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All Journal Nusa: Jurnal Ilmu Bahasa dan Sastra Journal of Visual Art and Design Haluan Sastra Budaya Islamika : Jurnal Ilmu-Ilmu Keislaman Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam Metahumaniora Studi Budaya Nusantara Titian: Jurnal Ilmu Humaniora Hadharah: Jurnal Keislaman dan Peradaban Al-Fathin: Jurnal Bahasa dan Sastra Arab 'A Jamiy: Jurnal Bahasa dan Sastra Arab Ishlah: Jurnal Ilmu Ushuluddin, Adab dan Dakwah Al-Uslub: Journal of Arabic Linguistic and Literature Journal of Philology and Historical Review MANUSKRIPTA
Riza, Yulfira
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Religion Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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Application of The Stemma Method in The Study of Nusantara Ancient Manuscripts Darmawan, Budi; maijar, Lidia; Riza, Yulfira; Nazra, Endah Regita Cahyani; Irno, Irno
Journal of Philology and Historical Review Vol. 2 No. 2 (2024)
Publisher : Regalia Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61540/jphr.v2i2.95

Abstract

This paper aims to explore the stemma method in philological studies and analyze the application of this method in researching ancient texts, especially in the aspect of manuscript genealogy. This paper arises in response to the challenges philologists often face when trying to determine the most appropriate method for their research into manuscripts. The presence of various methodological options can often confuse researchers and make them feel disoriented in their research. Therefore, this paper aims to provide guidance to readers in determining the appropriate steps in philological research, especially in the context of manuscripts that are considered ancient or old. One of the methods that will be discussed in detail is the use of Stemma, which is a very useful tool in uncovering the autograph authenticity of ancient manuscripts. By utilizing the Stemma method in research, researchers can take concrete steps to identify and analyze genealogical relationships between various ancient texts. This can help them achieve a deeper understanding of the origins and development of the texts, as well as identify the most authentic or authentic versions. Thus, through a better understanding of the theory, methodology and practical applications of philology, it is hoped that researchers will not feel confused or lost in their research, especially when they are dealing with texts that have a long and complex history.
MAKNA FILOSOFIS SUNTIANG SEBAGAI HIASAN KEPALA TRADISIONAL WANITA MINANGKABAU Husni, Nurul Izzati; Riza, Yulfira
Studi Budaya Nusantara Vol. 6 No. 2 (2022)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Indonesia is a rich country. Indonesia not only has abundant natural wealth but also the richness of the diversity of tribes, cultures, nations, and languages adds to the wealth of Indonesia. These differences create unique diversity. Therefore, every nation has it's their customs and culture. In its implementation and use, it follows the prevailing traditions in the community where they live. Traditional clothing used by each region has its characteristics, one of which is indicated by traditional jewelry that carries its meaning and value. As for Minangkabau society, a woman when holding a wedding party (baralek) is given the title anak daro. At a wedding party, a anak daro wears traditional clothes with suntiang as traditional jewelry. Suntiang holds many philosophical values in it and symbolizes the greatness of the daro child. This paper aims to explain the meaning and philosophical value of suntiang for a woman who is getting married in Minangkabau. This research was conducted with a qualitative method that produces descriptive data and data collection techniques using library research techniques. The results of this study are known to the meaning and philosophical values contained in the Minangkabau suntiang.
Semiotika Michael Riffaterre Dalam Puisi Zahaba al-Mudawi Wa al-Mudawa Karya Abu Atahiyah Irfan, Muhammad; Riza, Yulfira
`A Jamiy : Jurnal Bahasa dan Sastra Arab Vol 12, No 2 (2023): Kajian Bahasa dan Sastra Arab
Publisher : Universitas Muhammadiyah Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31314/ajamiy.12.2.325-336.2023

Abstract

Semiotika adalah ilmu yang mengkaji tentang tanda-tanda. Salah satu teori semiotika tersebut adalah terdapat dalam puisi Abu Atahiyah yang berjudul ذهب المداوي و المداوى. Puisi tersebut menceritakan bahwa kematian akan datang kepada siapa saja. Puisi ini dipilih karena memiliki nilai estetika dan kompleksitas semiotik yang tinggi. Penelitian ini bertujuan untuk menganalisis semiotika Michael Riffaterre dalam puisi berjudul ذهب المداوي و المداوى karya Abu Atahiyyah. Penelitian ini juga bertujuan untuk mengetahui struktur dan makna yang terkandung dalam syair Abu Atahiyah tersebut. Penelitian ini menggunakan metode kualitatif dengan menggunakan pendekatan deskriptif-analitis untuk menganalisis puisi secara mendalam. Metode analisis yang digunakan adalah pendekatan semiotika Riffaterre, yang memfokuskan pada konsep "texte" dan "paratexte" dalam karya sastra. Hasil penelitian menunjukkan bahwa puisi ini mengandung berbagai lapisan makna dan kompleksitas semiotik. Puisi ini menggunakan bahasa metaforis dan simbolis untuk menyampaikan pesan-pesan yang tersembunyi. Dalam menganalisis syair dari Abu Atahiyah ini dilakukan pembacaan heurestik dan pembacaan hermeneutik. Saat pembacaan heurestik dilakukan pada puisi tersebut masih memiliki makna yang terpisah, tersebar. Setelah dibaca pada level kedua atau pembacaan hermeneutik serta dengan adanya matriks, model dan hipogram maka didapatilah makna dari sair Abu Atahiyah tersebut bahwa dia menceritkan dalam syairnya bahwa kematian akan datang pada siapapun saja, dan juga didapati arti dari judul syairnya adalah “orang yang mengobati dan orang yang berobat akan mati”. Penerapan konsep semiotika ini berimplikasi terhadap perspektif seseorang dalam membaca dan memahami karya sastra, dan memperkaya pengalaman seseorang dalam menikmati puisi secara holistik.
MANUSCRIPT DECORATIONS: ILLUMINATIONS AND ILLUSTRATIONS ON SOME EXISTING MANUSCRIPTS IN KERINCI Nurfalina, Yuliana; Hidayat, Ahmad Taufiq; Riza, Yulfira
Al-Tsaqafa : Jurnal Ilmiah Peradaban Islam Vol. 20 No. 2 (2023): Al-Tsaqafa : Jurnal Ilmiah Peradaban Islam
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/al-tsaqafa.v20i2.27665

Abstract

ABSTRACTThis research is presented to examine the decoration contained in the manuscripts in Kerinci, because it is seen from the problem that in the development of civilization and the tradition of writing manuscripts it is common to change the form of illumination and illustration in manuscripts due to various factors which are the result of human creativity. For the method that the author uses in this research is using a qualitative method with a codicological approach, whose primary source focuses on several Kerinci manuscripts that have been digitized. Then for other sources this research is assisted by references such as books, articles, and other sources related to this study. The result of this paper is knowledge and description of the decoration on the manuscript in the form of illumination and illustration on several manuscripts found in the Kerinci region in the form of manuscript decoration and explanation of the meaning of the contents of the manuscript.Keywords: Decoration, Script, Illumination, Illustration, Kerinci. ABSTRAKPenelitian ini dihadirkan untuk menelisik hiasan yang terdapat pada naskah yang ada di Kerinci, dikarenakan dilihat dari persoalan bahwa dalam perkembangan peradaban dan tradisi penulisan naskah lumrah terjadi perubahan bentuk iluminasi maupun ilustrasi pada naskah karena disebabkan oleh berbagai faktor yang merupakan hasil dari kreativitas manusia. Untuk metode yang penulis gunakan dalam penelitian ini yaitu memakai metode kualitatif dengan pendekatan kodikologi, yang sumber primernya berfokus kepada beberapa naskah-naskah Kerinci yang sudah digitalisasi. Kemudian untuk sumber-sumber lainnya penelitian ini dibantu oleh referensi seperti buku, artikel, dan sumber lainnya yang berkaitan dengan kajian ini. Adapun hasil dari tulisan ini adalah pengetahuan dan deskripsi tentang hiasan pada naskah berupa iluminasi dan ilustrasi pada beberapa naskah yang terdapat di wilayah Kerinci yang berupa hiasan naskah dan penjelasan dari makna isi naskah.Kata Kunci:  Hiasan, Naskah, Iluminasi, Ilustrasi, Kerinci.
Komparasi Teks antara Naskah Al-Muāshirah dan Kitab Cermin Terus Riza, Yulfira; Ma’mun, Titin Nurhayati
Manuskripta Vol 9 No 1 (2019): Manuskripta
Publisher : Masyarakat Pernaskahan Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33656/manuskripta.v9i1.109

Abstract

This paper aims to examine women and their pace in Minangkabau in the two great Minangkabau scholars’s opinion, Shekh Abdul Laṭīf Shakūr in the al Mu’ashārah and Haji Abdul Karīm Amrullāh in the Cermin Terus. Disclosure of thoughts on the two works uses hermineutic methods. Based on textual analysis of the both text, it was found that they differed in terms of technical matters such as the way to women’s dress and could have a career. Haji Abdul Karīm Amrullāh refused women to be westernized dressed and forbade women to work outside his home while Shekh Abdul Laṭīf Shakūr was more flexible in terms of Islamic dress. However, substantively such as female courtesy, women's rights and obligations in the family, both agreed to be in accordance with the Qur'an and sunnah. In essence, they want to change the mindset of Minangkabau women who are bound by adat and the matrilineal system. === Tulisan Penelitian ini bertujuan untuk mengkaji perempuan dan kiprahnya di Minangkabau yang matrilineal menurut pendapat dua ulama besar Minangkabau yaitu Shekh Abdul Laṭīf Shakūr dalam manuskrip Perempuan dan Haji Abdul Karīm Amrullāh dalam kitab Cermin Terus. Pengungkapan pemikiran terhadap kedua karya tersebut menggunakan metode hermineutik. Berdasarkan analisis tekstual dari konsep pemikiran kedua ulama tersebut, diperoleh makna bahwa kedua ulama itu berbeda pendapat dalam hal yang bersifat teknis seperti cara berpakaian wanita dan boleh/tidaknya ia berkarir. Haji Abdul Karīm Amrullāh menolak perempuan untuk berpakaian ketat dan kebarat-baratan serta melarang perempuan bekerja di luar rumahnya sedangkan Shekh Abdul Laṭīf Shakūr lebih fleksibel dalam hal berpakaian Islami asal tidak melupakan kodratnya sebagai seorang wanita. Akan tetapi, secara subtantif seperti adab perempuan, hak dan kewajiban perempuan di dalam keluarga, keduanya sepakat harus sesuai dengan Alquran dan sunnah. Intinya, keduanya ingin mengubah pola pikir perempuan Minangkabau yang terikat oleh adat dan sistem matrilineal.
Women and War: Exposing Palestinian Women Resistance Through Literary Work Utami, Shinta Fitria; Riza, Yulfira; Nur Wijaya, Taufik Amin
Al-Uslub: Journal of Arabic Linguistic and Literature Vol. 8 No. 01 (2024): Al-Uslub: Journal of Arabic Linguistic and Literature
Publisher : Jurusan Bahasa dan Sastra Arab Fakultas Adab dan Humaniora UIN Sulthan Thaha Saifuddin Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30631/al-uslub.v8i01.176

Abstract

Warfare is often associated with masculinity, leading to the absence of women’s roles during times of war. This phenomenon also occurs in the Palestinian conflict, where narratives related to the resistance of Palestinian women are frequently overlooked. As a direct reflection of life, literary works capture the reality of Palestinian women’s resistance. Therefore, this research aims to expose the resistance of Palestinian women as reflected in an Arabic novel titled al-Ṭanṭūriyyah by Raḍwā ‘Āṣūr. This study is a library research with a descriptive analytical approach. It utilizes Hélène Cixous’s ideas regarding the binary opposition of patriarchy. The research data is derived from words, phrases, and sentences in the novel al-Ṭanṭūriyyah that narrate the resistance of Palestinian women. Data collection begins with intensive reading techniques to ensure a comprehensive understanding. Subsequently, the data is categorized according to the topics of discussion. The data analysis process involves contextual investigation to strengthen primary data through supporting literatures and scholarly articles. The research findings indicate that Palestinian women indeed live under the shadow of patriarchal culture. However, they also actively participate in resistance against Israeli occupation. Their resistance involves non-violent actions such as aiding war accommodations, writing, and engaging in protests. Additionally, they resist through military and political means
Co-Authors 'Afifah, Nurul Aprilia, Mona Azizah, Faras Puji Budi Darmawan Chaniago, Danil Mahmud Fitri Rahmawati Fitria Utami, Shinta Fitria Utami, sinta Hidayat, Ahmad Taufik Hidayat, Ahmad Taufiq Husni, Nurul Izzati Ihsania, Nadia Irno, Irno Lukmanul Hakim Maijar, Lidia Masfalinda, Masfalinda Ma’mun, Titin Nurhayati Muhammad Irfan Nazra, Endah Regita Cahyani Nur Wijaya, Taufik Amin Nurfalina, Yuliana Nurhaliza, Yesi Putra, Defri Andika Rizalman, Mhd Sugandi, Rafid Susanti, Nelvi Utami, Shinta Fitria Wijaya, Iqra Pandu