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All Journal Diglosia Syntax Literate: Jurnal Ilmiah Indonesia Martabe : Jurnal Pengabdian Kepada Masyarakat JURNAL PENDIDIKAN TAMBUSAI Jurnal Pendidikan dan Konseling Jurnal Serunai Bahasa Indonesia Tamumatra : Jurnal Seni Pertunjukan JIIP (Jurnal Ilmiah Ilmu Pendidikan) Jurnal Suluh Pendidikan Community Development Journal: Jurnal Pengabdian Masyarakat Melayu Arts and Performance Journal Lombok Journal of Science Jurnal Hukum PATIK Jurnal Visi Pengabdian Kepada Masyarakat Jurnal Abdimas Bina Bangsa PROFICIO: Jurnal Pengabdian Masyarakat Jurnal Kajian Seni Mamangan Social Science Journal Innovative: Journal Of Social Science Research
Kartini Ruth Maduma Manalu
Universitas HKBP Nommensen Medan
Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Computer Science & IT Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Immunology & microbiology Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Mechanical Engineering Physics Public Health Social Sciences Other

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Presentation Of The Seven Last Words Of Christ Composed By Théodore Dubois By The Medan Glorious Singers Choir Kartini Ruth Maduma Manalu; Eniman Gea; Mastaria Simanjuntak
Jurnal Ilmu Sosial Mamangan Vol 12, No 3 (2024): Jurnal Ilmu Sosial Mamangan Accredited 3 (SK Dirjen Ristek Dikti No. 158/E/KPT/
Publisher : LPPM Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22202/mamangan.v12i03.7923

Abstract

Cantata BWV 147 Herz und Mund und Tat und Leben (Heart and mouth, deeds and life) by JS Bach is one of the compositions that is often sung, especially the part "Jesu, Joy of Man's Desiring". This study discusses the presentation of The Seven Last Word of Christ by Théodore Dubois by the Medan Glorious Singers Choir. The research used is qualitative research with analytical descriptive writing methods and using a musicological study approach. The relationship between the soloist (soprano, tenor, and baritone) and the choir is an important part of the performance so that harmony and volume can be properly regulated. The consideration of the conductor in determining the repertoire of the performance and how to organize the whole performance is interesting to study, as well as the accompaniment (keyboard) which is an important part in providing color, dynamics, tempo in realizing the metaphors conveyed through the text. Certain parts from text Seven Words Jesus on the Cross supported with election mature melodies and progressions chords that carry we are at a metaphor that goes beyond trajectory history
Diding Musuh Suka Arrangements Tipan Sembiring Works Ranita Br. Sitepu; Hendrik L. Simanjuntak; Kartini R.M. Manalu
Jurnal Ilmu Sosial Mamangan Vol 12, No 2 (2023): Jurnal Ilmu Sosial Mamangan Accredited 3 (SK Dirjen Ristek Dikti No. 158/E/KPT/
Publisher : LPPM Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22202/mamangan.v12i2.6508

Abstract

Tipan Sembiring was a Karo artist, but he was better known as a perkolong-kolong (Karo singer) around 1930-1970. Tipan Sembiring is also one of the women's groups who compose songs with quite poetic lyrics. This research aims to arrange musical arrangements for the diding enemy like the work of Tipan Sembiring. The method approach used to identify the study of the arrangement of the song Diding Musuh Suka by Tipang Sembiring is qualitative research. As for changes within the song, namely those resulting from the accumulated creative efforts of individuals or groups; and there is a change in the entire structure of tradition, as a result of internal or external pressures. The song Diding Musuh Suka by Tipan Sembiring has an interesting history related to the agreement between two singers which culminated in Tipan Sembiring's marriage to Sayang Barus, in 1937. The musical composition of this song still uses traditional musical instruments and has no variations or modulations. Even though it is said that the production was 'simple', it still took into consideration musical elements such as; tempo, rhythm, dynamics, melody, and intro. The Karo singing style is part of what is put forward as a form of cultural richness that cannot be separated from where musical activity grows and develops. The method of transcribing the song Diding Musuh Suka shows how Tipan Sembiring composed his work by prioritizing musical experience. Of course, the composition of the work is more 'tinged' with Karo culture by accommodating the Western music system
The Interpretation and Performance Techniques of the Aria Der Hölle Rache Kocht in Mainem Herzen by Wolfgang Amadeus Mozart Sidabutar, Regina Halmin; Manalu, Kartini; Nainggolan, David
Melayu Arts and Performance Journal Vol 7, No 2 (2024): Melayu Arts and Performance Journal
Publisher : Pascasarjana Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/mapj.v7i2.4833

Abstract

This study aims to identify the interpretation techniques and elements of the aria Der Hölle Rache Kocht in Mainem Herzen by Wolfgang Amadeus Mozart and to apply the performance techniques appropriately. Using a descriptive qualitative approach, this research utilizes video observations on YouTube, literature studies, and documentation to explore various interpretation techniques. The analysis focuses on musical elements, including dynamics, timbre, tempo, and melismatic style. Vocal techniques examined include sound production (covering breathing, vocal cords, resonance, and articulation), intonation, vibrato, head voice, and coloratura technique. The results indicate that this aria demands a high level of technical skill from the singer, particularly in mastering fast tempo, precise intonation, and high register usage. In addition to advanced vocal techniques, presenting this aria requires physical and environmental preparation, such as room temperature regulation and hydration, to maintain sound quality. It was found that the ability to combine emotional expression with vocal technique is key to successfully performing this aria, renowned as one of the most challenging pieces in the opera repertoire.
TEKNIK PERMAINAN DAN PENYAJIAN NEVICATA OPUS 29 PASTORALE KARYA BENVENUTO TERZI Berutu, Kristin Advent J; Kartini R.M Manalu
TAMUMATRA Vol 7 No 1 (2024)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v7i1.27945

Abstract

This study discusses the interpretation and presentation techniques of Nevicata Op. 29 Pastorale by Benvenuto Terzi. The techniques used are interpretation techniques based on musical elements such as dynamics, tempo, and playing techniques in the form of barre, vibrato, arpeggio, harmonics, trills, glissando, slur, nano izi quardo solo, tone color, apoyando, tirando, sul tasto, and sul ponticello techniques. This study also explains the difficulties experienced by the author when presenting nevicata in a recital and how to overcome them during the practice process. The very basic level of complexity in this nevicata is the use of larghissimo (slow) and piano (soft) tempos. In the last section, the author explains the presentation of nevicata op. 29 when performing a recital.
DESKRIPSI DAN EKSPLORASI TEKNIK PERMAINAN DAN PENULISAN KARYA GAVOTTE AND RONDEAU KARYA JOHANN SEBASTIAN BACH Gulo, Rizki Sozanolo; Manalu, Kartini
Jurnal Suluh Pendidikan Vol 13 No 1 (2025): Maret 2025
Publisher : Fakultas Keguruan dan Ilmu Pendidikan, Universitas HKBP Nommensen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36655/jsp.v13i1.1683

Abstract

This study discusses the interpretation and writing techniques of Johann Sebastian Bach's Gavotte and Rondeau. The techniques used are interpretation techniques based on musical elements such as dynamics, tempo, and playing techniques in the form of Speed, Power, Trill, Slur, Bare, Vibrato, Slide, Apoyando, and Tirando techniques. This study also explains the difficulties experienced by the author when presenting Gavotte and Rondeau in a recital exam and how to overcome them during the practice process. The very basic level of complexity in this Gavotte and Rondeau is aligning the tempo with the speed of hand movement and the articulation of the notes played.
GKI GCC; Magang; Aspek Musikal; Aspek Non musikal Hendrik Leonard Simanjuntak; Sella Noviyanti Saragih; Karunia Debora Claudia; Domilika Panggabean; Kartini R. M. Manalu
Jurnal Visi Pengabdian Kepada Masyarakat Vol. 6 No. 1 (2025): Jurnal Visi Pengabdian Kepada Masyarakat : Edisi Februari 2025
Publisher : LPPM Universitas HKBP Nommensen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51622/pengabdian.v6i1.2667

Abstract

Internship is a media specifically provided by the Music of Arts Department University of HKBP Nommensen to facilitate students to have the opportunity to study outside the campus for one semester. One form of internship offered is student participation in music ministry in the church. There are two main aspects that students prepare before the internship is carried out, namely; musical and non-musical aspects. The final result of the internship is connection, collaboration, cooperation, and scientific implications. The implementation of the internship received a positive response from church leaders, congregations, music teams, multimedia teams, and sunday school teachers.
Elaborasi Teknik Permainan dan Penyajian Uptown Funk Karya Mark Ronson Pada Saxofon Damanik, Yogi Martua; Manalu, Kartini; Sihombing, Nielson
Innovative: Journal Of Social Science Research Vol. 5 No. 2 (2025): Innovative: Journal Of Social Science Research
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/innovative.v5i2.18161

Abstract

This thesis discusses the elaboration of playing techniques and presentation of the saxophone in the work Uptown Funk by Mark Ronson. The techniques used are diaphragmatic breathing, tonguing, altissimo, staccato, and improvisation. This research also provides an explanation of the difficulties experienced by the author when presenting this work in a recital. In the final part, the author explains the presentation of Uptown Funk during a recital. The result of the training is that the author is able to use the techniques that the author has prepared in presenting the repertoire and at the recital the author uses these techniques well as previously trained.
Instrumental Dominance In Bands: a Study of Player Subjectivity Manalu, Kartini R.M.; Simanjuntak, Hendrik L; Waruwu, Happy Majesty; Sagala, Yeremia Yosephina Van; Siahaan, Thessa Angelica
Jurnal Ilmu Sosial Mamangan Vol 12, No 3 (2025): Jurnal Ilmu Sosial Mamangan Accredited 2 (SK Dirjen Ristek Dikti No. 0173/C3/DT
Publisher : LPPM Universitas PGRI Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22202/mamangan.v12i3.9203

Abstract

This research opens up a space for discourse on the existence of various perspectives of musicians and the community regarding the dominance of instruments. They believe that there is one instrument that has a higher 'value' than other instruments. In this case, ‘value’ can be interpreted as dominance, tendency, ‘primacy’, ‘existence’ and ‘position’ within a band or musical ensemble. The urgency of this research is to see to what extent this dominance is interpreted in a musical performance by musicians, the general public, and how this is connected to the concept of 'equality' from an instrumentation perspective. Something that becomes ‘blurry’ when an instrument is debated without a ‘balanced’ indicator or is diminuted from the character of the instrument.
Peranan dan Fungsi Nyanyian Mazmur Tanggapan dalam Tata Perayaan Misa Ekaristi pada Minggu Paskah Kedua di Gereja Katolik Santo Paulus Pasar Merah Sitanggang, Ronaldo; Batubara, Junita; Manalu, Kartini
Innovative: Journal Of Social Science Research Vol. 4 No. 5 (2024): Innovative: Journal Of Social Science Research
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/innovative.v4i5.15865

Abstract

Penelitian ini adalah sebuah pendeskripsian peranan dan fungsi nyanyian Mazmur tanggapan dalam tata perayaan misa ekaristi di Gereja Katolik Santo Paulus Pasar Merah. Penelitian ini menggunakan desain penelitian kualitatif yang bertujuan untuk mengungkapkan asumsi, maksud, pendekatan, peranan peneliti, dan desain penelitian. Hasil dari penelitian ini adalah sebuah penganalisaan dengan menggunakan teori musik barat, perubahan dan perkembangan Mazmur tanggapan, serta metode dalam membawakan Mazmur tanggapan dalam sebuah perayaan misa ekaristi di Gereja Santo Paulus Pasar merah. Kemudian pendeskripsian fungsi dijelaskan penulis berkaitan dengan alasan-alasan utama sebuah musik, khusus nyanyian yang dipertunjukan dengan tujuan yang lebih penting seperti fungsi pengungkapan emosional, penghayatan estetika, hiburan, komunikasi, dan fungsi media dalam memuji Tuhan. Teori yang digunakan dalam penelitian ini adalah teori Martasudjita tentang musik liturgi dalam peribadatan dan Teori Alan P. Merriam dalam pendeskripsian fungsi Musik.
Co-Authors Adelina Artauli Sinaga Adella Girsang Apriani Apriani Bangun Munthe Bernike Sinaga Berutu, Kristin Advent J BESLINA AFRIANI SIAGIAN Cindy Cristian Damanik, Yogi Martua David Guth David Mrazek Domilika Panggabean Dusan Jina Elida Gries Simbolon Elza Leyli Lisnora Saragih Eniman Gea Enzelina Napitupulu Eriska Elgrita Hutabalian Ester Meisy Tarigan Fernando S. H Rajagukguk Fitri Yuneza G. R. Lono Lastoro Simatupang Grendy Mathew Purba Gulo, Rizki Sozanolo Hendrik Leonard Simanjuntak Herlina H. Sianipar Herlina Turnip Jamaluddin Sitorus Jan Tomasov Junita Batubara, Junita Karunia Debora Claudia Kristian Gea Lamtiur Verawaty Simbolon Lawolo, Noverman Lenka Křivánková Lenni Yanti Margaret Stevani Martin Maděra Mastaria Simanjuntak Matous Havrlik Melga J Capah Morianus Gowasa Nainggolan, David Nasri Simanjuntak Natalina Simanjuntak Nova Yunita Sari Nove Lastri Situmorang Nyak Ina Raseuki Pardede , Fransius Pontas J. Sitorus Pontas Jamaluddin Sitorus Puspa Realita Gulo Ranita Br. Sitepu Rinatasya Ginting Rinawati Lumbansiantar Rinsofat Naibaho Sagala, Yeremia Yosephina Van Sanggam Pardede Sara Sidabutar Sarma Panggabean Sella Noviyanti Saragih Sherina Debora Simamora Siahaan, Thessa Angelica Sidabutar, Regina Halmin Sihombing, Nielson simanjuntak, andreas Simanjuntak, Hendrik L Simatupang, Rikommen Sinaga, Bobi Sitanggang, Ronaldo Sitohang, Tigor Sri Sulastri Lumban Tobing Susi Era Veri Uton Utomo Waruwu, Happy Majesty Yuni Indah Romaida Simangunsong