Article Per Year (5 Year)
p-Index From 2020 - 2025
4.329
P-Index
This Author published in this journals
All Journal Argopuro: Jurnal Multidisiplin Ilmu Bahasa Cendikia Pendidikan Liberosis: Jurnal Psikologi dan Bimbingan Konseling
Yunus, Syarifudin
Unknown Affiliation
Arts Humanities Decision Sciences, Operations Research & Management Education Languange, Linguistic, Communication & Media Mathematics Veterinary Other

Published : 36 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 36 Documents
Search

 1   2   3   4 
BAHASA SEBAGAI MEDIA EKSPRESI RASA DALAM PUISI “KEPADA ABU” KARYA NATASHA RIZKY Salsabila, Intan; Anzani, Nurul Afni; Yunus, Syarifudin
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 7 No. 6 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v7i6.12370

Abstract

Abstract Poetry is a form of expression that conveys a poet's feelings through distinctive diction and language style. This study analyzes how language is used as a medium for emotional expression in Natasha Rizki's poem "Kepada Abu". Using a stylistic approach, this study examines the selection of diction, figurative language, and poetic structure that constructs emotional meaning. The findings show that the use of metaphors, symbols, and repetition in the poem strengthens the nuances of sadness and loss, allowing readers to experience the emotions the poet intends to convey. Furthermore, the poem demonstrates that language not only delivers as a tool for communication but also as a means to evoke readers' feelings and create a profound emotional connection. The language in this poem conveys messages not only intellectually but also emotionally, proving that literary works have an extraordinary power to explore the depth of human emotions. Thus, "Kepada Abu" becomes a testament to poetry's ability to connect the poet's personal expression with the reader's experience. Keywords: Poetry, language, emotional expression, stylistics, Natasha Rizki. Abstrak Puisi merupakan bentuk ekspresi yang menggambarkan perasaan penyair melalui diksi dan gaya bahasa khas. Penelitian ini menganalisis bagaimana bahasa dalam puisi "Kepada Abu" karya Natasha Rizki digunakan sebagai media ekspresi rasa. Dengan pendekatan stilistika, penelitian ini mengkaji pemilihan diksi, majas, dan struktur puisi yang membangun makna emosional. Hasil penelitian menunjukkan bahwa penggunaan metafora, simbol, dan repetisi dalam puisi ini memperkuat nuansa kesedihan dan kehilangan, sehingga memungkinkan pembaca merasakan emosi yang ingin disampaikan penyair. Lebih jauh, puisi ini menunjukkan bahwa bahasa tidak hanya berfungsi sebagai alat komunikasi, tetapi juga sebagai sarana yang mampu menggugah perasaan pembaca dan menciptakan koneksi emosional yang mendalam. Bahasa dalam puisi ini tidak hanya menyampaikan pesan secara intelektual, melainkan juga secara emosional, membuktikan bahwa karya sastra memiliki kekuatan luar biasa dalam menggali kedalaman perasaan manusia. Dengan begitu, "Kepada Abu" menjadi bukti nyata bahwa puisi mampu menjembatani ekspresi personal penyair dengan pengalaman batin pembacanya. Kata kunci: Puisi, bahasa, ekspresi rasa, stilistika, Natasha Rizky.
ANALISIS CERPEN “BADAI YANG REDA” KARYA FAUZIA A: PERSPEKTIF SOSIAL DAN PSIKOLOGIS DALAM PENCARIAN JATI DIRI Listanto, Firgiawan; Arfiah, Siti; Yunus, Syarifudin
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 7 No. 6 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v7i6.12426

Abstract

This study uses a qualitative-descriptive method with a literary approach, especially a sociological and psychological approach to literature. This method was chosen because it is appropriate for revealing the meaning contained in literary texts in depth, especially those related to social dynamics and the psychological conditions of the characters in the short story. This approach also allows researchers to analyze how social structures and environmental pressures influence the main character's inner journey in finding their identity. The short story "Badai yang Reda" by Fauzia A describes the main character's inner journey in finding their identity amidst social pressure and psychological conflict. From a social perspective, this story highlights the role of the environment, family, and expectations of coastal communities that shape the character's identity. The main character experiences a dilemma between her desire for freedom and her attachment to tradition and social obligations. This tension shows how social structures not only create roles, but also become a source of pressure that limits the individual's space to explore and express themselves.
PERTENTANGAN KELAS DALAM JEJAK TANAH: KAJIAN SASTRA MARXIS ATAS EKSPLOITASI KAUM PROLETAR KARYA DANARTO Mu'amar, Afadi Khoirul; Mustika, Gina; Yunus, Syarifudin
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 7 No. 6 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v7i6.12427

Abstract

This study aims to analyze class conflict and forms of proletarian exploitation in the short story Jejak Tanah by Danarto through the lens of Marxist theory. The story portrays a structural conflict between property developers, representing the bourgeois class, and the marginalized community as the proletariat struggling to defend their land rights. This research employs a qualitative method with a critical literary text analysis approach to uncover intrinsic and extrinsic elements in the story that reflect social, political, and economic dynamics. The analysis reveals that Jejak Tanah voices a critique of modern capitalist practices, particularly in the form of land grabbing, structural violence, and repression of popular resistance. The story also contains symbolic narratives that reflect class consciousness and the collective struggle of the proletariat against bourgeois domination. Thus, Danarto’s work not only aesthetically represents social injustice but also calls on readers to recognize the importance of solidarity in resisting oppression.
KRITIK SOSIAL DALAM PUISI “DIPONEGORO” KARYA CHAIRIL ANWAR: MENELUSURI PERLAWANAN TERHADAP KETIDAKADILAN SOSIAL Handiansyah, Dandi; Zai, Mega Susanti; Yunus, Syarifudin
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 7 No. 6 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v7i6.12433

Abstract

This study aims to reveal the form of social criticism in the poem “Diponegoro” by Chairil Anwar using stylistic and sociological literary approaches. Chairil Anwar, a prominent figure of the '45 Generation, is known for his revolutionary works that voice resistance against injustice. In this poem, Chairil resurrects the figure of Prince Diponegoro as a symbol of struggle and perseverance in the face of oppression. The study employs a qualitative descriptive method with content analysis techniques to examine the poem’s diction, figurative language, symbols, and meanings, as well as its connection to the socio-political context of post-independence Indonesia. The analysis reveals that “Diponegoro” is not only a tribute to a national hero but also rich in social criticism towards the decline of revolutionary ideals in the post-independence era. The linguistic elements such as repetition, metaphor, and heroic imagery demonstrate the poem’s expressive power in awakening readers' awareness and spirit. The poem serves as both a medium of cultural resistance and a call to continue fighting against new forms of oppression during the development era. Thus, Chairil Anwar's work proves to hold strong social relevance and reflects the realities of his time through literary aesthetics.
ANALISIS PENOKOHAN DALAM CERPEN SENYUM KARYAMIN KARYA AHMAD TOHARI Hasyim, Abdul; Anggiana, Nur Chintia; Yunus, Syarifudin
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 7 No. 6 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v7i6.12436

Abstract

This study aims to analyze characterization in the short story "Senyum Karyamin" by Ahmad Tohari using a descriptive qualitative method and content analysis technique. The results show that Karyamin, the main character, is portrayed as patient, resilient, and optimistic despite living in poverty. Supporting characters such as Saidah, Sarji, and the village official strengthen the social and humanitarian themes, reflecting the reality of the lower-class society. The characterization is analyzed based on role, function, character development, and social representation.
FENOMENA SOSIAL REMAJA URBAN DALAM NOVEL MARMUT MERAH JAMBU: ANALISIS ISI DENGAN PENDEKATAN SOSIOLOGIS SASTRA Luthfiah, Anisa Najwa; Yunus, Syarifudin
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 8 No. 1 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v8i1.12453

Abstract

This research aims to explore and describe the social phenomena of urban adolescents represented in the novel Marmut Merah Jambu by Raditya Dika. The novel, categorized as humorous autobiographical fiction, has gained immense popularity among young readers. This study seeks to reveal the forms of representation of urban youth life, including lifestyle, communication patterns, and social dynamics presented in the novel. The research employs a qualitative approach through content analysis method, supported by a sociological literary approach as its theoretical foundation. Data are analyzed based on narrative observations, dialogues, and language use within the text. The findings reveal that the novel reflects the social realities of Indonesian urban youth, characterized by a consumerist lifestyle, digital communication, fluid romantic relationships, and identity struggles. These elements are conveyed through humorous and reflective narratives. The use of popular language and code-switching serves as a narrative strategy to construct an authentic urban youth atmosphere.
PENDIDIKAN AKHLAK DALAM NOVEL AYAT-AYAT CINTA Ibrohim, Achmad; Maulia, Naufa; Yunus, Syarifudin
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 8 No. 1 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v8i1.12471

Abstract

In the modern era full of moral challenges, literature is present as an effective means to instill moral values. One of the literary works that contains a strong moral message is the novel Ayat-Ayat Cinta by Habiburrahman El Shirazy. This study aims to reveal the forms of moral education contained in the novel using qualitative descriptive methods and content analysis. The results of the study show that this novel is full of Islamic moral values ​​that are reflected through the characters, plot, and story conflicts. Values ​​such as honesty, patience, responsibility, sincerity, and respect for others are the main focus. The character Fahri is described as a personal representation of Muslim ideals who is able to be a role model in calmness and action. Therefore, Ayat-Ayat Cinta not only functions as a work of entertainment, but also as a medium for inspiring and relevant moral learning, especially for the young generation of Muslims. This research is expected to be a contribution to the development of character education through literary works.
ANALISIS LAGU “SELALU ADA DI NADIMU” KARYA LALEIMANINO MENGGUNAKAN PENDEKATAN MIMETIK Fauzi; Yahya, Wildan Albiruni; Yunus, Syarifudin
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 8 No. 1 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v8i1.12539

Abstract

This study aims to analyze the song "Selalu Ada di Nadimu" by Laleilmanino using the mimetic approach in literary criticism. The mimetic approach views a work of art as a reflection of social reality and human experience, so this analysis focuses on how the song’s lyrics represent the emotional relationship between parents and children as well as the strong family values in Indonesian society. The song is considered a reflection of the creator’s personal experience as well as a broader social reality, especially regarding the hopes and prayers of parents for their children to remain strong in facing life’s challenges. The method used is qualitative descriptive with content analysis of the lyrics as the main data. The results show that "Selalu Ada di Nadimu" functions not only as an aesthetic work of art but also as a medium of social reflection conveying moral messages and real-life values through symbolism and metaphors in its lyrics. Thus, the song reinforces the function of music as a communication tool capable of portraying and strengthening the social and emotional experiences of its listeners.
PENINGKATAN KETERAMPILAN MENULIS PUISI MELALUI STRATEGI PIKIRAN PLUS DENGAN MENGGUNAKAN MEDIA GAMBAR PERISTIWA Akbar, Syafaat Yusufa; Herdiana, Nia; Yunus, Syarifudin
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 8 No. 1 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v8i1.12540

Abstract

Based on the results of the study, the application of the Mind Plus strategy using event picture media proved effective in improving students' poetry writing skills. Through the processes of observing pictures, asking questions, developing ideas, and composing poems, students became more creative, systematic, and directed in expressing their feelings and thoughts into literary works. The use of visual media as a stimulus helped students more easily find main ideas and enriched their imagination in choosing diction, building atmosphere, and forming aesthetic poem structures. The implication of these results indicates that the Mind Plus strategy assisted by visual media is feasible to be implemented in poetry writing instruction at school. This strategy can create a more active, enjoyable, and motivating learning atmosphere, encouraging students to be more confident in producing creative works. Teachers are expected to adopt this method to optimally develop students' literacy skills, thereby making poetry writing learning more contextual, inspiring, and relevant to the development of students' creativity.
MENULIS KREATIF SEBAGAI MEDIA KRITIK SOSIAL DALAM PUISI “PERINGATAN” KARYA WIJI THUKUL Al’ Hayati, Zaytun; Fauziah, Amilatul; Yunus, Syarifudin
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 8 No. 1 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v8i1.12542

Abstract

This study aims to demonstrate that creative writing, particularly in the form of poetry, can serve as a powerful and effective medium for social criticism. The focus of the study is the poem Peringatan (“Warning”) by Wiji Thukul, written in the context of political repression during Indonesia's New Order regime. Using a qualitative descriptive method and a literary social criticism approach, the analysis examines each stanza of the poem, which delivers a sharp warning regarding the imbalanced relationship between the people and those in power. The findings show that the poem reflects creative aspects through its direct diction, symbolism of resistance, and rhetorical structure that poignantly exposes social and political realities. Through this work, Wiji Thukul voices the people’s frustrations against silenced aspirations and authoritarian control. Thus, “Peringatan” becomes a form of creative expression as well as an ideological weapon against structural injustice.
Co-Authors abdul hasyim, abdul Adil, Ahmad Fatwa Afwillah, An Najaa Agustin, Nadira Akbar, Syafaat Yusufa Al’ Hayati, Zaytun Amalia, Faizul Muna Anggiana, Nur Chintia Antika, Rindi Anzani, Nurul Afni Ardhana, Muhammad Firzha Arfiah, Siti Aryati, Dila Damanik, Hera Vani Fajriah, Okti FAUZI Fauziah, Amilatul Fauziah, Jihan Febriani, Nada’a Rizka Fitriani, Anggun Handiansyah, Dandi Handriyani, Kiki Herdiana, Nia Hia, Lestari Iman Putri Hiriana, Risha Huda, Fathia Nurul Ibrohim, Achmad Ifadatul Khusnah, Sofiana Aulia Indiani, Rara Izati, Isna Nur Kasrani, Meliawati Rizki Listanto, Firgiawan Luthfiah, Anisa Najwa Maharani, Sefia Maulia, Naufa Mikdad, Mikdad Mu'amar, Afadi Khoirul Muhammad Hadi Mustika, Gina Nasution, Siti Hanifah Novidayanti, Nur Rizky Nur Alamsyah, Nur Nur Hayati Nuraeni, Windry NURUL AZIZAH Oktavia, Annisa Rahmah, Adnin Fauziyah Ramadhan, Hamdi Rijal, Achmad Choirul Rulfida, Yanah Salsabila, Intan Saputra, Muhamad Ananda Saputra, Rendys Sarah, Sartika Sari, Irna Revita Sinetri, Yohana Siti Jubaedah Siti Nurjannah Siti Romlah Suharni, Nani Suhendro, Daniel Dwi Sulaeman, Eka Gilang Wicaksana Sulistiawan, Dellana Ismi Susanti, Gina Komara Tamba, Rolinca Threesnaldy, Muhammad Rezky Ulya, Dinda Zuhrotul Yahya, Wildan Albiruni Yohana Sianturi, Rut Cahaya Zai, Mega Susanti