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Fait social dans le roman Un Sac de Billes de Joseph Joffo: une étude sociologique de la littérature par Émile Durkheim Sela Setyaningtyas, Aisya; Novi Kuniawati; Sunahrowi; Marliza Arsiyana
Lingua Litteria Journal Vol. 11 No. 1 (2024): Mai 2024
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/lel.v11i1.6080

Abstract

Un Sac de Billes is among Joseph Joffo's renowned novels, recounting the harrowing journey of Jewish individuals, Joseph and Maurice, as they flee to the free zone in Menton. However, their escape is fraught with challenges. This study aims to elucidate the social realities and solidarity prevalent during that era, drawing from Emile Durkheim's theories. The research focuses on the French novel of the same title and employs listening and note-taking techniques to gather data. Through data analysis, 17 instances were identified, encompassing (1) tangible social realities, totaling 10 instances, such as the Yellow Star badge, the presence of German soldiers, and posters; (2) intangible social realities, totaling 5 instances, each reflecting prevailing opinions and viewpoints of the time; and (3) instances of mechanical solidarity, comprising 2 instances highlighting the shared experiences between characters, specifically their Jewish identity.
CLIMATE STRUGGLE AND IDEOLOGY IN MACRON’S SPEECHES (2024–2025): AN ECO-CRITICAL ANALYSIS Anggeli Trisna Mekar Tiara; Marliza Arsiyana
Language Literacy: Journal of Linguistics, Literature, and Language Teaching Vol 10, No 1: June 2026 (In Progress)
Publisher : Universitas Islam Sumatera Utara (UISU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/ll.v10i1.13465

Abstract

This study investigates how climate struggle and ecological ideology are constructed in four speeches delivered by Emmanuel Macron (2024–2025) using an eco-critical discourse analysis framework within Fairclough's (1992) three-dimensional model, Halliday & Matthiessen’s (1994) ideational metafunction, Stibbe's (2015) ecolinguistic model, and Corbett's (2006) environmental ideology. The global environmental crisis is one of the greatest challenges facing humanity today. Despite the growing body of critical discourse studies on climate communication, little attention has been paid to how French leadership constructs ecological ideology in international forums. This research employs a qualitative approach, with the research data comprising the discourse on the fight against climate change in Emmanuel Macron’s speeches. The results showed that the climate struggle is dominated by material processes, with France and Western institutions positioned as the primary agents of global climate action. The ideology identified across the four speeches is conservationism, wherein nature is valued for its benefits to humanity rather than for its intrinsic value. Yet, through the eco-linguistic lens of ecosophy, Macron's discourse occurs as ambivalent, which reflects a sincere ecological commitment that nonetheless remains rooted in a neoliberal framework. Thus, it prioritizes private financing, market mechanisms, and technocratic governance.
Visualizing Distance, Erasing Voice: A Multimodal Discourse Analysis of @rfi’s Sumatra Flood Disaster Coverage Farah Risma Eka Putriana; Marliza Arsiyana
Alinea: Jurnal Bahasa, Sastra dan Pengajaran Vol. 6 No. 2 (2026): Alinea: Jurnal Bahasa, Sastra, dan Pengajaran
Publisher : Bale Literasi: Lembaga Riset, Pelatihan & Edukasi, Sosial, Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58218/alinea.v6i2.3934

Abstract

This study examines how the affected community of the 2025 Sumatra flood disaster is visually and discursively represented in an eight-photograph Instagram carousel published by the international news outlet Radio France Internationale (@rfi). Guided by Kress and van Leeuwen's (2006) Multimodal Discourse Analysis and its tripartite model of representational, interactive and compositional metafunctions, this study undertakes a qualitative close reading of both the visual and verbal layers of the carousel to determine the extent to which the local community is included as a legitimate, voiced participant in the narrative of its own disaster, as opposed to being reduced to a passive recipient of institutional rescue or an anonymous statistic of loss. The analysis finds that visual inclusion in the carousel is graded and frequently contradictory rather than binary: institutional actors such as search-and-rescue personnel and military aircraft are consistently constructed as agents endowed with narrative, interactive and compositional dominance, while the affected community oscillates between brief moments of agency, symbolic abstraction and complete representational absence. The single instance in which a community member directly addresses the viewer through gaze is immediately undercut by a compositional text overlay reporting the death toll across her body, while the two photographs depicting the clearest community agency receive no acknowledgment whatsoever in the accompanying caption. This study identifies these patterns as a false individualization arc and a multimodal disjunction between visual presence and discursive voice, demonstrating that a community can be made visible within a disaster narrative while remaining systematically unheard. As a single-case analysis of one carousel from one outlet, this study does not permit generalization across platforms, disaster events or news organizations and its findings should be read as an in-depth diagnostic instance rather than a representative sample of Global North disaster coverage. Nonetheless, by extending Kress and van Leeuwen's (2006) framework beyond static print and single-image analysis to the sequential, multi-image logic of social media carousels, this study offers a replicable analytical model for detecting the gap between visibility and voice and contributes a concrete methodological entry point for future comparative research into how Global South communities are positioned within Global North disaster journalism.