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PERANCANGAN INTERIOR COWORKING SPACE INDIGO DI KOTA BANDUNG DENGAN PENDEKATAN BEHAVIOUR Nurulrahma, Ajeng Ayu; Salayanti, Santi; Widyaevan, Dea Aulia
eProceedings of Art & Design Vol. 11 No. 3 (2024): Juni 2024
Publisher : Telkom University

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Abstract

Coworking space merupakan lingkungan kerja atau kantor yang digunakan olehorang-orang yang bekerja sendiri atau bekerja untuk perusahaan yang berbeda-beda. Diera revolusi 4.0 sekarang, coworking space semakin populer dan penggunanya identikdengan perusahaan startup atau freelancer yang membutuhkan fleksibilitas dankepraktisan. Menurut data Startup Ranking per 14 Juni 2023, Indonesia menempatiperingkat satu sebagai negara dengan startup sebanyak 2.482 di Asia Tenggara danperingkat enam di dunia. Salah satu coworking space di Indonesia yang menyediakan areakerja bagi perusahaan rintisan adalah IndigoSpace. Perancangan area coworkingIndigoSpace ini mengambil pendekatan behaviour dengan tema "Dynamic Collaborations" berarti menekankan keberagaman dan dinamika hubungan antarindividu, memotivasi dan merangsang perkembangan kreativitas, produktivitas, sertapertukaran ide yang dinamis. Tema coworking space ini juga akan dirancang berdasarkanpemahaman terhadap perilaku dan preferensi individu. Diharapkan penerapan tema padainterior coworking tersebut dapat memfasilitasi pengguna khusus para peminat bidangbisnis digital startup untuk menunjang aktivitasnya seperti belajar, bekerja, dan berdiskusiserta menghadirkan lingkungan coworking space yang memberi kenyamanan dari segiaksesibilitas dan fasilitas bagi para pengguna. Kata kunci: Coworking Space, Startup, Perilaku
INTERIOR MISE-EN SCENE IN ASIAN HORROR FILM’S SETTINGS Widyaevan, Dea Aulia; Wiguna, Iqbal Prabawa
Capture : Jurnal Seni Media Rekam Vol. 13 No. 1 (2021)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v13i1.3971

Abstract

Interior design is a process of conditioning a specific atmosphere, which relates to the concept of 'staging space.' As interior design is inherently designed to create an illusory world, the 'illusive, simulative' space can be used interchangeably with the real-imagined space of interior design and cinema. This article will examine three horror films to focus on how interior mise-en-scene is used to create a horror atmosphere. The films A Mother's Love, Tatami, and POB embodied semantic meanings into their spatial settings, serving as a projection of the characters; psyche, and story plots. A rhetorical visual method is used to interpret the relationship between spatial language, camera angle, character, and story plot. The research discovers that spatial language is an instrument of terror, as repeated patterns of liminal space, backlighting lights, and dream scene metaphors enhance the properties and camera angles to elicit an emotion of horror.
Illusory Interior: Public Housing as Uncanny Site Widyaevan, Dea Aulia
Interiority Vol. 6, No. 2
Publisher : UI Scholars Hub

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Abstract

In 2021, Indonesia participated in the London Design Biennale, focusing on the theme of Resonance. The pavilion's response centred around public housing as an uncanny site, examining the psychological barriers faced by evicted communities during their transition to public housing. This study provides a conceptual analysis by exploring how the uncanny aspects of the occupants' experiences are expressed in installation using the illusory interior as a spatial metaphor. Through practice-led research, utilising ethnographic surrealism and narrative inquiries, data was gathered and translated into artistic mediums through various experiments. The study identifies several factors contributing to the uncanny sensation among public housing occupants, based on the occupants' experiences in public housing in Rancacili (Bandung) and Penjaringan (Jakarta), such as the shift from horizontal to vertical living, inadequate unit design, the absence of communal spaces, and a lack of ownership. The pavilion design attempts to integrate design theory and art practice, showcasing how installation art can express interiority within built spaces and extend it into installation art. Here, the uncanny acts as a methodological framework for critiquing space and transforming interiority into tangible forms by interpreting the actual conditions using installation art as a medium.