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I Putu Udiyana Wasista
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Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar
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INDONESIA
Global Art Creativity Conference
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 3026233X     DOI : https://doi.org/10.31091/bbwp
Core Subject : Humanities, Art,
Arts Humanities
Organized by the Institute of the Arts Denpasar, the Bali-Bhuwana Waskita: Global Art Creativity Conference serves as a premier platform for in-depth discussions on contemporary issues in art, culture, and their numerous sub-disciplines. This international conference brings together renowned scholars, practitioners, and artists from around the world to explore innovative perspectives on art practices, cultural preservation, and the evolving dynamics of global art. The conference offers a comprehensive space for exchanging ideas and experiences, facilitating critical dialogue on the intersection of traditional and modern artistic expressions. It encourages interdisciplinary collaboration and the integration of global viewpoints, fostering a rich environment where diverse artistic voices can converge and shape the future of the art world. By promoting cross-cultural understanding and creative innovation, Bali-Bhuwana Waskita aims to inspire the next generation of artists and cultural thinkers, ensuring the continuous growth of global art creativity.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 110 Documents
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COFFEEHOUSE PAINTING: ART, FAITH, AND SOCIETY Rahiminejat, Rahim
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.580

Abstract

Coffeehouse (Qahveh-Khaneh) painting, a vibrant Iranian folk art form flourishing during the Qajar era (18th-20th centuries), has been primarily studied through its aesthetic or sociological aspects. This research uniquely investigates its multimedia nature, revealing a dynamic interplay with the oral storytelling tradition of Naqqali and the theatrical performances of Ta'zieh. To analyze the historical development, artistic characteristics, social functions, and cultural impact of Coffeehouse painting within the Iranian context, highlighting its multimedia character and its relationship with Naqqali and Ta'zieh. A qualitative thematic analysis of existing scholarly literature, predominantly in Persian, was conducted. Sources were reviewed, translated, and analyzed to identify recurring themes and patterns. Coffeehouse paintings served as a powerful medium for disseminating religious beliefs, shaping national identity, and bolstering morale during a period of colonial influence. The art form's visual conventions and narrative strategies were deeply intertwined with Naqqali and Ta'zieh traditions. This study reveals Coffeehousepain ting as a significant force in shaping Iranian cultural identity and underscores the importance of studying multimedia art forms within their specific socio-historical contexts.
CINESONIC REALITY IN ART AND DESIGN ON DIGITAL MEDIA Setiyawan, Clemens Felix; Murwaningrum, Dyah
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.581

Abstract

Digital technology has significantly transformed the concepts and practices of art, including the creation of art and design. Cinesonic emerged as an innovative form that integrates the visual and the aural into a unified and holistic aesthetic through multisensory experiences. Consequently, it has fostered extensive artistic expression, depth and diversity of meaning, and the emergence of new paradigms in contemporary culture. This study aims to describe cinesonic as a medium for the recreation of art and culture while simultaneously fostering visual-aural awareness in everyday human activities, which are often overlooked. The development of visual-aural awareness has the potential to enhance the depth and quality of audience appreciation. This research is qualitative, employing a descriptive-analytical method. A historical explanation approach is utilized to guide the description within spatial and temporal boundaries. Data were collected from prior papers and works discussing the cinesonic movement and its realities in art and design. The paper focuses on examining the definition, history, and application of the cinesonic concept across various contexts. The findings reveal that cinesonic expands the boundaries of traditional aesthetics, offers sharp social critique, and creates multisensory interactions that are highly relevant to the digital era. At an advanced stage, cinesonic is anticipated to become an art form capable of enhancing artistic experiences, fostering awareness, and shaping new insights into the relationships between humans, technology, and their environments.
THE PRESERVATION OF BATIK THROUGH TECHNOLOGY: THE ROLE OF BATIK FRACTAL AND JBATIK SOFTWARE Adiyanti, Putu Ayu
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.585

Abstract

Batik Fractal is an innovation that integrates traditional Batik art with modern technology through the application of fractal mathematical formulas to create more complex and innovative Batik designs. This technology developed through jBatik software, allows for a more efficient design and production process without compromising the aesthetic and philosophical value of batik as a cultural heritage. This research aims to examine the application of fractal technology in Batik design, as well as its impact on the preservation of batik art, production efficiency, and batik competitiveness in the global market. A descriptive qualitative research approach is used to collect data through observation and analysis of documents then analyzed to provide a comprehensive understanding of the development of Batik Fractal. The results of this study show that Batik Fractal provides a new dimension in Batik design while strengthening the relevance of Batik in the modern era and the international market.
INNOVATION AND CREATIVITY IN GAMELAN MANDOLIN Mawan, I Gede; Kusuma, Putu Sandra Devindriati
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.586

Abstract

Gamelan Mandolin is a type of traditional Balinese music that is played by plucking. The Mandolin gamelan, which is thought to have originated from China, is still preserved by the people of Pupuan Village, Tabanan. One form of application of creativity and innovation in the world of music is in the development of the mandolin gamelan. Gamelan mandolin is a form of musical experiment that combines Balinese gamelan instruments with the mandolin, a musical instrument originating from China. In the creation process, the mandolin gamelan presents new challenges in terms of playing techniques, harmony and timbre which are different from gamelan in general. This article aims to examine the creativity of musicians in designing and processing gamelan mandolin instruments, as well as how these innovations have had an impact on the development of traditional and contemporary Balinese music. Using a composition and performance analysis approach, this research shows that the mandolin gamelan is not just a musical experiment, but also a means of enriching the Indonesian musical repertoire through mixing different cultural elements. Through creativity and innovation in the development of the mandolin gamelan, space is created for the evolution of traditional music that remains relevant amidst global musical developments.
INTERIOR DESIGNERS IN SOCIETY 5.0, MACHINE UTILIZATION IN MAKING INTERIOR WORK EASIER Atmadi, Tunjung
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.588

Abstract

Society 5.0 is a concept that allows humanity to use modern technology-based science such as machines to meet needs and make human life easier, especially for interior designers of interior work. The presence of society 5.0 has made a major contribution to interior designers. The purpose of this study is the existence of a technology-based machine learning innovation that makes it easier for designers to work on designer work methods, designer communication methods and work methods in workshops without regard to space, time and place. Through a case study approach, with qualitative descriptive analysis, the role of interior designers in the era of society 5.0 can be understood. An interior designer not only works and masters computers as a medium for designing his designs, but must master and operate supporting machine tools in realizing his ideas. In addition, interior designers must also apply the concept of sustainability design as a sustainable development goal, which is very concerned with environmentally friendly design.
THE IMPACT OF TECHNOLOGY ON THE DEVELOPMENT OF BALINESE SHADOW PUPPETRY IN THE GLOBAL ERA Marajaya, I Made; Peradantha, Ida Bagus Gede Surya
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.589

Abstract

This study is motivated by the significant changes in Balinese shadow puppetry (wayang) resulting from the integration of technology in the global era. While the introduction of technology has opened new opportunities for the development of Balinese wayang, there are concerns that its use may undermine traditional values, affect the creativity of the puppeteers, and potentially threaten the preservation of this art form. Based on this, the study poses two main research questions: (1) How does technology influence the creativity of Balinese wayang in the global era? and (2) What are the impacts on the preservation and advancement of Balinese wayang? This qualitative research employs data collection methods such as observation, interviews, and literature review. The data were analyzed descriptively and interpretively, supported by creativity theory. The results indicate that technology has stimulated boundless innovation in Balinese wayang, leading to more engaging audio-visual performances. Moreover, the use of technology has contributed to the resurgence of the wayang-watching culture in Balinese society, while supporting the sustainability of this art form in the global era.
CHILDREN’S DIGNITY IN MUSIC EDUCATION AND LOCAL COMMUNITY IN RECENT JAPAN Kubota, Keiichi
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.590

Abstract

This paper explores the role of music education in upholding children’s dignity within the context of Japan's evolving demographic and multicultural landscape. Japan faces a rapid population decline, prompting an increased reliance on foreign workers and their families. This demographic shift introduces challenges for children of foreign descent who often navigate between their native language and Japanese in educational settings. The paper examines the ethical responsibilities of music educators in fostering inclusivity and addressing cultural dilemmas. It emphasizes that music, as a social and ethical practice, significantly influences children's psychological, social, and intellectual development. The discussion highlights the need for curricula that respect diverse linguistic and cultural backgrounds, proposing innovative approaches such as intercultural music workshops. These workshops enable foreign and Japanese children to engage in mutual learning by sharing traditional songs from various countries. The paper also underscores the importance of community-based initiatives and crowdfunding in supporting such educational endeavors. By prioritizing the dignity and holistic development of all children, this study advocates for a transformative approach to music education that reflects the values of a multicultural society. The findings contribute to global discussions on inclusive education and the ethical responsibilities of educators in diverse communities.
CREATION OF THE DANCE MUSIC FOR THE PUCUK BANG MASCOT OF BANGLI REGENCY Garwa, I Ketut
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.591

Abstract

Pucuk Bang, or Hibiscus Rosa-Sinensis, was established as the identity and mascot of Bangli Regency during the leadership of Regent I.B. Gede Agung Ladip (1990–1995, 1995–2000) and officially declared on Bangli's 771st anniversary on May 10, 1991. Regent Sang Nyoman Sedana Arta (2021–2026) aimed to revive Bangli's taksu through the creation of the Pucuk Bang Dance as a visual icon, communication medium, identity symbol, and representation of Bangli’s vision and mission, fostering emotional connections and broad acceptance. The Pucuk Bang flower embodies purity, love, sincerity, and courage. "Pucuk" symbolizes the peak or forefront, and "Bang" (red) represents bravery, spirit, and the deity Brahma, a manifestation of God. It reflects courage and rising to the top with purity, love, and sincerity. The Pucuk Bang concept was transformed into a creative work integrating music, dance, and technology, deeply exploring textures, shapes, colors, and meanings. Inspired by Bangli’s heritage, such as Baris dances and Gong Gede gamelans, it uses the Tri Angga structure (kawitan, pangawak, pangecet). The musical work is united by nine dancers symbolizing the Universe's greatness as Sarining Padma Bhuwana. The Pucuk Bang flower embodies purity, love, sincerity, and courage. "Pucuk" symbolizes the peak or forefront, and "Bang" (red) represents bravery, spirit, and the deity Brahma, a manifestation of God. It reflects courage and rising to the top with purity, love, and sincerity. The Pucuk Bang concept was transformed into a creative work integrating music, dance, and technology, deeply exploring textures, shapes, colors, and meanings. Inspired by Bangli’s heritage, such as Baris dances and Gong Gede gamelans, it uses the Tri Angga structure (kawitan, pangawak, pangecet). The musical work is united by nine dancers symbolizing the Universe's greatness as Sarining Padma Bhuwana.
THE INFLUENCE OF CHINESE CULTURAL VALUES ON BALINESE TRADITIONAL PAINTING Karja, I Wayan
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.592

Abstract

This research examines the influence of Chinese cultural values on the development of Balinese painting, focusing on how cultural interactions have enriched its artistic identity. Using qualitative methods with a historical approach and visual analysis, the study identifies Chinese cultural elements such as Yin-Yang philosophy, cosmology, motifs like Nekara Pejeng, Chinese coins, dragons, and decorative techniques integrated into Balinese art. The findings reveal that these influences are most evident in the styles of Kamasan painting, where forms, colors, and decorative motifs reflect a process of acculturation. Balinese artists have successfully incorporated these Chinese elements into their works while preserving their cultural identity. This research highlights the importance of cultural exchange as a driving force in the evolution of Balinese painting, offering both academic and practical contributions to the understanding of how cross-cultural interactions can enhance artistic traditions.
EXPLORATION OF PRINGGASELA WOVEN FABRIC AESTHETICS AS AN INSPIRATION FOR NEW CREATION DANCE FLOOR PATTERNS Nahdlatuzzainiyah, Nahdlatuzzainiyah; Febriana, Widia; Sumadewa, I Nyoman Yoga; Hasbullah, Hasbullah; Sidik, Muhammad Alfian; Buana, Daffa Satya Jaya
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.593

Abstract

This study explores the aesthetic elements of Pringgasela woven fabric, a traditional textile from Lombok, Indonesia, as a source of inspiration for innovative dance floor pattern designs. Pringgasela weaving is celebrated for its intricate motifs, harmonious color schemes, and rich cultural symbolism. By analyzing its visual and symbolic characteristics, this research aims to reinterpret traditional textile patterns into dynamic and functional spatial designs suitable for modern performance spaces. The study involves an aesthetic analysis of the fabric's patterns, the extraction of key design elements, and their adaptation into modular dance floor layouts. It emphasizes the importance of preserving cultural heritage through contemporary applications, fostering a dialogue between traditional arts and modern creative industries. The results offer a framework for integrating cultural aesthetics into innovative design, contributing to both cultural preservation and artistic innovation.

Page 7 of 11 | Total Record : 110

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