cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
M. Agus Burhan
Contact Email
urbansocietysart@yahoo.com
Phone
-
Journal Mail Official
urbansocietysart@yahoo.com
Editorial Address
-
Location
Kab. bantul,
Daerah istimewa yogyakarta
INDONESIA
Journal of Urban Society´s Arts
Published by Institut Seni Indonesia Yogyakarta
ISSN : 23552131     EISSN : 2355214X     DOI : -
Core Subject : Humanities, Art, Social,
Arts Humanities Social Sciences
Journal of Urban Society's Art ( Junal Seni masyarakat Urban) memuat hasil-hasil penelitian dan penciptaan seni yang tumbuh dan berkembang di masyarakat perkotaan yang memiliki struktur dan kultur yang berbeda dengan masyarakat pedesaan. Seni masyarakat urban merupakan manifestasi seni yang dihadirkan melalui media-media seni rupa, seni pertunjukan, dan seni media rekam yang erat dengan problematika kehidupan yang terjadi dalam keseharian masyarakat, serta bisa menjadi simbol yang menarik dan menjadi elemenpenting yang menjadi ciri khas dari (1) pusat kota, (2) kawasan pinggiran kota, (3) kawasan permukiman, (4) sepanjang jalur yang menghubungkan antar lingkungan, (5) elemen yang membatasi dua kawasan yang berbeda, seperti jalan, sungai, jalan tol, dan gunung, (6) kawasan simpul atau strategis tempat bertemunya berbabgai aktivitas, seperti stasiun, jembatan, pasar, taman, dan ruang publik lain.
Arjuna Subject : -
Articles 171 Documents
 14   15   16   17   18 
Beauty In South Korean Tv Series Drama Based On The Study Of Elements Television Artistic On The The ‘True Beauty’ Series Rahmawati, Handini; Suhartami, Wiwik; Irawanto, Budi
Journal of Urban Society's Arts Vol 10, No 2 (2023): October 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v10i2.8212

Abstract

Beauty In South Korean Tv Series Drama Based On The Study Of Elements Television Artistic On The The ‘True Beauty’  Series. Beauty standards in South Korea have gone global, including in Indonesia. South Korean beauty standards enter Indonesia through the South Korean entertainment industry, such as serial dramas, K-pop, which is often referred to as the hallyu industry. Beauty is often a social issue used in a South Korean drama series. One of the South Korean drama series that raises about beauty standards in South Korea entitled 'True Beauty'. This drama series is about how beautiful standards in South Korea are acceptable when interacting socially. This drama also has an impact to Indonesia, which is now can be reference for beauty. After this drama, there were many Indonesian beauty vloggers who created content related to beauty which was shown in the drama series 'True Beauty'. By using the  of artistic elements of television, this research will see how the picture of beauty in the drama series 'True Beauty'. This research results in how the artistic elements of television are applied in the depiction of beauty in the South Korean tv series drama 'True Beauty'. This study also produces a picture of beauty based on the perspective of the role of other characters when interacting socially with the main character who is not physically beautiful and beautiful because of make-up, which results in three points of view, namely the meaning of beauty, beautiful self-assessment and beautiful judgment of others.
Divorce Representation in Hindia’s Video Clip Version of “Alexandra” Jastisia, Irenia
Journal of Urban Society's Arts Vol 11, No 1 (2024): April 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v11i1.10860

Abstract

In the growing digital age, video clips serve as a promotional tool for music and can also be used to deliver complex social messages to audiences. Through their video clip titled “Alexandra”, Hindia describes how divorce affects the psychological condition of children to adulthood. The problem formulation of this study is how the child’s representation as a victim of divorce in Hindia’s video clip “Alexandra” is characterized by a qualitative descriptive method. Through Roland Barthes’ semiotic theory approach, non-verbal signs can be used to see a picture of the feelings and emotions of a character in a divorce story and reveal how hidden messages are represented through visual composition in a video clip. The commercial is interesting to be thorough because it features a social reality. The current issue of divorce is that of a child as a victim. The symbols are then examined along with the study of literature so that they can produce understandable interpretations. The conclusion of this study is to educate the public on the social issues of divorce so that it can encourage them to have critical thinking and move social action. Dalam era digital yang semakin berkembang, video klip tidak hanya berfungsi sebagai alat promosi musik semata, tetapi juga dapat digunakan sebagai sarana untuk menyampaikan pesan-pesan sosial yang kompleks kepada audiens. Hal tersebut dilakukan oleh salah satu musisi Indonesia, Hindia. Melalui video klipnya yang berjudul “Alexandra”, Hindia menggambarkan bagaimana dampak perceraian terhadap kondisi psikologis anak hingga dewasa. Rumusan masalah dari penelitian ini adalah bagaimana representasi anak sebagai korban perceraian dalam video klip Hindia versi “Alexandra” yang dikupas dengan metode deskriptif kualitatif. Melalui pendekatan teori semiotika Roland Barthes, tanda-tanda non-verbal dapat diungkap untuk melihat gambaran perasaan serta emosi dari karakter dalam kisah perceraian serta mengungkap bagaimana pesanpesan tersembunyi direpresentasikan melalui komposisi visual dalam video klip. Iklan ini menarik untuk teliti karena menampilkan realitas sosial terkini, yaitu isu perceraian yang dikemas dari sudut pandang anak sebagai korban. Simbol-simbol di dalamnya kemudian dikaji bersama dengan studi literatur sehingga dapat menghasilkan interpretasi yang dapat dipahami. Kesimpulan penelitian ini adalah untuk menyadarkan masyarakat mengenai isu sosial perceraian sehingga dapat mendorong mereka untuk memiliki pemikiran kritis serta menggerakkan tindakan sosial.
The Application Of The Solfegio Method In Learning Major Instrument Practice (string) II In The Music Education Study Program, Department Of Music, Faculty Of Language And Arts, Universitas Negeri Padang Mimanda, Fela Vio; Ardipal, Ardipal
Journal of Urban Society's Arts Vol 10, No 2 (2023): October 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v10i2.11075

Abstract

This study aims to determine whether the application of the solfegio method can improve the ability of student learning outcomes in aiming for tone in the practical learning course of major string instruments 2 of the Department of Sendratasik Music Education Study Program FBS UNP. The type of research is classroom action research (PTK) or classroom action research collaboratively using the Kemmis and Mctaggart cycle. The research subjects were students of the 2022 batch of major string instrument practice II (PIM 2) music education study program FBS UNP. The research procedure is planning, action implementation, observation, and reflection. Research instruments in the form of assessment test criteria sheets. Data collection techniques literature study, observation, practice assessment tests, documentation. Quantitative descriptive data analysis technique. The results showed: (1) the pre-cycle average score was 56.2 in the sufficient category (C) = incomplete (2) in cycle 1 was 67 in the sufficient category (B-) = incomplete, (3) in cycle 2 was 79.4 = complete. Students experienced an increase in cycle 1 of 10.8 and in cycle 2 of 12.4. The research was successful in cycle 2 meeting 2 and the results were significant. It can be concluded that the ability of students to aim for notes in playing string instruments has increased after taking action by applying the solfegio method. So the solfegio method can be applied in learning the practice of playing string instruments. Tujuan penelitian ini adalah untuk melihat, mengetahui dan mendeskripsikan bagaimana manfaat penerapan metode solfegio pada pembelajaran praktek instrumen mayor gesek di Prodi Pendidikan Musik Departemen Sendratasik Fakultas Bahasa dan Seni Universitas Negeri Padang. Objek penelitian yaitu metode solfegio (sight reading dan ear training). Subjek penelitian yaitu mahasiswa instrumen mayor gesek 1 semester 2. Jenis penelitian adalah kualitatif dengan metode studi pustaka. Data di diperoleh melalui (1.) observasi, (2.) wawancara, (3.) dokumentasi, dan (4) studi pustaka. Hasil penelitian menunjukkan sebagian besar mahasiswa instrumen mayor gesek tidak tepat dalam membidik nada. Metode solfegio (sight reading dan ear training) merupakan upaya membantu mahasiswa dalam meningkatkan musikalitas dan kemampuan bermain instrumen gesek sehingga dapat meminimalisir atau mengatasi kendala yang dihadapi saat memainkan instrumen gesek. Latihannya berupa membaca pola ritme dengan mengubah nilai not menjadi lebih sederhana, latihan mendengar dan memainkan interval nada 1, 2 atau lebih nada, latihan tangga nada, latihan membaca melodi pada lagu per birama. Proses latihan menggunakan tempo media bantu piano dan media audio visual sebagai pengiring. Latihan dilakukan secara rutin dan teratur menggunakan instrumen gesek. Maka dari itu metode solfegio dalam pembelajaran instrumen mayor gesek dapat memberikan manfaat yang baik dalam proses meningkatkan kualitas permainan mahasiswa baik dalam segi membaca pola ritme maupun mendengarkan nada. 
The Development of a Performance Anxiety Scale for Theatre Actor Dhani, Kurnia Rahmad
Journal of Urban Society's Arts Vol 10, No 2 (2023): October 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v10i2.6852

Abstract

Anxiety is the main barrier for an actor to give a perfect performance that determines the show’s overall quality. However, there have been no studies examining performance anxiety in theatre actors, especially in Indonesia. This study aims to develop a psychological scale that measures the actor’s performance anxiety level. The following five steps are carried out: (a) preparing the items based on the performance-only type of social anxiety; (b) checking content validity using Aiken's V method; (c) conducting a trial scale; (d) testing reliability using Cronbach's alpha; and (e) selecting items. One hundred sixty-three (163) theatre actors were given the Performance Anxiety Scale for Theatre Actors, which consists of 44 items. The analysis showed that Cronbach's alpha coefficient was 0.953 out of 38 passed items (r ≥ 0.30). Thus, the developed Performance Anxiety Scale for Theatre Actors has a good validity and reliability score and can be used properly.
Awareness Campaign Through Art Exhibition (Case Study: Kala Kali Incognito – Heri Dono) Puri, Litya Ainunning; Handriyotopo, Handriyotopo; Salma, Muthiah Anas
Journal of Urban Society's Arts Vol 11, No 1 (2024): April 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v11i1.10974

Abstract

This research aims to analyze art exhibitions as an awareness campaign through metaphorical symbols in the artworks. One of art’s functions is as a medium of awareness because artists deliver paradigm waves through their art. Kala Kali Incognito is an exhibition held by Heri Dono. Through this exhibition, Heri Dono presents his paradigm on the condition of Indonesians during the COVID-19 breakout. This research has contributed knowledge to society about art. Art is not only about aesthetics but also as a signifier of issues in society. Moreover, this research can be used as an alternative idea for the next curation of an exhibition, especially for understanding societal issues through art. This study uses a descriptive approach and interpretative analysis by reading about the social situation during the exhibition. The result showed that the Kala Kali Incognito’s Exhibition by Heri Dono was held as a reflection of COVID-19 issues and played a role in awareness and reflection for society in 2020. Penelitian ini bertujuan untuk menganalisis pameran seni rupa sebagai upaya penyadaran melalui simbol-simbol metafora dalam karya seni. Salah satu fungsi seni rupa adalah sebagai media penyadaran karena seniman menyampaikan gelombang paradigma melalui karya seninya. Kala Kali Incognito merupakan pameran yang diselenggarakan oleh Heri Dono. Melalui pameran ini, Heri Dono memaparkan paradigmanya tentang kondisi masyarakat Indonesia di tengah merebaknya COVID-19. Penelitian ini telah memberikan sumbangan pengetahuan kepada masyarakat tentang seni rupa. Seni rupa tidak hanya tentang estetika, tetapi juga sebagai penanda berbagai isu dalam masyarakat. Selain itu, penelitian ini dapat dijadikan sebagai alternatif ide untuk kurasi pameran selanjutnya, khususnya untuk memahami berbagai isu sosial melalui seni rupa. Penelitian ini menggunakan pendekatan deskriptif dan analisis interpretatif dengan membaca situasi sosial selama pameran berlangsung. Hasil penelitian menunjukkan bahwa Pameran Kala Kali Incognito karya Heri Dono diselenggarakan sebagai refleksi atas isu-isu COVID-19 dan berperan dalam penyadaran dan refleksi bagi masyarakat pada tahun 2020.
The Construction of Masculinity Myths in the Namin Group's Bajidoran Arena as a Specific Gender Order" Saepudin, Asep; Djohan, Djohan; Sunardi, Stanislaus
Journal of Urban Society's Arts Vol 10, No 2 (2023): October 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v10i2.11123

Abstract

The Sundanese people have long recognized bajidoran as an entertainment art form that presents the aesthetics of dance and traditional Sundanese music (karawitan). However, beneath this surface lies the complexity of power struggles and masculine domination among individuals involved in the Bajidoran Enthusiast Community (Komunitas Pecinta Bajidoran or KPB). Interestingly, the power struggles are not limited to men but also involve women. This phenomenon prompts an inquiry into why bajidoran is heavily associated with practices of masculinity. This study aims to address the following questions: why is bajidoran associated with practices of masculinity, how is this construction process carried out, what are the contributing factors, and what are the implications for the KPB? This research employs a qualitative method with an ethnographic approach, wherein the researcher values the experiences and realities of the subjects under study, even if they differ radically from their own. The researcher applies three characteristics of this new ethnography: honesty, towards other facts, self-reflection, and polyvocality. Data collection involves literature review, observation, interviews, and documentation. The findings of the research explain that: 1) masculinity is strongly embedded in bajidoran due to: firstly, cultural, daily practices, and historical contexts that construct masculinity, which are dialectically intertwined with the experiences of the KPB, both present and past. Secondly, the situational and practical conditions within the bajidoran arena (social relations and interactions) have great potential to generate masculinity. 2) The process of constructing masculinity involves seven stages: production, socialization, appreciation, internalization and externalization, relationships and interactions, staging, and formation. Eight factors contribute to the construction of masculinity: patterns/sequences, the role of the mc and pesinden (vocalists), pencug ibing (leader), kendang (drum), selendang (scarf), economic capital, alcoholic beverages, and musical elements. The results of this research provide insights for the Bajidoran Enthusiast Community and relevant institutions to reconstruct the staging of masculinity in a way that accommodates gender equality.
Cityscapes in Sound: Tracing Urban Perceptions in Pop Music’ Lyrics and Sentiments Across Decades Manifesty, Odilia Renaningtyas
Journal of Urban Society's Arts Vol 11, No 1 (2024): April 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v11i1.12676

Abstract

This study examines the representation of urban environments in popular music, analyzing how songs within similar eras depict particular perceptions of cities. The methodology consists of two main stages: systematic song selection from the mid-20th century to the present based on explicit urban references, followed by detailed song analysis using Python-based Natural Language Processing to measure urban theme strength, Pearson correlation analyses, and thematic assessments with TF-IDF and NMF techniques. Findings reveal a shift from mid-20th century idealistic views of urban life to more complex and nuanced representations reflecting contemporary social and economic realities. This evolution underscores pop music’s role as a mirror of urban experiences, capturing the vibrancy, challenges, and contradictions of city life. Limitation of the study includes the reliance on popularity metrics, as these may not fully capture a song’s cultural significance due to demographic biases and the influence of streaming algorithms. Nonetheless, this research contributes to urban studies and musicology by highlighting the intricate relationship between cultural expressions and urban perceptions. It suggests that utilizing pop songs as a methodological tool offers a novel way of understanding urban perception, providing an alternative to traditional studies that primarily focus on individual experiences. Penelitian ini mengkaji representasi lingkungan perkotaan dalam musik populer, menganalisis bagaimana lagu-lagu dalam era yang serupa menggambarkan persepsi tertentu tentang kota. Metodologi yang digunakan terdiri dari dua tahap: pemilihan lagu sistematis dari pertengahan abad ke-20 hingga saat ini berdasarkan referensi perkotaan yang eksplisit, diikuti dengan analisis lagu terperinci menggunakan Pemrosesan Bahasa Alami berbasis Python untuk mengukur kekuatan tema perkotaan, analisis korelasi Pearson, dan penilaian tematik dengan teknik TF-IDF dan NMF. Temuan mengungkapkan pergeseran dari pandangan idealistik kehidupan perkotaan di pertengahan abad ke-20 menjadi representasi yang lebih kompleks, mencerminkan realitas sosial dan ekonomi kontemporer. Evolusi ini menegaskan peran musik pop sebagai cermin pengalaman perkotaan, menangkap kehidupan kota yang penuh semangat, tantangan, dan kontradiksi. Keterbatasan studi ini termasuk ketergantungan pada metrik popularitas, karena ini mungkin tidak sepenuhnya menangkap signifikansi budaya sebuah lagu karena bias demografis dan pengaruh algoritma streaming. Namun demikian, penelitian ini memberikan kontribusi kepada studi perkotaan dan musikologi dengan menyoroti hubungan rumit antara ekspresi budaya dan persepsi perkotaan, membentuk bagaimana kehidupan kota dialami dan dipahami. Makalah ini menyarankan bahwa menggunakan lagu pop sebagai alat metodologis menawarkan cara baru untuk memahami persepsi perkotaan, menyediakan alternatif untuk studi tradisional yang kebanyakan berfokus pada pengalaman individu.
Metal Conservation Method in The Infinity Statue by Dunadi Ratnaningtyas, Yohana Ari; Purwanto, Tambak Sihno; R, Luna Chantiaya; T, Geminisya Aldeana
Journal of Urban Society's Arts Vol 11, No 1 (2024): April 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v11i1.11224

Abstract

The Infinity Sculpture by Dunadi is a media representation of the idea of the eternal function of bicycles over time. The infinity statue is primarily made of ferrous metal, so it has the potential for damage in the form of patina and rust, especially when exposed to direct sunlight, rainwater, oxygen, and other substances that accelerate corrosion growth. The current condition of the infinity statue by Dunadi could be better because most of the paint has peeled off, and rust has grown on the entire surface of the metal that is not covered with paint. This article discusses the application of modern metal conservation methods to Dunadi’s Infinity Sculpture. This study’s contemporary metal conservation method compares several synthetic chemicals to clean rust on metal and then apply it to Dunadi’s Infinity Statue. The synthetic chemicals used are some of the rust-cleaning agents available. Synthetic chemicals are available because they are easy to obtain and relatively safe. We tested Several brands of rust cleaners available on the market on metal objects similar to the material for making infinity statues. As a result, the most effective rust- cleaning chemicals contain hydrochloric acid. Patung Infinity karya Dunadi merupakan representasi media dari gagasan tentang fungsi abadi sepeda dari waktu ke waktu. Patung infinity utamanya terbuat dari logam besi, sehingga berpotensi mengalami kerusakan berupa patina dan karat, terutama jika terkena sinar matahari langsung, air hujan, oksigen, dan zat lain yang mempercepat pertumbuhan korosi. Kondisi patung infinity karya Dunadi saat ini bisa lebih baik karena sebagian besar catnya sudah terkelupas, dan karat sudah tumbuh di seluruh permukaan logam yang tidak dilapisi cat. Artikel ini membahas penerapan metode konservasi logam modern pada Patung Infinity karya Dunadi. Metode konservasi logam kontemporer dalam penelitian ini membandingkan beberapa bahan kimia sintetis untuk membersihkan karat pada logam lalu mengaplikasikannya pada Patung Infinity karya Dunadi. Bahan kimia sintetis yang digunakan merupakan beberapa bahan pembersih karat yang tersedia. Bahan kimia sintetis tersedia karena mudah diperoleh dan relatif aman. Kami menguji beberapa merek pembersih karat yang tersedia di pasaran pada benda logam yang mirip dengan bahan untuk membuat patung infinity. Hasilnya, bahan kimia pembersih karat yang paling efektif mengandung asam klorida.
Theme Of The Festival And Student Interest In Participating In The Student Film Setyawan, Deddy; Widyastutieningrum, Sri Rochana; Handriyotopo, Handriyotopo
Journal of Urban Society's Arts Vol 10, No 2 (2023): October 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v10i2.10988

Abstract

This research aims to analyze the relationship between film festival themes and students' interest in participating in the Jogja Student Film Festival (FFPJ). On the one hand, the theme of a film festival provides guidance about the films that will be competed in the festival, on the other hand, the theme can also limit students' freedom in expressing ideas or ideas through film works. Restrictions on a theme may reduce interest in participating in the festival. This research uses descriptive qualitative methods. Data was taken from interviews and FFPJ documents from 2010 - 2021. Data analysis was descriptive qualitative. The research results show a clear pattern trend, namely the relationship between themes and the number of film works included in FFPJ. When FFPJ has a free theme, the number of film works tends to increase. When FFPJ has a theme determined by the organizer, the number of films included in FFPJ decreases. Students seem to prefer making films to express their ideas or concepts according to their themes rather than having to make films according to the themes desired by the organizers.
Photography Poetry as A Hybrid Art Work Nugroho, Yulius Widi
Journal of Urban Society's Arts Vol 11, No 1 (2024): April 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v11i1.11085

Abstract

Photography Poetry is a form of creative expression that combines literary and visual elements to create powerful and inspiring works of art. This research develops an art creation method using photography media to explore meaning directed towards poetry literary works, as a manifestation of the potential of poetry photography as a hybrid work of art. This creation aims to explore the process of making poetry photography, explore how to compose poetry words based on the visual elements of photography, and analyze how poetry photography works can be understood and enjoyed by the audience. Explore and develop methods used in creating hybrid works of art, using Roland Barthes’ theory of visual meaning. Producing unique and profound works of art, which are able to communicate meaning and emotion in a more complex way than words or images alone. An in-depth analysis of the results of the creation of this work reveals that poetry photography is a medium that allows artists to convey emotional and intellectual messages in a deeper and broader way. Poetic photography shows that hybrid art is a bridge between different types of creative expression, creating engaging experiences and changing the way we view art in a broader context. It is hoped that this research will become a basis for further development in the field of artistic and literary photography, as well as inspiring artists/researchers to continue exploring the boundaries of creativity in poetry photography. Fotografi Puisi merupakan bentuk ekspresi kreatif yang menggabungkan unsur-unsur sastra dan visual untuk menciptakan karya seni yang kuat dan menginspirasi. Penelitian ini mengembangkan metode penciptaan seni menggunakan media fotografi untuk menggali pemaknaan yang diarahkan untuk karya sastra puisi, sebagai wujud potensi fotografi puisi sebagai karya seni hibrida. Penciptaan ini bertujuan untuk menjelajahi proses pembuatan fotografi puisi, mengeksplorasi cara menyusun kata-kata puisi berdasarkan elemen visual fotografi, serta menganalisis bagaimana karya fotografi puisi dapat dipahami dan dinikmati oleh penonton. Menggali dan mengembangkan metode yang digunakan dalam menciptakan karya seni hibrida, menggunakan teori pemaknaan visual dari Roland Barthes. Menghasilkan karya-karya seni yang unik dan mendalam, yang mampu mengkomunikasikan makna dan emosi dengan cara yang lebih kompleks daripada kata-kata atau gambar sendiri. Analisis mendalam terhadap hasil penciptaan karya ini mengungkapkan bahwa fotografi puisi merupakan medium yang mampu memungkinkan seniman untuk menyampaikan pesan emosional dan intelektual dengan cara yang lebih mendalam dan luas. Fotografi puisi menunjukkan bahwa seni hibrida adalah jembatan antara berbagai jenis ekspresi kreatif, menciptakan pengalaman yang menarik dan mengubah cara kita melihat seni dalam konteks yang lebih luas. Diharapkan penelitian ini akan menjadi landasan untuk pengembangan lebih lanjut dalam bidang fotografi seni dan sastra, serta menginspirasi para seniman/peneliti untuk terus menggali batas-batas kreativitas dalam fotografi puisi.

Page 17 of 18 | Total Record : 171

 14   15   16   17   18 

Filter by Year

2012 2025


Reset
Filter By Issues
All Issue Vol 12, No 1 (2025): April 2025 Vol 11, No 2 (2024): October 2024 Vol 11, No 1 (2024): April 2024 Vol 10, No 2 (2023): October 2023 Vol 10, No 1 (2023): April 2023 Vol 9, No 2 (2022): October 2022 Vol 9, No 1 (2022): April 2022 Vol 8, No 2 (2021): October 2021 Vol 8, No 1 (2021): April 2021 Vol 7, No 2 (2020): October 2020 Vol 7, No 1 (2020): April 2020 Vol 6, No 2 (2019): October 2019 Vol 6, No 1 (2019): April 2019 Vol 5, No 2 (2018): October 2018 Vol 5, No 1 (2018): April 2018 Vol 4, No 2 (2017): October 2017 Vol 4, No 1 (2017): April 2017 Vol 3, No 2 (2016): October 2016 Vol 3, No 1 (2016): April 2016 Vol 2, No 2 (2015): October 2015 Vol 2, No 1 (2015): April 2015 Vol 1, No 2 (2014): October 2014 Vol 1, No 1 (2014): April 2014 Vol 13, No 2 (2013): Oktober 2013 Vol 13, No 1 (2013): April 2013 Vol 12, No 2 (2012): Oktober 2012 Vol 12, No 1 (2012): April 2012 More Issue