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Studi kualitas pewarnaan alami kulit bawang merah pada kain batik Laksana, Haniko Candra; Widadi, Zahir; Sasongko, Aditya Dimas Wahyu
Canting : Jurnal Batik Indonesia Vol 1 No 1 (2024): Canting: Jurnal Batik Indonesia
Publisher : Fakultas Teknik Universitas Pekalongan bekerjasama dengan Asosiasi Perajin dan Pengusaha Batik (APPBI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31941/canting.v1i1.171

Abstract

Shallots are a plant that is often used in human life. The waste product from shallots that can be used is shallot skins, where the shallot skins are usually just thrown away. This research uses a study of the quality of natural coloring of shallot skin on batik cloth. This research aims to determine the quality of the natural color of shallot skin on batik cloth. The process of researching the quality of shallot skin dye is that a cloth sample is attached to wax and then colored using shallot skin dye which has been extracted and fixed using an alum fixator. After that, the fabric sample is subjected to a night release process. Test samples in the laboratory through color fastness tests to wax release, color fastness tests to washing, color fastness tests to rubbing and color fastness tests to sunlight. Evaluate the resulting values ​​using gray scale and staining scale tools. The results of color fastness to waxing, washing, rubbing and sunlight are very low. This is because the anthocyanin and flaponoid compounds carried by shallot skin tend to be few or the coloring substances produced are very light.
Representasi Budaya dan Makna Simbolik Motif Kapal Kandas Kudus: Pendekatan Semiotika Roland Barthes Astuti, Yuli; Sasongko, Aditya Dimas Wahyu; Haris, Muhammad Naoval; Lestari , Rizki; Widadi, Zahir
Journal of Innovative and Creativity Vol. 5 No. 3 (2025)
Publisher : Fakultas Ilmu Pendidikan Universitas Pahlawan Tuanku Tambusai

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Abstract

Traditional batik is one of Indonesia’s cultural heritages that carries not only aesthetic value but also rich symbolism and philosophy. This study focuses on the Kapal Kandas Kudus motif, a coastal batik design rooted in the story of Admiral Cheng Ho’s shipwreck on Mount Muria. The motif contains symbolic elements that reflect the worldview of Kudus society, such as hope, life’s trials, balance, protection, and gratitude for natural abundance. The research employed a qualitative method through observation, interviews, documentation, and literature review, conducted at the Muria Batik Gallery, Kudus, which serves as a center for the development of Kudus batik. Roland Barthes’ semiotic approach was applied to reveal the denotative, connotative, and mythical meanings of various decorative elements, including ships, fish, seaweed, and coral reefs. The findings indicate that the Kapal Kandas motif was historically used in traditional ceremonies such as circumcisions and communal celebrations but has now become more flexible, being worn on diverse occasions. This shift illustrates cultural adaptability while maintaining symbolic values inherited from ancestors. The study emphasizes the importance of understanding the symbolic meanings of batik motifs as a means of cultural preservation and as a reinforcement of national identity.