Article Per Year (5 Year)
p-Index From 2021 - 2026
2.875
P-Index
This Author published in this journals
All Journal KAJIAN SASTRA BASASTRA Jurnal Ilmiah Mahasiswa FEB Mozaik Humaniora Kajian Linguistik dan Sastra Kandai Jurnal Madah Idealog: Ide dan Dialog Desain Indonesia MATAPENA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya SeBaSa: Jurnal Pendidikan Bahasa dan Sastra Indonesia Abdi Laksana : Jurnal Pengabdian Kepada Masyarakat Jurnal Restikom : Riset Teknik Informatika dan Komputer Jurnal Kewarganegaraan Kajian Moral dan Kewarganegaraan Jurnal Pembelajaran, Bimbingan, dan Pengelolaan Pendidikan J-Innovation Journal Of Informatics And Busisnes APPA : Jurnal Pengabdian Kepada Masyarakat Cilpa : Jurnal Ilmiah Pendidikan Seni Rupa Qurthuba: The Journal of History and Islamic Civilization
Dwi Susanto
Unknown Affiliation
Religion Arts Humanities Computer Science & IT Control & Systems Engineering Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Medicine & Pharmacology Social Sciences Other

Published : 26 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search
Journal : Mozaik Humaniora

 1 
NARASI SUBJEK PEREMPUAN DALAM GADIS KOLOT (1939) KARYA SOE LIE PIET Dwi Susanto
MOZAIK HUMANIORA Vol. 19 No. 2 (2019): MOZAIK HUMANIORA VOL. 19 NO. 2
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/mozaik.v19i2.13890

Abstract

Karya sastra di era kolonial yang ditulis laki-laki menunjukkan sebuah gagasan tentang narasi subjek perempuan. Hal itu salah satunya muncul dalam teks Gadis Kolot (1939) karya Soe Lie Piet. Tujuan atau permasalahan dalam tulisan ini adalah (1) seperti apa teks Gadis Kolot (1939) menarasikan konstruksi identitas perempuan dan (2) mengapa pengarang sebagai wakil kelompok menghadirkan konstruksi perempuan. Sudut pandang yang digunakan adalah feminis pascakolonial, terutama konsep pembentukan identitas perempuan. Data penelitian ini diantaranya adalah isi karya, gagasan, konteks wacana kolonial dan perempuan, sosiologis pengarang, konteks sosial, dan lain-lain. Teknik interpretasi data dilakukan dengan pembongkaran gagasan teks dan menghubungakn pembacaan tekstual dengan wacana kolonial. Hasil penelitian adalah, pertama, konstruksi subjek perempuan diwujudkan dengan identitas perempuan yang resisten terhadap wacana kolonial, terutama gagasan dan pemikiran materialisme (liberalisme) Barat atas kelompok terjajah. Perempuan menjadi citra, simbol, sarana, dan tempat persembunyian laki-laki terjajah. Kedua, konstruski subjek perempuan merupakan konstruksi kelompok etnis dan golongan moderat dalam mempromosikan nilai tradisi atau leluhur. Dengan demuikian, perempuan tidak mampu dan tidak diberi kesemptaan untuk menyuarakan narasinyakata kunci: wacana kolonial, peranakan Tionghoa, subjek perempuan.
Modernity of Women Subject in Eka Kurniawan’ Cantik Itu Luka (2002): A Study of Post-Colonial Feminist Literary Criticism Maisyaroh Febriana Putri; Dwi Susanto
MOZAIK HUMANIORA Vol. 24 No. 1 (2024): MOZAIK HUMANIORA VOL. 24 NO. 1
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/mozaik.v24i1.48797

Abstract

This study aims to dismantle the narrative of the female subject’s modernity which was built by the author as a representative of a social group or class. In order to achieve this objective, the researchers used qualitative approach, which prioritizes data quality to data size. The data in this study is the novel Cantik Itu Luka by Eka Kurniawan, and other information related to the research topic. Then, the data were analyzed using binary opposition deconstruction and postcolonial feminism theory. Data analysis focuses on the narrative structure of the text and its ideas regarding colonial discourse and the narrative construction of the modernity of female subjects, as well as the author's historical and sociological context in relation to the text. The results show that the construction of the female subject presented in the text Cantik Itu Luka (2002) is a woman who is resistant to the discourse of modernity. In the context of colonial discourse, the female subject is a woman who participates in the rebellion against patriarchal cultural oppression and globalization. The discourse of modernity built by Eka Kurniawan is that women are required to maintain their national identity amidst the commotion of global culture. The construction of the female subject in the text is an ideal formed by male critical intellectual groups to represent and advocate women who have difficulty getting space and position in the social order.
Co-Authors Abdul Mutalib Khilian Abdul Mutalib Khilian Abdul Rahim Abdul Rahim Ade Herliana Aini, Fadhilah Dhinur Amiq Anastasia Datam Dendo Andri Kusuma Andri Kusuma Ari Setiawan ARI SETIAWAN ARIANTO, EKO Arum Melati Bagus Putra Rahadi Charisma Wulan Widananda Charisma Wulan Widananda Dafa Angga Aditia Diah Indah Priyani Diah Indah Priyani Dwi Susanto Fahri Albi Febiyani Felix Fradilah Rustam Fradilah Rustam Hafizah Rahma Saputri Hafizah Rahma Saputri Haryono, Wasis Hidayat, Dear Dirgahayu Ilma Wiwit Rahina Wati Ilma Wiwit Rahina Wati Irvan Fauzi Khanif Faozi Maisyaroh Febriana Putri Mifta Kurnia Ikhsani Mifta Kurnia Ikhsani Muhamad Fajar Sidik Muhamad Fajar Sidik Muhammad Hasbi Noor Muhammad Khodafi Murtini Murtini Nafi, Moh. Iqbal Nia Ayu Mayang Sari Nila Prawitasari Nina Kurniasari Novita Astin Nurul Lailia Nurul Lailia Orinta Ardhani Peryanto, Ari Rahmat Supriyanto Rahmat Supriyanto Reza Adam Chandra Wardana Rianna Wati Rizal Nufal Candra Rizal Nufal Candra Satrian Suhendar Satrian Suhendar Subhan Munafis Suhendra Anjar Dinata Syarief Fajaruddin Syarief Fajaruddin Thomas Didimus Hane Thomas Didimus Hane Umi Rotul Marwiyah Viola Yngwie Oriordan Wafa Nabila Rusman Widi Sarinastiti Yansen Yansen Yuwono Fitri Widodo