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All Journal Panggung Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang Abdi Seni Pantun: Jurnal Ilmiah Seni Budaya Jurnal Penelitian Agama Hindu Abdi Widya: Jurnal Pengabdian Masyarakat Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Jurnal Damar Pedalangan Panggung
I Dewa Ketut Wicaksandita
Institut Seni Indonesia Denpasar
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Education Health Professions Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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Śiva Naṭarāja: Konsep Estetika Hindu dalam Seni Pertunjukan Wayang Wicaksandita, I Dewa Ketut; Wicaksana, I Dewa Ketut
PANGGUNG Vol 35 No 3 (2025): Estetika, Identitas, dan Digitalisasi: Praktik Seni dan Budaya Nusantara dalam P
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v35i3.2693

Abstract

Penelitian ini mengeksplorasi dimensi pemaknaan simbol Śiva Naṭarāja dalam seni pertunjukan wayang kulit Bali melalui pendekatan hermeneutika simbolik Paul Ricœur, semiotika triadik Charles Sanders Peirce, serta konsep estetika Hindu Bali (satyam, śiwam, sundaram). Kajian ini menyoroti keterbatasan studi sebelumnya yang cenderung bersifat visualistik-formalistik dan seremonial, tanpa mengelaborasi praksis simbolik secara performatif. Dengan metode kualitatifpartisipatoris melalui observasi langsung, wawancara mendalam, dan studi naskah lontar sapuh leger, kala purana serta dharma pawayangan. Penelitian ini menemukan bahwa simbol Śiva Naṭarāja tidak hanya direpresentasikan sebagai ikon, melainkan direfigurasi sebagai teks hidup (living text) yang teraktualisasi dalam praksis seni-ritual dalang. Sublimasi audiens terhadap estetika sundaram terwujud dalam harmoni visual, naratif, dan ritualistik yang membangkitkan taksu (energi performatif spiritual) sebagai medan aktualisasi makna kosmis. Penelitian ini merekomendasikan pendekatan transdisipliner dalam kajian estetika pertunjukan Bali yang mengintegrasikan dimensi religius, performatif, dan kosmologis secara utuh.
Jurnal Hasil Penciptaan Karya Pakeliran Teater Karnayana Putra Dananjaya, Esa; Adhisantika, Sang Nyoman Gede; Wicaksandita, I Dewa Ketut; Cempaka Dewi, Ni Luh Ayu
JURNAL DAMAR PEDALANGAN Vol 5 No 2 (2025): Oktober
Publisher : Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/dmr.v5i2.4998

Abstract

This artistic research explores the creation of Karnayana, a Balinese shadow puppet theater (teater pakeliran) that reinterprets the epic figure Karna from the Mahabharata as a locus of existential reflection. The study responds to the contemporary challenges of preserving traditional wayang in the context of globalization, shifting audience interests, and the demands of academic innovation under the Merdeka Belajar–Kampus Merdeka (MBKM) program. Employing the methodological framework of Catur Datu Kawya (Pandulame, Adicita–Adirasa, Sranasasmaya, Gunatama) developed by I Nyoman Sedana, the creative process integrates imagination, philosophical value, artistic devices, and performative skill into a coherent dramaturgy. The narrative highlights Karna’s dilemmas of loyalty, honor, and tragic destiny, realized through three main acts—his encounter with Kunti, the rejection at Drupadi’s contest, and his death in the Bharatayudha war—visualized by silhouettes, gamelan–digital compositions, vocal expressions, and lighting design. The findings demonstrate that Karnayana contributes not only as an innovative performance model that synthesizes tradition and modern theater, but also as an academic discourse that affirms the relevance of philosophical-humanist values in contemporary art. Thus, the work establishes a dual contribution: revitalizing the artistic grammar of Balinese wayang and offering a methodological reference for artistic creation within higher education.
Co-Authors Adhisantika, Sang Nyoman Gede Adisaputra, I Ketut Divayana Ardiyasa, I Putu Bratanatyam, I Bagus Wijna Cempaka Dewi, Ni Luh Ayu I Dewa Ketut Wicaksana, I Dewa Ketut I Gusti Agung Bayu Senopati I Ketut Sariada, I Ketut I Made, Arta Wiguna I Putu Ardiyasa Kanaka, Ida Bagus Ari Putra Dananjaya, Esa Putra, I Gusti Made Darma S.Pd. M Kes I Ketut Sudiana . Sang Nyoman Gede Adhi Santika Santika, Sang Nyoman Gede Adhi Santosa, Hendra Saptono Saptono, Saptono Senopati, I Gusti Agung Bayu Singarsa, Ida Bagus Arthya Weda Sudarta, I Gusti Putu Sutirtha, I Wayan Widnyani, Ida Ayu Sri