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All Journal Gorga : Jurnal Seni Rupa Journal of Contemporary Indonesian Art MUDRA Jurnal Seni Budaya Akses: Jurnal Penelitian dan Pengabdian Kepada Masyarakat Universitas Ngurah Rai Jurnal Batarirupa : Jurnal Pendidikan Seni Stilistika Jurnal Pengabdian Kepada Masyarakat SEWAGATI Jurnal Pengabdian Pada Masyarakat IPTEKS Harmonia: Journal of Arts Research and Education KREATIF: Jurnal Pengabdian Masyarakat Nusantara
Ni Putu Laras Purnamasari
Universitas PGRI Mahadewa Indonesia
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Chemical Engineering, Chemistry & Bioengineering Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Medicine & Pharmacology Social Sciences Other

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PRAKTIK REPRESENTASI SENI LUKIS FLORA DAN FAUNA PENGOSEKAN PADA PRODUK SENI KERAJINAN Purnamasari, Ni Putu Laras
Gorga : Jurnal Seni Rupa Vol. 12 No. 2 (2023): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v12i2.47185

Abstract

The art of painting the flora and fauna of Pengosekan has a charming visual appeal. This visual object of painting then appeared in several arts and crafts in Gianyar Regency. These crafts include stone crafts, wood crafts and batik crafts. The representation of flora and fauna painting in craft arts can be seen in terms of themes, shapes, lines and colors. This research focuses on the practice of representing the flora and fauna of Pengosekan on arts and crafts products. The method used is a qualitative method with an analytical approach to visual representation and textual text, data obtained through observation, literature study, documents and in-depth interviews with sources in the field. The results of the research show that the presence of painted images of Pengosekan flora and fauna is attached to several arts and crafts products in Gianyar district. Some of these craft products include the art of stone crafts, the art of wood carving crafts, and the art of batik crafts.Economic needs are one of the factors causing the practice of representation, as well as being supported by the creativity of craftsmen, as well as the current trend in the painting market with Balinese natural themes, especially flora and fauna. Some of these things influence the thoughts and behavior of craftsmen to create a characteristic visual language leading to the art of painting the flora and fauna of Pengosekan. Representation can be identified in terms of themes and visual styles in the products created. From an economic, social and cultural perspective, this representational practice has had both positive and negative impacts on society, although basically this behavior has helped the existence of the art of painting flora and fauna, even in different media and functions.Keywords: representation, Pengosekan painting, crafts.AbstrakSeni lukis flora dan fauna Pengosekan memiliki pesona daya tarik pada visual karya. Objek visual seni lukis ini kemudian muncul pada beberapa seni kerajinan di Kabupaten Gianyar. Seni kerajinan tersebut antara lain kerajinan batu padas, seni kerajinan kayu, dan seni kerajinan batik. Representasi seni lukis flora dan fauna pada seni kerajinan terlihat dari segi tema, bentuk, garis, dan warna. Penelitian ini fokus pada praktik representasi seni lukis flora dan fauna Pengosekan pada produk seni kerajinan. Metode yang digunakan adalah metode kualitatif dengan pendekatan analisis representasi visual dan teks tekstual, data diperoleh melalui observasi, studi kepustakaan, dokumen, dan wawancara mendalam dengan narasumber di lapangan. Hasil penelitian menunjukkan bahwa kehadiran citra seni lukis flora dan fauna Pengosekan melekat pada beberapa produk seni kerajinan di kabupaten Gianyar. Beberapa produk kerajinan tersebut antaralain seni kerajinan batu padas, seni kerajinan ukir kayu, dan seni kerajinan batik.  Kebutuhan ekonomi merupakan salah satu factor penyebab terjadinya praktik representasi, selain juga karena didukung oleh kreatifitas perajin, serta kecenderungan pasar lukisan saat itu dengan tema-tema alam Bali khususnya flora dan fauna. Beberapa hal tersebut mempengaruhi pikiran dan perilaku perajin untuk meciptakan karakteristik bahasa visual mengarah pada seni lukis flora dan fauna Pengosekan. Representasi dapat diidentifikasi dari segi tema dan gaya visual pada produk yang diciptakan. Dari segi ekonomi, sosial, dan budaya praktik representasi ini sangat memberi dampak baik positif maupun negativ kepada masyarakatnya, meskipun pada dasarnya perilaku ini telah membantu eksistensi seni lukis flora dan fauna meskipun pada media dan fungsi yang berbeda.Kata Kunci: representasi, seni lukis Pengosekan, kerajinan. Authors:Ni Putu Laras Purnamasari : Universitas PGRI Mahadewa Indonesia References:Budiwirman, B., Syeilendra, S., Ramadhan, A., & Syafei, S. (2023). Seni Tradisional dalam Seni Musik Modren: Analisis Berdasarkan Nilai Pendidikan. Gorga: Jurnal Seni Rupa, 12(1), 108-115.Cavallaro, D. (2004). Teori Kritis dan Teori Budaya. Yogyakarta: Niagara.Purnamasari, N. P. L., & Adiputra, A. M. (2020). Unsur Visual Seni Lukis Flora Dan Fauna Pengosekan Pada Seni Kerajinan Batu Padas Di Desa Singapadu. Stilistika: Jurnal Pendidikan Bahasa dan Seni, 9(1), 122-133.Purnamasari, N. P. L. (2022). Identification Of Painting Arts In Padas Stone Crafts In Singapadu Village. Mudra Jurnal Seni Budaya, 37(1), 69-77.Purnamasari, N. P. L. (2021). Tema Flora dan Fauna, Nataloka Studio. Hasil Dokumentasi Pribadi: 17 Maret 2021, Bali.Ramadhani, S. A., & Nelmira, W. (2023). Transformasi Motif Burung Merak pada Produk Bordir Kebaya Pila Kebaya di Kecamatan Harau Kabupaten Lima Puluh Kota. Gorga: Jurnal Seni Rupa, 12(1), 56-62.Sudikan, S. Y. (2001). Metode Penelitian Kebudayaan. Surabaya: UNIPRESS.Mubarat, H., Saaduddin, S., & Ihaq, M. (2022). Implementasi Ragam Hias Songket Palembang pada Ruang Publik Sebagai Representasi Estetik Budaya Lokal Palembang. Gorga: Jurnal Seni Rupa, 11(2), 529-537.Mudra, I. W., Raharja, I. G. M., & Sukarya, I. W. (2019). Motif Tradisi Wayang Khas Bali pada Penciptaan Seni Keramik. Gorga: Jurnal Seni Rupa, 8(2), 320-326.Mudra, I. W., Mahadi, M., & Karuni, N. K. (2020). Inovasi Produk Kriya Di Bali. Gorga: Jurnal Seni Rupa, 9(1), 56-63.
Character Education Model in Wayang Kulit for Early Childhood Junaidi, Junaidi; Raharjo, Arif Budi; Sahid, Nur; Sukanadi, I Made; Wicaksana, Dewa Ketut; Purnamasari, Ni Putu Laras
Harmonia: Journal of Arts Research and Education Vol. 24 No. 2 (2024): December 2024
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v24i2.9625

Abstract

This study explains the character education model in wayang kulit art for early childhood (5 to 6 years old) as one support to form their future personality. This study is based on an action research approach to improve character quality to be better than before. The subjects are male or female students following and understanding character education through wayang kulit. The action method transforms adult puppet into children, concludes figures with positive character, and is responsible for early childhood to be actively involved in education and wayang kulit. The results show that positive character education, such as diligence, sincerity, firmness, helpful, determination, wiseness, humility, fairness, and friendliness, is found in human and animal children characters named Punta, Sena, Juna, Pinten, Tangsen, Bledug, and Belo which follows the child's developmental level rapidly advancing towards the future, and it can be used in the early childhood and kindergarten education environment nationally and internationally. Thus, much support is needed from children's educational institutions and wayang kulit arts, i.e., Kemdikbudristek (Ministry of Education, Culture, Research, and Technology of Indonesia), Kemen KPP-PA (Ministry of Women Empowerment and Children Protection of Indonesia), SENAWANGI (National Secretariat of wayang kulit of Indonesia), PEPADI (Association of Indonesian Wayang Kulit), UNIMA, UNICEF, and UNESCO, to achieve a culture-based character education program.
Eduwisata Art-Edu-Tech : Model Pengembangan Kawasan Wisata Air Terjun Candi Kuning, Silangjana, Buleleng Ni Putu Laras Purnamasari; I Wayan Suanda; I Kadek Juni Arta; A.A Istri Agung Mutiara Mahayeni; I Made Arsa Sanjaya Putra
KREATIF: Jurnal Pengabdian Masyarakat Nusantara Vol. 6 No. 1 (2026): Jurnal Pengabdian Masyarakat Nusantara
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/kreatif.v6i1.9987

Abstract

Silangjana Village in Buleleng, Bali, has natural tourism potential, one of which is the Candi Kuning Waterfall. The potential of Silangjana Village has not been balanced by structured educational tourism, village economic institutions, and low digital literacy and human resource capacity. The Impact Student Executive Board (BEM Berdampak) program has the main objective of increasing the capacity and empowerment of two target partners, namely the Lila Dharma Kerti Tourism Awareness Group (Pokdarwis) and the Dharma Kerthi Honey Bee Farmer Group, through the implementation of the innovative Eco-Art-Tech model. This model integrates environmental sustainability, namely Eco which refers to modern Trigona bee cultivation, Art which targets the creative economy with a program to recycle plastic waste into souvenirs, and Tech for digital systems supporting tourist attractions. The program's implementation methods include outreach, technical training, mentoring, and evaluation. Initial results show a significant increase in the knowledge and skills of Tourism Awareness Group (Pokdarwis) partners regarding source-based plastic waste management, as well as their ability to create various souvenir products such as fans, wallets, and key chains, to support tourism promotion. The Bee Farmers Group also experienced an increase in knowledge regarding modern Trigona honey cultivation techniques, and even achieved an effective and hygienic honey harvest. This program supports the SDGs and community economic independence.
Inovasi Tenun Fetung Bayan: Merajut Tradisi dengan Teknologi Pigmen Natural, Etnomatematika, dan Etnolinguistik sebagai Ekspresi Budaya Berbasis Ekonomi Kreatif Duwi Purwati; Gde Agus Mega Saputra; Ni Putu Laras Purnamasari; Sunardi Sunardi; Sari Hidayani; Abdul Karim; Lalu Alhayuda; Mega Mustika
Jurnal Pengabdian Pada Masyarakat IPTEKS Vol. 3 No. 3 (2026): Jurnal Pengabdian Pada Masyarakat IPTEKS, Juni 2026
Publisher : CV. Global Cendekia Inti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71094/jppmi.v3i3.350

Abstract

Program Inovasi Seni Nusantara (PISN) ini dilaksanakan di Desa Bayan, Kabupaten Lombok Utara, Nusa Tenggara Barat, dengan melibatkan komunitas perempuan penenun tradisional yaitu Kelompok Perajin Tenun Fetung Bayan sebagai mitra utama. Mitra berada dalam kondisi sosial ekonomi yang terbatas, dengan keterampilan tenun yang diwariskan secara turun-temurun namun belum terintegrasi dengan pendekatan teknologi dan ekonomi kreatif secara optimal. Permasalahan utama yang dihadapi mitra meliputi kurangnya Pemanfaatan Pengetahuan Lokal Etnomatematika (pola geometris dan perhitungan) dan Etnolinguistik (simbolisme dan narasi dalam motif) tenun Fetung Bayan yang belum sepenuhnya digali dan dimanfaatkan sebagai keunggulan produk sebagai makna simbolis dan perhitungan matematis serta minimnya dokumentasi dan sosialisasi nilai- nilai etnomatematika dan etnolinguistik kepada penenun dan masyarakat luas, generasi muda kurang tertarik mempelajari tenun karena prosesnya yang panjang, kurang efisien, dan dianggap kurang relevan dengan tren modern serta kurangnya pengetahuan dan keterampilan dalam memproduksi pigmen natural/pewarna alami yang dianggap lebih rumit dan memakan waktu 1-3 hari serta ketergantungan pada pewarna sistetis dan rendahnya nilai tambah produk tenun. Metode pelaksanaan berbasis Participatory Rulal Approach (PRA) yang dilakukan melalui penyuluhan, pelatihan, demosntrasi dan pendampingan. Hasil kegiatan menunjukkan peningkatan kapasitas mitra dalam memahami dan mengembangkan nilai budaya produk tenun. Produk inovatif yang dihasilkan berupa koleksi tenun dengan motif geometris terstandarisasi, pewarna alami yang tahan lama, serta narasi budaya yang memperkuat identitas lokal. Selain itu Tersedianya Inovasi digitalisasi dalam bentuk kamus visual digital BaTeCNusantara.id yang berisi istilah tenun dalam bahasa Bayan, makna filosofis motif, dan narasi budaya serta Kode Etnomatematik (narasi intelektual yang meningkatkan nilai ekslusivitas produk turunan kain tenun Bayan, serta pembuatan dokumentasi audiovisual. Progres luaran wajib telah mencakup artikel media massa, video kegiatan, poster, Jurnal, HKI, akun e- commerce dan terciptanya kamus visual digital "BaTeC" (Bayan Tenun Code). Program ini diharapkan menjadi model pemberdayaan masyarakat berbasis budaya yang berkelanjutan dan adaptif terhadap perkembangan teknologi
REKONSTRUKSI EDUKASI: MELESTARIKAN ALAM PANDAWA MELALUI PENGOLAHAN SAMPAH PLASTIK Ni Putu Devi Ary Santhi; Ni Putu Laras Purnamasari; I Kadek Juni Arta
Sewagati Vol. 4 No. 1 (2025): Sewagati
Publisher : Fakultas Teknik dan Informatika Universitas PGRI Mahadewa Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59819/sewagati.v4i1.5074

Abstract

Plastic waste is an urgent problem that must be addressed immediately. Plastic not only damages the ecosystem, but also threatens human health if not handled properly. As one of the efforts to overcome problems related to plastic waste, the Fine Arts Education study program (PPSR) in collaboration with the Informatics Engineering study program at PGRI Mahadewa University, carries out good activities, namely Community Service (PKM) activities. The activity program carried out is the creation of a plastic recycling installation entitled "Educational Reconstruction" which is present as a creative and educational effort in processing waste. This PKM implementation is in series with the Culture Run Bali 2024 activities, which are organized by Vinda Creative Events at Pandawa Beach. Culture Run is a running activity accompanied by various exciting activities at every kilometer in order to protect the environment and support "zero emissions" in Bali while preserving the cultural beauty of the Island of the Gods to continue to be spread to the wider community in Indonesia. The Plastic Recycling Installation is a work of art as well as educational media related to alternatives in processing plastic waste into environmentally and health-friendly art products.
PENERAPAN ECO-ENZYME SEBAGAI SARANA EDUKASI DALAM PENINGKATAN KEMAMPUAN PENGELOLAAN SAMPAH RUMAH TANGGA Sudarti Ni Wayan; I Ketut Muada; Ni Putu Laras Purnamasari
Sewagati Vol. 4 No. 2 (2025): SEWAGATI
Publisher : Fakultas Teknik dan Informatika Universitas PGRI Mahadewa Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59819/sewagati.v4i2.5987

Abstract

This community service program aims to provide education and training in eco-enzyme production as an effort to improve household waste management capabilities in the Banjar Prajasari area. The phenomenon of organic waste accumulation and environmental pollution is due to low public awareness regarding waste management. One simple, environmentally friendly product produced through the fermentation of fruit and vegetable waste that can be used as a versatile solution is known as Eco-enzyme. The Eco-enzyme production training was conducted through three activities: the first involved educational activities on household waste management, the second involved a hands-on eco-enzyme production workshop, and the third involved a twenty-day fermentation mentoring process. Data collection included observation, pre- and post-program knowledge assessments, and participant interviews. The results of the education and training on eco-enzymes showed a significant increase in public understanding of waste sorting, organic waste utilization, and eco-enzyme processing techniques. The community demonstrated positive behavioral changes in an effort to reduce household waste and successfully independently produce eco-enzymes. The conclusion of this activity is that community empowerment through the implementation of sustainable waste management activities and practical, effective, and efficient participatory education can increase public awareness in managing waste in the household environment. Keywords: eco-enzymes, household waste management, environmental awareness
Co-Authors A.A Istri Agung Mutiara Mahayeni Abdul Karim Agus Mediana Adiputra Dewa Made Alit Duwi Purwati Gde Agus Mega Saputra I Gusti Ayu Rai I Kadek Juni Arta I Ketut Muada I Made Arsa Sanjaya Putra I Made Sukanadi I Nyoman Gede Bendesa Putra I Nyoman, Putrayasa I Putu Karsana I Putu Karsana I Wayan Suanda Junaidi Junaidi Kadek Ditha Purnamasari Kadek Intan Rusmayanthi Lalu Alhayuda Mega Mustika Ni Putu Devi Ary Santhi Nur Sahid Raharjo, Arif Budi Sari Hidayani Sudarti Ni Wayan Sunardi Sunardi Sunarwan, I Wayan Agus Wicaksana, Dewa Ketut