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All Journal KLAUSA (Kajian Linguistik, Pembelajaran Bahasa, dan Sastra) SULUK: Jurnal Bahasa, Sastra, dan Budaya ARBITRER: Jurnal Pendidikan Bahasa dan Sastra Indonesia Jurnal Pena Indonesia INDONESIA: Jurnal Pembelajaran Bahasa dan Sastra Indonesia Prologue: Journal on Language and Literature KUBIK: Jurnal Publikasi Ilmiah Matematika Jurnal Disastri: Pendidikan Bahasa dan Sastra Indonesia Tasamuh: Jurnal Komunikasi dan Pengembangan Masyarakat Islam Buletin Abdi Masyarakat (BAM) DIDAKTIS: Jurnal Pendidikan Bahasa dan Sastra Indonesia NOBEL : Journal of Literature and Language Teaching
Indriyani, Jiphie Gilia
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Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Library & Information Science Mathematics Social Sciences Other

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Psikologi cinta Sternberg, Novel KONSEP CONSUMMATE LOVE PADA NOVEL CINTA DALAM SUJUDKU KARYA DIANA FEBI: PSIKOLOGI STERNBERG Mustafidatus Sholihah, Alvia; Indriyani, Jiphie Gilia
Jurnal Pena Indonesia Vol 9 No 2 (2023): Jurnal Pena Indonesia
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Abstract: In creating a work of Islamic literature, the dominant author uses themes that contain romance. Of the many works in the form of Islamic novels, one of the works used as analysis in this study is the novel Cinta Dalam Sujudku by Diana Febi. This study describes the narrative flow that tells about romanticism with a religious theme in the novel Cinta Dalam Sujudku by Diana Febi. This Islamic novel narrates the romantic relationship with religious elements between the characters Zaki and Risa. This is what makes researchers interested in analyzing more deeply the types of love in the packaging of the novel Cinta Dalam Sujudku by Diana Febi. The purpose of this study is to identify the concept of the types of love in the novel. The method applied is descriptive qualitative method. The data analysis technique was carried out using the note-taking technique with literature study. The theory used in this study is the literary psychology theory of Robert John Sternberg's triangle of love. The researcher suggests that the relationship between the characters Zaki and Risa contains three main components in Sternberg's theory and includes the category of consummate love (true love). Keywords: Sternberg love psychology, Islamic novels, Cinta Dalam Sujudku, and consummate love.
Formula Detektif Klasik pada Cerita Anak The Secret Seven-Sapta Siaga: Kajian Formula John G. Cawelti Yuli Aisyah Putri; Jiphie Gilia Indriyani
DIDAKTIS : Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 2 No 1 (2024): DIDAKTIS: Jurnal Pendidikan Bahasa dan Sastra Indonesia
Publisher : Fakultas Sastra Universitas Muslim Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33096/didaktis.v2i1.584

Abstract

The children’s story The Secret Seven-Sapta Siaga 6th edition is a detective genre children’s story written by Enid Blyton. This research on children’s stories was conducted to reveal how the detective genre formula is found in the children’s book The Secret Seven-Sapta Siaga. This research is a qualitative descriptive study with a review of John G. Cawelti’s classic detective formula as a theory for finding formulas for children’s stories. The material object used is the children’s story The Secret Seven Sapta Siaga. The techniques in data collection are literature study, reading, observation, and taking notes. The results of the study reveal that the children’s storybook The Secret Seven-Sapta Siaga by Enid Blyton is written with classic detective typology which in the story presents a hero with a final goal to be achieved. This detective children’s story has six main phases in the formulaic structure of the story namely, (1) the introduction of the detective. (2) crimes and leads. (3) inquiry. (4) Announcement of solutions. (5) explanation of solutions. And, (6)The end of the story. The form of the invention contained in the story pattern is the development of the detective genre in the form of a crime for attempted theft of goods.
Katjoe Manis Coffee In The Novel The Coffee Memory By Riawai Elyta: A Gastronomic Study Sholikah, Ima Afiani; Indriyani, Jiphie Gilia
Jurnal Disastri (Jurnal Pendidikan Bahasa dan Sastra Indonesia) Vol 5 No 2 (2023): Jurnal Disastri: Pendidikan Bahasa dan Sastra Indonesia
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33752/disastri.v5i2.4024

Abstract

This research aims to reveal the text that contains the aesthetic value of coffee in the novel The Coffee Memory by Riawani Elyta using Ronald Tobin’s gastronomic approach. The method used in this study is a qualitative analysis involving the resercher’s reading, recording, and interpretation of the text in the novel. The data collection technique involved carrying out reading and note-taking activities, which would then be analyzed by identifying and interpreting data and linking the data findings with gastronomic theory. This study obtained the results that the image of coffee can relate to the experiences experienced by humans. Not only that, but coffee also has aesthetic value, starting from its name, art, and the history of these unique coffees. Through that, culinary can have differences from other culinary delights, ultimately making it a person's identity.
Madness Concept in Rusdi Mathari's Novel: A Foucauldian Reading of Merasa Pintar, Bodoh Saja Tak Punya Indriyani, Jiphie Gilia; An Adzhani, Shabrina; Shofah, Novia Adibatus
NOBEL: Journal of Literature and Language Teaching Vol. 16 No. 1 (2025): APRIL (On Progress)
Publisher : Universitas Islam Negeri Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/NOBEL.2025.16.1.74-91

Abstract

This study of the literary work Merasa Pintar, Bodoh Saja Tak Punya by Rusdi Mathari employs Michel Foucault’s theory of madness to analyze narrative data and identify the concept of madness within the epistémè of the village community where the main character, Cak Dlahom, resides. The main character gets different treatment from two groups of people he meets in his daily life. The first group is people who always need confirmation from Cak Dlahom. The second group consists of people who make a priori judgments, attribute the concept of madness to Cak Dlahom, treat him as a different person, and then laugh at and ignore him. However, Cak Dlahom managed to fight the social epistémè by creating a narrative that broke the stigma. This research successfully identifies the patterns and impacts of societal judgment on individuals who are perceived as different. Additionally, there is an image of an individual’s ability to resist the dominant view and shape their own narrative in society.
Naming, Blaming, Erasing: Van Leeuwen’s Recontextualization–Legitimation Matrix in Bratang Surabaya Coverage, 20 August 2025 Shofah, Novia Adibatus; Indriyani, Jiphie Gilia; Atikurrahman, Moh; Abdullah, Asep Abbas
SULUK : Jurnal Bahasa, Sastra, dan Budaya Vol. 7 No. 1 (2025): Maret
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/suluk.2025.7.1.63-89

Abstract

This study examines how nine Indonesian online outlets transformed the 20 August 2025 Taman Flora–Bratang traffic accident in Surabaya into stabilised news narratives. Using Theo van Leeuwen’s socio-semiotic framework and a mixed-methods Critical Discourse Analysis, we ask: (1) how actors, actions, time–space, purposes, and legitimations are added or removed; (2) how victims, the car/driver, police, and “road/space” are portrayed (naming, genericisation, activation/passivation, inclusion/exclusion); and (3) which authorisation, moral evaluation, rationalisation, and mythopoesis assign responsibility under breaking-news uncertainty. A parallel, convergent analysis treated sentences (including headlines) as units across nine same-day reports. Quantitatively, we tracked inclusion/exclusion, activation/passivation, gender marking, and legitimation types per sentence; qualitatively, we traced outlet-level patterns via a CDA Matrix, joint displays (actor × legitimation), and a recontextualisation flow. Double-coding (Cohen’s κ template) audited heuristic labels, with discrepancies resolved interpretively. Three recurring narrative packages emerged: (i) a police-led “two-motor” template that simplifies causality and backgrounds the car/driver; (ii) a BPBD-led procedural timeline that individualises the driver yet defers legal judgment; and (iii) a defensive naming-then-denial pattern specifying the car (even plate/model) while disassociating it via surface forensic cues. Early texts privilege authorisation (police/BPBD voice) and rationalisation (procedural/technical accounts); moral cues and mythopoetic framings surface subtly in headlines. Social-actor design personalises/feminises the deceased and functionalises authorities, pre-structuring responsibility maps.
Co-Authors Abdullah, Asep Abbas Afina Faradila Unsha Ainur Rosidah An Adzhani, Shabrina Anjeli Mariyatul Qibtiyah Athifah Zukhruf Nisabaha Atik Azzahra Nurfadillah Atikurrahman, Moh Candra Bhakti Susilo Durotun Nashichah Evi Istiani Indra Tjahyadi Kholidah Sunni Nafisah Larasati, Emiliya Marsha Miranda Moh Atikurrahman Moh Atikurrahman Moh Atikurrahman Muhammad Fahrur Rozi Mustafidatus Sholihah, Alvia Novia Adibatus Shofah Nurissaidah Ulinnuha Putri Berliana Candra Rafi Ferdiansyah Ratri, Risalah Damar Shabrina An Adzhani Shofihatul Millah Sholikah, Ima Afiani Yuli Aisyah Putri Yulike Aulia Familasari