cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
I Putu Udiyana Wasista
Contact Email
udiyanawasista@isi-dps.ac.id
Phone
+6281239973496
Journal Mail Official
balibhuwanawaskita@isi-dps.ac.id
Editorial Address
Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar
Location
Kota denpasar,
Bali
INDONESIA
Global Art Creativity Conference
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 3026233X     DOI : https://doi.org/10.31091/bbwp
Core Subject : Humanities, Art,
Arts Humanities
Organized by the Institute of the Arts Denpasar, the Bali-Bhuwana Waskita: Global Art Creativity Conference serves as a premier platform for in-depth discussions on contemporary issues in art, culture, and their numerous sub-disciplines. This international conference brings together renowned scholars, practitioners, and artists from around the world to explore innovative perspectives on art practices, cultural preservation, and the evolving dynamics of global art. The conference offers a comprehensive space for exchanging ideas and experiences, facilitating critical dialogue on the intersection of traditional and modern artistic expressions. It encourages interdisciplinary collaboration and the integration of global viewpoints, fostering a rich environment where diverse artistic voices can converge and shape the future of the art world. By promoting cross-cultural understanding and creative innovation, Bali-Bhuwana Waskita aims to inspire the next generation of artists and cultural thinkers, ensuring the continuous growth of global art creativity.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 110 Documents
 7   8   9   10   11 
Pramoedya Ananta Toer: Defying Oppression Through Literature A Legacy of Freedom of Speech and Human Rights in Indonesia Hana, Lidwina; Sega Gumelar, Michael
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.624

Abstract

Pramoedya Ananta Toer’s literary works serve as both a historical testimony and a defiant act of resistance against state repression in Indonesia. This study examines Pramoedya’s contributions to literature and human rights, highlighting how his works have shaped discourse on freedom of speech and democratic principles in Indonesia. Utilizing a qualitative research approach, this paper analyzes his writings alongside historical and legal developments concerning free expression. Despite Indonesia’s democratic progress, defamation and blasphemy laws remain tools of suppression, echoing past restrictions. Through comparative analysis, this study underscores the enduring relevance of Pramoedya’s literary resistance in advocating for unrestricted intellectual freedom. Safeguarding free speech is not merely a legal obligation but a fundamental commitment to truth and justice, ensuring that voices like Pramoedya’s are never silenced again.
Echoes of Waste: Eco-Conscious Fashion Expression in the Spirit of Pramoedya Ananta Toer Wulansari, Vita; Jaya Putra, I Gede; Patricia Putra, Evelyn
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.625

Abstract

This work serves as a visual expression rooted in deep concern over environmental exploitation and the ongoing degradation of marine ecosystems. Through a sustainable fashion approach, this couture garment is crafted using post-consumer materials such as discarded denim, damaged compact discs, and plastic bottles, serving as a critical response to the consumerist culture that negatively impacts nature. The research adopts a descriptive qualitative method, utilizing the stages of exploration, experimentation, and formation as outlined by Alma M. Hawkins. It also incorporates the humanistic philosophy of Pramoedya Ananta Toer as a cultural lens to frame the narrative. The creative process reveals that fashion design can be a powerful medium for ecological critique, offering an alternative narrative that fosters collective environmental awareness. This work affirms that fashion is not merely about visual aesthetics, but also a space of resistance—one that advocates for humanity and sustainability.
Songs of Resistance: Subaltern Voices and Digital Solidarity from Pramoedya Ananta Toer to Band Sukatani Remalya Sidjabat, Yedija
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.626

Abstract

This paper explores subaltern representation and digital solidarity, connecting literary resistance in Pramoedya Ananta Toer’s works with contemporary digital expressions, exemplified by Band Sukatani’s protest song. It addresses how Pramoedya’s narratives of subaltern struggles resonate in modern digital contexts. Utilizing textual analysis of selected Pramoedya novels, content analysis of Sukatani’s lyrics, and online discourse analysis, this study applies theories from subaltern studies, nationalism and identity, and digital affect to examine persistent issues of censorship, institutional oppression, and mobilization of digital solidarity. Findings demonstrate continuity in forms of resistance from literary to musical and digital platforms, highlighting the enduring relevance of Pramoedya’s works and contemporary activism through digital media. The study concludes that subaltern resistance remains dynamic and robust, reinforced by digital cultural expressions that sustain and amplify the legacy of Pramoedya Ananta Toer.
Mise-en-Scène as a Cinematic Narrative Device in The Earth of Mankind (Bumi Manusia, 2019): Visualizing Colonial Tension and Identity Rai Budaya Bumiarta, Made
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.627

Abstract

This article examines how mise-en-scène functions as a cinematic narrative device in The Earth of Mankind (Bumi Manusia, 2019), directed by Hanung Bramantyo and adapted from Pramoedya Ananta Toer’s seminal novel. Set in the Dutch East Indies during the early 20th century, the film visually constructs themes of colonial tension and postcolonial identity through its use of setting, costume, lighting, color, and spatial composition. By analyzing key scenes, this study reveals how mise-en-scène not only reflects the socio-political conditions of the colonial era but also shapes the viewer’s understanding of character psychology and resistance, particularly through the protagonist Minke’s transformation. The visual contrasts between European and native spaces, as well as symbolic props and body language, contribute to a layered narrative that transcends dialogue. This article argues that mise-en-scène in Bumi Manusia is integral to the storytelling process, serving as a visual language for articulating Indonesia’s colonial history and national consciousness.
Silenced Sovereignty: Reclaiming Dedes’ Agency in a Patriarchal Narrative Udiyana Wasista, I Putu; Surja Triwibowo, Adi; Ari Darmastuti, Putu; Kadek Resi Kerdiati, Ni Luh; Ardanari Adipurwa, A.A. Trisna
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.628

Abstract

This study examines the representation of patriarchy in 13th-century Javanese feudal society through an analysis of Arok Dedes by Pramoedya Ananta Toer. The research centers on the character of Dedes, symbolizing gender oppression. Although Dedes holds the high position of queen, she remains constrained by the patriarchal system, positioning her as a tool of male authority. This dynamic is evident in her forced marriage to Tunggul Ametung and her political involvement with Arok. Utilizing both sociological and historical perspectives, the research reveals the ways in which the patriarchal structure, understood within its historical context, shapes the social and political positioning of women. Additionally, the study incorporates hypergamy theory, demonstrating that Dedes' marriage was not merely a personal decision but a strategic political maneuver reinforcing male dominance. The findings offer valuable insights into the continued influence of patriarchy in modern society, encouraging discussions on women's empowerment and the pursuit of gender equality. Ultimately, this study contributes significantly to feminist theory and power studies, offering a fresh perspective on the portrayal of women in Indonesian history and literature.
Images and Words The Voice of Pramoedya Ananta Toer in Contemporary Art Karja, I Wayan
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.629

Abstract

Pramoedya Ananta Toer’s literary works expose histories of oppression, resistance, and national identity, giving voice to those silenced by colonialism and authoritarianism. While his influence on literature is widely acknowledged, its intersection with contemporary visual art remains underexplored. This article examines how text-based artistic practices reinterpret and extend Pramoedya’s legacy, using layering, erasure, and fragmentation as visual metaphors for censorship and resilience. Drawing on cognitive theory, expression theory, and visual semiotics, the artistic process integrates his words into images of painting and mixed media to create a dialogue between past and present, literature and image, memory and erasure. The findings reveal that visualizing literary narratives deepens historical reflection and challenges cultural amnesia. This study contributes to both artistic and academic discourse by showing how contemporary art can reclaim silenced histories and expand Pramoedya’s influence beyond literature into the realm of visual expression.
Persoalan Dendam dalam Cerpen-Cerpen Pramoedya Ananta Toer Hani Abu Hassan, Ummi; Dong Hoon, Kim
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.630

Abstract

Dendam adalah suatu bentuk emosi yang muncul dalam diri individu apabila dia disakiti atau dicederakan baik secara fisik, mental mahupun perasaan. Akibat dendam, seseorang akan melahirkan rasa malu, teraniaya, marah, benci dan mula bertindak mendapatkan keadilan dan pembelaan dengan pelbagai cara. Makalah ini membicarakan tentang persoalan dendam kesumat dalam dua cerpen Pramoedya Ananta Toer iaitu Pelarian Yang Tak Dicari dan Kemudian Lahirlah Dia. Cerpen-cerpen tersebut menjelaskan kesadaran Pramoedya Ananta Toer sebagai penulis bangsa yang coba menerobos dendam yang menggulati masyarakat Indonesia khususnya di Kepulauan Jawa di awal kemerdekaan Indonesia. Faktor utama yang memunculkan emosi dendam dalam cerpen-cerpen tersebut adalah kemiskinan dan kejahilan. Kesannya, ciri pembalasan dendam dilakukan secara individu sebagai respon terhadap ketidak-adilan dalam struktur masyarakat. Walau bagaimanapun, di sebalik emosi dendam, Pramoedya Ananta Toer lebih memperlihatkan manusia Indonesia yang memiliki keteguhan jiwa, pemaaf dan berdamai dengan takdir hidup.
Senandung Tak Bertahta Exhibition in the Frame of Socialist Realism Pramoedya Ananta Toer Jaya Putra, I Gede; Wulansari, Vita; Devi Krishnanandayani, Jyothi
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.631

Abstract

This article discusses about Senandung tak Bertahta exhibition which departs from the situation and conditions of Balinese society in the frame of socialist realism Pramoedya Ananta Toer. Balinese society is still struggling to meet their living needs behind the glittering tourism sector. Take for example the Kerobokan area of Bali which is always under pressure with the rate of growth, between struggling, surviving, actually giving up, especially on the issue of land which is squeezed and lured by investors' enticements. The data source was obtained through a qualitative approach using a descriptive analysis method by utilizing library media. The Senandung tak Bertahta exhibition is a representative to voice the phenomenon, through three works that represent the voices of the buried community, the context of body ownership and the issue of fake identity. The Senandung tak bertahta exhibition will be studied using the theory of Socialist Realism which is in line with Pramoedya's thoughts and the works will be studied using theories by Adorno, Foucault and Julia Kristeva which describe the problem of the helplessness of society which is in line with the context of socialist realism. By studying symbolic elements, visual composition, and social context, this exhibition shows how contemporary art is still relevant as a medium for the struggle of lower-class discourse, as proposed in Pramoedya's literature.
The Representation of Nyai Ontosoroh's Character in "Bumi Manusia" within Contemporary Ethnic Fashion Design Yuni Diantari, Ni Kadek; Udiyana Wasista, I Putu; Ari Darmastuti, Putu
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.632

Abstract

This study represents literary characters in contemporary ethnic fashion design, emphasizing the character of Nyai Ontosoroh from Pramoedya Ananta Toer's novel Bumi Manusia. Nyai Ontosoroh was chosen to represent a strong, intelligent indigenous woman who resists colonialism and patriarchy. The purpose of this research is to interpret Nyai's character values into visual clothing forms through a descriptive qualitative approach with textual narrative analysis. Values such as assertiveness, independence, and courage are translated into clothing design silhouettes, the selection of sekar jagad batik motifs, and symbolic color combinations. The influence of 19th-century European fashion is implemented through the distinctive silhouette of the kebaya kutubaru, reflecting Nyai's character as a traditional woman with progressive ideas. This research also applies the principles of narrative fashion, which uses clothing as a medium for conveying stories and cultural values. This paper reveals that clothing design can serve as an effective visual medium for expressing literary narratives and cultural identity. The representation of Nyai Ontosoroh's character through design not only produces aesthetic works but also expands reflective, contextual design practices rooted in local values. This research contributes to the development of an interdisciplinary approach between fashion, literature, and cultural studies in Indonesia's creative sector.
Visibilitas Penerjemah dalam Menerjemahkan Novel Indonesia ke Bahasa Inggris: Fokus pada Parateks dari ‘This Earth of Mankind’ Haeyeon, Kim
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.633

Abstract

Penelitian ini menelaah visibilitas penerjemah dalam terjemahan bahasa Inggris dari novel ‘Bumi Manusia’ karya Pramoedya Ananta Toer, yang berjudul ‘This Earth of Mankind’. Penelitian terjemahan sebelumnya cenderung berfokus pada teks utama, sedangkan penelitian mutakhir semakin menaruh perhatian pada unsur-unsur parateks, seperti pengantar, catatan penerjemah, dan glosarium, sebagai ruang penting di mana kehadiran serta pilihan interpretatif penerjemah menjadi terlihat. Kajian ini menggunakan strategi domestikasi dan foreignisasi dari Venuti sebagai kerangka analisis. Analisis berfokus pada dua strategi yang dipilih penerjemah: menyamarkan kehadirannya dengan mengadaptasi teks ke budaya sasaran, atau sebaliknya, menonjolkan intervensinya dengan sengaja mempertahankan unsur asing dari teks sumber.

Page 10 of 11 | Total Record : 110

 7   8   9   10   11 

Filter by Year

2021 2025


Reset
Filter By Issues
All Issue Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 3 (2023): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 2 (2022): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 1 (2021): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference