Article Per Year (5 Year)
p-Index From 2021 - 2026
2.926
P-Index
This Author published in this journals
All Journal Gorga : Jurnal Seni Rupa Gondang: Jurnal Seni dan Budaya Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Journal of Education, Humaniora and Social Sciences (JEHSS) PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Community Development Journal: Jurnal Pengabdian Masyarakat Bercadik: Jurnal Pengkajian dan Penciptaan Seni Musik Etnik Nusantara Jurnal Abdimas Mahakam
Wirandi, Rika
Institut Seni Budaya Indonesia Aceh
Arts Humanities Economics, Econometrics & Finance Education Health Professions Public Health Social Sciences Other

Published : 23 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 23 Documents
Search

 1   2   3 
Nada-Nada Persatuan: Manifestation of the Third Principle of Pancasila in the Meugang Through Experimental Music Rico Gusmanto; Dwindy Putri Cufara; Rika Wirandi
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 2 (2025): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i2.69308

Abstract

Meugang is a tradition of the Acehnese people that is carried out before Ramadan, Eid al-Fitr, and Eid al-Adha, and is rich in values of togetherness and mutual cooperation. These values are in line with the third principle of Pancasila, namely “Indonesian Unity”. Previous studies have focused on meugang as a cultural and social tradition but have not explored its ideological dimension nor its potential as the conceptual basis for musical experimentation. This research fills that gap by applying a practice-led artistic research approach, integrating observation, and interviews with Meugang practitioners. This music inspired by Cage’s sound philosophy and Lachenmann’s concept of musique concrete instrumentale. the result is an experimental music titled  Nada-Nada Persatuan (Tones of Unity), structured around three core values of mutual cooperation namely unity, harmony, and balance. The study finds that music can function as both aesthetic construction and an ideological metaphor, enabling local cultural practices to articulate national identity through sound. This research contributes to the discourse on Indonesian experimental music by demonstrating how cultural-ideological concepts can be systematically translated into sonic structures.
Haro Hara Song: History of Protest Music in Aceh 2000-2003 Rika Wirandi; Rico Gusmanto; Dwindy Putri Cufara; Susandro Susandro; Hatmi Negria Taruan
Gondang: Jurnal Seni dan Budaya Vol. 10 No. 1 (2026): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2026
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/3c9q8z67

Abstract

The song Haro Hara is one of the protest songs whose lyrics contain four bloody events during the 1998 conflict or after the revocation of the Military Operations Area (DOM) status in Aceh. This study aims to examine the development, social and political influences, and the phases of the ban on the protest song Haro Hara during the armed social conflict in Aceh. This study uses a qualitative approach based on archives, employing netnography techniques that emphasize the search for online data, archives, and interviews. The primary data sources are musical artifacts in the form of physical cassette tape releases of the Nyawöung album and several related Acehnese music albums, as well as digital files of related songs on YouTube, Instagram, Facebook, and TikTok. This study found that the song Haro Hara is considered a product of journalism in the form of music that tells and records four conflict events that claimed civilian casualties in Aceh. The song is considered to contain propaganda and is included in the list of “banned songs” that were once censored along with other Acehnese songs with protest and political nuances. The song Haro Hara was removed from the second album released by Nyawöung in 2004 because it was considered by the Regional Military Emergency Authority (PDM) of Nanggroe Aceh Darussalam (NAD) to be provocative and to stir up the spirit of resistance among the Acehnese people who wanted independence and were considered to be siding with the Free Aceh Movement (GAM). Furthermore, the musical concepts championed by the Nyawöung band—including in the song Haro Hara—have had a significant impact on the dynamics of music and local politics in Aceh during the conflict and up to the present day.
TRAUMA HEALING MELALUI PERMAINAN TRADISIONAL BERBASIS BUDAYA LOKAL BAGI SISWA TERDAMPAK BENCANA ALAM DI SMK NEGERI 1 IDI RAYEUK Syahri Ramadhan; Ahmad Fajri; Nadra Akbar Manalu; Melly Tria Utari; Rika Wirandi; Wita Dwi Payana; Melda Munawarah; Ine Salvani Renggali SY; Rizka Ayunda
Community Development Journal : Jurnal Pengabdian Masyarakat Vol. 7 No. 4 (2026): Vol. 7 No. 4 (2026)
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/cdj.v7i4.57583

Abstract

Bulan November tahun 2025, terjadi bencana alam pada beberapa wilayah di Pulau Sumatera, salah satu wilayah yang terdampak bencana yaitu Aceh Timur di kecamatan Idi Rayeuk yang terkena banjir bandang. Banjir ini menimbulkan kerusakan cukup parah dari infrastruktur, ekonomi, hingga pendidikan. Upaya pemulihan berkala dari pemerintah, relawan, dan masyarakat sekitar seperti distribusi makanan, perbaikan infrastruktur, membersihkan lumpur yang tersisa sudah dilakukan. Namun, pemulihan psikologis pada anak sering luput dari perhatian karena terbatasnya tenaga medis untuk mengatasi trauma healing. Masalah psikologis jika tidak segera diatasi akan menimbulkan gangguan mental jangka panjang seperti depresi, kecemasan, stres, hingga kesulitan bersosialisasi. Pelaksanaan pengabdian kepada masyarakat ini menggunakan metode yang terdiri dari tahapan-tahapan berikut ini: 1) tahapan persiapan dan sosialisasi, meliputi kegiatan survei awal serta koordinasi dengan mitra, 2) tahapan pelaksanaan dan penerapan, yaitu penerapan pendampingan trauma healing melalui permainan tradisional kepada siswa, dan 3) tahapan pendampingan dan evaluasi, difokuskan pada penilaian dampak kegiatan terhadap kondisi psikososial siswa. Pengabdian ini diharapkan dapat memberikan solusi terhadap pemulihan pascabencana, terutama pada kelompok rentan seperti anak-anak dan remaja, karena jika tidak segera diatasi akan berdampak panjang pada aspek psikososial anak. Upaya pemulihan dilakukan melalui media permainan tradisional berbasis budaya lokal. Aktivitas bermain memungkinkan anak mengekspresikan emosi secara nonverbal, mengalihkan fokus dari pengalaman traumatis, dan kemampuan kontrol diri. Selain hiburan, permainan tradisional juga dapat menjadi wadah untuk melestarikan budaya lokal.
Co-Authors Ahmad Fajri Andeska, Niko Badrul Mukhlishiin Denada, Berlian Dwindy Putri Cufara Ediwar Ediwar Fifie Febryanti Sukman Hanefi Hanefi Hanefi, Hanefi Indra Setiawan Indra Setiawan Indra Setiawan Ine Salvani Renggali SY Magfhirah Murni B. P. Magfhirah Murni B.P Magfhirah Murni Bintang Magfhirah Murni Bintang Permata Maghfhirah Murni Bintang Permata Maghfirah Murni Bintang Permata Melda Munawarah Melly Tria Utari Muhammad Mufadhal Nadra Akbar Manalu Reza Sastra Wijaya RICO GUSMANTO Rizka Ayunda Susandro, Susandro Susandro, Susandro Syahri Ramadhan Tria Ocktarizka Wita Dwi Payana