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I Putu Udiyana Wasista
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Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar
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INDONESIA
Global Art Creativity Conference
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 3026233X     DOI : https://doi.org/10.31091/bbwp
Core Subject : Humanities, Art,
Arts Humanities
Organized by the Institute of the Arts Denpasar, the Bali-Bhuwana Waskita: Global Art Creativity Conference serves as a premier platform for in-depth discussions on contemporary issues in art, culture, and their numerous sub-disciplines. This international conference brings together renowned scholars, practitioners, and artists from around the world to explore innovative perspectives on art practices, cultural preservation, and the evolving dynamics of global art. The conference offers a comprehensive space for exchanging ideas and experiences, facilitating critical dialogue on the intersection of traditional and modern artistic expressions. It encourages interdisciplinary collaboration and the integration of global viewpoints, fostering a rich environment where diverse artistic voices can converge and shape the future of the art world. By promoting cross-cultural understanding and creative innovation, Bali-Bhuwana Waskita aims to inspire the next generation of artists and cultural thinkers, ensuring the continuous growth of global art creativity.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 110 Documents
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DESIGN, TECHNOLOGY AND CONTEMPORARY DANCE CASE STUDY OF CONTEMPORARY DANCE WORKS TALE TALE SCENOGRAPHY DESIGNER'S PERSPECTIVE Sara, Cindy Fadhila
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.594

Abstract

This research raises a case study of the contemporary dance work Tale Tale by choreographer Sherli Novalinda, a contemporary work rooted in body archives and tales which is an oral tradition of the ancestors of the Kerinci community. This work combines traditional elements executed with a contemporary style to create a dialogue between dance art, design, and technology. The main focus of the research is to reconstruct the scenography from the perspective of a designer who plays a role in designing a dynamic stage space that not only supports the movements of the dancers but also reinforces the messages and emotions that the choreographer wants to convey. Using a qualitative approach and case studies, this study explores the creative process behind scenography design and the application of technology in Tale Tale's contemporary dance works. Technologies such as animation and visual projection are used as iterative elements that respond to dance movements in real-time, creating an immersive visual experience for the audience. The results of this study show that the collaboration between design, technology, and contemporary dance not only enriches the expression of movement, but also enriches the living space, where dancers and audiences are emotionally and visually involved, and can create a more interactive, deep, and meaningful art experience. This researcher emphasized that the synergy between design, technology, and contemporary dance can enrich the aesthetic dimension of performing arts. This study is expected to be a reference for the development of innovative scenography designs, as well as encourage further exploration in cross-disciplinary collaboration in the field of performing arts.
SINGKUH: WHERE HUMAN IMAGINATION MEETS TECHNOLOGICAL SOUND EXPERIMENTATION Putri, Ni Made Ayu Dwara; Rafa, Damay Nouvanala Radja
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.595

Abstract

“Singkuh” is an experimental music composition based on the Balinese concept of "singkuh," meaning "strange." The work challenges traditional musical conventions by introducing unconventional sounds, techniques, and forms, contributing to the field of experimental music. To explore innovative approaches to music-making, breaking traditional norms, and expanding the possibilities of sound exploration through unconventional techniques and instruments. The composition utilizes VCV Rack software to operate modular synthesizers, providing effects for acoustic instruments. The creation process follows the Art Consortium's five stages: preparation, elaboration, synthesis, concept realization, and evaluation. The result is a 30-minute experimental composition for acoustic and electronic instruments. It includes diverse instruments such as piano, synthesizers, ocarina, kalimba, harmonica, bird whistles, and more. The work is divided into five sections emphasizing different experimental aspects. “Singkuh” introduces innovative techniques, instruments, and notations to experimental music. It expands musical boundaries and encourages both musicians and listeners to explore diverse sound possibilities.
DESIGNING CHILDREN'S PARTY WEAR MADE FROM TRADITIONAL ENDEK TEXTILES Diantari, Ni Kadek Yuni; Paramita, Ni Putu Darmara Pradnya; Rahayu, Made Tiartini Muda
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.598

Abstract

The children's fashion industry in Indonesia has great potential but is still dominated by imported products. This constraint is the trigger for this research that aims to explore children's clothing that is high quality, comfortable to wear and utilizes traditional Balinese fabric, Endek, as well as an effort to introduce culture from an early age. The process of making children's clothing is designed through the five main stages of the Frangipani method which consists of: idea development, research, aesthetic element analysis, design sketch, and production. Making quality children's clothing requires several criteria including safety, comfort, durability, size accuracy, and cultural sensitivity to be the main focus in design development. Endek fabric was chosen as the catalyzing idea in the design of children's party wear. Endek fabric is the most common and desirable fabric in Bali because of its motif design development. Endek fabric as part of the ikat woven fabric requires special attention in the process of processing it into clothing to maintain the quality and structure of the fabric. The addition of elements such as lining and interfacing is done to increase the comfort of the clothing. This research shows that children's fashion with Endek fabric can fulfill the criteria of modern children's fashion but is able to maintain cultural values. This research provides reference and insight for children's fashion industry players in creating products that collaborate traditional aspects and modern demands so that they can compete globally.
SEMIOTIC ANALYSIS OF THE AGA ROSÉ LABEL FROM HATTEN WINES BASED ON ROLAND BARTHES' THEORY Hanindharputri, Made Arini; Artayasa, I Nyoman; Remawa, Anak Agung Gede Rai; Dewi, Alit Kumala
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.600

Abstract

This study examines the semiotic meanings in the label design of Aga Rosé, a wine product by Hatten Wines, through Roland Barthes' semiotic theory. It focuses on how the label's visual elements communicate cultural and branding messages. The purpose of this study is to explore the denotative and connotative meanings of the Aga Rosé wine label and how these elements contribute to brand image formation and consumer perception. This research employs a qualitative methodology, analyzing visual elements such as color, imagery, and text, which represent local cultural values, based on Roland Barthes' semiotic approach. The Aga Rosé label effectively incorporates cultural symbols and aesthetics, reflecting Indonesian cultural identity. This design strengthens consumers' emotional attachment to the brand and enhances loyalty. The findings underscore the importance of culturally inspired design as a strategy for building strong brand identities in competitive markets.
MUSICAL PERFORMANCE OF MAPPADENDANG HARVEST RITUAL IN BUAE VILLAGE SIDENRENG RAPPANG REGENCY SOUTH SULAWESI Fardian, Fardian; Sedana, I Nyoman; Ardini, Ni Wayan; Sudirana, I Wayan
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.602

Abstract

People in Buae village, Sidenreng Rappang, South Sulawesi, annually perform the Mappadendang harvest ritual to express gratitude for a successful rice harvest. This research aims to discuss the unique musical behavior of the community during the Mappadendang process, namely singing Sure' “Meong Palo Karellae”, and drumming “Lesung”. This research uses a qualitative design with an ethnomusicology approach. The author obtained research data through field observations, interviews, and documentation. The collected data were analyzed using the flowchart technique: data reduction, display, and conclusion/verification. The results showed that Mappadendang music performances are related to spiritual, social, and entertainment functions. Mappadendang musical performances produce musical activities based on local wisdom creativity, including 1) Massure', which is the process of singing the text of “Meong Palo Karellae” with a vocal style produced in mono melodic form, played based on the interpretation of Passure' (Lontar Reader) tones. In Lesung drumming, the rhythm of Mappadendang is related to the concept of Sulapa Eppa'. Two rhythmic patterns are found: 1) “Manganak” is a pattern played by “Indo' Padendang” (female player), resulting in a four-beat interweaving played alternately and repeatedly. 2) “Mattang” is the rhythmic pattern played by “Ambo' Padendang” (male player), who plays contrasting rhythmic patterns, tending to produce synchronized rhythmic forms. The results of this research are significant because they reflect the community's views towards the sustainability of Mappadendang. Readers will know the uniqueness of Mappadendang music performance, which can inspire the creation of new art based on local wisdom.
FOSTERING REAL WORLD SKILLS IN CHILDREN THROUGH INTERACTIVE LEARNING APPS Tjhin, Santo; Mahamaya, Benning; Lim, Jocelyn; Ingrid, Samantha
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.603

Abstract

Magodang is an innovative application designed for children aged 8–14, as well as their parents and educators, aiming to develop real-world skills and build student portfolios. In an increasingly competitive educational landscape, portfolios are essential for showcasing students' academic and professional journeys. However, many students, including those who are homeschooled or have special needs, face significant challenges in accessing skill development programs. Magodang addresses these barriers by connecting users with workshops, competition preparation programs, coaching sessions, and certifications through a user-friendly platform enriched with gamification features. The application provides personalized program recommendations, intuitive navigation, and collaborative tools that empower parents and educators. These features help parents identify programs aligned with their children’s interests and assist educators in integrating extracurricular activities into classroom settings. The research employs the Semantic Literature Review (SLR) method, descriptive qualitative analysis, and the Design Thinking framework to create an interactive and relevant platform. Tools such as Miro, Figma, and Google Forms are used for ideation, prototyping, and surveys. The findings demonstrate that Magodang enhances student engagement, fosters collaboration among stakeholders, and addresses gaps in traditional education systems. It provides a practical solution for early skill development, creating an inclusive and accessible educational environment for all learners.
ART ECOSYSTEM OF THE HGATERI TRADITIONAL MUSIC GROUP IN JAYAPURA PAPUA Kaiway, Yudhi Aji Ristanto; Mudra, I Wayan; Sariada, I Ketut
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.604

Abstract

This study looks at the world of traditional Papuan music, focusing on the Hgateri group. Hgateri is a traditional music group in Jayapura that keeps Wonti-Waropen music alive and is a symbol of efforts to preserve traditional music in Papua. This research aims to describe the traditional Papuan music ecosystem by studying the Hgateri group. Using a qualitative method, we gathered data through observations, interviews with the group leader, and documents. The results show that Hgateri has found new ways to introduce traditional music to young people. This study looks at how this group works in different areas: culture and society, where Hgateri helps keep their culture alive and brings the Wonti people closer together; economics, where the group has shown that traditional arts can make a steady income; education, where Hgateri helps young people grow and learn; laws, where the group understands the importance of being legal; and technology, where they combine old and new ways to create exciting performances. This research helps us better understand traditional Papuan music and how to keep it alive.
MANAGEMENT OF LEARNING IN ARTS AND DESIGN CREATION BASED ON DIGITAL MEDIA FOR THE MILLENIAL GENERATION Sustiawati, Ni Luh; Sari, Ni Luh Desi In Diana; Dewi, Ni Luh Ayu Cempaka
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.606

Abstract

The millennial generation, born and raised during the era of information technology development, has learning the characteristics that tend to be interactive, visual, flexible, and closely tied to the use of digital technology. Millennials are more likely to understand material through media such as graphic elements, videos, or interactive simulations, which allow them to learn both independently and collaboratively in various situations. Additionally, the flexibility of time and place in accessing learning through digital devices is a major advantage that supports their learning patterns. These characteristics demand an innovative, adaptive, and technology-based educational approach to enhance learning motivation and optimize their creative and innovative potential. This study examines the management of learning in arts and design creation based on digital media for the millennial generation. A qualitative approach was used, collecting data through interviews, observations, and documentation, then analyzed descriptively to identify relevant patterns and strategies. This study is expected to contribute to optimizing the potential of the millennial generation and promoting innovation in technology-based education.
THE CONTEXT OF MARGINALISATION OF WOMEN IN THE FILM 'KARTINI' Dwiyani, Ni Kadek; Raharja, I Gede Mugi; Negara, I Nengah Sudika
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.609

Abstract

"Kartini" The Movie (2017) directed by Hanung Bramantyo can be considered as a work of appreciation for the struggle of women in Indonesia. Kartini as one of the Indonesian heroines who fought for women's rights in Indonesia is worthy of being called a symbol of the struggle against the marginalisation of women. The nature of a woman in the culture attached to Kartini as the daughter of noble descendants often exposes her to situations where the clash of culture and logic she has raises inner conflicts, which tends to make her considered a child who dares to break the rules in her family. Kartini's figure is not portrayed as a woman who is only silent when she is faced with a situation where her "rights" as a human being are never taken into account. However, the treatment of women that she felt at the time, made her moved to have her own strength to dare to voice what she wanted for her life and nature as a woman. The context of marginalisation that appears in the film "Kartini" is heavily influenced by cultural factors and mindsets that at that time were still very closed to providing equal space for women. Kartini's struggle in this film is depicted as having a very strong desire to fight for the marginalisation of women in that era through her intelligent thoughts. The life journey of the figure of "Kartini" in fighting for equal rights and dignity of Indonesian women is at least able to be heard to a wide audience, so that the film "Kartini" can function as a medium of education for women who are currently still experiencing injustice in the context of marginalisation, to be more courageous in fighting for the rights they should get.
THE TRANSFORMATION OF BALINESE GAMELAN: AUTHENTICITY AND HERITAGE POLITICS IN DIGITAL PLATFORMS Sidjabat, Yedija Remalya; Krishnanandayani, Jyothi Devi
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.610

Abstract

The digital era has significantly transformed traditional arts, particularly in how cultural authenticity and heritage politics are negotiated. The Gamelan Bali application represents an important case study of this transformation, showcasing Balinese gamelan on a digital platform designed for global accessibility. This research aims to explore how the Gamelan Bali application navigates cultural authenticity and negotiates heritage politics in the context of digital platforms. This study employs content analysis of the Gamelan Bali application and user reviews available on public platforms. Patterns of cultural authenticity and usability perceptions were identified. The application simplifies certain cultural elements to suit digital usability while expanding the global reach of Balinese gamelan, reflecting a negotiation between traditional preservation and digital innovation. The Gamelan Bali application demonstrates how digital platforms mediate between cultural preservation and transformation, emphasizing the dynamic interplay of tradition and technology in a globalized context.

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