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All Journal Gorga : Jurnal Seni Rupa Gondang: Jurnal Seni dan Budaya Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Journal of Education, Humaniora and Social Sciences (JEHSS) PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Bercadik: Jurnal Pengkajian dan Penciptaan Seni Musik Etnik Nusantara Jurnal Abdimas Mahakam
Wirandi, Rika
Institut Seni Budaya Indonesia Aceh
Arts Humanities Education Health Professions Public Health Social Sciences Other

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Nada-Nada Persatuan: Manifestation of the Third Principle of Pancasila in the Meugang Through Experimental Music Rico Gusmanto; Dwindy Putri Cufara; Rika Wirandi
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 2 (2025): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i2.69308

Abstract

Meugang is a tradition of the Acehnese people that is carried out before Ramadan, Eid al-Fitr, and Eid al-Adha, and is rich in values of togetherness and mutual cooperation. These values are in line with the third principle of Pancasila, namely “Indonesian Unity”. Previous studies have focused on meugang as a cultural and social tradition but have not explored its ideological dimension nor its potential as the conceptual basis for musical experimentation. This research fills that gap by applying a practice-led artistic research approach, integrating observation, and interviews with Meugang practitioners. This music inspired by Cage’s sound philosophy and Lachenmann’s concept of musique concrete instrumentale. the result is an experimental music titled  Nada-Nada Persatuan (Tones of Unity), structured around three core values of mutual cooperation namely unity, harmony, and balance. The study finds that music can function as both aesthetic construction and an ideological metaphor, enabling local cultural practices to articulate national identity through sound. This research contributes to the discourse on Indonesian experimental music by demonstrating how cultural-ideological concepts can be systematically translated into sonic structures.
Co-Authors Andeska, Niko Badrul Mukhlishiin Berlian Denada Berlian Denada Berliana Denada Dwindy Putri Cufara Ediwar Ediwar Fifie Febryanti Sukman Hanefi Hanefi Hanefi, Hanefi Indra Setiawan Indra Setiawan Indra Setiawan Magfhirah Murni B. P. Magfhirah Murni B.P Magfhirah Murni Bintang Magfhirah Murni Bintang Permata Maghfhirah Murni Bintang Permata Maghfirah Murni Bintang Permata Muhammad Mufadhal putra, rizki mona dwi Reza Sastra Wijaya RICO GUSMANTO Susandro, Susandro Susandro, Susandro Tria Ocktarizka