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Prosodi: Jurnal Ilmu Bahasa dan Sastra
Published by Universitas Trunojoyo Madura
ISSN : 19076665     EISSN : 26220474     DOI : https://doi.org/10.21107/prosodi
Core Subject : Education,
Languange, Linguistic, Communication & Media
PROSODI: Jurnal Ilmu Bahasa dan Sastra is biannual peer-reviewed, open-access journal published by the Faculty of Social and Cultural Science, University Trunojoyo Madura. The journal encourages original articles on various issues within Language and Literary Studies, which include but are not limited to literature and linguistics.
Arjuna Subject : Ilmu Sosial - Linguistik dan Bahasa
Articles 264 Documents
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PENGARUH BUDAYA TERHADAP KETAKTERJEMAHAN ISTILAH-ISTILAH DALAM BAHASA JAWA - Sukirmiadi
Prosodi Jurnal Ilmu Bahasa dan Sastra Vol 4, No 2: JULI 2010
Publisher : Program Studi Bahasa Inggris Universitas Trunojoyo Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (152.362 KB) | DOI: 10.21107/prosodi.v4i2.84

Abstract

Language is part of culture. Meanwhile there are many kinds of different cultures in the world because every country has its own culture. Even our country Indonesia has hundreds of cultures which are different between one and another, so that the language used varies also. MoreovThose er, every culture has its own peculiarity that is not owned by another culture. This fact that may cause so many specific words, terms,  and other unique cultural  events are created. This unique cultural product makes other people fom different cultures difficult to find the equivalences in their cultures and languages. Even those specific terms cannot be translated translated into other languages, especially English. Those unique cultural products include: 1) kinds of traditional foods (nagasari, thiwul, kethoprak, sega liwet); 2) agricultural tools (pacul, jompong, ani ani); 3) agricultural activity (ndhaut, matun, derep, ngasak); 4) kitchen utensils (siwur, keren, anglo, kukusan);  5) names of small plants (garut, ganyong, uwi); 6) music and art (saron, gender, kenong); 7) javanese songs (megatruh, sinom, pocong, slendro pelog); 8) names of dances (gambir anom, gambyong, klono bagus); 9) serving tools (takir, tumpeng, golong, sudhi); 10) clothes (kemben, jarik, blankon);  11) names of flower ( ketheker, karok, mayang); 12) names of leaves (sinom, blarak, jlegor); 13) ceremonies (sepasaran, midodareni, nyadranan, tingkepan, nyewu); and many others. It is very difficult to find the equivalences of those cultural products, or even they cannot be translated into other languages at all, especially in English. If this happens, the translator has just to write them in the source language by providing the specific notes or explaination about the meaning of  those words according to the texts in a target language.
PEREMPUAN DALAM PERSPEKTIF POLITIK, HUKUM, DAN HAM (KAJIAN TERHADAP NOVEL-NOVEL INDONESIA MUTAKHIR KARYA WANITA PENGARANG) - Sulaiman
Prosodi Jurnal Ilmu Bahasa dan Sastra Vol 5, No 1: JANUARI 2011
Publisher : Program Studi Bahasa Inggris Universitas Trunojoyo Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (274.985 KB) | DOI: 10.21107/prosodi.v5i1.74

Abstract

Literature, among society, cannot be separated from the society itself. Literature lives because there is a society, a writer or an author who creates the work. In addition, literature lives from the soul of the society, meaning that the society is the object of its story. In this case, Faruk (1999: vi) clarifies that talking about literary work actually cannot be separated from society. It means that the presence of literary work is asreflection of the existence of society. It also can become the conscience of the authors by looking at the reality around them, whether from self-experience or the result of telescopic research about the attitudes of the surrounding society.
The Internal Conflicts Faced by the Protagonist Santiago in Following His Destiny in ‘The Alchemist’ by Paulo Coelho Ratih Kuswidyasari
Prosodi Jurnal Ilmu Bahasa dan Sastra Vol 7, No 2: JULI 2013
Publisher : Program Studi Bahasa Inggris Universitas Trunojoyo Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (81.233 KB) | DOI: 10.21107/prosodi.v7i2.38

Abstract

Tujuan studi ini untuk mengungkapkan konflik internal yang dihadapi oleh Santiago ¾ karakter utama dalam novel The Alchemist oleh Paulo Coelho ¾ dalam menjalankan takdirnya. Metode deskriptif kualitatif digunakan untuk menganalisa konflik internal Santiago. Data utama berbentuk narasi dan dialog antara tokoh-tokoh dalam novel tersebut. Dokumentasi sastra digunakan untuk mengumpulkan data yang relevan dari novel tersebut. Analisa data digunakan untuk menganalisa isi dan analisa naratif terdiri dari pengurangan dan interpretasi data. Studi ini menemukan bahwa Santiago menghadapi tiga konflik internal yang muncul karena pertentangan antara kebutuhan untuk mendapatkan kekuasaan pengakuan sosial, dan berpasangan dengan kebutuhan akan pencapaian pribadi.
STEREOTYPING BLACKS IN RICHARD WRIGHT’S NATIVE SON Rifah Inayati
Prosodi Jurnal Ilmu Bahasa dan Sastra Vol 8, No 2: JULI 2014
Publisher : Program Studi Bahasa Inggris Universitas Trunojoyo Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (244.065 KB) | DOI: 10.21107/prosodi.v8i2.313

Abstract

Amerika sebagai sebuah negara multikultural, terdiri dari banyak ras dan suku. Latar belakang ini kemudian memunculkan banyak permasalahan rasial, salah satunya berupa penstereotipan kelompok dari ras tertentu. Ada banyak faktor yang menyebabkan munculnya stereotip dalam masyarakat yang heterogen. Sastra, sebagai salah satu sarana pencerminan masyarakat, seringkali mengangkat masalah-masalah tersebut sebagai sebuah tema. Fenomena ini pula yang dituangkan Richard Wright, seorang penulis Amerika, di dalam novelnya yang berjudul Native Son. Oleh karena itu, studi ini menggunakan konsep sosiologi sastra yang menghubungkan karya sastra dengan element eksternalnya. Studi ini menemukan beberapa stereotip orang kulit hitam yang digambarkan dalam novel tersebut, seperti tidak berpendidikan, kriminal, religius, berbakat dalam musik. Novel ini juga menggambarkan stereotip keluarga orang kulit hitam di Amerika sebagai female headed family dan poor family.
BLACK BRITISH IDENTITY IN KWAME KWEI ARMAH’S ELMINA’S KITCHEN Yusri Fajar
Prosodi Jurnal Ilmu Bahasa dan Sastra Vol 6, No 1: JANUARI 2012
Publisher : Program Studi Bahasa Inggris Universitas Trunojoyo Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (151.086 KB) | DOI: 10.21107/prosodi.v6i1.65

Abstract

Identitas orang-orang keturunan Afrika yang telah menjadi warga negara Inggris menjadi isu menarik sejak mereka menetap dan membentuk masyarakat diaspora (imigran yang masih mempertahankan budaya mereka) di Inggris. Konstruksi identitas dipengaruhi oleh berbagai hal seperti keluarga, gender, ras, sejarah, bahasa, tingkah laku dan keterlibatan dalam kehidupan sosial. Drama kontemporer orang-orang keturunan Afrika di Inggris adalah karya penting yang merepresentasikan identitas orang-orang Afrika dan menjadi media untuk menyuarakan aspirasi dan pemikiran mereka dalam masyarakat Inggris yang didominasi oleh orang-orang kulit putih. Drama berjudul “Dapur Elmina” (Elmina’s Kitchen) karya Kwame Kwei Armah mengambarkan masyarakat keturunan Afrika dari Karibia di Inggris dan berbagai strategi mereka dalam beradaptasi dan bertahan hidup di Inggris. Sebagai kelompok minoritas, orang-orang keturunan Afrika ini bisa dikenali dari tradisi dan budaya mereka yang tercermin dari bahasa, bentuk kesenian, pakaian, kebiasaan, cara berpikir hingga tingkah laku. Lebih khusus lagi, identitas mereka bisa dilihat dari kebiasaan mereka melakukan kejahatan dan kekerasan. Artikel ini pertama akan menggambarkan masyarakat keturunan Afrika asal Karibia dan menghubungkannya dengan konstruksi identitas mereka secara umum. Kemudian, artikel ini akan menganalisis kontruksi identitas tokoh-tokoh keturunan Afrika di Inggris sebagaimana yang tercermin dalam drama “Dapur Elmina” (Elmina’s Kitchen)
Reading on Nausea and The Immoralist Through Existentialism Wenanda, Diva
Prosodi Jurnal Ilmu Bahasa dan Sastra Vol 15, No 2: (2021): prosodi
Publisher : Program Studi Bahasa Inggris Universitas Trunojoyo Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (274.449 KB) | DOI: 10.21107/prosodi.v15i2.12180

Abstract

The concept of existentialism is that the existence of a person is prior to their essence. The term "existence precedes essence" subsequently became a maxim of the existentialist movement. Put simply, this means that there is nothing to dictate that person's character, goals in life, and so on; that only the individual can define their essence. This study discussed existentialism in Nausea by Jean Paul Sartre and The Immoralist by Andre Gide, through Roquentin and Michel as the Characters. Roquentin and Michels, they tend to have an absolute freedom, means there is no influence from outside. What they actually want sometimes lies no motives why they are doing that thing.
Philosophy Of Language: Pragmatic Presupposition in Motivational Speech Within Discourse and Its Relevance Of Motivation in Teaching Learning Process to Reach Goals Nistiti, Nurul Ulfa
Prosodi Jurnal Ilmu Bahasa dan Sastra Vol 15, No 2: (2021): prosodi
Publisher : Program Studi Bahasa Inggris Universitas Trunojoyo Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (637.626 KB) | DOI: 10.21107/prosodi.v15i2.12185

Abstract

This research was taken from online media in the form of a speech on a YouTube channel called the English Speeches Channel featuring an inspiring woman named Muniba Mazari Baloch. She is a Pakistani artist, model, activist, motivational speaker, singer, social reformer, and television host. Her motivational speech is titled we all are Perfectly Imperfect. This research accompaniment three research questions by analyzing the types of presuppositions contained in Muniba Mazari's speech and determining the type of presupposition in his speech that comes up with the confession discourse function, then knowing how far her confessions influences her audiencess through what he delivers. The research method used in this research is descriptive qualitative by analyzing several utterances in her speech, through two approaches of theory pragmatic presupposition and confessional discourse analysis. The results showed that Muniba Mazari used all types of pragmatic presuppositions (Existential, Factive, Non-Factive, Lexical, Structural, and Counterfactual). Through this type of presupposition, Muniba Mazari also brings out the function of confessional discourse. The function of confessional discourse contained in her speech is a therapeutic, didactic, and interrogatory function. During the research, researchers found the main threat from the combination of these two theories is the strength of Motivational Assertion. The main threat that became the main idea as the direction of Muniba Mazari's speech in motivating her audiences. Then, this main thread also asserts how powerful Muniba Mazari's speech was. In this context, the results bring about optimism, achievable objectives, passion, and confidence. Finally, Muniba Mazari's speech entitled We Are Perfectly Imperfect which contains many moral messages can be said to be a motivational speech. It can be manifested in learning-teaching process. The result of combining these two theories produces the main thread that can be applied by several teachers in motivating their students in the learning-teaching process.
Implementasi Bahasa Adat Mombesara pada Proses Upacara Adat Perkawinan Masyarakat Suku Tolaki di Kota Kendari ALAN, ALAN
Prosodi Jurnal Ilmu Bahasa dan Sastra Vol 15, No 2: (2021): prosodi
Publisher : Program Studi Bahasa Inggris Universitas Trunojoyo Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (581.055 KB) | DOI: 10.21107/prosodi.v15i2.12176

Abstract

Bahasa sebagai sarana komunikasi antar penuturnya mempunyai peranan penting dalam kehidupan  sehari-hari,  karena  manusia  dalam  beraktivitas  tidak  terlepas  dari  manusia  lain, bahkan dengan lingkungan sekalipun. Dalam upaya memenuhi kebutuhan kita sehari-hari bahasa sangatlah perlu di gunakan baik lisan maupun tulisan. Bahasa adalah alat komunikasi antar sesama, dalam hubungan antar sesama penutur bahasa yang sama antar penutur bahasa yang lainnya. Dalam mempergunakan bahasa baik sebagai alat komunikasi sesama penutur membutuhkan pengetahuan untuk menginplementasikan bahasa itu sendiri. Telah kita ketahui bersama bahwa bahasa adat masing-masing suku mempunyai ciri khas masing-masing. Kemudian pada upacara adat perkawinan suku tolaki terdapat suatu adat yang di pertahankan keberadaannya, dan menjadi warisan budaya leluhur nenek moyang suku tolaki, dan bukan itu saja, adat mombesara ini sebagian besar warga masyarakat kendari sudah menjadikan ikon dalam melaksanakan upacara adat perkawinan mereka yang bersuku tolaki. Tentunya dalam upacara tersebut  terdapat  kata-kata  yang  sering  digunakan oleh  pembicara-pembicara  yang terlibat dalam acara tersebut yaitu yaitu bahasa mombesara. Dari permasalahan tersebut diatas, peneliti berusaha mencari tahu implementasi bahasa adat mombesara pada upacara adat perkawinan suku tolaki di kota Kendari dengan metode kualitatif. Dalam metode kualitatif ini, peneliti menentukan dan memilih informan sesuai dengan tujuan penelitian (purposive) yakni informan dari tolea yaitu penutur adat Mombesara dari pihak laki-laki,  Pabitara merupakan penutur adat Mombesara dari pihak perempuan dan tokoh Adat, tokoh Agama dan Pemerintah setempat yang sering dihadirkan dalam upacara tersebut, dan yang mengetahui dan memahami hal-hal yang berkaitan dengan masalah penelitian. Teknik pengumpulan data penelitian ini terdiri dari (1) observasi (2) wawancara mendalam (deep interview), dan (3) penelusuran kepustakaan. Hasil penelitian ini akan disajikan dengan menggunakan teknik informal dan formal. Secara informal, hasil penelitian ini disajikan dalam bentuk narasi karena makna teks bersifat verbal dan memiliki struktur naratif dengan mengikuti kaidah penulisan ilmiah. Secara formal, hasil penelitian ini disajikan melalui gambar, foto, peta dan lain sebagainya.
Adult Jokes in Sausage Party Movie: A Study of Multimodality Firmansyah, Muhammad Wahyu; Ariyanti, Lisetyo
Prosodi Jurnal Ilmu Bahasa dan Sastra Vol 15, No 2: (2021): prosodi
Publisher : Program Studi Bahasa Inggris Universitas Trunojoyo Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (567.602 KB) | DOI: 10.21107/prosodi.v15i2.12181

Abstract

The Sausage Party Movie is a comedy film directed by Conrad Vernon and Greg Tiernan (2016) which is sensational. The theme brings some controversy among people about how vulgar it is. The story exposed some sensitive themes such as intercourse, orgy, homosexuality, bisexuality, foreplay, torturing, murderer, annihilation, genocide, colonial domination, and other aspects as well. The contested scenes in the movie which manifest adult jokes are being analyzed by investigating the visual and linguistic elements related to the particular scenes. Thus, this study analyzed the adult jokes in “Sausage Party” by using multimodality approach which combines types of metafunction from Systemic Functional Linguistic (SFL) and visual elements of Gunther Kress and Theo van Leeuwen framework. The data were all scenes which contain adult jokes in this movie. The result reveals that some scenes may construct the meaning which related with the adult jokes. Despite the fact that this film is a comedy cartoon which associated with children, many adult jokes are being displayed to entertain the audiences which not suitable for underage communities. Likewise, the adult jokes are displayed as implicitly as possible to entertain either the underage who thinks it is only a usual joke or the adulthood who socially and practically understood the meaning behind it. In addition, the data is occupied by an intercourse activity between sausage and bun, torturing and murdered ideas, and also the idea of how human had intercourse from another perspective.
Madurese Deverbal Nominalization Process Hidayati, Alfin Fuji; Nurhayani, Ika; Choyimah, Nurul
Prosodi Jurnal Ilmu Bahasa dan Sastra Vol 15, No 2: (2021): prosodi
Publisher : Program Studi Bahasa Inggris Universitas Trunojoyo Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (373.348 KB) | DOI: 10.21107/prosodi.v15i2.12177

Abstract

Nominalizations can be structured by adding affixes before or after root to create new words in language.  Madurese has several language aspects that have not been widely explored. Previous linguistic studies on Madurese mostly focused on morphological aspects such as Madurese affixation in general. Therefore, this research discusses Madurese Deverbal Nominalization Process (Noun Derived from Verb). The goals of this research are to identify what types of affixes which form deverbal nouns in Madurese and to know how the affixation process that forms the deverbal nouns in Madurese. For example: pa-mandi-an, the root is mandi (take a shower) after it attachés to confix (pa- -an) the word class category changes to noun pa-mandi-an, that is a bath room. This research is a descriptive qualitative research, and the data were collected from a Madurese short story entitled Tora (satengkes carpan Madura), which was written by Jamal D. Rahma (2017). The findings are presented descriptively by identifying the process of the derivational forming nouns. The results of this research shows that prefixes, suffixes, confixes and infixes are contributed to create new lexemes in Madurese.

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