Article Per Year (5 Year)
p-Index From 2021 - 2026
7.277
P-Index
This Author published in this journals
All Journal Argopuro: Jurnal Multidisiplin Ilmu Bahasa Cendikia Pendidikan Liberosis: Jurnal Psikologi dan Bimbingan Konseling AKSIOMA : Jurnal Sains Ekonomi dan Edukasi Argopuro : Jurnal Multidisiplin Ilmu Bahasa Neraca: Jurnal Ekonomi, Manajemen dan Akuntansi
Yunus, Syarifudin
Unknown Affiliation
Religion Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Social Sciences Veterinary Other

Published : 63 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 63 Documents
Search

 3   4   5   6   7 
KRITIK TERHADAP KETIMPANGAN SOSIAL DALAM PUISI 'SAJAK SEBATANG LISONG' KARYA W. S. RENDRA: ANALISIS PERSPEKTIF SOSIALISME Adil, Ahmad Fatwa; Hiriana, Risha; Yunus, Syarifudin
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 7 No. 4 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v7i4.12279

Abstract

This study uses a qualitative descriptive method, which is an approach that aims to describe and analyze the social meanings contained in literary texts based on the researcher's in-depth interpretation. The poem Sajak Sebatang Lisong by W.S. Rendra is a form of sharp criticism of the social inequality that occurred during the New Order. From a socialist perspective, this poem voices the suffering of the common people, criticizes the dominance of the bourgeoisie, and highlights the inequality in access to education, employment, and national development that tends to imitate foreign systems without considering the local context. Rendra emphasizes that art and thought should side with social reality and the suffering of the people, not be separated from the lives of society. By making his poem an "emergency pamphlet," Rendra calls for resistance, class awareness, and the need for direct involvement of intellectuals and artists in the social struggle for justice and equality.
Analisis Antropologi Sastra dalam Novel Tenggelamnya Kapal Van Der Wijck Karya Buya Hamka Yohana Sianturi, Rut Cahaya; Nuraeni, Windry; Yunus, Syarifudin
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 7 No. 4 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v7i4.12286

Abstract

The novel Tenggelamnya Kapal Van der Wijck by Hamka represents the social reality of Minangkabau society through a tragic love story full of cultural values ​​and social conflict. This study aims to analyze the aspects of literary anthropology in the novel, focusing on the representation of customs, social values, and the dynamics of individual relationships with society. The results of the analysis show that Hamka raises the issue of social inequality, oppression in the name of customs, and the struggle of individuals in facing the dominance of cultural structures. Through the characters of Zainuddin and Hayati, these novel expresses criticism of rigid customary values ​​that do not side with humanity. Literary anthropology in this novel plays an important role in connecting fictional narratives with social reality, as well as being a means of cultural reflection and collective identity of society. With a strong and emotional storytelling style, Hamka successfully voices the conflict between tradition and modernity, and invites readers to understand the complexity of culture in people's lives. This novel is not only a literary work, but also a cultural document that reflects the social dynamics of its time.
ANALISIS CAMPUR KODE PADA KUMPULAN CERPEN SAGRA KARYA OKA RUSMINI Rijal, Achmad Choirul; Nurjannah, Siti; Yunus, Syarifudin
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 7 No. 5 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v7i5.12308

Abstract

Oka Rusmini's Sagra short story collection depicts the life of Balinese people through short stories full of cultural and social values. This study aims to analyze the symptoms of code-mixing, focusing on conversations between characters and factors that influence code-mixing. It can be concluded that the use of code mix in Sagra's short story collection proves to be not only dominant in strengthening the diction of the story but also to describe the social and cultural identity of Balinese society. Code-mixing symbolizes the dialog between local tradition and modern influence as the author's language choice. It reflects the characters' feelings, social relationships, and position in Balinese society, which is rich in social and cultural diversity. The role of code-mixing in Sagra's short story collection has a great influence on building the story as an expression of quiet confessions about women, customs, and resistance that may not be often voiced. The presence of code-mixing in Oka Rusmini's Sagra stories shows sensitivity to the language context between characters, in addition to being part of instilling effective moral messages to readers. Some forms of code mix found in this short story include lexical code mix, syntax, conversations between characters, time or place markers, expressions or idioms, and character monologues. Kumpulan cerpen Sagra karya Oka Rusmini menggambarkan kehidupan masyarakat Bali melalui cerita-cerita pendek yang penuh dengan nilai budaya dan sosial. Penelitian ini bertujuan untuk menganalisis gejala campur kode, dengan fokus pada percakapan antar tokoh dan faktor-faktor yang memengaruhi campur kode. Dapat disimpulkan penggunaan campur kode dalam kumpulan cerpen Sagra terbukti bukan hanya dominan dalam memperkuat diksi cerita melainkan untuk menggambarkan identitas sosial dan budaya Masyarakat Bali. Campur kode sebagai simbol terjadinya dialog antara tradisi lokal dan pengaruh modern sebagai pilihan bahasa pengarang. Campur kode mencerminkan perasaan, hubungan sosial, dan posisi karakter dalam masyarakat Bali yang kaya akan keberagaman sosial dan budaya. Peran campur kode dalam kumpulan cerpen Sagra memiliki pengaruh besar membangun cerita sebagai ekspresi pengakuan lirih yang mengguncang tentang perempuan, adat, dan perlawanan yang mungkin tidak jarang disuarakan. Kehadiran campur kode dalam cerita Sagra karya Oka Rusmini menunjukkan adanya kepekaan terhadap konteks bahasa antar tokoh, di samping menjadi bagian untuk menanamkan pesan moral yang efektif kepada pembacanya. Beberapa bentuk campur kode yang ditemukan dalam cerpen ini meliputi campur kode leksikal, sintaksis, percakapan antar karakter, penanda waktu atau tempat, ungkapan atau idiom, serta monolog karakter.
ANALISIS ESTETIKA PUISI DALAM PLATFORM INSTAGRAM: KAJIAN STILISTIKA PADA PUISI “BEBERAPA SAAT” KARYA NATASHA RIZKY Jubaedah, Siti; Sulistiawan, Dellana Ismi; Yunus, Syarifudin
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 7 No. 5 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v7i5.12313

Abstract

This study aims to analyze the aesthetics of a poem entitled "Semua Saat" published through the Instagram platform, using a stylistic approach. This study focuses on linguistic elements such as diction, style, repetition, and aesthetic nuances. The results of the analysis show that even though it was published on social media, the poem has a depth of meaning, emotional strength, and a strong stylistic structure, so that it can still be studied as a quality literary work. The poem "Semua Saat" proves that literary works published through Instagram still have high aesthetic value if written with the right choice of language. Through a stylistic approach, this poem shows a richness of expression in the diction, repetition, and figures of speech used. The inner journey in this poem, from apparent calm to spiritual sincerity, creates a deep and touching aesthetic value. Social media does not reduce the quality of a poem, but rather opens up new space for poets to reach a wider readership. With proper analysis, works like this can still be studied scientifically and appreciated as part of the development of contemporary literature.
EKSPLORASI MAKNA DARI PUISI “DOA" KARYA CHAIRIL ANWAR MELALUI ANALISIS SEMIOTIKA Susanti, Gina Komara; Novidayanti, Nur Rizky; Yunus, Syarifudin
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 7 No. 5 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v7i5.12352

Abstract

This study aims to explore the meaning of the poem “Doa” (Prayer) by Chairil Anwar through Roland Barthes’ semiotic approach. The analysis focuses on three layers of meaning: denotation, connotation, and myth. The findings reveal that “Doa” contains deep spiritual and existential dimensions that cannot be interpreted superficially but require a close and layered reading to uncover its hidden meanings. Using Barthes’ semiotic theory—which emphasizes the three levels of meaning—an examination of the poem’s lines unveils the symbolic complexity crafted by the poet. Lines such as “At Your door I knock” and “I cannot turn away” denote simple actions, yet connotatively reflect the fragile human psyche filled with regret, longing, and hope for the divine. At the mythic level, the poem constructs an ideological narrative about the relationship between human beings and God within the context of modernity, where individuals face existential emptiness and ultimately seek refuge in the divine as their only source of meaning and stability.
BAHASA SEBAGAI MEDIA EKSPRESI RASA DALAM PUISI “KEPADA ABU” KARYA NATASHA RIZKY Salsabila, Intan; Anzani, Nurul Afni; Yunus, Syarifudin
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 7 No. 6 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v7i6.12370

Abstract

Abstract Poetry is a form of expression that conveys a poet's feelings through distinctive diction and language style. This study analyzes how language is used as a medium for emotional expression in Natasha Rizki's poem "Kepada Abu". Using a stylistic approach, this study examines the selection of diction, figurative language, and poetic structure that constructs emotional meaning. The findings show that the use of metaphors, symbols, and repetition in the poem strengthens the nuances of sadness and loss, allowing readers to experience the emotions the poet intends to convey. Furthermore, the poem demonstrates that language not only delivers as a tool for communication but also as a means to evoke readers' feelings and create a profound emotional connection. The language in this poem conveys messages not only intellectually but also emotionally, proving that literary works have an extraordinary power to explore the depth of human emotions. Thus, "Kepada Abu" becomes a testament to poetry's ability to connect the poet's personal expression with the reader's experience. Keywords: Poetry, language, emotional expression, stylistics, Natasha Rizki. Abstrak Puisi merupakan bentuk ekspresi yang menggambarkan perasaan penyair melalui diksi dan gaya bahasa khas. Penelitian ini menganalisis bagaimana bahasa dalam puisi "Kepada Abu" karya Natasha Rizki digunakan sebagai media ekspresi rasa. Dengan pendekatan stilistika, penelitian ini mengkaji pemilihan diksi, majas, dan struktur puisi yang membangun makna emosional. Hasil penelitian menunjukkan bahwa penggunaan metafora, simbol, dan repetisi dalam puisi ini memperkuat nuansa kesedihan dan kehilangan, sehingga memungkinkan pembaca merasakan emosi yang ingin disampaikan penyair. Lebih jauh, puisi ini menunjukkan bahwa bahasa tidak hanya berfungsi sebagai alat komunikasi, tetapi juga sebagai sarana yang mampu menggugah perasaan pembaca dan menciptakan koneksi emosional yang mendalam. Bahasa dalam puisi ini tidak hanya menyampaikan pesan secara intelektual, melainkan juga secara emosional, membuktikan bahwa karya sastra memiliki kekuatan luar biasa dalam menggali kedalaman perasaan manusia. Dengan begitu, "Kepada Abu" menjadi bukti nyata bahwa puisi mampu menjembatani ekspresi personal penyair dengan pengalaman batin pembacanya. Kata kunci: Puisi, bahasa, ekspresi rasa, stilistika, Natasha Rizky.
ANALISIS CERPEN “BADAI YANG REDA” KARYA FAUZIA A: PERSPEKTIF SOSIAL DAN PSIKOLOGIS DALAM PENCARIAN JATI DIRI Listanto, Firgiawan; Arfiah, Siti; Yunus, Syarifudin
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 7 No. 6 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v7i6.12426

Abstract

This study uses a qualitative-descriptive method with a literary approach, especially a sociological and psychological approach to literature. This method was chosen because it is appropriate for revealing the meaning contained in literary texts in depth, especially those related to social dynamics and the psychological conditions of the characters in the short story. This approach also allows researchers to analyze how social structures and environmental pressures influence the main character's inner journey in finding their identity. The short story "Badai yang Reda" by Fauzia A describes the main character's inner journey in finding their identity amidst social pressure and psychological conflict. From a social perspective, this story highlights the role of the environment, family, and expectations of coastal communities that shape the character's identity. The main character experiences a dilemma between her desire for freedom and her attachment to tradition and social obligations. This tension shows how social structures not only create roles, but also become a source of pressure that limits the individual's space to explore and express themselves.
PERTENTANGAN KELAS DALAM JEJAK TANAH: KAJIAN SASTRA MARXIS ATAS EKSPLOITASI KAUM PROLETAR KARYA DANARTO Mu'amar, Afadi Khoirul; Mustika, Gina; Yunus, Syarifudin
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 7 No. 6 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v7i6.12427

Abstract

This study aims to analyze class conflict and forms of proletarian exploitation in the short story Jejak Tanah by Danarto through the lens of Marxist theory. The story portrays a structural conflict between property developers, representing the bourgeois class, and the marginalized community as the proletariat struggling to defend their land rights. This research employs a qualitative method with a critical literary text analysis approach to uncover intrinsic and extrinsic elements in the story that reflect social, political, and economic dynamics. The analysis reveals that Jejak Tanah voices a critique of modern capitalist practices, particularly in the form of land grabbing, structural violence, and repression of popular resistance. The story also contains symbolic narratives that reflect class consciousness and the collective struggle of the proletariat against bourgeois domination. Thus, Danarto’s work not only aesthetically represents social injustice but also calls on readers to recognize the importance of solidarity in resisting oppression.
KRITIK SOSIAL DALAM PUISI “DIPONEGORO” KARYA CHAIRIL ANWAR: MENELUSURI PERLAWANAN TERHADAP KETIDAKADILAN SOSIAL Handiansyah, Dandi; Zai, Mega Susanti; Yunus, Syarifudin
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 7 No. 6 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v7i6.12433

Abstract

This study aims to reveal the form of social criticism in the poem “Diponegoro” by Chairil Anwar using stylistic and sociological literary approaches. Chairil Anwar, a prominent figure of the '45 Generation, is known for his revolutionary works that voice resistance against injustice. In this poem, Chairil resurrects the figure of Prince Diponegoro as a symbol of struggle and perseverance in the face of oppression. The study employs a qualitative descriptive method with content analysis techniques to examine the poem’s diction, figurative language, symbols, and meanings, as well as its connection to the socio-political context of post-independence Indonesia. The analysis reveals that “Diponegoro” is not only a tribute to a national hero but also rich in social criticism towards the decline of revolutionary ideals in the post-independence era. The linguistic elements such as repetition, metaphor, and heroic imagery demonstrate the poem’s expressive power in awakening readers' awareness and spirit. The poem serves as both a medium of cultural resistance and a call to continue fighting against new forms of oppression during the development era. Thus, Chairil Anwar's work proves to hold strong social relevance and reflects the realities of his time through literary aesthetics.
ANALISIS PENOKOHAN DALAM CERPEN SENYUM KARYAMIN KARYA AHMAD TOHARI Hasyim, Abdul; Anggiana, Nur Chintia; Yunus, Syarifudin
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 7 No. 6 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v7i6.12436

Abstract

This study aims to analyze characterization in the short story "Senyum Karyamin" by Ahmad Tohari using a descriptive qualitative method and content analysis technique. The results show that Karyamin, the main character, is portrayed as patient, resilient, and optimistic despite living in poverty. Supporting characters such as Saidah, Sarji, and the village official strengthen the social and humanitarian themes, reflecting the reality of the lower-class society. The characterization is analyzed based on role, function, character development, and social representation.
Co-Authors abdul hasyim, abdul Adil, Ahmad Fatwa Afwillah, An Najaa Agustin, Nadira Akbar, Syafaat Yusufa Al’ Hayati, Zaytun Amalia, Faizul Muna Anggiana, Nur Chintia Antika, Rindi Anzani, Nurul Afni Ardhana, Muhammad Firzha Ardiningrum, Alisha Arfiah, Siti Aryati, Dila Damanik, Hera Vani Fajriah, Okti FAUZI Fauziah, Amilatul Fauziah, Jihan Febriani, Nada’a Rizka Fitriani, Anggun Handiansyah, Dandi Handriyani, Kiki Herdiana, Nia Hia, Lestari Iman Putri Hiriana, Risha Huda, Fathia Nurul Ibrohim, Achmad Ifadatul Khusnah, Sofiana Aulia Indiani, Rara Istianah Istianah Izati, Isna Nur Kasrani, Meliawati Rizki Listanto, Firgiawan Luthfiah, Anisa Najwa Maharani, Sefia Maulia, Naufa Mikdad, Mikdad Mu'amar, Afadi Khoirul Muhammad Hadi Mustika, Gina Nasution, Siti Hanifah Novidayanti, Nur Rizky Nur Alamsyah, Nur Nur Hayati Nuraeni, Windry NURUL AZIZAH Nurwijayanti Oktavia, Annisa Rahmah, Adnin Fauziyah Ramadhan, Hamdi Rijal, Achmad Choirul Rulfida, Yanah Salsabila, Intan Saputra, Muhamad Ananda Saputra, Rendys Sarah, Sartika Sari, Irna Revita Sinetri, Yohana Siti Jubaedah Siti Nurjannah Siti Romlah Suharni, Nani Suhendro, Daniel Dwi Sulaeman, Eka Gilang Wicaksana Sulistiawan, Dellana Ismi Susanti, Gina Komara Tamba, Rolinca Threesnaldy, Muhammad Rezky Ulya, Dinda Zuhrotul Yahya, Wildan Albiruni Yohana Sianturi, Rut Cahaya Zai, Mega Susanti