cover
Contact Name
Ferry Adhi Dharma
Contact Email
kanal@umsida.ac.id
Phone
+6285702578543
Journal Mail Official
kanal@umsida.ac.id
Editorial Address
Jl. Mojopahit no.666 B, Sidoarjo, Jawa Tiimur
Location
Kab. sidoarjo,
Jawa timur
INDONESIA
Kanal : Jurnal Ilmu Komunikasi
ISSN : 23026790     EISSN : 25412841     DOI : https://doi.org/10.21070/kanal
Core Subject : Social,
Aim: to facilitate scholar, researchers, and teachers for publishing the original articles of review articles. Scope: Communication Science include: Interpersonal Communication Mass Communication Politics Communication Development Communication Communication Media Culture Communication Business Communication Public Relation Journalism
Articles 200 Documents
Collective Identity of Genshin Impact Fans in the “Genshin Impact Indonesia” Discord Server : Identitas Kolektif Fans Genshin Impact di Komunitas Discord dalam Server “Genshin Impact Indonesia” Callista, Vania; Humaira, Namira Najma; Rosydawati, Aprilia
Kanal: Jurnal Ilmu Komunikasi Vol. 14 No. 2 (2026): Maret 2026
Publisher : Universitas Muhammadiyah Sidoarjo

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Abstract

Penelitian ini bertujuan untuk memahami identitas kolektif yang terbentuk dalam komunitas pemain Genshin Impact pada server Discord Genshin Impact Indonesia. Discord dipilih karena platform ini menyediakan ruang interaksi yang fleksibel dan memungkinkan anggota berkomunikasi secara real-time hingga asinkron. Penelitian menggunakan metode kualitatif dengan pendekatan netnografi melalui observasi dan wawancara dengan 6 informan aktif. Studi ini menggunakan pendekatan bertema untuk menemukan pola interaksi dan makna sosial. Dari penelitian ini, identitas kolektif terbentuk dari tiga unsur utama. Pertama, bentuk komunikasi yang cair menandakan kedekatan. Kedua, pertukaran pengetahuan dapat menciptakan hubungan saling membutuhkan. Ketiga, fitur digunakan sebagai penanda kedekatan kelompok. Komunitas ini menjadi tempat yang memberi dukungan emosional dari antaranggota. Sehingga, discord berfungsi sebagai lingkungan yang memungkinkan terbentuknya identitas kolektif melalui interaksi dan budaya komunitas.
Environmental Communication By Indigenous Women in Pampa Processing in Moa Village, Kulawi District, Sigi Regency: Komunikasi Lingkungan oleh Perempuan Adat dalam Pengolahan Pampa di Desa Moa, Kecamatan Kulawi, Kabupaten Sigi Fani Saura; Sitti Murni Kaddi; Andi Febri Herawati
Kanal: Jurnal Ilmu Komunikasi Vol. 15 No. 1 (2026): September
Publisher : Universitas Muhammadiyah Sidoarjo

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Abstract

Penelitian ini bertujuan untuk menganalisis praktik komunikasi lingkungan dalam pengelolaan pampa oleh perempuan di Desa Moa. Fokus penelitian meliputi penyampaian pesan, media komunikasi, serta efek dan umpan balik yang dihasilkan. Penelitian ini menggunakan pendekatan kualitatif dengan metode deskriptif melalui teknik wawancara mendalam, observasi, dan dokumentasi dengan melibatkan  perempuan pengelola pampa, aparat desa, dan lembaga adat. Hasil penelitian menunjukkan bahwa komunikasi lingkungan berlangsung secara kontekstual dan terintegrasi dalam aktivitas sehari-hari. Perempuan berperan penting dalam menyampaikan nilai-nilai lingkungan melalui praktik langsung dalam keluarga dan masyarakat. Pesan yang disampaikan tidak hanya berkaitan dengan aspek ekonomi, tetapi juga mengandung nilai sosial dan budaya. Komunikasi dilakukan secara interpersonal dan nonformal. Dampak komunikasi terlihat pada meningkatnya pemahaman masyarakat, meskipun masih terdapat perbedaan tingkat kesadaran, terutama pada generasi muda. Penelitian ini menyimpulkan bahwa komunikasi lingkungan oleh perempuan berperan penting dalam keberlanjutan pengelolaan pampa.
Untangling the Tangled Threads of Public Communication Management for the 2025 Hajj Implementation: Mengurai Benang Kusut Manajemen Komunikasi Publik Penyelenggaraan Haji 2025 Shinta, Putri Preysilia; Sattar, Abdul
Kanal: Jurnal Ilmu Komunikasi Vol. 14 No. 2 (2026): Maret 2026
Publisher : Universitas Muhammadiyah Sidoarjo

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Abstract

Penyelenggaraan haji 2025 menghadapi tantangan kompleksitas komunikasi publik akibat transisi sistem layanan digital dan skema multi-syarikah. Penelitian ini bertujuan untuk menganalisis dinamika manajemen komunikasi publik penyelenggara haji, khususnya pada fungsi perencanaan, pengorganisasian, pelaksanaan, dan evaluasi terkait isu pemisahan hotel jemaah dan keterlambatan distribusi kartu Nusuk. Menggunakan pendekatan kualitatif deskriptif dengan metode studi kasus, data dikumpulkan melalui wawancara mendalam dengan petugas haji kloter 54 dan jemaah haji kloter 13/16 yang terdampak langsung. Analisis data dilakukan dengan model interaktif Miles dan Huberman. Hasil penelitian menunjukkan bahwa fungsi perencanaan telah terdigitalisasi melalui E-Hajj namun belum memiliki manajemen risiko krisis yang matang, sehingga terjadi kesenjangan data antara sistem dan realitas lapangan. Pengorganisasian komunikasi terfragmentasi akibat kebijakan multi-syarikah yang memecah koordinasi petugas, sementara pelaksanaan komunikasi di lapangan masih bersifat reaktif, satu arah, dan terkendala bahasa. Evaluasi komunikasi sangat bergantung pada saluran informal seperti WhatsApp untuk meredam kecemasan jemaah. Penelitian ini menyimpulkan bahwa transformasi digital haji memerlukan integrasi manajemen komunikasi publik lintas yurisdiksi untuk menghindari fragmentasi pesan yang merugikan jemaah.
Crisis Communication Strategy of Bahlil Lahadalia in The 3 KG LPG Polemic on Metro TV’s TikTok: Strategi Komunikasi Krisis Bahlil Lahadalia dalam Menangani Polemik Gas Elpiji 3 KG Pada Akun TikTok Metro TV Quthb, Sayyid; Ridho, Subkhi
Kanal: Jurnal Ilmu Komunikasi Vol. 14 No. 2 (2026): Maret 2026
Publisher : Universitas Muhammadiyah Sidoarjo

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Abstract

Perkembangan media sosial telah mengubah praktik komunikasi krisis kebijakan publik, terutama ketika kebijakan pemerintah berdampak langsung pada kebutuhan dasar masyarakat. Polemik kebijakan distribusi LPG 3 kg bersubsidi pada awal 2025 memicu keresahan sosial dan krisis kepercayaan publik, yang diperparah oleh minimnya sosialisasi serta cepatnya amplifikasi opini melalui platform digital seperti TikTok. Penelitian ini bertujuan menganalisis strategi komunikasi krisis Bahlil Lahadalia dalam menangani polemik gas elpiji 3 kg melalui pemberitaan akun TikTok Metro TV serta mengkaji “bagaimana” strategi tersebut memengaruhi persepsi dan reaksi publik dalam ruang komunikasi digital. Penelitian ini menggunakan pendekatan kualitatif dengan desain studi kasus dan kerangka teori Situational Crisis Communication Theory (SCCT) Timothy Coombs. Data diperoleh melalui dokumentasi lima unggahan TikTok Metro TV pada Februari 2025 dan dianalisis secara deskriptif-interpretatif. Hasil penelitian menunjukkan bahwa Bahlil Lahadalia menerapkan strategi komunikasi krisis primer berupa denial, diminish, dan rebuild secara adaptif, namun tidak konsisten. Perubahan strategi yang reaktif tersebut bersifat kontraproduktif dan memperburuk persepsi publik. Penelitian ini menegaskan pentingnya komunikasi krisis yang preventif, konsisten, dan empatik dalam pengelolaan krisis kebijakan publik di era media sosial, serta membuka peluang kajian lanjutan mengenai respons publik terhadap komunikasi krisis pemerintah di platform digital.
Analysis of the Use of TikTok Filter Bubble to Increase Content Engagement on Clipper Accounts: Analisis Pemanfaatan Filter Bubble TikTok untuk Meningkatkan Engagement Konten pada Akun Clipper Ilham Muhammad; Khaerudin Imawan; Yanto Heryanto
Kanal: Jurnal Ilmu Komunikasi Vol. 15 No. 1 (2026): September
Publisher : Universitas Muhammadiyah Sidoarjo

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This study aims to analyze the utilization of the Filter Bubble phenomenon on TikTok to increase content engagement on Clipper accounts. TikTok uses a personalization-based recommendation system through the For You Page (FYP), which distributes content according to user interests, interaction history, and viewing behavior. In this study, Filter Bubble is examined through three analytical dimensions: information personalization, algorithmic curation, and selective exposure. The research employed a descriptive qualitative method. Data were collected through interviews, virtual observation, and documentation of five Clipper accounts, with @Juaaan as the main informant and @mugniXD, @SuperstarJumbo, @futuregrow.id, and @traeditz98 as supporting informants. The findings show that Clipper accounts utilize trending topics, distinctive editing styles, and content repackaging strategies to increase views, likes, comments, shares, and audience retention. The TikTok algorithm then strengthens the distribution of highly interactive content, creating repeated exposure to similar topics and sustaining engagement growth. This study confirms that Filter Bubble can be understood not only as a risk in digital communication, but also as a strategic opportunity for content visibility when applied ethically, creatively, and systematically.
The Kitchen as Space: A Critical Discourse Analysis of Gender Representation at Babalu Cafe and in Farida Nurhan’s YouTube Content: Dapur sebagai Ruang: Analisis Wacana Kritis tentang Representasi Gender di Babalu Cafe dan Konten YouTube Farida Nurhan Kumala Hayati
Kanal: Jurnal Ilmu Komunikasi Vol. 15 No. 1 (2026): September
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The advent of social media particularly YouTube—has transformed many aspects of life, including how the kitchen is interpreted as a space for the production of meaning, particularly regarding gender. This stands in contrast to the past, when the kitchen was viewed as a secluded domestic space. This article examines critical discourses surrounding gender representation, focusing on Babalu Cafe and Farida Nurhan as YouTube creators selected to exemplify the discourse of the kitchen as a space. A qualitative approach was employed, utilizing observation and literature review for data collection. Data gathered from seven YouTube videos were categorized into primary data (videos from the Babalu Cafe and Farida Nurhan channels) and secondary data (coverage videos by Mgdalenaf, Dyodoran, and Bang Tarjo Vlog). The study yielded three key findings: (1) at the textual dimension, the two creators construct the meaning of the kitchen differently through their choice of jargon, title and thumbnail strategies, and the use of audience nicknames to evoke emotional responses; (2) at the discursive practice dimension, the kitchen is represented as a "cooking space" by the male creator through a "rebel cooking" style, whereas the female creator represents it as a "kitchen space" through aesthetics, taste, and interpersonal relationships; (3) at the social practice dimension, kitchen representations reflect the reproduction of patriarchal ideology, the gendered professionalization of cooking, the commodification of the kitchen within the creator economy ecosystem, social class contestation through lifestyle, and the naturalization of gender ideology via digital entrepreneurialism.
Representations of Indonesia in Dutch Cinema: Media Analysis of the Films De Oost, Gordel van Smaragd, and Oeroeg: Representations of Indonesia in Dutch Cinema: Media Analysis of the Films De Oost, Gordel van Smaragd, and Oeroeg Danil Kasputra; Alila Pramiyanti; Betty Tresnawaty; Maylanny Christin
Kanal: Jurnal Ilmu Komunikasi Vol. 15 No. 1 (2026): September
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In the modern era, film has become a medium for cultural communication in creating public understanding of history and collective memory. Within the framework of Dutch-Indonesian relations, colonial and post-colonial films not only attempt to show the past, but also become a place for negotiating meanings related to colonialism, violence and national identity. This study seeks to understand how Indonesia and Dutch colonialism are represented in three Dutch films, namely Gordel van Smaragd, Oeroeg and De Oost, and how the representations in these three films serve to frame colonial memory in the public sphere. This study uses a qualitative approach with a comparative media analysis design. The analysis is based on Stuart Hall's framework of representation, supplemented by visual semiotics and postcolonial discourse analysis. Various data are analysed through the identification of narratives, characters, visuals, and storytelling structures in the three films to reveal patterns of representation. The results of the study show that the three Dutch films consistently focus the narrative perspective on the experiences of Dutch characters. Gordel van Smarang frames colonialism with imperial nostalgia that normalises colonial life. Meanwhile, the film Oeroeg attempts to reflect on the post-colonial situation in a more critical manner, although it still limits itself to the moral dilemmas of Dutch characters. 
Maqāṣid Syarīʿah Da'wah Journalism Model in PTKIN Hajj Guidance: Model Jurnalistik Dakwah Berbasis Maqāṣid Syarīʿah dalam Bimbingan Haji PTKIN M. Yoserizal Saragih; Depi Lisnawati
Kanal: Jurnal Ilmu Komunikasi Vol. 15 No. 1 (2026): September
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This article aims to formulate a maqāṣid syarīʿah-based journalistic model of da'wah in the practice of KBIH-PTKIN Hajj guidance by integrating conceptual and empirical approaches. The research uses a qualitative approach with a case study design limited to the practice of manasik guidance in the PTKIN environment, supported by literature studies and document analysis. Data were obtained through analysis of the manasik module, limited observation, and semi-structured interviews with KBIH guides. The results show that Hajj guidance can be understood as a practice of journalistic da'wah involving the processes of gatekeeping, framing, and distribution of religious messages based on maqāṣid values. Maqāṣid syarīʿah functions as an editorial ideology that directs the selection and construction of messages, while PTKIN acts as a value curation institution that ensures the consistency of a moderate and contextual religious orientation. This study offers an operational model consisting of three layers: ideological (maqāṣid), operational (gatekeeping-framing), and distributional (multimodal digital). This model emphasizes that manasik is not only instructional in nature, but also a process of constructing religious meaning. The main contribution of this article is to present a new perspective in the study of Islamic journalism by positioning the Hajj rituals as a practice of producing religious discourse based on systemic, adaptive, and transformative values.
A Political Participation Typologies and Digital Media Access: A Cluster Analysis of Urban-Periurban Voters in Bogor, Indonesia: Tipologi dan Segmentasi Partisipasi Politik Berdasarkan Akses Media Informasi Digital di Kota dan Kabupaten Bogor Mochammad Fahrezi Putra Widjaya
Kanal: Jurnal Ilmu Komunikasi Vol. 15 No. 1 (2026): September
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The digital transformation in Indonesia has led to a paradox in which rapid internet penetration has not proportionally increased political participation, particularly at the local level. Bogor City and Bogor Regency, with West Java internet penetration reaching 82.73% in 2024, represent an ideal urban-periurban laboratory to examine this phenomenon. This study aims to (1) analyze the influence of digital media information access on political participation, (2) compare digital media access and political participation between Bogor City and Bogor Regency, and (3) identify political participation typologies based on digital media information access. A quantitative cross-sectional survey was conducted involving 404 respondents registered in the 2024 Regional Election Permanent Voter List. Data were analyzed using simple linear regression, Spearman's Rho correlation, Mann-Whitney U test, and K-Means Clustering. Results indicate that digital media information access has a positive and significant effect on political participation (B = 0.349; F = 55.605; Sig. < 0.001; R² = 12.2%), with a weak-to-moderate correlation (r = 0.320). No significant differences were found between Bogor City and Bogor Regency in either digital media access (Sig. = 0.840) or political participation (Sig. = 0.321). K-Means Clustering identified three distinct typologies: Active Participants (high access, high participation), Moderate Participants (medium access, medium participation), and Passive Participants (low access, low participation). These findings confirm the multi-level digital divide framework and the participation typology, revealing that access intensity rather than geography is the primary determinant of civic engagement patterns.
Authentic Personality and Self-Presentation in Digital Media: A Study of Roblox Users: Kepribadian Autentik dan Presentasi Diri dalam Media Digital: Studi pada Pengguna Roblox Tiara Salsabilla; Miftahun Najah
Kanal: Jurnal Ilmu Komunikasi Vol. 15 No. 1 (2026): September
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The expansion of digital spaces enables individuals to construct and express their identities through virtual interactions, including on online gaming platforms such as Roblox. However, the freedom to present oneself in digital environments does not always reflect an individual's authentic personality. This study aimed to examine the relationship between authentic personality and self-presentation among Roblox users in Indonesia. A quantitative correlational design with incidental sampling was employed. A total of 249 Roblox users participated in the study. Data were collected using authenticity scale and self-presentation scale and analyzed using Pearson correlation. The results revealed a significant negative relationship between authentic personality and self-presentation. Regression analysis indicated that authentic personality contributed 13.3% to the variance in self-presentation. These findings suggest that individuals with higher levels of authentic personality are less likely to intensively manage or construct their online self-image. The study highlights the importance of authentic personality in understanding self-presentation daring behavior and contributes to the growing literature on digital communication and identity construction in interactive media environments.