasizes the cyclical relationship between time, culture, and nature, provides a guiding framework for integrating traditional wisdom with modern design practices. Ultimately, this article argues for a harmonious convergence of culture, sustainability, and design, offering pathways for the Asia-Pacific region to navigate the challenges of the 21st century while preserving its rich cultural legacy. Through such an approach, design can play a pivotal role in shaping the region's sustainable and culturally vibrant future.
Kemanusiaan sebagai Pemikiran Dasar Pramoedya Ananta Toer Young Hun, Koh
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.614

Abstract

Artikel ini menyoroti bahwa meskipun kajian terhadap karya-karya Pramoedya Ananta Toer sudah banyak dilakukan, masih terdapat GAP dalam pemahaman mendalam atas dimensi kemanusiaan sebagai landasan utama seluruh gagasan dan perjuangannya. Penulis artikel ini mengisi celah tersebut dengan telaah menyeluruh terhadap karya-karya fiksi dan nonfiksi Pramoedya, khususnya tetralogi Bumi Manusia, untuk menunjukkan bahwa Pramoedya tidak sekadar menyoroti ketidakadilan kolonial, budaya feodal, dan patriarki, tetapi secara konsisten memperjuangkan martabat manusia tanpa terjebak pada ideologi atau pertentangan kelas. Dengan menolak kritik reduksionis, seperti yang dilakukan oleh Umar Junus, artikel ini memaparkan tokoh-tokoh pemberontak yang didorong oleh empati dan kesadaran terhadap nilai kemanusiaan. Melalui reinterpretasi sejarah, gaya bahasa, dan pembelaannya terhadap kelompok tertindas, artikel ini menegaskan bahwa kemanusiaan bukan hanya tema sastra Pramoedya, tetapi fondasi intelektual dan moral yang melintasi karya dan zamannya.
Jejak Langkah: “Footsteps” of Pramoedya Studies in China Lisha, Qie
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.616

Abstract

Pramoedya Ananta Toer is the most influential literary figure in modern Indonesian literature, with over 50 outstanding literary works that have had a profound impact not only on Indonesian literature but also on the world literary stage. Pramoedya's two visits to China during the 1950s facilitated substantive exchanges with prominent Chinese writers. Pramoedya assimilated conceptual frameworks from China's developmental experience into his intellectual praxis. Simultaneously, engagement with Chinese literary works significantly expanded his creative horizons. Chinese academia has initiated translations of Pramoedya's works as early as the mid-20th century, subsequently developing dedicated research trajectories. This study traces his intellectual engagements in China, examines the historical evolution of Chinese scholarship on his literary works, and analyzes distinctive aspects of Pramoedya studies within China's academic paradigm.
Citra Arok dalam Arok Dedes Karya Pramoedya Ananta Toer Eun Kyung, Lee
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.617

Abstract

Penelitian ini bertujuan untuk menganalisis penggambaran tokoh Ken Arok dalam novel Arok Dedes karya Pramoedya Ananta Toer serta mengungkap pesan utama yang disampaikan pengarang melalui tokoh tersebut. Secara historis, Ken Arok kerap dipandang sebagai simbol perebutan kekuasaan. Namun, Pramoedya merekonstruksi sosok Arok sebagai pemimpin ideal yang memperjuangkan keadilan dan nilai persatuan. Arok digambarkan sebagai simbol integrasi yang mampu menciptakan harmoni dalam masyarakat plural, serta sebagai tokoh yang mengupayakan terwujudnya komunitas yang setara melalui penghapusan perbudakan. Representasi ini mencerminkan kritik Pramoedya terhadap ketiadaan figur pemimpin yang mampu mempersatukan bangsa di Indonesia. Ia menekankan bahwa kemampuan untuk merangkul dan menyatukan keberagaman merupakan prasyarat utama yang harus dimiliki oleh seorang pemimpin dalam konteks masyarakat yang majemuk.
Representasi Perempuan dalam Novel Midah Simanis Bergigi Emas dan Larasati Karya Pramoedya Suzie, Kim
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.618

Abstract

Perlawanan terhadap moralitas seksual patriarkal dan pembentukan subjektivitas perempuan merupakan dua gagasan utama dalam Midah Simanis Bergigi Emas dan Larasati karya Pramoedya Ananta Toer. Midah menolak sistem pernikahan paksa dan memilih hidup mandiri sebagai penyanyi jalanan, hingga akhirnya meniti karier di dunia radio dan film. Ara, dalam konteks revolusi pascakemerdekaan, menolak tampil dalam film propaganda Belanda dan tidak merasa malu atas masa lalunya yang dianggap menyimpang oleh norma sosial. Keduanya memperluas ruang gerak perempuan dari ranah domestik ke ranah publik—Midah melalui kerja, Ara melalui sikap politik—sembari mempertahankan pilihan hidup mereka dengan tegar. Penelitian ini menggunakan pendekatan sosiologi sastra dengan merujuk pada teori Georg Lukács dan Lucien Goldmann untuk menganalisis proses pembentukan subjektivitas tokoh melalui refleksi struktur sosial, ideologi patriarki, dan dunia batin penulis. Melalui pendekatan ini, studi ini mengungkap bagaimana Pramoedya merepresentasikan individu ‘bermasalah’ yang mencari makna dan keutuhan hidup dalam masyarakat yang menindas.
Multilingualism and Cultural Resistance in Bumi Manusia: A Critical Sociolinguistic and Postcolonial Analysis Dewi Yulianti, Ni Ketut; P. Jesika Sita Devi N., I Gst. Ayu; Krisma Surya Deva N., I Gst. Bagus
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.619

Abstract

This paper explores the complex relationship between language and culture in Bumi Manusia (This Earth of Mankind), a novel by Indonesian author Pramoedya Ananta Toer. Set during the Dutch colonial period in the early 20th century, the novel presents a multilingual environment where Dutch, Malay, and Javanese languages interact within a socially stratified society. The central research problem addressed is how language operates as both a tool of colonial control and a medium for cultural resistance and identity formation. Through the lens of critical sociolinguistics and postcolonial cultural theory, this study examines how linguistic practices in the novel reflect broader power dynamics, colonial ideologies, and cultural negotiations. The protagonist, Minke, embodies a linguistic and cultural hybrid, navigating between colonial education in Dutch and his native cultural roots expressed in Malay and Javanese. His linguistic choices mirror his shifting identity, revealing a deeper tension between imposed authority and indigenous self-determination. Pramoedya’s strategic use of multilingual narration is interpreted as a form of subversive storytelling that challenges the dominance of the colonial language while asserting the significance of native cultural perspectives. The novelty of this research lies in its interdisciplinary focus on how literature can function as a site of linguistic resistance and cultural recovery in the face of colonial hegemony. By analyzing the novel’s language politics, this paper contributes to broader discussions on the role of language in postcolonial identity formation and the intersection between linguistic power and cultural expression in Southeast Asian literature.
From Pramoedya to Ngendon: Interpreting Social Realism and Indonesian Cultural Nationalism from a Distance of Closest Approach Idayati, Ni Wayan
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.620

Abstract

This article compares expressions of Indonesian cultural nationalism through two figures from distinct creative mediums: Pramoedya Ananta Toer in literature and I Nyoman Ngendon in the visual arts. Pramoedya, through his novel This Earth of Mankind and his steadfast resolve in voicing social injustice, and Ngendon, through paintings that parallel his role as a guerrilla fighter, both reflect the spirit of social realism amid colonial repression. Their creative practices function as acts of resistance, awakening national consciousness and articulating collective values rooted in the zeitgeist of their time. Drawing on Paul Ricoeur’s hermeneutics, this analysis examines the relationship between narrative, biographical experience, and symbolic representation embedded in their works. The study adopts a framework grounded in the physics concept of distance of closest approach, emphasizing a nuanced reading of the proximity between artwork, social history, and the creative dynamics of both figures. Nationalism and the spirit of nationhood are thus not understood as abstract ideas alone, but as lived, internalized, and embodied experiences manifested through artistic forms within distinct social spheres.
Architecture and Interior Design as a Reflection of Identity and Social Class: A Case Study of Nyai Ontosoroh’s House in Bumi Manusia Ari Darmastuti, Putu; Yuni Diantari, Ni Kadek; Udiyana Wasista, I Putu
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.621

Abstract

Architecture and interior design not only represent aesthetic and functional aspects, but also act as tools for constructing identity, power, and social class. This study analyzes Nyai Ontosoroh's house in Pramoedya Ananta Toer's novel Bumi Manusia as a representation of social class ambiguity and spatial symbolism in the colonial context of the Dutch East Indies. Through an interdisciplinary approach between literary studies, architecture, and postcolonial theory, this paper explores how the physical form of the house, the division of space, and interior elements become a means of resistance against colonial and patriarchal social structures. Nyai's Indisch-style house, complete with a garden, a carpeted attic, a spacious living room, and a luxurious bathroom, not only reflects high social status, but also becomes an arena for negotiating gender and racial identities. The results of the analysis show that the domestic space in this novel is a "narrative architecture" that contains political and cultural meanings, and reflects a complex and ambivalent colonial reality. This study contributes to the discourse on decolonizing architecture and the importance of reading space as a social text.
Ananta Toer in Malaysia: Humanist Ideology, Reception History, and His Position in the Nusantara Literary Discourse Awang Pawi, Awang Azman; Sahiddan, Nurhanis; Muhamad Nik Affendi Pi, Nik Rafidah
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.622

Abstract

This paper Pramoedya Ananta Toer, a major literary figure in Indonesia, has made significant contributions to the Malay literary world through works that champion social justice, nationalism, and historical consciousness. In Malaysia, his works have found a place in educational and academic domains despite being banned or rejected in his home country during the New Order regime. This study traces the reception history of Pramoedya’s works in Malaysia, identifies the ideological factors shaping this acceptance, and analyses how he has been appreciated by Malaysian scholars. Using a qualitative approach combining in-depth interviews, textual analysis, and documentary research, this article argues that Pramoedya’s contributions are valued not merely through the lens of political controversy, but from perspectives of humanism, postcolonial values, and regional literary solidarity within the Malay world.
The Humanitarian Narrative of Pramoedya within the Local Cultural Traditions of Tenganan Pegringsingan Try Adi Stanaya, I Komang; Swandi, I Wayan; Suteja, I Kt; Garwa, I Ketut
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.623

Abstract

Pramoedya Ananta Toer is widely known for his humanitarian narratives that place human beings at the center of values. This idea finds its relevance in Tenganan Pegringsingan Village, Bali, which is rich in traditions and a value-based social structure. Although both reflect humanitarian values, there is still limited research linking Pramoedya’s humanism with the cultural practices of indigenous communities such as those in Tenganan. The results of this study reveal three key points. First, there is a connection between Pramoedya’s narrative and the social practices in Tenganan, reflecting the relationship between ideas and the implementation of values. Second, the respect given to traditional leaders is based on their social responsibility, not merely their status. Third, the traditional structure in Tenganan demonstrates collective humanitarian values through mutual cooperation (gotong royong). These findings affirm that Pramoedya’s humanistic values are not only alive in literary works but also manifested within contextual local cultural practices.

Page 9 of 11 | Total Record : 110

 7   8   9   10   11 

Filter by Year

2021 2025


Reset
Filter By Issues
All Issue Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 3 (2023): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 2 (2022): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 1 (2021): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference