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E-Journal Of Cultural Studies

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Published by Universitas Udayana

ISSN : 23382449 EISSN : - DOI : -

Core Subject : Humanities, Art,

Arts Humanities

Cultural studies constitutes an interdisciplinary area critically discussing socio-political contexts of various cultural practices in society. Its focus is on the relation among such cultural practices and the power controlling them. Cultural studies was pioneered by the Centre for Contemporary Cultural Studies (CCCS) of the University of Birmingham, England, in 1960s. Unlike what has been a tradition in the modern epistemology, cultural studies is concerned with what human emancipation aims at. Therefore, cultural studies does not only refer to a theoretical-conceptual matter but also to the location and critical action in which it manifests itself.

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Articles 271 Documents

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DICTION OF DAYAK KATINGAN FAMILY ARTICULATION IN TEWANG TAMPANG VILLAGE AND ITS IMPLICATIONS ON FAMILY COLLABORATION Rahmawati, Ni Nyoman; Anom Kumbara, A.A. Ngurah; Suda, I Ketut; Ruastiti, Ni Made
E-Journal of Cultural Studies Volume 11, Number 4, November 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

The difference in religious ideology in the Dayak Katingan family in the village of Tewang Tampang in reality does not trigger conflict, they always live in harmony and harmony. This can be seen from their intimacy and togetherness in daily social interactions. However, behind this harmony there is also a struggle for religious ideology in the practice of tradition. For this reason, the purpose of this study was focused on knowing how the Dayak Katingan family in Tewang Tampang Village articulated its diversity and outlined its implications for harmony in the family. This study uses a qualitative method. Data sources are primary and secondary data. Data was collected through participant observation techniques, in-depth interviews, and document studies. Determination of informants was conducted purposively and Snowball, the theories used were phenomenology theory, hermeneutic theory, and communicative action theory. The results showed that the way the Dayak Katingan family in Tewang Tampang village articulated their family traditions in a different way between Kaharingan Hindus, Islam and Christianity. This can be seen from the articulation presented by them, namely the Hindu Kaharingan people articulating tradition as part of religious rituals and in practice based on established rules. Meanwhile Muslims and Christians only articulate tradition as part of Dayak customs and culture and in practice adapts to the teachings of the religion adhered to. This difference in articulation of tradition has implications for religious attitudes in the family such as the opening of a space for dialogue, a tolerant attitude of religion, and a strengthening of family relations. Keywords: Articulation, religiosity, implications, diction

THE USE OF ELECTRIC ENERGY FOR HOUSEHOLD NEEDS AT SUKAWATI DISTRICT, GIANYAR REGENCY: IN THE PERSPECTIVE OF CULTURAL STUDIES Jondra, I Wayan; Agung, A. A. Gde; Wijaya Kusuma, I G. B.; Suastika, I Made
E-Journal of Cultural Studies Vol. 5, No. 2 Juli 2011
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Sukawati District, Gianyar Regency is one of the tourist attractions anddestinations. Sukawati has Sukawati art market and Guwang market, art shops,craftsmen, wood carvers, painters, traditional and contemporary artists. They all completethe atmosphere at Sukawati. As a result, more and more people intend to build housesthere for which more and more electric energy is needed. This study was conducted toevaluate the use of electric energy at Sukawati District. The problems are formulated asfollows: how electric energy is used; how comodification takes place; how thegovernment and Perusahaan Listrik Negara, abbreviated to PLN (the Utility Company)dominates people and how the people resist the government’s hegemony, what are theeffects and meanings of the electric energy used at Sukawati District.Qualitative method supported by quantitative data, which characterize CulturalStudies, was adopted in this study. The data were taken from primary resources andsecondary resources. Qualitative method was eclectically employed for analyzing thedata supported by the theory of consumer behavior, the theory of comodification, thetheory of hegemony, the theory of knowledge and power and the theory ofdeconstruction. The results of the study were formally presented using tables, graphs andpictures and were informally narrated.The results of the study show that the increase in the number of population hasresulted in the increase in the number of traditional houses without/with slightmodification and modern houses. The rise in the number of houses has resulted in the risein electricity needed for illumination, mechanical purposes and so forth. The peopleliving at traditional houses use less and simpler electric utilities than those living atmodern houses. The electric utilities used are highly influenced by both internal andexternal factors. The advertisements of electric utilities also contribute to the use ofelectric utilities, meaning that electricity has touched what is required by the people atSukawati District. By referring to the 1945 Constitution, the PLN has dominated thedistribution of electricity. This has been used to comodify electric energy by changing itsstatus into a limited liability company, and to increase the basic rate of electricity (tarifdasar listrik, abbreviated to TDL) with its various scenarios socialized through massmedia. The government and the PLN dominate the community to accelerate their comodification practices. Such a dominance or hegemony is resisted by the traditionalpeople by strengthening their Balinese identity through the preservation of Balitraditional houses. Electricity has covered all the banjar/dusun (neighborhood under avillage) resulting in different effects such as giving up bathing in the public bathingplace, the extinction of informal communication among the people, renegotiation ofsacred values, change in orientation of the sekas (the traditional groups established forparticular purposes) from being orientated their activities to non economic motivationsinto economic ones. The different backgrounds of the people at Sukawati District havecaused the meaningfulness of the availability of electricity to vary.

IDEOLOGICAL DECONSTRUCTION OF THE PROMOTIONAL MEDIA IN BALI CULTURAL TOURISM Udayana, AA Gde Bagus; Atmadja, Nengah Bawa; Dhana, I Nyoman
E-Journal of Cultural Studies Volume 10, Number 1, February 2017
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

The regional regulation issued by the Provincial Government Number 2 of 2012 defines that Tri Hita Karana is a Hindu philosophy explaining the three things which contribute to prosperity. Therefore, the promotional media of tourism should be ideally based on the ideology of Tri Hita Karana. However, the fact shows that it has been marginalized in the promotional media of the Bali cultural tourism. In relation to this, three main theories are used in the present study. They are the theory of deconstruction, the theory of practice, and the theory of social reality construction. The qualitative, descriptive, and interpretative methods were employed to analyze the data, which were collected through in-depth interview, observation and documentary study. Based on the result of the study, it can be concluded that the capitalistic ideology, the ideology of cultural dualism, the ideology of consumerism, the ideology of commercialism, the ideology of totalitarianism, and the ideology of pseudo-social responsibility have been responsible for the marginalization of the ideology of Tri Hita Karana in the promotional media of the Bali cultural tourism. The system used to deconstruct the promotional media of the Bali cultural tourism involves the government, private companies, and the graphic design consultants. They are oriented towards their respective ideology and interest. The ideology and interest-oriented promotional media of the Bali cultural tourism affect the image of Bali as a tourist destination. The implications are as follows: Bali is an area of the culture of tourism; it is an area where postmodern people live; it is an area where glocalization takes place; it is an area where modern spirituality develops; it is also an area where the identity of the Balinese people and culture is shown not to be in accordance with the fact.

CUSTOMARY CONFLICT AND BANISHMENT ‘KASEPEKANG’ AT BUNGAYA TRADITIONAL VILLAGE, KARANGASEM REGENCY, BALI: IN THE PERPECTIVE OF CULTURAL STUDIES Windia, I Wayan; Parimartha, I Gde; Putri Astita, Tjok Istri; Drama Putra, Nyoman
E-Journal of Cultural Studies Vol. 3, No. 1 Januari 2009
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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RESISTANCE OF KATOBENGKE ETHNIC PEOPLE TO HEGEMONY OF TRADITIONAL ELITES IN BAUBAU CITY SOUTH EAST SULAWESI Dirman, La Ode; Kumbara, A.A. Ngurah Anom; Mbete, Aron Meko; Mudanu, I Gede Mudana
E-Journal of Cultural Studies Vol 8 No 3 (2015): Volume 8, Number 3, August 2015
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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The Katobengke ethnic group is one of the sub Buton ethnic groups which has been marginalized since the new order. When the reformation era started, they resisted the system of the knowledge which the traditional elites had. This present study was intended to understand the practice of resistance shown by the Katobengke people to the hegemony of the traditional elites based on the historical history and its implication on themselves and the traditional elites. It can be theoretically used as a model and a new concept and method of the development of the cultural studies. It can practically give input to the government as to the empowerment of the marginalized people using their local genius and maintenance of their cultural identity. The result of the present study shows that the resistance shown by the Katobengke people to the traditional elites through the mythological discourse of identity; symbolic resistance and physical violence; the factors contributing to the resistance were discrimination of identity, stigmatization of the Indonesian Communist Party ‘Partai Komunis Indonesia (PKI), the slave stereotype, the traditional taboo; the implication of the resistance is that the sultanate ideology was ineffective any longer to the Katobengke people’s interest, the appearance of new stratification, resistance to the traditional stereotype and taboo, the change in traditional costume, La Ode was used as the title, change in profession from becoming farmers into working as providers of services, and spirituality were used for political communication.

REINFORCEMENT OF THE MYTH OF MANGUNI IN MINAHASAN COMMUNITY, NORTH SULAWESI Rinny Liando, Mayske
E-Journal of Cultural Studies Volume 7, Number 1, February 2014
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Oral traditions may be found in many regions. One of them which enriches the treasure of local culture is the oral tradition of the myth of manguni (owl), which, in Minahasa, North Sulawesi, is purified and constitutes part of the local traditions which may help the local people overcome their problems. The oral tradition of the myth of manguni constitutes one of the local cultural products which may be potentially created, as can be seen in the creative industries currently motivated by the government of Indonesia. This present study was particularly intended to identify the form, ideology, and implication of the reinforcement of the myth of manguni in the community of Minahasa, North Sulawesi. The result of the present study showed that the myth of manguni was reinforced by the community in Minahasa, North Sulawesi, not only in the form of the creative industry of souvenirs, which are highly economically valuable, but also in various forms of symbols. The reinforcement of the myth of manguni in the community of Minahasa, North Sulawesi, contained the ideology of heroism, the myth of the origin of Minahasa, amusement, the communication between human beings and the Creator, conservation, and commodification. The implication of the reinforcement of the myth of manguni in the community of Minahasa, North Sulawesi, on the socio-culture of the Minahasan people included the aspect of ideological superstructure, the aspect of socio-culture and the aspect of material infrastructure.

PRACTICE OF POWER OF MEDICAL AUTHORITY OF THE MENTAL HOSPITAL ON THE PSYCHIATRIC PATIENT WITH STIGMA Putro, Bambang Dharwiyanto; Kumbara, AA Ngurah Anom; Wirawan, A.A. Bagus
E-Journal of Cultural Studies Volume 11, Number 1, February 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

The matters pertaining to mental disorders are complex as they are not only related to the medical professionalism, patients, their families and society but they are also related to the stigma they have and the protection of their dignity and status. Stigma is like a prison in the social relation constructed by the apparatuses that contribute to development, the regime of knowledge, and modernism on behalf of normalization. By applying the point of view of cultural studies, namely siding with those who are suppressed, this present study is intended to identify the form of the stigma which the psychiatric patients have resulting from the practice of power of the medical authority implemented by the Mental Hospital. Observation and in-depth interview methods were employed in the present study. The data were collected through life story and library research. The collected data were analyzed descriptively, qualitatively and interpretatively using the relevant critical theories such as the theory of discourse, the theory of deconstruction, and the theory of hegemony. The result of the study shows that there are two forms of the stigma which the psychiatric patients suffer from; they are the public stigma (the stigma brought about by society) and the self-stigma (the stigma brought about the patients and their families). The factors which contribute to the stigma of mental disorders can be classified into two; they are the external and internal factors as the translation of the hegemony of power and the domination of the authority of social and medical apparatus over the psychiatric patients leading to the social and identity gap. This shows the form of the struggle involving power in order to strengthen the domination of the apparatus in different aspects of life. The psychiatric patients cannot speak and are so marginalized that they have almost never been heard. The society’s social control through the saving mission of the Mental Hospital is implemented through the nursing practice and the controlling mechanism it performs in which the authority of the medical doctors is dominant enough to show that they have power in the Mental Hospital.

EFFECTIVENESS OF THE PROGRAM OF EMPOWERMENT OF THE WOMEN RESIDING AT THE COASTAL AREA OF AMPENAN DISTRICT, MATARAM CITY, LOMBOK IMPLEMENTED IN THE FORM OF LIFE SKILLS Listiawati, Ni Putu; Mariyah, Emiliana; Kutha Ratna, I Nyoman; Semadi Astra, I Gde
E-Journal of Cultural Studies Vol. 4, No. 2 Juli 2010
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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The program of the empowerment of the women living in Mataram City implemented inthe form of life skills including vocational skill, social skill, and personal skill has been carriedout since 2001. In reality, the attempts already made could not improve the well-being of thewomen in Mataram City in general and the women living along the coastal area of Ampenan,South Ampenan District and Banjar District in particular. Based on the background mentionedabove, the researcher was interested in exploring the effectiveness of the program of theempowerment provided in the form life skills. Three problems are formulated in this research.They are (1) how effective the implementation of the empowerment program of the womenresiding at the coastal area of Ampenan District was?; (2) what factors contributed to theeffectiveness of the empowerment program of the women residing at the coastal area?; (3) whatwere the effects and meanings of the effectiveness of the empowerment program of the womenresiding at the coastal area? The theories employed to answer the problems formulated above arethe theory of post feminism by Ann Brooks, the theory of social practice by Bourdieu and thetheory of power/knowledge by Foucault. The theories were eclectically applied. The qualitativemethod was employed in this study and the data needed were collected by the techniques ofobservation, in-depth interview, Focus Group Discussion (hereon abbreviated to FGD),documentation and library research.The results of the study show that (1) the program of the empowerment of the womenliving in the coastal area was ineffective; (2) the factors which contributed to the effectivenessof the empowerment of the women living along the coastal area are economic capital, culturalcapital, socio culture and symbolic culture; (3) the effects of the effectiveness of theempowerment program were on the skills acquired, the income earned, the independenceacquired, the environment where they live and their pattern of consumerism. The meanings feltby one third of the women empowered were the meaning of awareness, the meaning ofsolidarity, and the meaning of being independent.In relation to this research, several things are suggested; (1) it is necessary to continue theempowerment program for the women living at the coastal area with the development ofpersonal and social skills as the priority; (2) it is necessary for the government to build a qualitytechnological, informational and communicative network in the form of educative informationalcenters at the coastal area; (4) it is time to establish vocational schools, which are accessible tothe local people, starting from the basic level to middle level in which skills how to managecoastal areas and sea would be provided. If it is possible, such schools should be free of charge;(5) further research needs to be conducted to understand the characteristics of the women livingalong the coastal area of Ampenan.

RECONSTRUCTION OF WAYANG ORANG DARMA KERTI AT BATU PANDANG: A STRUGGLE FOR IDENTITY IN MATARAM, LOMBOK Seramasara, I Gusti Ngurah; Ardhana, I Ketut; Suarka, I Nyoman; Ruastiti, I Made
E-Journal of Cultural Studies Vol 9, No 3 (2016): August 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Wayang Orang (the stage show usually with the wayang theme) is a performing art of which the characters are played by people. As a specific Sasak performing art, the wayang orang which is performed in Mataram Lombok, used to use what is referred to as Serat Menak as the story source. However, such a performing art was marginalized and was almost getting extinct. Therefore, the Sasak artists and cultural observers, whom were facilitated by UPTD Taman Budaya Lombok, did their best to save such a performing art by reconstructing it. The performing art which was constructed by IPTD Taman Budaya Lombok was the Wayang Orang Darma Kerti, Dusun Batu Pandang. Such a reconstruction was made in the middle of the struggle for an identity of those living in Mataram, Lombok, who belong to different ethnic groups and religions. This present study was intended to understand the matter pertaining to the reconstruction of Wayang Orang Darma Kerti as part of the struggle for the identity of the people living in Mataram, Lombok. The qualitative method and the theories of deconstruction, multiculturalism, and hegemony were used to analyze the problems of the study. The result of the study showed that 1) there was a desire to preserve Wayang Orang as a local identity, meaning that the desire to reconstruct it was inspired by the Islamic religious value and the Wetu Telu Islamic value; 2) it was reconstructed through several stages; they are observation, inventory, and classification; finally, it was decided to reconstruct Wayang Orang performed at Dusun Batu Pandang, East Lombok in which the puppeteers and dancers from Mataram, West Lombok, were involved; the puppeteers were gathered, the themes were composed, the performance was practiced, and the Wayang Orang was performed; 3) the implication of the reconstruction of the Wayang Orang was that the Sasak ethnic group had an art identity, and religion and culture adapted to each other as the implementation of what is referred to as adatluwirgama, and the local people’s prosperity became better.

CHARACTER VALUE DISCOURSE IN BALI'S POP SONG AND DENPASAR CITY’S PUBLIC RECEPTION Sri Marheni, Komang; Wirawan, A.A. Bagus; Anom Kumbara, A.A. Ngurah; Suarka, I Nyoman
E-Journal of Cultural Studies Volume 12, Number 1, February 2019
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Character discourse surfaced in response to globalization. Balinese pop songs also contribute to discourse of character values ??in the context of the mass culture industry. This study reveals the ideology, form, and reception of people in Denpasar on the discourse of character values ??in Balinese pop songs. Through a qualitative method with a critical discourse analysis approach based on the semiotic theory, deconstruction, and reception aesthetics, it was concluded that the ideology that constructs the discourse of character values ??in Balinese pop songs includes religious ideology, Ajeg Bali, capitalists, and mass media within the scope of industrialization of mass culture. Forms of character value discourse in Balinese pop songs include the value of religious, nationalist, independent, mutual cooperation, and integrity in various song themes. The public reception in Denpasar on the discourse of character values ??is relatively diverse and ambiguous, both to the meaning of song, capitalist power, producer power, and to the power of the mass media. This study found that the discourse of character values ??in Balinese pop songs reflects ideological construction in the mass culture industry. There is a tendency to shift from the meaning of the song to the aesthetic and artistic realm in accordance with consumer responses. The theory of moral criticism of mass culture is confirmed that the discourse of character values ??in Balinese pop songs can be developed by negotiating meaning, aesthetics, and artistic. Keywords: discourse, character values, Balinese pop song, reception of community

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