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All Journal Rekam : Jurnal, Fotografi, Televisi Animasi Capture : Jurnal Seni Media Rekam Jurnal Rupa Kumawula: Jurnal Pengabdian Kepada Masyarakat Kalatanda : Jurnal Desain Grafis dan Media Kreatif eProceedings of Art & Design
Iqbal Prabawa Wiguna
Universitas Telkom
Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences

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The Night as We Know It Dike Nabila Trivinggar; Kurniawati Gautama; Iqbal Prabawa Wiguna
JURNAL RUPA Vol 4 No 1 (2019): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v4i1.2155

Abstract

Since the first invention of the light bulb, humans have increasingly been accustomed to living under excessive artificial light every night. Inappropriate use of artificial light causes light pollution that now affects more than 80% world’s population in densely populated cities, including Bandung City residents. The latest research shows that the rate of light pollution for a high category in Bandung City has experienced an increase of 13,79 km2/year during 2013-2017. This has resulted in the loss of Bandung night sky aesthetic because the lights coming from the ground form a skyglow dome in the atmosphere, blocking most of the astronomical object's light and rendering them invisible from earth. As a person who has always been interested in astronomy and is also a Bandung resident, I have concern over the long-lost Bandung night sky natural beauty due to light pollution caused by human activities. I desire to raise awareness of this issue through an installation art which explores lights, reflective paint, and video as the mediums.
Harmoni dan Narasi Kosmos Iqbal Prabawa Wiguna
JURNAL RUPA Vol 1 No 2 (2016): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v1i2.741

Abstract

For all his life Johannes Kepler seeking for harmony. Kepler is best known for his laws of planetary movement. He is also a polymath working in the intersection between contemporary sciences such as astronomy, math, physics, optics, astrology, music theory, meteorology dan history. After spending years exploring those different disciplines, he later learned he was actually longing for the harmony. His fascination over harmony in nature kept growing up, in his last days Kepler was still trying to finish a book he started since he was still a scholar. This book is called Somnium. Somnium itself is the Latin word for 'dream,' a word that make sense if you read the whole chapter. The main idea for this project is Kepler’s fascination over the harmony in celestial object, thus he tried to convince people that Copernicus heliocentrism is the absolute truest way to understand how our solar system works. The idea of making narative came up to Kepler’s mind as he turned his research into a fiction, a story about a boy who makes his journey to the moon to help his mother for being accused of being a witch. Similiarly to the boy, Kepler’s mother is also accused for witchcraft. So Somnium was not really just a scientific book but in some part of them, there is also some biographical facts and fiction. By knowing the pattern in nature we can understand that the nature is in order and there is a grand design hidden in layers. Just like Kepler that are fascinated by the order of nature, 'Somnium' in this work is also talks about the pattern and harmony the curiousity for nature that represented in geometrical objet and natural study, and also about the old knowledge where science, art and spirituality is learnt through one form knowledge
Review Pergeseran Fotografi Dari Sistem Konvensional ke Digital (Virtual Photoshoot) Pada Masa Pandemi COVID-19 Adrian Permana Zen; Dyah Ayu Wiwid Sintowoko; Iqbal Prabawa Wiguna; Arfi Andrian; Gregorius Kresna Haga Ginting
JURNAL RUPA Vol 6 No 1 (2021): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v6i1.3060

Abstract

Virtual photoshoot is a new method in the development era of modern contemporary photography that was born due to the impact of COVID-19. This study finally tries to analyze the trend of virtual photoshoots as the use of photography technology during the Covid-19 pandemic. Virtual photoshoot is a development of photography. The method used in this research is a phenomenological approach regarding the use of online video call software in the process of shooting the object. The sample of this research is the photographic works of virtual photoshoot by Michael Fabians Cools when taking pictures using the sophisticated video call application. The results showed three main results, namely media, technical and aesthetic. In terms of media, research has found that the existence of social media such as Instagram can support the existence of a virtual photoshoot trend. Technically research, this virtual photoshoot implementation method is something new and has never happened before. The virtual photoshoot implementation method is applied in in-game screenshots and Google Street View, where virtual photoshoots offer a shooting process by taking pictures through an LCD monitor using video call software such as Zoom, Facetime, and Google Meet to bring up photo objects. Aesthetically, this study found that the results of photos from virtual photoshoots led to photography techniques that were not widely used before in conventional shooting, namely displaying the blur effect on photos using glasses or bottles. The blur effect that is usually produced through lens settings can also be produced with a glass or bottle.
Aplikasi Komposit pada Permukaan Cetakan Iqbal Prabawa Wiguna
JURNAL RUPA Vol 7 No 1 (2022): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v7i1.4656

Abstract

This article explores the creation of craft techniques through the process using coconut fiber composites as a medium for arts and crafts. The study highlights the outer casting composite technique, coconut fiber processing techniques using hand skills which are the result of practical exploration by the author’s to create three-dimensional objects made from coconut fiber composites, hopefully this technique can be applied and developed further as an innovation for arts and crafts techniques using the cocopeat as medium. This technique combines the putty technique which is generally used in wood medium with the basic paper fingers pressing technique in papier mache, and then the technique applied to the coconut fiber composite. The research uses qualitative methods and practice led research, the author’s completed the research with the documents and data on creative activity processes such as exploration of the medium, techniques, theories and contextualization. The outer casting composite technique will cover several stages, starting from material preparation, making the composite dough, sticking the dough to the casting, putty and sanding, and finally coating or finishing the composite materials. The outcome of this research is the innovation of craft techniques using coconut fiber composite material which is applied for the making of a lampshade with the presenting data in the form of a documentation process.
Deep Fear : The Digital Art Making Based On The Psychological Reaction of Pandemic Phenomenon Rendy Pandita Bastari; Iqbal Prabawa Wiguna
JURNAL RUPA Vol 7 No 2 (2022): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v7i2.4741

Abstract

The Covid 19 pandemic is causing global fall down in almost every aspect, from health, economic, culture, and without exception, psychology, more specifically, on fear. Recent study on psychological impact concluded that specific groups from specific socio-demographic variables would act differently based on their fear of the disease. Every specific group have it’s priorities to survive the pandemic. The mass media also plays a role in driving the fear of people, reported and exaggerating information on the disease. This paper aims to give an artistic approach and respond of the pandemic situation through digital painting and serve as visual artefact of the 2020 pandemic. The method used during the creation process is literature studies on several case studies and relevant theories. The creation begins with phenomenon observation, theoretical approach, conceptualization, and finalizing. The result of the artwork conceptually is that essentially that people fear the most is death which is what being represented through the artwork.
PEMBUATAN FILM DOKUMENTER SEBAGAI MEDIA SOSIALISASI AKTIVITAS YAYASAN PUSAT INFORMASI DAN KEGIATAN PERSATUAN ORANG TUA DAN ANAK DENGAN DOWN SYNDROME JAWA BARAT Wiguna, Iqbal Prabawa; Zen, Adrian Permana; Rachmawanti, Ranti
Kumawula: Jurnal Pengabdian Kepada Masyarakat Vol 7, No 1 (2024): Kumawula: Jurnal Pengabdian Kepada Masyarakat
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/kumawula.v7i1.52186

Abstract

Persatuan Orang Tua Anak dengan Down Syndrome atau biasa disingkat POTADS adalah sebuah Yayasan untuk anak berkebutuhan khusus (ABK). Yayasan yang dimulai di Jakarta ini memiliki cabang POTADS Jawa Barat yang kantor sekretariatnya berada di Kota Bandung. POTADS Jawa Barat seringkali mengadakan kegiatan-kegiatan yang tujuannya adalah mengedukasi orang tua anak dengan down syndrome. ‘Lensa media sosial’, dengan jangkauan dan pengaruhnya yang luas, menjadi platform penting untuk penyebaran informasi. Seiring dengan perkembangan masyarakat, kekuatan penyampaian cerita visual melalui film dokumenter telah muncul sebagai katalis perubahan, menantang stigma, dan mendorong inklusivitas. Kegiatan pengabdian pada masyarakat ini mengeksplorasi bentuk film dokumenter untuk menjadi wadah kegiatan komunitas POTADS yang menekankan pentingnya kegiatan berkomunitas untuk saling mendukung dalam mengembangkan kreativitas dan potensi anak-anak dengan down syndrome. Dengan menggunakan bentuk film dokumenter expository dan pendekatan mosaic narrative, tim pengabdian merekam aktivitas POTADS PIK Jawa Barat selama bulan Oktober 2023 untuk menangkap momen Down Syndrome Awareness Month event tahunan untuk merayakan dan meningkatkan kesadaran down syndrome di masyarakat. Tim pengabdian masyarakat menekankan peran penting penggunaan media film dokumenter sebagai kekuatan advokasi down syndrome. Hasil dari pengabdian masyarakat ini POTADS PIK Jawa Barat menggunakan media ini untuk sosialisasi pentingnya berkomunitas untuk orang tua anak dengan kebutuhan khusus. The Association of Parents of Children with Down Syndrome commonly abbreviated as POTADS is a Foundation for children with special needs (ABK). Initially established in Jakarta, POTADS extends its reach to West Java, featuring a branch with its secretariat office located in Bandung City. POTADS West Java is actively engaged in organizing various activities aimed at educating parents of children with Down Syndrome. ‘Lens of social media’, with its wide reach and influence, became an important platform for the distribution of information. As society evolved, the power of visual storytelling through documentary films has emerged as a catalyst for change, challenging stigma and encouraging inclusivity. This community service initiative strategically employs the documentary film format to showcase POTADS community activities, underscoring the collective emphasis on supporting one another in nurturing the creativity and potential of children with Down syndrome. Through the deliberate use of an expository documentary form and a mosaic narrative approach, the community service team recorded POTADS activities during October 2023, to capture the moment of Down Syndrome Awareness Month annual event to celebrate and increase awareness of Down syndrome in the community. The community service team underscores the crucial role of documentary film media in advocating for Down syndrome. As a result, POTADS PIK West Java uses this media to socialize the importance of community for parents of children with special needs.
Kehidupan Malam "SULANJANA" dalam Fotografi Konseptual Menggunakan Lenticular Printing Baskara, Bayu Tri; Wiguna, Iqbal Prabawa; Zen, Adrian Permana
KalaTanda Vol 3 No 2 (2021): Kalatanda
Publisher : Universitas Telkom

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/kalatanda.v3i2.6466

Abstract

Karya tugas akhir ini adalah bentuk karya yang salah satunya merespon mengenai fungsi fotografi yang sudah bukan sekedar alat dokumentasi, melainkan bisa digunakan sebagai medium untuk berekspresi seperti layaknya seni yang lain. Salah satunya penyampaian ekspresi dalam fotografi dokumenter dengan media Lenticular Printing. Fotografi konseptual kali ini mengangkat sebuah keresahan sosial yang ada di Kota Bandung khususnya Jalan Sulanjana. Keresahan yang dimaksud adalah banyaknya tempat hiburan malam yang dihiasi dengan adanya perbedaan latar belakang sosial. Perbedaan latar belakang sosial ini adalah para pekerja yang tidak hanya bekerja sesuai aturan yang ada. Melainkan, para pekerja yang hadir di sekitaran Jalan Sulanjana harus mampu menangani beberapa problematika yang hadir di sekitar tempat hiburan malam tersebut.
INTERIOR MISE-EN SCENE IN ASIAN HORROR FILM’S SETTINGS Widyaevan, Dea Aulia; Wiguna, Iqbal Prabawa
Capture : Jurnal Seni Media Rekam Vol. 13 No. 1 (2021)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v13i1.3971

Abstract

Interior design is a process of conditioning a specific atmosphere, which relates to the concept of 'staging space.' As interior design is inherently designed to create an illusory world, the 'illusive, simulative' space can be used interchangeably with the real-imagined space of interior design and cinema. This article will examine three horror films to focus on how interior mise-en-scene is used to create a horror atmosphere. The films A Mother's Love, Tatami, and POB embodied semantic meanings into their spatial settings, serving as a projection of the characters; psyche, and story plots. A rhetorical visual method is used to interpret the relationship between spatial language, camera angle, character, and story plot. The research discovers that spatial language is an instrument of terror, as repeated patterns of liminal space, backlighting lights, and dream scene metaphors enhance the properties and camera angles to elicit an emotion of horror.
PEMBUATAN MURAL PARTISIPATORIS SEBAGAI ELEMEN ESTETIS DAN KONTEN MEDIA SOSIAL BERSAMA PERSATUAN ORANG TUA DAN ANAK DENGAN DOWN SYNDROME JAWA BARAT Wiguna, Iqbal Prabawa; Zen, Adrian Permana; Widyaevan, Dea Aulia
Kumawula: Jurnal Pengabdian Kepada Masyarakat Vol 8, No 1 (2025): Kumawula: Jurnal Pengabdian Kepada Masyarakat
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/kumawula.v8i1.56307

Abstract

Mural, in the form of public art, has the power to raise social issues by transforming public spaces into spaces of dialogue. Meanwhile, participation in contemporary art and design is an approach that actively involves the community in realizing a joint project. This paper discusses a community service project using participatory mural media to raise awareness about inclusive education issues for the future of children with special needs, particularly those with Down syndrome. Together with the community of parents and children with Down syndrome—POTADS PIK West Java—the community service team aims to foster a spirit of inclusivity through the role of parents and the creative expression of POTADS students, who are children with Down syndrome. Parents and community mentors of POTADS are given the opportunity to share their experiences and struggles regarding inclusive education. These stories and narratives are then transformed into visuals representing those experiences as visual symbols. The project process is also documented in the form of a short documentary to capture the creative journey and interactions between the service team and the POTADS community. Utilizing social media platforms, this short documentary aims to reach a wider audience, promote social inclusion, and showcase the creativity of individuals with Down syndrome. This project also highlights the role of art and participatory methods in community engagement, emphasizing the importance of community and contemporary art in supporting inclusive education. Mural, sebagai salah satu bentuk seni publik memiliki kemampuan untuk mengangkat isu sosial dengan mengubah ruang publik menjadi ruang ‘dialog’. Sementara itu partisipatori dalam seni dan desain kontemporer adalah bentuk pendekatan yang melibatkan secara aktif komunitas untuk realisasi projek bersama. Tulisan ini membahas Pengabdian Masyarakat yang menggunakan media mural partisipatoris sebagai peningkatan kesadaran akan isu pendidikan inklusif bagi masa depan anak dengan kebutuhan khusus terutama Down syndrome. Bersama-sama dengan komunitas orang tua dan anak dengan Down syndrome, POTADS PIK Jawa Barat. Tim Pengabdian masyarakat bertujuan untuk menumbuhkan semangat inklusivitas, melalui peran orang tua dan ekspresi kreatif siswa-siswi POTADS yang merupakan anak-anak dengan Down syndrome. Para orang tua sekaligus pembina komunitas POTADS diberikan kesempatan untuk bercerita tentang pengalaman dan perjuangan mereka untuk pendidikan inklusif, dimana nanti cerita dan narasi ini akan diubah menjadi visual yang merepresentasikan pengalaman tersebut menjadi simbol visual. Proses kegiaatan ini juga didokumentasikan dalam bentuk dokumenter singkat, tujuannya untuk menangkap perjalanan kreatif dan interaksi tim pengabdian bersama komunitas POTADS. Dengan memanfaatkan platform media sosial, film dokumenter singkat ini bertujuan untuk menjangkau khalayak yang lebih luas, mempromosikan inklusi sosial dan menunjukkan kreativitas individu dengan Down Syndrome. Proyek ini juga menyoroti bagaimana seni dan metode partisipatif dalam keterlibatan masyarakat, menekankan peran dan fungsi komunitas serta seni rupa kontemporer untuk pendidikan yang inklusif.
FILM PENDEK BERJUDUL "KASUS PENYOGOKAN DI LINGKUNGAN MASYARAKAT" Malik, Yuhendra; Endriawan, Didit Endriawan; Wiguna, Iqbal Prabawa
eProceedings of Art & Design Vol. 11 No. 6 (2024): Desember 2024
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Tugas Akhir ini di latar belakangi dengan maraknya kasus penyogokan di masyarakat sekitar kita apalagi untuk mendapatakan pekerjaan dengan orang dalam, di Indonesia ini kasus seperti ini adalah menjadi hal yang wajar karena tidak menggunakan jalur menyogok kita susah mendapatkan pekerjaan dengan cara yang benar dan jujur dengan skil dan kemampuan kita sendiri dan tidak yakin dapat bersaing dengan yang lain menjadikan jalur menyogok adalah salah satu cara yang mudah dan pasti akan mendapatkan pekerjaan yang diinginkan. Salah satu rasa keresahan penulis tentang penyogokan yang marak tersebut, karena pada dasarnya kasus ini adalah sebuah kriminalitas karena kita menggunakan sesuatu yang kita inginkan dengan cara memberi sogok. Tugas Akhir ini menggunakan beberapa teori yaitu ada teori umun yaitu, Fenomena sulit mendapatkan pekerjaan, kasus menyogok atau suap, dan kriminalitas dalam kasus penyogokan, serta teori seni yaitu: Teori film pendek, sinematografi, teori editing dan teori warna. Adapun observasi bagaimana praktek penyogokan itu berlangsung untuk di visualisasikan terhadap film pendek yang penulis buat. Proses Pembuatan Film Pendek ini menggunakan metode pra produksi yaitu menyiapkan seperti konsep berkarya, tujuan karya, medium karya dan peralatan seperti kamera dan lainya Kata kunci: film pendek, penyogokan, masyarakat
Co-Authors Adrian Permana Zen Adystia, Sanaila Alghonyu, Dhara Al’Ghani, Syifa Roselani Amal, Hanif Hasanul Ananda, Ferlita Arfi Andrian Ayuningtyas, Ester Dyah Azahra, Qonita Rahima Bachtiar, Syahrani Rahma Bahri, Rizki Fahreza Bancin, Zikry Satria Makmur Baskara, Bayu Tri Basyarahil, M. Zulfian Buyung, Edwin Cucu Retno Yuningsih Dea Aulia Widyaevan Dewantara, Aliefiyan Toufik Zuhra Dhanaufaira, Fabya Didit Endriawan Dike Nabila Trivinggar Djamas, Naja Aliffiyah Donny Trihanondo Dyah Ayu Wiwid Sintowoko Edwin Buyung Syarif Fadhil, Muhammad Irfan Fadhillah, Nazeeya Fatina Fikri, Irhamul Firdaus Azwar Ersyad, Firdaus Azwar Ganjar Gumilar Gregorius Kresna Haga Ginting Habibullah, Ahmad Abidzar Hafiz, Muhammad Al Herliana, Zhira Ananda Hernawan, Abbyzar Raffi Heryana, Zahra Dafani Husna, Syinsya Azizah Islami, Hilda Alhaque Ismail, Khuzaimah Nur Faizah Kartaatmaja, Fakhri Huzaemi Kencana, Arya Sena Yudha Kurniawati Gautama Kusnadi, Safira Fadhilah Kusumanugraha, Sigit Maharani, Dea Maisa Ananda Floresia Pratama Puan Malik, Yuhendra Mentari, Adinda Bunga Montela, Erik Muhammad Firdaus Nafisah Mufidah Nastiti, Tiara Khaliza Nugraha, Farhan Sayyidan Nugraha, Yudhistira Farhanda Nurdin, Nabila Octaviani Nuryana, Divana Hafizha Pamungkas, Ridho Putra Priambodo, Agiel Putra, Edwar Fernanda Dwi Qorinsyah Ramadhan, Axel Ridzky Ramadhandi, Aqzra Rizki Ranti Rachmawanti Rendy Pandita Bastari Rhamadan, Azis Maulani Riady, Olivia Ruscha Ridzky, Axel Ramadhan Risky, Muhammad Firman Rismawati, Nindya Alviona Rohadiyat, Vega Giri Rustandi, Aprilia Putri Salimah, Hamidah Salsabiella, Rayya Salsabila, Noviar Dhia Salsabila, Siela Salma Septarina, Ghina Ayu Shafani, Salsabila Shidiq, Ambya Fakhrurrozi Soni Sadono Subagja, Fadli Ahmad Supriadi, Ryan Aprizal Taqiyuddin, Sayyaf Teddy Ageng Maulana Usman, Ade Iswandi Valenciana, Muhamad Dhafin Rizki Widyantoro, Della Nurdwiani Wijayanti, Sheila Nurfitri